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How did Victorians, as creators and viewers of images, visualize the politics of franchise reform? This study of Victorian art and parliamentary politics, specifically in the 1840s and 1860s, answers that question by viewing the First and Second Reform Acts from the perspectives offered by Ruskin's political theories of art and Bagehot's visual theory of politics. Combining subjects and approaches characteristic of art history, political history, literary criticism, and cultural critique, Picturing Reform in Victorian Britain treats both paintings and wood engravings, particularly those published in Punch and the Illustrated London News. Carlisle analyzes unlikely pairings - a novel by Trollope and a painting by Hayter, an engraving after Leech and a high-society portrait by Landseer - to argue that such conjunctions marked both everyday life in Victorian Britain and the nature of its visual politics as it was manifested in the myriad heterogeneous and often incongruous images of illustrated journalism.
Public Spectacles in Roman and Late Antique Palestine introduces readers to the panoply of public entertainment that flourished in Palestine from the first century BCE to the sixth century CE. Drawing on a trove of original archaeological and textual evidence, Zeev Weiss reconstructs an ancient world where Romans, Jews, and Christians intermixed amid a heady brew of shouts, roars, and applause to watch a variety of typically pagan spectacles. Ancient Roman society reveled in many such spectacles--dramatic performances, chariot races, athletic competitions, and gladiatorial combats--that required elaborate public venues, often maintained at great expense. Wishing to ingratiate himself with Rome, Herod the Great built theaters, amphitheaters, and hippodromes to bring these forms of entertainment to Palestine. Weiss explores how the indigenous Jewish and Christian populations responded, as both spectators and performers, to these cultural imports. Perhaps predictably, the reactions of rabbinic and clerical elites did not differ greatly. But their dire warnings to shun pagan entertainment did little to dampen the popularity of these events. Herod's ambitious building projects left a lasting imprint on the region. His dream of transforming Palestine into a Roman enclave succeeded far beyond his rule, with games and spectacles continuing into the fifth century CE. By then, however, public entertainment in Palestine had become a cultural institution in decline, ultimately disappearing during Justinian's reign in the sixth century.
Anselm of Canterbury (1033-1109 CE), in his work Proslogion, originated the "ontological argument" for God's existence, famously arguing that "something than which nothing greater can be conceived," which he identifies with God, must actually exist, for otherwise something greater could indeed be conceived. Some commentators have claimed that although Anselm may not have been conscious of the fact, the Proslogion as well as his Reply to Gaunilo contains passages that constitute a second independent proof: a "modal ontological argument" that concerns the supposed logical necessity of God's existence. Other commentators disagree, countering that the alleged second argument does not stand on its own but presupposes the conclusion of the first. Anselm's Other Argument stakes an original claim in this debate, and takes it further. There is a second a priori argument in Anselm (specifically in the Reply), A. D. Smith contends, but it is not the modal argument past scholars have identified. This second argument surfaces in a number of forms, though always turning on certain deep, interrelated metaphysical issues. It is this form of argument that in fact underlies several of the passages which have been misconstrued as statements of the modal argument. In a book that combines historical research with rigorous philosophical analysis, Smith discusses this argument in detail, finally defending a modification of it that is implicit in Anselm. This "other argument" bears a striking resemblance to one that Duns Scotus would later employ.
Since Pakistan gained independence in 1947, only once has an elected government completed its tenure and peacefully transferred power to another elected government. In sharp contrast to neighboring India, the Muslim nation has been ruled by its military for over three decades. Even when they were not directly in control of the government, the armed forces maintained a firm grip on national politics. How the military became Pakistan's foremost power elite and what its unchecked authority means for the future of this nuclear-armed nation are among the crucial questions Aqil Shah takes up in The Army and Democracy. Pakistan's and India's armies inherited their organization, training, and doctrines from their British predecessor, along with an ethic that regarded politics as outside the military domain. But Pakistan's weak national solidarity, exacerbated by a mentality that saw war with India looming around every corner, empowered the military to take national security and ultimately government into its own hands. As the military's habit of disrupting the natural course of politics gained strength over time, it arrested the development of democratic institutions. Based on archival materials, internal military documents, and over 100 interviews with politicians, civil servants, and Pakistani officers, including four service chiefs and three heads of the clandestine Inter-Services Intelligence, The Army and Democracy provides insight into the military's contentious relationship with Pakistan's civilian government. Shah identifies steps for reforming Pakistan's armed forces and reducing its interference in politics, and sees lessons for fragile democracies striving to bring the military under civilian control.
Literature is rife with uncertainty. Literature is good for us. These two ideas about reading literature are often taken for granted. But what is the relationship between literature's capacity to unsettle, perplex, and bewilder us, and literature's ethical value? To revive this question, C. Namwali Serpell proposes a return to William Empson's groundbreaking work, Seven Types of Ambiguity (1930), which contends that literary uncertainty is crucial to ethics because it pushes us beyond the limits of our own experience. Taking as case studies experimental novels by Thomas Pynchon, Toni Morrison, Bret Easton Ellis, Ian McEwan, Elliot Perlman, Tom McCarthy, and Jonathan Safran Foer, Serpell suggests that literary uncertainty emerges from the reader's shifting responses to structures of conflicting information. A number of these novels employ a structure of mutual exclusion, which presents opposed explanations for the same events. Some use a structure of multiplicity, which presents different perspectives regarding events or characters. The structure of repetition in other texts destabilizes the continuity of events and frustrates our ability to follow the story. To explain how these structures produce uncertainty, Serpell borrows from cognitive psychology the concept of affordance, which describes an object's or environment's potential uses. Moving through these narrative structures affords various ongoing modes of uncertainty, which in turn afford ethical experiences both positive and negative. At the crossroads of recent critical turns to literary form, reading practices, and ethics, Seven Modes of Uncertainty offers a new phenomenology of how we read uncertainty now.
Thomas Robert Malthus's An Essay on the Principle of Population was an immediate succès de scandale when it appeared in 1798. Arguing that nature is niggardly and that societies, both human and animal, tend to overstep the limits of natural resources in "perpetual oscillation between happiness and misery," he found himself attacked on all sides--by Romantic poets, utopian thinkers, and the religious establishment. Though Malthus has never disappeared, he has been perpetually misunderstood. This book is at once a major reassessment of Malthus's ideas and an intellectual history of the origins of modern debates about demography, resources, and the environment. Against the ferment of Enlightenment ideals about the perfectibility of mankind and the grim realities of life in the eighteenth century, Robert Mayhew explains the genesis of the Essay and Malthus's preoccupation with birth and death rates. He traces Malthus's collision course with the Lake poets, his important revisions to the Essay, and composition of his other great work, Principles of Political Economy. Mayhew suggests we see the author in his later writings as an environmental economist for his persistent concern with natural resources, land, and the conditions of their use. Mayhew then pursues Malthus's many afterlives in the Victorian world and beyond. Today, the Malthusian dilemma makes itself felt once again, as demography and climate change come together on the same environmental agenda. By opening a new door onto Malthus's arguments and their transmission to the present day, Robert Mayhew gives historical depth to our current planetary concerns.
How can we live in such a way that we die only once? How can we organize a society that gives us a better chance to be fully alive? How can we reinvent religion so that it liberates us instead of consoling us? These questions stand at the center of Roberto Mangabeira Unger's The Religion of the Future. Both a book about religion and a religious work in its own right, it proposes the content of a religion that can survive faith in a transcendent God and in life after death. According to this religion--the religion of the future--human beings can be more human by becoming more godlike, not just later, in another life or another time, but right now, on Earth and in their own lives. Unger begins by facing the irreparable flaws in the human condition: our mortality, groundlessness, and insatiability. He goes on to discuss the conflicting approaches to existence that have dominated the last 2,500 years of the history of religion. Turning next to the religious revolution that we now require, he explores the political ideal of this revolution, an idea of deep freedom. And he develops its moral vision, focused on a refusal to squander life. The Religion of the Future advances Unger's philosophical program: a philosophy for which history is open, the new can happen, and belittlement need not be our fate.
The Seleucid Empire (311-64 BCE) was unlike anything the ancient Mediterranean and Near Eastern worlds had seen. Stretching from present-day Bulgaria to Tajikistan--the bulk of Alexander the Great's Asian conquests--the kingdom encompassed a territory of remarkable ethnic, religious, and linguistic diversity; yet it did not include Macedonia, the ancestral homeland of the dynasty. The Land of the Elephant Kings investigates how the Seleucid kings, ruling over lands to which they had no historic claim, attempted to transform this territory into a coherent and meaningful space. Based on recent archaeological evidence and ancient primary sources, Paul J. Kosmin's multidisciplinary approach treats the Seleucid Empire not as a mosaic of regions but as a land unified in imperial ideology and articulated by spatial practices. Kosmin uncovers how Seleucid geographers and ethnographers worked to naturalize the kingdom's borders with India and Central Asia in ways that shaped Roman and later medieval understandings of "the East. " In the West, Seleucid rulers turned their backs on Macedonia, shifting their sense of homeland to Syria. By mapping the Seleucid kings' travels and studying the cities they founded--an ambitious colonial policy that has influenced the Near East to this day--Kosmin shows how the empire's territorial identity was constructed on the ground. In the empire's final century, with enemies pressing harder and central power disintegrating, we see that the very modes by which Seleucid territory had been formed determined the way in which it fell apart.
Soaring income inequality and unemployment, expanding populations of the displaced and imprisoned, accelerating destruction of land and water bodies: today's socioeconomic and environmental dislocations cannot be fully understood in the usual terms of poverty and injustice, according to Saskia Sassen. They are more accurately understood as a type of expulsion--from professional livelihood, from living space, even from the very biosphere that makes life possible. This hard-headed critique updates our understanding of economics for the twenty-first century, exposing a system with devastating consequences even for those who think they are not vulnerable. From finance to mining, the complex types of knowledge and technology we have come to admire are used too often in ways that produce elementary brutalities. These have evolved into predatory formations--assemblages of knowledge, interests, and outcomes that go beyond a firm's or an individual's or a government's project. Sassen draws surprising connections to illuminate the systemic logic of these expulsions. The sophisticated knowledge that created today's financial "instruments" is paralleled by the engineering expertise that enables exploitation of the environment, and by the legal expertise that allows the world's have-nations to acquire vast stretches of territory from the have-nots. Expulsions lays bare the extent to which the sheer complexity of the global economy makes it hard to trace lines of responsibility for the displacements, evictions, and eradications it produces--and equally hard for those who benefit from the system to feel responsible for its depredations.
Too tiny to see with the naked eye, the human embryo was just a hypothesis until the microscope made observation of embryonic development possible. This changed forever our view of the minuscule cluster of cells that looms large in questions about the meaning of life. Embryos under the Microscope examines how our scientific understanding of the embryo has evolved from the earliest speculations of natural philosophers to today's biological engineering, with its many prospects for life-enhancing therapies. Jane Maienschein shows that research on embryos has always revealed possibilities that appear promising to some but deeply frightening to others, and she makes a persuasive case that public understanding must be informed by up-to-date scientific findings. Direct observation of embryos greatly expanded knowledge but also led to disagreements over what investigators were seeing. Biologists confirmed that embryos are living organisms undergoing rapid change and are not in any sense functioning persons. They do not feel pain or have any capacity to think until very late stages of fetal development. New information about DNA led to discoveries about embryonic regulation of genetic inheritance, as well as evolutionary relationships among species. Scientists have learned how to manipulate embryos in the lab, taking them apart, reconstructing them, and even synthesizing--practically from scratch--cells, body parts, and maybe someday entire embryos. Showing how we have learned what we now know about the biology of embryos, Maienschein changes our view of what it means to be alive.
Louis Mandrin led a gang of bandits who brazenly smuggled contraband into eighteenth-century France. Michael Kwass brings new life to the legend of this Gallic Robin Hood and the thriving underworld he helped to create. Decades before the storming of the Bastille, surging world trade excited a revolution in consumption that transformed the French kingdom. Contraband exposes the dark side of this early phase of globalization, revealing hidden connections between illicit commerce, criminality, and popular revolt. France's economic system was tailor-made for an enterprising outlaw like Mandrin. As French subjects began to crave colonial products, Louis XIV lined the royal coffers by imposing a state monopoly on tobacco from America and an embargo on brilliantly colored calico cloth from India. Vigorous black markets arose through which traffickers fed these exotic goods to eager French consumers. Flouting the law with unparalleled panache, Mandrin captured widespread public attention to become a symbol of a defiant underground. This furtive economy generated violent clashes between gangs of smugglers and customs agents in the borderlands. Eventually, Mandrin was captured by French troops and put to death in a brutal public execution intended to demonstrate the king's absolute authority. But the spectacle only cemented Mandrin's status as a rebel folk hero in an age of mounting discontent. Amid cycles of underground rebellion and agonizing penal repression, the memory of Mandrin inspired ordinary subjects and Enlightenment philosophers alike to challenge royal power and forge a movement for radical political change.
Scientific advances and economic forces have converged to create something unthinkable for much of human history: a robust market in human body products. Every year, countless Americans supply blood, sperm, and breast milk to "banks" that store these products for later use by strangers in routine medical procedures. These exchanges entail complicated questions. Which body products are donated and which sold? Who gives and who receives? And, in the end, who profits? In this eye-opening study, Kara Swanson traces the history of body banks from the nineteenth-century experiments that discovered therapeutic uses for body products to twenty-first-century websites that facilitate a thriving global exchange. More than a metaphor, the "bank" has shaped ongoing controversies over body products as either marketable commodities or gifts donated to help others. A physician, Dr. Bernard Fantus, proposed a "bank" in 1937 to make blood available to all patients. Yet the bank metaphor labeled blood as something to be commercially bought and sold, not communally shared. As blood banks became a fixture of medicine after World War II, American doctors made them a frontline in their war against socialized medicine. The profit-making connotations of the "bank" reinforced a market-based understanding of supply and distribution, with unexpected consequences for all body products, from human eggs to kidneys. Ultimately, the bank metaphor straitjacketed legal codes and reinforced inequalities in medical care. By exploring its past, Banking on the Body charts the path to a more efficient and less exploitative distribution of the human body's life-giving potential.
The U. S. Constitution opens by proclaiming the sovereignty of all citizens: "We the People. " Robert Tsai's gripping history of alternative constitutions invites readers into the circle of those who have rejected this ringing assertion--the defiant groups that refused to accept the Constitution's definition of who "the people" are and how their authority should be exercised. America's Forgotten Constitutions is the story of America as told by dissenters: squatters, Native Americans, abolitionists, socialists, internationalists, and racial nationalists. Beginning in the nineteenth century, Tsai chronicles eight episodes in which discontented citizens took the extraordinary step of drafting a new constitution. He examines the alternative Americas envisioned by John Brown (who dreamed of a republic purged of slavery), Robert Barnwell Rhett (the Confederate "father of secession"), and Etienne Cabet (a French socialist who founded a utopian society in Illinois). Other dreamers include the University of Chicago academics who created a world constitution for the nuclear age; the Republic of New Afrika, which demanded a separate country carved from the Deep South; and the contemporary Aryan movement, which plans to liberate America from multiculturalism and feminism. Countering those who treat constitutional law as a single tradition, Tsai argues that the ratification of the Constitution did not quell debate but kindled further conflicts over basic questions of power and community. He explains how the tradition mutated over time, inspiring generations and disrupting the best-laid plans for simplicity and order. Idealists on both the left and right will benefit from reading these cautionary tales.
The 700-year history of the novel in English defies straightforward telling. Geographically and culturally boundless, with contributions from Great Britain, Ireland, America, Canada, Australia, India, the Caribbean, and Southern Africa; influenced by great novelists working in other languages; and encompassing a range of genres, the story of the novel in English unfolds like a richly varied landscape that invites exploration rather than a linear journey. In The Novel: A Biography, Michael Schmidt does full justice to its complexity. Like his hero Ford Madox Ford in The March of Literature, Schmidt chooses as his traveling companions not critics or theorists but "artist practitioners," men and women who feel "hot love" for the books they admire, and fulminate against those they dislike. It is their insights Schmidt cares about. Quoting from the letters, diaries, reviews, and essays of novelists and drawing on their biographies, Schmidt invites us into the creative dialogues between authors and between books, and suggests how these dialogues have shaped the development of the novel in English. Schmidt believes there is something fundamentally subversive about art: he portrays the novel as a liberalizing force and a revolutionary stimulus. But whatever purpose the novel serves in a given era, a work endures not because of its subject, themes, political stance, or social aims but because of its language, its sheer invention, and its resistance to cliché--some irreducible quality that keeps readers coming back to its pages.
Fought on what to Westerners was a remote peninsula in northeast Asia, the Korean War was a defining moment of the Cold War. It militarized a conflict that previously had been largely political and economic. And it solidified a series of divisions--of Korea into North and South, of Germany and Europe into East and West, and of China into the mainland and Taiwan--which were to persist for at least two generations. Two of these divisions continue to the present, marking two of the most dangerous political hotspots in the post-Cold War world. The Korean War grew out of the Cold War, it exacerbated the Cold War, and its impact transcended the Cold War.William Stueck presents a fresh analysis of the Korean War's major diplomatic and strategic issues. Drawing on a cache of newly available information from archives in the United States, China, and the former Soviet Union, he provides an interpretive synthesis for scholars and general readers alike. Beginning with the decision to divide Korea in 1945, he analyzes first the origins and then the course of the conflict. He takes into account the balance between the international and internal factors that led to the war and examines the difficulty in containing and eventually ending the fighting. This discussion covers the progression toward Chinese intervention as well as factors that both prolonged the war and prevented it from expanding beyond Korea. Stueck goes on to address the impact of the war on Korean-American relations and evaluates the performance and durability of an American political culture confronting a challenge from authoritarianism abroad.Stueck's crisp yet in-depth analysis combines insightful treatment of past events with a suggestive appraisal of their significance for present and future.
Why are people continually surprised to discover that money is "just" meaning? Mutual Life, Limited spends time among those who, in acknowledging the fictions of finance, are making money anew. It documents ongoing efforts to remake money and finance by Islamic bankers who seek to avoid interest and local currency proponents who would stand outside of national economies. It asks how alternative moneys both escape and reenact dominant forms of money and finance, and reflects critically on their broader implications for scholarship. Based on fieldwork among participants in a local currency system in Ithaca, New York, and among Islamic banking practitioners in the United States, Indonesia, and elsewhere, this book exploits the convergence between the reflexivity of monetary alternatives and social inquiry by questioning the equivalence between money and ethnography. Can money ever be adequate to the value backing it? Can social description ever be adequate to messy and contingent realities? Bill Maurer's ethnographic discovery is that ethnography as such--the holistic description of a way of life--cannot be sustained when faced with a set of practices that anticipates and incorporates it in advance. His fluently written book represents an unprecedented critique of social scientific approaches to money through an ethnographic description of specific monetary alternatives, while also speaking broadly to the very problem of anthropological knowledge in the twenty-first century.
When Hannah Nichols last saw Marco D'Alessandro five long years ago, he broke her heart. The bad boy with a hidden sweet side was the only guy Hannah ever loved-and the only man she's ever been with. After one intense night of giving in to temptation, Marco took off, leaving Scotland and Hannah behind. Shattered by the consequences of their night together, Hannah has never truly moved on. Leaving Hannah was the biggest mistake of Marco's life-something he has deeply regretted for years. So when fate reunites them, he refuses to let her go without a fight. Determined to make her his, Marco pursues Hannah, reminding her of all the reasons they're meant to be together . . . But just when Marco thinks they're committed to a future together, Hannah makes a discovery that unearths the secret pain she's been hiding from him-a secret that could tear them apart before they have a real chance to start over again . . . Praise for Samantha Young: 'This steamy romance is mysterious, all-consuming and pretty damn good' Closer 'A true gift for storytelling with a liberal dose of racy encounters. But what really sets it apart is exquisite characterisation, so vivid that the cast seeps into the reader's psyche' - Daily Record "Ridiculously incendiary chemistry. " -Dear Author . . . "Heartwarming, sizzling and captivating. . . . [Young's characters] are complex, a little flawed, and at their core good people struggling to make it in this crazy world. . . . Young creates steamy scenes that sizzle with just the right amount of details. " -Caffeinated Book Reviewer "Ms. Young dives deep into the psyche of what makes a person tick emotionally, what stirs their vulnerability, and ultimately provides them the courage to be better individuals as well as partners. . . . The one thing you can count on from Ms. Young is some of the best steamy, sexual chemistry. " -Fiction Vixen Book Reviews "A deceptively complex romantic contemporary romance that will have you laughing, crying, and swooning with delight. " -Smexy Books "Just as hot and sexy as the first book. . . . Smart and sexy, Young writes stories that stay with you long after you flip that last page. " -Under the Covers "Passion, romance, angst, LUST, major heat, mistakes, personal growth, and the power of love all combine perfectly in Down London Road. " -Bookish Temptations "Down London Road delivers on all fronts-charismatic characters, witty dialogue, blazing-hot sex scenes and real-life issues make this book an easy one to devour. Samantha Young is not an author you should miss out on!" -Fresh Fiction "Another flirty, modern, and sexy story. . . . Thanks to the characters' special connection and snappy dialogue, readers will feel the pull of Young's story from the get-go and root for a happy ending. " -RT Book Reviews
The Visual Made Verbal: A Comprehensive Training Manual and Guide to the History and Applications of Audio Descriptionby Joel Snyder
Verbal descriptions of life have been around for centuries, but the digital age has made access to those descriptions even more important. Dr. Joel Snyder, an audio description pioneer, has created a book and website offering the first overview of the field, including its history, application to a range of genres, description of training techniques and list of resources. Audio description brings the visual world to life, making theater productions, television shows, films, visual art and events accessible to people who are blind or have low vision. Describers employ succinct, vivid, imaginative words to convey visual images those with sight take for granted. Although countries worldwide have taken up the cause, the United States has fallen short on research and institutions to study the field. Dr. Snyder's book helps fill in some of those gaps. "For decades, Joel Snyder has combined his astonishing command of language with his keen attention to detail to create word pictures that stir the mind's eye, especially for patrons of the arts whose physical eyes cannot see. ... His book has been long-awaited and no doubt will become the standard for prospective audio describers around the world." -- Kelsey Marshall, founding director of accessibility, John F. Kennedy Center for the Performing Arts in Washington, D.C. Dr. Joel Snyder is known internationally as one of the world's first "audio describers," a pioneer in the field of audio description: making theater events, museum exhibitions, and media accessible to people who are blind or have low vision. Since 1981, he has introduced audio description techniques in 36 states and D.C. and in 35 countries; he holds a Ph.D. in accessibility-audio description from the Universitat Autonoma de Barcelona. Dr. Snyder's company, Audio Description Associates, LLC (www.audiodescribe.com) uses audio description to enhance a wide range of arts projects including video and film, museum exhibitions and live events, As Director of Described Media for the National Captioning Institute, he supervised the production of description for Sesame Street and dozens of feature films and nationally broadcast television; his descriptions can be heard at Smithsonian Institution exhibits, the Getty Museum, the Albright-Knox Gallery and throughout the country at National Park Service visitor centers. As Director of the American Council of the Blind's Audio Description Project (www.acb.org/adp), Dr. Snyder voiced description for network coverage of President Obama's inauguration in 2009 and 2013 and recently produced the first-ever audio described tour of The White House; the ADP website is the nation's principal provider of information and resources on audio description.
The New Yorker is, of course, a bastion of superb essays, influential investigative journalism, and insightful arts criticism. But for eighty years, it's also been a hoot. In fact, when Harold Ross founded the legendary magazine in 1925, he called it "a comic weekly," and while it has grown into much more, it has also remained true to its original mission. Now an uproarious sampling of its funny writings can be found in a hilarious new collection, one as satirical and witty, misanthropic and menacing, as the first, Fierce Pajamas. From the 1920s onward-but with a special focus on the latest generation-here are the humorists who set the pace and stirred the pot, pulled the leg and pinched the behind of America. S. J. Perelman unearths the furious letters of a foreign correspondent in India to the laundry he insists on using in Paris ("Who charges six francs to wash a cummerbund?!"). Woody Allen recalls the "Whore of Mensa," who excites her customers by reading Proust (or, if you want, two girls will explain Noam Chomsky). Steve Martin's pill bottle warns us of side effects ranging from hair that smells of burning tires to teeth receiving radio broadcasts. Andy Borowitz provides his version of theater-lobby notices ("In Act III, there is full frontal nudity, but not involving the actor you would like to see naked"). David Owen's rules for dating his ex-wife start out magnanimous and swiftly disintegrate into sarcasm, self-loathing, and rage, and Noah Baumbach unfolds a history of his last relationship in the form of Zagat reviews.Meanwhile, off in a remote "willage" in Normandy, David Sedaris is drowning a mouse ("This was for the best, whether the mouse realized it or not").Plus asides, fancies, rebukes, and musings from Patty Marx, Calvin Trillin, Bruce McCall, Garrison Keillor, Veronica Geng, Ian Frazier, Roy Blount, Jr., and many others. If laughter is the best medicine, Disquiet, Please is truly a wonder drug.From the Hardcover edition.
NEW YORK TIMES BESTSELLER * AN ALL-ENCOMPASSING GUIDE THAT PARENTS WILL WANT FOR THEIR TEENS This thorough, concise guide offers straight talk about: * The male and female body as it changes and matures. * Teen relationships: what it takes to create happy, supportive, positive, and meaningful connections with family, friends, and others. * Identity empowerment: how to be authentic and thrive in today's world. * Sex and sexuality for boys and girls: how teens should take care of their bodies, embrace their experiences, and strengthen self-esteem. * Strategies for working through the toughest challenges, including bullying, sexual abuse, eating disorders, pregnancy, and more. Praise for Being a Teen "A frank and candid resource for adolescents."--People "Fonda's warmth and love for the teen community is evident."--Publishers Weekly "Clear, practical, and riveting, Being a Teen cuts away at myth, enhances teens' self-esteem, and arms them with a trove of useful information. Beautifully organized . . . Any parent, teacher, coach, or doctor needs to read this authoritative guide. What a lifesaver for our boys and girls!"--William S. Pollack, PhD, author of the international bestseller Real Boys and Associate Clinical Professor, Department of Psychiatry at Harvard Medical School"Being a Teen should be in the hands of every teen in the world. It is a myth-busting, fact-filled treasure full of life information all teens want and need to know."--Christiane Northrup, M.D., New York Times bestselling author of Women's Bodies, Women's Wisdom "Clear, unflinching, and nonjudgmental . . . a reliable guide to the turbulent physical and social transitions of adolescence."--Michael Kimmel, Distinguished Professor of Sociology and Gender Studies, Stony Brook University, and author of Guyland "A comprehensive, honest, fun-to-read book for today's teenagers. This delightful book will be used again and again."--The Reverend Debra W. Haffner, president, Religious Institute, and author of From Diapers to Dating"Detailed, accurate and practical . . . an excellent resource."--Paul Kivel, author of Boys Will Be MenFrom the Trade Paperback edition.
A fast-paced, nerve-fraying contemporary thriller that questions loyalties and twists truths. Appearances can be deceiving. Lyla Hamilton is a loyal member of the Community. Her family was happy to be chosen by Pioneer to join such an lovely gated neighborhood. Here, life seems perfect. But after meeting Cody, an outsider boy, Lyla starts questioning Pioneer, her friends, her family--everything. And if there's one thing not allowed in the Community, it's doubt. As Pioneer cleverly manipulates his flock toward disaster, the real question is: Will Lyla follow her heart or follow Pioneer over the edge? From the outside looking in, it's hard to understand why anyone would join a cult. But Gated tells the story from the inside looking out, and from behind the gates things are not quite so simple. Amy Christine Parker's beautiful writing creates a chilling, utterly unique YA story. Perfect for fans of creepy thrillers and contemporary fiction alike."A tense psychological thriller that will leave you gasping for breath as you race to the very last page." --Gretchen McNeil, author of TenHelloGiggles.com, August 3, 2013:"When I found out that there was a YA book about cults, of course I had to read it. As it turns out, Amy Christine Parker's Gated is an awesome, creepy book that reminds me of my favorite cult films while still being surprising."Starred Review, Kirkus Reviews, June 15, 2013:"Parker doesn't pull punches, indicating a level of brutality that will appropriately disturb even as it successfully conveys Lyla's complete entrapment in the Community. Compelling and not that distant from real-world cults that have ended in tragedy."Publishers Weekly, June 10, 2013:"Parker skillfully explores the mindset and inner workings of an apocalyptic cult, steadily building toward the inevitable moment of truth...As for the apocalypse itself, Parker keeps things suitably ambiguous, resulting in a complex, intriguing tale rooted in real-world events."School Library Journal, October 2013: "This well-plotted tale will allow readers a glimpse into the possible world of a doomsday cult...The language is accessible, making it a good choice for reluctant readers. After the last page is turned, the question will linger: 'Could I ever be deceived like this?'"Examiner.com"A well-rounded and thorough look into cults while still remaining entertaining throughout. I look forward to reading more of Parker's works in the future."From the Hardcover edition.t Imaginations (blog) "An absolutely fascinating read with an original concept and an absolutely brilliant villain! Different with just the right touch of chilling." --Fiction Freak (blog)"Entertaining throughout." --Examiner.comFrom the Hardcover edition.
Fans of Neil Gaiman's American Gods and Holly Black's The Curse Workers will embrace this richly drawn, Norse-mythology-infused alternate world: the United States of Asgard. Seventeen-year-old Soren Bearskin is trying to escape the past. His father, a famed warrior, lost himself to the battle-frenzy and killed thirteen innocent people. Soren cannot deny that berserking is in his blood--the fevers, insomnia, and occasional feelings of uncontrollable rage haunt him. So he tries to remain calm and detached from everyone at Sanctus Sigurd's Academy. But that's hard to do when a popular, beautiful girl like Astrid Glyn tells Soren she dreams of him. That's not all Astrid dreams of--the daughter of a renowned prophetess, Astrid is coming into her own inherited abilities. When Baldur, son of Odin and one of the most popular gods in the country, goes missing, Astrid sees where he is and convinces Soren to join her on a road trip that will take them to find not only a lost god, but also who they are beyond the legacy of their parents and everything they've been told they have to be.
Each year more than 17 million Americans suffer from a depressive illness, yet few suffer in solitude. How You Can Survive When They're Depressed explores depression from the perspective of those who are closest to the sufferers of this prevalent disorder--spouses, parents, children, and lovers--and gives the successful coping strategies of many people who live with a clinical depressive or manic-depressive and often suffer in silence, believing their own problems have no claim to attention.Depression fallout is the emotional toll on the depressive's family and close friends who are unaware of their own stressful reactions and needs. Sheffield outlines the five stages of depression fallout: confusion, self-doubt, demoralization, anger, and finally, the desire to escape. Many people will find relief in the knowledge that their self-blame, guilt, sadness, and resentment are a natural result of living with a depressed person. Sheffield brings together many real-life examples from the pioneering support group she attends at Beth Israel Medical Center of how people with depression fallout have learned to cope. From setting boundaries to maintaining an outside social life, she gives practical tactics for handling the challenges and emotional stresses on a day-to-day basis.
If only I hadn't kidnapped the dog. . . but the ransom paid the mortgage. . . . Now I seem to be a private eye. . . . I shouldn't have listened to that ghost. . . . Meet Sarah Booth Delaney. . . an unconventional Southern belle whose knack for uncovering the truth is about to make her the hottest detective in Zinnia, Mississippi. . . if it doesn't make her the deadest. No self-respecting lady would allow herself to end up in Sarah Booth's situation. Unwed, unemployed, and over thirty, she's flat broke and about to lose the family plantation. Not to mention being haunted by the ghost of her great-great-grandmother's nanny, who never misses an opportunity to remind her of her sorry state--or to suggest a plan of action, like ransoming her friend's prize pooch to raise some cash. But soon Sarah Booth's walk on the criminal side leads her deeper into unladylike territory, and she's hired to solve a murder. Did gorgeous, landed Hamilton Garrett V really kill his mother twenty years ago? And if so, what is Sarah Booth doing falling for this possible murderer? When she asks one too many questions and a new corpse turns up, she is suddenly a suspect herself. . . and Sarah Booth finds that digging up the bones of the past could leave her rolling over in her grave. From the Paperback edition.
A passionate new historical romance in Madeline Hunter's nationally bestselling Seducer series. This one features a fifth member of the London Dueling Society, the reserved, enigmatic lawyer to the Laclere family: Julian Hampton. All his life, it seemed, Julian had been in love with Penelope, now Countess of Glasbury. And when he learned the horrors she had endured at the hands of her vicious husband, Julian was instrumental in arranging for her escape to Italy. But he has never forgotten the love of his childhood, the woman he had rescued first as a "damsel in distress" when she was a girl, and then for real once she had blossomed into woman. When Penelope returns secretly to London, Julian is the one she turns to, even though her trust in him puts both their reputations, and ultimately their lives, in peril.From the Paperback edition.
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