Special Collections
Blindness and Visual Impairment Special Collection
Description: A collection featuring biographies, memoirs, fiction and non-fiction by and about members of the blind community. #disability
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On My Own
by Sally Hobart AlexanderThe second part of the author's autobiography, of which the first part, Taking Hold, was published in 1994. The author describes the difficulties and accomplishments she experiences as she adjusts to living independently after losing her sight.
Do You Remember the Color Blue?
by Sally Hobart AlexanderChildren ask questions of an author who lost her vision at the age of twenty-six, including "How did you become blind?" "How can you read?" and "Was it hard to be a parent when you couldn't see your kids?"
Not Fade Away
by Rebecca Alexander and Sascha AlperEven a darkening world can be brilliantly lit from within.
Born with a rare genetic mutation called Usher Syndrome type III, Rebecca Alexander has been simultaneously losing both her sight and hearing since she was a child, and was told that she would likely be completely blind and deaf by age 30. Then, at 18, a fall from a window left her athletic body completely shattered.
None of us know what we would do in the face of such devastation. What Rebecca did was rise to every challenge she faced. She was losing her vision and hearing and her body was broken, but she refused to lose her drive, her zest for life and - maybe most importantly - her sense of humor. Now, at 35, with only a sliver of sight and significantly deteriorated hearing, she is a psychotherapist with two masters' degrees from Columbia University, and an athlete who teaches spin classes and regularly competes in extreme endurance races. She greets every day as if it were a gift, with boundless energy, innate curiosity, and a strength of spirit that have led her to places we can't imagine.
In Not Fade Away, Rebecca tells her extraordinary story, by turns harrowing, funny and inspiring. She meditates on what she's lost--from the sound of a whisper to seeing a sky full of stars, and what she's found in return--an exquisite sense of intimacy with those she is closest to, a love of silence, a profound gratitude for everything she still has, and a joy in simple pleasures that most of us forget to notice.
Not Fade Away is both a memoir of the senses and a unique look at the obstacles we all face--physical, psychological, and philosophical--exploring the extraordinary powers of memory, love, and perseverance. It is a gripping story, an offering of hope and motivation, and an exquisite reminder to live each day to its fullest.
The Book of Chameleons
by Jose Eduardo Agualusa and Daniel HahnFélix Ventura trades in an unusual commodity; he is a dealer in memories, clandestinely selling new pasts to people whose futures are secure and who lack only a good lineage to complete their lives. In this completely original murder mystery, where people are not who they seem and the briefest of connections leads to the forging of entirely new histories, a bookish albino, a beautiful woman, a mysterious foreigner, and a witty talking lizard come together to discover the truth of their lives. Set in Angola, Agualusa's tale darts from tormented past to dream-filled present with a lightness that belies the savage history of a country in which many have something to forget -- and to hide. A brilliant American debut by one of the most lauded writers in the Portuguese-speaking world, this is a beautifully written and always surprising tale of race, truth, and the transformative power of creativity.
Twilight
by Henry Grunwald and Mark G. AckermannIn 1992, when Henry Grunwald missed a glass into which he was pouring water, he assumed that he needed new eyeglasses, not that the incident was a harbinger of darker times. But in fact Grunwald was entering the early stages of macular degeneration -- a gradual loss of sight that affects almost 15 million Americans yet remains poorly understood and is, so far, incurable. Now, in Twilight, Grunwald chronicles his experience of disability: the clouding of his sight, and the daily struggle to overcome its physical and psychological implications; the discovery of what medicine can and cannot do to restore sight; his compulsion to understand how the eye works, its evolution, and its symbolic meaning in culture and art. Grunwald gives us an autobiography of the eye -- his visual awakening as a child and young man, and again as an older man who, facing the loss of sight, feels a growing wonder at the most ordinary acts of seeing. This is a story not merely about seeing but about living; not merely about losing sight but about gaining insight. It is a remarkable meditation.