Shakespeare and Phenomenology: Theory and Practice (1) (Routledge Studies in Shakespeare)

Synopsis

This book considers how Shakespeare’s theatre investigates and reveals “Being-in-the-world”. Through the lens of phenomenology (the study of how the world shows itself to conscious experience) Johnston examines how Shakespeare’s texts and dramaturgy reveal aspects of Being. This volume explores philosophical themes in Shakespeare’s drama, including perceptions of stage space and fictional place, temporality, bodies, authenticity, and memory in early modern English staging. It examines how Shakespeare asks the question of the meaning of Being by playing with the distinction between “what is” and “what is not”. The work offers practical performance tips and exercises to connect with modern audiences. Each chapter aims to inspire creative artists in production and rehearsal through a unique focus and provide a critical approach to performance. Through a phenomenological exploration of dramatic possibilities drawn from the key concepts of philosophers such as Edmund Husserl, Martin Heidegger, Maurice Merleau-Ponty, and Edith Stein, Johnston investigates theatre as a practical form of philosophical investigation. Theatre-makers should not only consider the fictional world of the play, but also the historical context of Shakespeare’s world and the contemporary context for connecting with audiences here, today, now.

Copyright:

2026

Book Details

Book Quality:

Publisher Quality

Book Size:

210 Pages

ISBN-13:

9781040408841

Related ISBNs:

9781032720067, 9781040408797, 9781032720050

Publisher:

Taylor & Francis

Date of Addition:

09/19/25

Copyrighted By:

Daniel Johnston

Adult content:

No

Language:

English

Has Image Descriptions:

No

Categories:

Nonfiction, Literature and Fiction, Drama, Plays and Theater, Language Arts, Philosophy

Submitted By:

Bookshare Staff

Usage Restrictions:

This is a copyrighted book.