Special Collections
Arab American Book Award
- Table View
- List View
Origin
by Diana Abu-JaberIn this "mystery of cold beauty and dark isolation, written with crystalline precision" (Miami Herald), a series of crib deaths in Syracuse, New York, draws the attention of police and national media. Is a serial infant murderer at large?
One Green Apple
by Eve Bunting and Ted LewinFarah feels alone, even when surrounded by her classmates. She listens and nods but doesn't speak. It's hard being the new kid in school, especially when you're from another country and don't know the language. Then, on a field trip to an apple orchard, Farah discovers there are lots of things that sound the same as they did at home, from dogs crunching their food to the ripple of friendly laughter. As she helps the class make apple cider, Farah connects with the other students and begins to feel that she belongs.Ted Lewin's gorgeous sun-drenched paintings and Eve Bunting's sensitive text immediately put the reader into another child's shoes in this timely story of a young Muslim immigrant.
The Iron Cage
by Rashid KhalidiKhalidi (Arab studies, Columbia U.) explains why the Palestinians failed to achieve independence prior to 1948, the date of the establishment of Israel. Rather than "compare the incomparable"--the Palestinians and the Zionist movement--he provides thematically comparisons of the Palestinians to other Arab societies at analogous stages of development. His major themes include the failure of the Palestinians to successfully challenge the legal structure of the mandatory regime, which was consciously designed to prevent Palestinian self-government; the role of British-created religious structures in co-opting Palestinian elites; and the structural failures of the revolt of 1936-39.
In the Country of Men
by Hisham MatarLibya, 1979.
Nine-year-old Suleiman’s days are circumscribed by the narrow rituals of childhood: outings to the ruins surrounding Tripoli, games with friends played under the burning sun, exotic gifts from his father’s constant business trips abroad.
But his nights have come to revolve around his mother’s increasingly disturbing bedside stories full of old family bitterness. And then one day Suleiman sees his father across the square of a busy marketplace, his face wrapped in a pair of dark sunglasses. Wasn’t he supposed to be away on business yet again? Why is he going into that strange building with the green shutters? Why did he lie?
Suleiman is soon caught up in a world he cannot hope to understand—where the sound of the telephone ringing becomes a portent of grave danger; where his mother frantically burns his father’s cherished books; where a stranger full of sinister questions sits outside in a parked car all day; where his best friend’s father can disappear overnight, next to be seen publicly interrogated on state television.
In the Country of Men is a stunning depiction of a child confronted with the private fallout of a public nightmare. But above all, it is a debut of rare insight and literary grace.
"Evil" Arabs in American Popular Film
by Tim Jon SemmerlingLooking at their narrative structures and visual tropes, he analyzes how the films portray Arabs as threatening to subvert American "truths" and mythic tales—and how the insecurity this engenders causes Americans to project evil character and intentions on Arab peoples, landscapes, and cultures. Semmerling also demonstrates how the "evil" Arab narrative has even crept into the documentary coverage of 9/11. Overall, Semmerling's probing analysis of America's Orientalist fears exposes how the "evil" Arab of American popular film is actually an illusion that reveals more about Americans than Arabs.