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The bleak steppe and rolling highlands of inner Anatolia were one of the most remote and underdeveloped parts of the Roman empire. Still today, for most historians of the Roman world, ancient Phrygia largely remains terra incognita. Yet thanks to a startling abundance of Greek and Latin inscriptions on stone, the cultural history of the villages and small towns of Roman Phrygia is known to us in vivid and unexpected detail. Few parts of the Mediterranean world offer so rich a body of evidence for rural society in the Roman Imperial and late antique periods, and for the flourishing of ancient Christianity within this landscape. The eleven essays in this book offer new perspectives on the remarkable culture, lifestyles, art and institutions of the Anatolian uplands in antiquity.
The story of Rome from its founding (753 B.C.) to the rule of Octavian in 29 B.C.
Theatre flourished in the Roman Republic, from the tragedies of Ennius and Pacuvius to the comedies of Plautus and Terence and the mimes of Laberius. Yet apart from the surviving plays of Plautus and Terence the sources are fragmentary and difficult to interpret and contextualise. This book provides an up-to-date and comprehensive history of all aspects of the topic, incorporating recent findings and modern approaches. It discusses the origins of Roman drama and the historical, social and institutional backgrounds of all the dramatic genres to be found during the Republic (tragedy, praetexta, comedy, togata, Atellana, mime and pantomime). Possible general characteristics are identified, and attention is paid to the nature of and developments in the various genres. The clear structure and full bibliography also ensure that the book has value as a source of reference for all upper-level students and scholars of Latin literature and ancient drama.
From the Renaissance to today, the idea that the Roman Republic lasted more than 450 years--persisting unbroken from the late sixth century to the mid-first century BC--has profoundly shaped how Roman history is understood, how the ultimate failure of Roman republicanism is explained, and how republicanism itself is defined. In Roman Republics, Harriet Flower argues for a completely new interpretation of republican chronology. Radically challenging the traditional picture of a single monolithic republic, she argues that there were multiple republics, each with its own clearly distinguishable strengths and weaknesses. While classicists have long recognized that the Roman Republic changed and evolved over time, Flower is the first to mount a serious argument against the idea of republican continuity that has been fundamental to modern historical study. By showing that the Romans created a series of republics, she reveals that there was much more change--and much less continuity--over the republican period than has previously been assumed. In clear and elegant prose, Roman Republics provides not only a reevaluation of one of the most important periods in western history but also a brief yet nuanced survey of Roman political life from archaic times to the end of the republican era.
Destination: Rome Attractions: the Colosseum, Vatican City...and Nicolo Sabatini New World woman versus Old World man--it's more than just a culture clash when American fashion model Caroline Bishop meets Prince Nicolo Sabatini. Certainly to a woman of the nineties, this Roman hunk's views on love are as antiquated as the ruins of his city. And, given half a chance, perhaps as eternal....
Biography of Roman Tmetuchl, a Palauan political leader and businessman.
This book describes and analyses the development of the Roman West from Gibraltar to the Rhine, using primarily the extensive body of published archaeological evidence rather than the textual evidence underlying most other studies. It situates this development within a longer-term process of change, proposing the later second century rather than the 'third-century crisis' as the major turning-point, although the latter had longer-term consequences owing to the rise in importance of military identities. Elsewhere, more 'traditional' forms of settlement and display were sustained, to which was added the vocabulary of Christianity. The longer-term rhythms are also central to assessing the evidence for such aspects as rural settlement and patterns of economic interaction. The collapse of Roman imperial authority emphasised trends such as militarisation and regionalisation along with economic and cultural disintegration. Indicators of 'barbarian/Germanic' presence are reassessed within such contexts and the traditional interpretations questioned and alternatives proposed.
This book presents an authoritative and detailed survey of the art of woodworking in the ancient Roman world. Illustrated with over 200 line drawings and photographs,Roman Woodworking covers topics such as the training and guild memberships of Roman carpenters, woodworking tools and techniques, the role of timber in construction and the availability of trees, and interior woodwork and furniture making. It also includes an extensive glossary of fully defined terms. This comprehensive book displays the accomplishment of the Roman woodworkers and their high skill and knowledge of materials and tools. Ulrich helps bring to light the importance of wooden projects and structures in Roman daily life and provides a wealth of information not only for classicists but also for those interested in the history of technology and the history of woodworking.
Exhilarating courtroom farce from America's finest playwright. Romance is an uproarious courtroom farce which lampoons the American judicial system and exposes the hypocrisy surrounding personal prejudices and political correctness. Wildly humorous and often gob-smackingly outrageous, the play is set in a modern-day courtroom in New York during a week when there are Middle East peace talks being brokered in town. The court case at hand is unrelated, but the defendant and counsel come up with a plan to solve the conflict in the region. A pill-popping judge, a defendant and lawyer (on the same side) who hate each other, and a prosecutor with a troubled personal life are part of the picture. A new comedy from 'the finest American playwright of his generation' Sunday Times. 'A deliriously funny David Mamet farce' Associated Press. 'An exhilarating spectacle. Mamet is a connoisseur of fiasco, knows all about legal punctilio, and he has great fun bringing mayhem to the ritual' New Yorker. Published to tie-in with the play's European premiere at the Almeida Theatre, opening 6th September 2005.
Nothing's going to stand in the way of Raven Walker's Broadway dreams. That includes the gorgeous stranger she just ran into--literally--backstage at a theater. But sexy power producer Dru Davis is suddenly making Raven crave a life beyond the footlights. A player who has perfected his no-strings approach to love, Dru's getting tired of being a solo act. And he can't stop fantasizing about the woman who ended up wearing his iced latte all over her leotard. Dru is tempted to give up his freewheeling bachelor life. . . and let his blossoming romance with Raven take center stage. Raven and Dru's love may lift them high above the spotlight. . . where they could take their final bow, together.
The contact zones between the Greco-Roman world and the Near East represent one of the most exciting and fast-moving areas of ancient-world studies. This new collection of essays, by world-renowned experts (and some new voices) in classical, Jewish, Egyptian, Mesopotamian and Persian literature, focuses specifically on prose fiction, or 'the ancient novel'. Twenty chapters either offer fresh readings - from an intercultural perspective - of familiar texts (such as the biblical Esther and Ecclesiastes, Xenophon of Ephesus' Ephesian Story and Dictys of Crete's Journal), or introduce material that may be new to many readers: from demotic Egyptian papyri through old Avestan hymns to a Turkic translation of the Life of Aesop. The volume also considers issues of methodology and the history of scholarship on the topic. A concluding section deals with the question of how narratives, patterns and motifs may have come to be transmitted between cultures.
Romance, Diaspora, and Black Atlantic Literature offers a rich, interdisciplinary treatment of modern black literature and cultural history, showing how debates over Africa in the works of major black writers generated productive models for imagining political agency. Yogita Goyal analyzes the tensions between romance and realism in the literature of the African diaspora, examining a remarkably diverse group of twentieth-century authors, including W. E. B. Du Bois, Chinua Achebe, Richard Wright, Ama Ata Aidoo and Caryl Phillips. Shifting the center of black diaspora studies by considering Africa as constitutive of black modernity rather than its forgotten past, Goyal argues that it is through the figure of romance that the possibility of diaspora is imagined across time and space. Drawing on literature, political history and postcolonial theory, this significant addition to the cross-cultural study of literatures will be of interest to scholars of African American studies, African studies and American literary studies.
Must. Not. Fall. For. Fake. Boyfriend.Cashel Burgess's PR team has come up with a plan to salvage his reputation and show his "softer" side by entering him in a Valentine's Day competition to find Australia's Most Romantic Couple. It's so ridiculous it might actually work. The hitch? He doesn't even have a girlfriend. But that's not about to stop him....Thanks to a good-for-nothing ex, gardener Lucy Grant hates Valentine's Day. But when Cash makes her an offer too good to refuse, Lucy finds herself half of the most cynical couple in Australia! The only problem is, when a man fakes it this well, a girl might be tempted to turn fiction into fact....
Who knows the ins and outs of romance better than a Harlequin editor? A surprising and exhilarating look into Patience Bloom's unexpected real-life love story. At some point, we've all wished romance could be more like fiction. Patience Bloom certainly did, many times over. As a teen she fell in love with Harlequin novels and imagined her life would turn out just like the heroines' on the page: That shy guy she had a crush on wouldn't just take her out--he'd sweep her off her feet with witty banter, quiet charm, and a secret life as a rock star. Not exactly her reality, but Bloom kept reading books that fed her reveries. Years later she moved to New York and found her dream job, editing romances for Harlequin. Every day, her romantic fantasies came true--on paper. Bloom became an expert when it came to fictional love stories, editing amazing books and learning everything she could about the romance business. But her dating life remained uninspired. She nearly gave up on love. Then one day a real-life chance at romance made her wonder if what she'd been writing and editing all those years might be true. A Facebook message from a high school friend, Sam, sparked a relationship with more promise than she'd had in years. But Sam lived thousands of miles away--they hadn't seen each other in more than twenty years. Was it worth the risk? Finally, Bloom learned: Love and romance can conquer all.
A quaint little story about two families in a small New Hampshire town, around Christmastime.
Peggy McCracken offers a feminist historicist reading of Guenevere, Iseut, and other adulterous queens of Old French literature, and situates romance narratives about queens and their lovers within the broader cultural debate about the institution of queenship in twelfth- and thirteenth-century France.Moving among a wide selection of narratives that recount the stories of queens and their lovers, McCracken explores the ways adultery is appropriated into the political structure of romance. McCracken examines the symbolic meanings and uses of the queen's body in both romance and the historical institutions of monarchy and points toward the ways medieval romance contributed to the evolving definition of royal sovereignty as exclusively male.
The Romance of Democracy asks in very basic ways what democracy means for a group of residents of a working-class neighborhood of Mexico City. Gutmann examines how the residents should participate--or not--in elections, social movements, and nationalism.
Dr. Lynn Ponton has devoted her clinical practice to a particular community-teenagers in trouble. Whether these kids are struggling with peers, experimenting with drugs, stealing cars, or having unprotected sex, they have something in common: they are all involved in unhealthy risk-taking. And their parents are scared. "How did my child get involved in this dangerous situation?" they ask. "And what can I do?"Their fears are justified: today's teens have moreopportunities for taking dangerous risks than ever before. But inThe Romance of Risk,Dr. Ponton refutes the traditional idea that risk-taking is primarily an angry power struggle with parents-so-called teenage rebellion-and re-defines it as a potentially positive testing process whereby challenge and risk are the primary tools adolescents use to find out who they are and determine who they will become. This new perspective is revealed in a series of mesmerizing tales about individual adolescents and their families. Among others, we meet Jill, a 13-year-old thrill-seeking runaway; Hannah, a privileged daughter of suburbia who suffers from anorexia; and Joe, a high school senior with a serious drinking problem. Through these stories, we come to understand Dr. Ponton's startling observation that teenagers must confront and experience challenge and risk along the path to self-discovery. For adolescents, the powerful allure of the adult world is equaled only by the fear of failing to find a place in it. Parents can ease that transition into adulthood, however, by promoting healthy risk-taking so that dangerous options will be avoided. InThe Romance of Risk,parents will learn how they can begin to understand rather than fear adolescent risk-taking, and how to communicate with their children about it. After all, teenagers will always romanticize risk. But with the support and guidance of parents and other adults, odds are the risks they take will be the right ones.
In this touching, wryly humorous sequel to Revenge of the Snob Squad , readers are reunited with sixth-grade misfits Jenny, Max, Prairie, and Lydia as they cook up an outrageous plan to ignite a romance between Prairie and the object of her affection, Hugh Torkerson (otherwise known as 'Tork the Dork'). A science lab rat, a set of embarrassing glamour photos, and a mysteriously disappearing notebook all play a part in this scheme, but the results may attract more attention than Snob Squad planned.
Thomas Waugh identifies the queerness that has emerged at the centre of our national sex-obsessed cinema, filling a gap in the scholarly literature. In Part One he explores the explosive canon of artists such as Norman McLaren, Claude Jutra, Colin Campbell, Paul Wong, John Greyson, Patricia Rozema, Lea Pool, Bruce Labruce, Esther Valiquette, Marc Paradis, and Mirha-Soleil Ross. Part Two is an encyclopaedia of short essays covering 340 filmmakers, video artists, and institutions.
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