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Following the widely celebrated Collected Poems, this second volume in the series of James Merrill's works brings us Merrill as novelist and playwright. Just as in his poems we come upon prose pieces, dramatic dialogue, and even a short play in verse, in his novels and plays we find the rhythms of his poetry reflected and given new form.Merrill's first novel, The Seraglio, is a daring roman à clef derived in large part from his early life as the cosmopolitan son of Charles Merrill, one of America's most famous twentieth-century financiers. Written in a highly refined prose that owes something to Henry James, the book is a compelling portrait of the luxury and treachery swirling around the Southampton beach house of an irrepressible family patriarch, with his many mistresses and ex-mistresses in attendance, told from the point of view of his lively but troubled son. At the other end of the narrative spectrum we find The (Diblos) Notebook, an experimental novel in which a young American's adventures on a Greek island are deconstructed and assembled into a tentative fiction before our eyes. Merrill's plays, including the one-act comedy of manners The Bait and the Chekhovian The Immortal Husband--a reinvention of the myth of Tithonus, who was granted eternal life but not eternal youth--are also fresh turns on his characteristic themes: home and travel, reality and artifice, simplicity and complication. And, for the first time in print, here is Merrill's short play The Birthday, a fledgling effort written in 1947 and a fascinating window onto the concern with spiritual communication and the otherwordly that would later blossom into his great epic, The Changing Light at Sandover.From the Hardcover edition.
This collection, available exclusively in e-book form, brings together the twelve novels (and one novella) of the great Portuguese writer José Saramago, with an introductory essay by Ursula Le Guin. From Saramago's early work, like the enchanting Baltasar & Blimunda and the controversial Gospel According to Jesus Christ, through his masterpiece Blindness and its sequel Seeing, to his later fables of politics, chance, history, and love, like All the Names and Death with Interruptions, this volume showcases the range and depth of Saramago's career, his inimitable narrative voice, and his vast reserves of invention, humor, and understanding.
Robert Lucas is one of the outstanding monetary theorists of the past hundred years. Along with Knut Wicksell, Irving Fisher, John Maynard Keynes, James Tobin, and Milton Friedman (his teacher), Lucas revolutionized our understanding of how money interacts with the real economy of production, consumption, and exchange. Lucas's contributions are both methodological and substantive. Methodologically, he developed dynamic, stochastic, general equilibrium models to analyze economic decision-makers operating through time in a complex, probabilistic environment. Substantively, he incorporated the quantity theory of money into these models and derived its implications for money growth, inflation, and interest rates in the long run. He also showed the different effects of anticipated and unanticipated changes in the stock of money on economic fluctuations, and helped to demonstrate that there was not a long-run trade-off between unemployment and inflation (the Phillips curve) that policy-makers could exploit. The twenty-one papers collected in this volume fall primarily into three categories: core monetary theory and public finance, asset pricing, and the real effects of monetary instability. Published between 1972 and 2007, they will inspire students and researchers who want to study the work of a master of economic modeling and to advance economics as a pure and applied science.
The definitive collection of theatrical hilarity by one of America's preeminent playwrights and humorists The New York Times has proclaimed that "line by line, Mr. Rudnick may be the funniest writer for the stage in the United States today." Now, this collection of his plays will remind readers far and wide of the great influence that Paul Rudnick's comic genius has had on the world of American theater. Here are I Hate Hamlet, the play that marked Rudnick's Broadway debut; Jeffrey, the long-running off-Broadway smash about gay life during the AIDS crisis of the early '90s; as well as five other onstage gems enlivened by Rudnick's signature rapier wit. The Collected Plays of Paul Rudnick is a must-have item for any fan of this theatrical master-and a necessary addition to all courses in dramatic literature.
This outstanding new translation brings a uniformity of voice to Zbigniew Herbert's entire poetic output, from his first book of poems, String of Light, in 1956, to his final volume, previously unpublished in English, Epilogue Of the Storm. Collected Poems: 1956-1998, as Joseph Brodsky said of Herbert's SSelected Poems, is "bound for a much longer haul than any of us can anticipate." He continues, "For Zbigniew Herbert's poetry adds to the biography of civilization the sensibility of a man not defeated by the century that has been most thorough, most effective in dehumanization of the species. Herbert's irony, his austere reserve and his compassion, the lucidity of his lyricism, the intensity of his sentiment toward classical antiquity, are not just trappings of a modern poet, but the necessary armor-in his case well-tempered and shining indeed-for man not to be crushed by the onslaught of reality. By offering to his readers neither aesthetic nor ethical discount, this poet, in fact, saves them frorn that poverty which every form of human evil finds so congenial. As long as the species exists, this book will be timely."
A collection of authentic, profound and beautiful poems.
Like an underground river, the astonishing poems of Joseph Ceravolo have nurtured American poetry for fifty years, a presence deeply felt but largely invisible. Collected Poems offers the first full portrait of Ceravolo's aesthetic trajectory, bringing to light the highly original voice that was operating at an increasing remove from the currents of the time. From a poetics associated with Frank O'Hara and John Ashbery to an ever more contemplative, deeply visionary poetics similar in sensibility to Zen and Dante, William Blake and St. John of the Cross, this collection shows how Ceravolo's poetry takes on a direct, quiet lyricism: intensely dedicated to the natural and spiritual life of the individual. As Ron Silliman notes, Ceravolo's later work reveals him to be "one of the most emotionally open, vulnerable and self-knowing poets of his generation." Many new pieces, including the masterful long poem "The Hellgate," are published here for the first time. This volume is a landmark edition for American poetry, and includes an introduction by David Lehman.
This volume presents the full range of Reynolds Price's poetic accomplishment over the past thirty-six years. His first three collections are brought together in their entirety; and a masterful new collection, The Unaccountable Worth of the World, is introduced. In his preface to The Collected Poems, Price credits guides as various as Miss Jane Alston, a public school English teacher in North Carolina, and W. H. Auden, one of his teachers at Oxford University. The sure trajectory of Price's development as a poet is traced from the "inexplicable elation" of his adolescent discovery of Emily Dickinson, to a lengthy immersion in John Milton's "polyphonic language, with its ready access to the eloquence of plain speech," to the four-stress rhythm of the Anglo-Saxons and Coleridge on which his work often continues to depend -- that rhythm being "closely allied to the wary economy and dignity of those kinds of speech that, in my lifetime, have been most concerned for lucid and memorable communication." Those familiar with Price's earlier work will welcome having in one volume such vivid contributions as "The Annual Heron" (from Vital Provisions), "House Snake" (The Laws of Ice) and "An Afterlife, 1953 -- 1988" (The Use of Fire). All will be introduced for the first time to his latest poems from the journal called "Days and Nights." This notebook was begun in the early 1980s, shortly before Price was diagnosed with a grave illness; and the entries continue in the second of three parts of The Unaccountable Worth of the World, many of them contending with the death of friends -- "the Dying Belt, as my father called it." The whole new collection culminates in the powerful departures of such poems as "Scored by Light" and "The Closing, The Ecstasy." The Collected Poems reveals, throughout, the accumulated variety of Reynolds Price's years as a poet -- the thematic breadth, formal steadiness, narrative vitality and intense lyricism that have marked his work since 1961. It is a landmark in his creative life and in the span of contemporary American verse.
Longlisted for the 2014 National Book Award Gathered here is a half century's magnificent work by the former poet laureate of the United States and Pulitzer Prize winner whose haunting and exemplary style has influenced an entire generation of American poets.Beginning with the limited-edition volume Sleeping with One Eye Open, published in 1964, Mark Strand was hailed as a poet of piercing originality and elegance, and in the ensuing decades he has not swerved from his vision of how a poem should be shaped and what it should deliver. As he entered the middle period of his career, with volumes such as The Continuous Life (1990), Strand was already well-known for his ability to capture the subtle music of consciousness, and for creating painterly physical landscapes that could answer to the inner self: "And here the dark infinitive to feel, / Which would endure and have the earth be still / And the star-strewn night pour down the mountains / Into the hissing fields and silent towns." In his later work, from Blizzard of One (1998) which won the Pulitzer Prize, through the sly, provocative riddles of his recent Almost Invisible (2012), Strand has delighted in reminding us that there is no poet quite like him for a dose of dark wit that turns out to be deep wisdom and self-deprecation. He has given voice to our collective imagination with a grandeur and comic honesty worthy of his great Knopf forebear Wallace Stevens. With this volume, we celebrate his canonical work.From the Hardcover edition.
Published two years before his death, this collection includes all of Eliot's poetry that he wished to preserve.
There is no more authoritative collection of the poetry that Eliot himself wished to preserve than this volume, published two years before his death in 1965. Poet, dramatist, critic, and editor, T. S. Eliot was one of the defining figures of twentieth-century poetry. This edition of Collected Poems 1909-1962 includes his verse from Prufrock and Other Observations (1917) to Four Quartets (1943), and includes such literary landmarks as The Waste Land and Old Possum's Book of Practical Cats.
Eugenio Montale is universally recognized as having brought the great Italian lyric tradition that begins with Dante into the twentieth century with unrivaled power and brilliance. Montale is a love poet whose deeply beautiful, individual work confronts the dilemmas of modern history, philosophy, and faith with courage and subtlety; he has been widely translated into English and his work has influenced two generations of American and British poets. Jonathan Galassi's versions of Montale's major works -- Ossi di seppia, Le occasioni, and La bufera e altro -- are the clearest and most convincing yet, and his extensive notes discuss in depth the sources and difficulties of this dense, allusive poetry. This book offers English-language readers uniquely informed and readable access to the work of one of the greatest of all modern poets.
Here, for the first time, is a volume that gathers the published verse of Allen Ginsberg in its entirety, a half century of brilliant work from one of America's great poets. The chief figure among the Beats, Ginsberg changed the course of American poetry, liberating it from closed academic forms with the creation of open, vocal, spontaneous, and energetic postmodern verse in the tradition of Walt Whitman, Guillaume Apollinaire, Hart Crane, Ezra Pound, and William Carlos Williams. Ginsberg's classics Howl, Reality Sandwiches, Kaddish, Planet News, and The Fall of America led American (and international) poetry toward uncensored vernacular, explicit candor, the ecstatic, the rhapsodic, and the sincere-all leavened by an attractive and pervasive streak of common sense. Ginsberg's raw tones and attitudes of spiritual liberation also helped catalyze a psychological revolution that has become a permanent part of our cultural heritage, profoundly influencing not only poetry and popular song and speech, but also our view of the world. The uninterrupted energy of Ginsberg's remarkable career is clearly revealed in this collection. Seen in order of composition, the poems reflect on one another; they are not only works but also a work. Included here are all the poems from the earlier volume Collected Poems 1947-1980, and from Ginsberg's subsequent and final three books of new poetry: White Shroud, Cosmopolitan Greetings, and Death & Fame. Enriching this book are illustrations by Ginsberg's artist friends; unusual and illuminating notes to the poems, inimitably prepared by the poet himself; extensive indexes; as well as prefaces and various other materials that accompanied the original publications.
"The idea of verse, of poetry, has always, during forty years spent working primarily in prose, stood at my elbow, as a standing invitation to the highest kind of verbal exercise--the most satisfying, the most archaic, the most elusive of critical control. In hotel rooms and airplanes, on beaches and Sundays, at junctures of personal happiness or its opposite, poetry has comforted me with its hope of permanence, its packaging of flux." Thus John Updike writes in introducing his Collected Poems. The earliest poems here date from 1953, when Updike was twenty-one, and the last were written after he turned sixty. Almost all of those published in his five previous collections are included, with some revisions. Arranged in chronological order, the poems constitute, as he says, "the thread backside of my life's fading tapestry." An ample set of notes at the back of the book discusses some of the hidden threads, and expatiates upon a number of fine points. Nature--tenderly intricate, ruthlessly impervious--is a constant and ambiguous presence in these poems, along with the social observation one would expect in a novelist. No occasion is too modest or too daily to excite metaphysical wonder, or to provoke a lyrical ingenuity of language. Yet even the wittiest of the poems are rooted to the ground of experience and fact. "Seven Odes to Seven Natural Processes" attempt to explicate the physical world with a directness seldom attempted in poetry. Several longer poems--"Leaving Church Early," "Midpoint"--use autobiography to proclaim the basic strangeness of existence.
Irving Feldman is a master chronicler of our collective experience and an overlooked treasure of American poetry. Feldman's rich body of work exhibits his mastery of language from the biblical to the conversational, his Yiddish flair for the comic, his profound social insight and lucidity. He writes about everything from the Coney Island days of his childhood and his bohemian years in postwar New York to the art of Picasso and George Segal, from the Holocaust to its aftermath--in narrative and dramatic poems and personal lyrics that are by turns ardent, witty, biting, ecstatic, and heartbreaking. Long a favorite among his fellow poets (John Hollander has called his work "amazing in its moral intensity"), Feldman has remained true to the soul's deepest callings: "I have questioned myself aloud at night in a voice I did not recognize, hurried and disobedient, hardly brighter. What have I kept? Nothing. Not bread or the bread-word. What have I offered? Rebel in the kingdom, my gift has wanted a grace." This glorious gathering of poems displays Feldman's entire career in all its variety and passion, and confirms his place among the great poets of our time.
The poems of the legendary Nobel Laureate, in one volume at last One of the greatest and grandest advocates of the literary vocation, Joseph Brodsky truly lived his life as a poet, and for it earned eighteen months in an Arctic labor camp, expulsion from his native country, and the Nobel Prize in Literature. Such were one man's wages. Here, collected for the first time, are all the poems he published in English, from his earliest collaborations with Derek Walcott, Richard Wilbur, Howard Moss, and Anthony Hecht to the moving farewell poems he wrote near the end of his life. With nearly two hundred poems, several of them never before published in book form, this will be the essential volume of Brodsky's work.
When Amy Clampitt's first book of poems, The Kingfisher, was published in January 1983, the response was jubilant. The poet was sixty-three years old, and there had been no debut like hers in recent memory. "A dance of language," said May Swenson. "A genius for places," wrote J. D. McClatchy, and the New York Times Book Review said, "With the publication of her brilliant first book, Clampitt immediately merits consideration as one of the most distinguished contemporary poets." She went on to publish four more collections in the next eleven years, the last one, A Silence Opens, appearing in the year she died.Now, for the first time, the five collections are brought together in a single volume, allowing us to experience anew the distinctiveness of Amy Clampitt's voice: the brilliant language--an appealing mix of formal and everyday expression--that poured out with such passion and was shaped in rhythms and patterns entirely her own.Amy Clampitt's themes are the very American ones of place and displacement. She, like her pioneer ancestors, moved frequently, but she wrote with lasting and deep feeling about all sorts of landscapes--the prairies of her Iowa childhood, the fog-wrapped coast of Maine, and places she visited in Europe, from the western isles of Scotland to Italy's lush countryside. She lived most of her adult life in New York City, and many of her best-known poems, such as "Times Square Water Music" and "Manhattan Elegy," are set there.She did not hesitate to take on the larger upheavals of the twentieth century--war, Holocaust, exile--and poems like "The Burning Child" and "Sed de Correr" remind us of the dark nightmare lurking in the interstices of our daily existence.It is impossible to speak of Amy Clampitt's poetry without mentioning her immense, lifelong love of birds and wildflowers, a love that produced some of her most profound images--like the kingfisher's "burnished plunge, the color / of felicity afire," which came "glancing like an arrow / through landscapes of untended memory" to remind her of the uninhabitable sorrow of an affair gone wrong; or the sun underfoot among the sundews, "so dazzling / . . . that, looking, / you start to fall upward." The Collected Poems offers us a chance to consider freshly the breadth of Amy Clampitt's vision and poetic achievement. It is a volume that her many admirers will treasure and that will provide a magnificent introduction for a new generation of readers.With a foreword by Mary Jo SalterFrom the Hardcover edition.
Kenneth Koch has been called "one of our greatest poets" by John Ashbery, and "a national treasure" in the 2000 National Book Award Finalist Citation. Now, for the first time, all of the poems in his ten collections-from Sun Out, poems of the 1950s, to Thank You, published in 1962, to A Possible World, published in 2002, the year of the poet's death-are gathered in one volume.Celebrating the pleasures of friendship, art, and love, the poetry of Kenneth Koch has been dazzling readers for fifty years. Charter member-along with Frank O'Hara, John Ashbery, and James Schuyler-of the New York School of poets, avant-garde playwright and fiction writer, pioneer teacher of writing to children, Koch gave us some of the most exciting and aesthetically daring poems of his generation.These poems take sensuous delight in the life of the mind and the heart, often at the same time: "O what a physical effect it has on me / To dive forever into the light blue sea / Of your acquaintance!" ("In Love with You").Here is Koch's early work: love poems like "The Circus" and "To Marina" and such well-remembered comic masterpieces as "Fresh Air," "Some General Instructions," and "The Boiling Water" ("A serious moment for the water is when it boils"). And here are the brilliant later poems-"One Train May Hide Another," the deliciously autobiographical address in New Addresses, and the stately elegy "Bel Canto"-poems that, beneath a surface of lightness and wit, speak with passion, depth, and seriousness to all the most important moments in one's existence.Charles Simic wrote in The New York Review of Books that, for Koch, poetry "has to be constantly saved from itself. The idea is to do something with language that has never been done before." In the ten exuberant, hilarious, and heartbreaking books of poems collected here, Kenneth Koch does exactly that.From the Hardcover edition.
Miriam Waddington's verse is deceptively accessible: it is personal but never private, emotional but not confessional, thoughtful but never cerebral. The subtlety of her craft is the hallmark of a modernist poet whose work opens to the world and its readers. She details intoxicating romance and mature love, the pleasures of marriage and motherhood, the experience of raising two sons to adulthood, and the ineffable pain of divorce. As she moved through life, she wrote clearly and uncompromisingly about the vast sweep of Canada, her travels to new lands, the passage of time, the death of her ex-husband, the loss of close friends and, later, of growing old.notations, appeals to academics and lovers of poetry alike. The verse collected here will neither disappoint the attentive reader nor betray the poet.
This definitive collection showcases thirty years of work by one of the most significant American poets of the twentieth century, bringing together verse that originally appeared in eight acclaimed books of poetry ranging from Hello: A Journal (1978) to Life & Death (1998) and If I were writing this (2003). Robert Creeley, who was involved with the publication of this volume before his death in 2005, helped define an emerging counter-tradition to the prevailing literary establishment--the new postwar poetry originating with Ezra Pound, William Carlos Williams, and Louis Zukofsky and expanding through the lives and works of Charles Olson, Robert Duncan, Allen Ginsberg, Denise Levertov, and others. The Collected Poems of Robert Creeley, 1975-2005 will stand together with The Collected Poems of Robert Creeley, 1975-2000 as essential reading for anyone interested in twentieth-century American poetry.
A collection of poetry by May Sarton drawing out her passion for creative vision.
This paperback edition contains the complete text of Roethke's seven published volumes plus sixteen previously uncollected poems. Included are his Pulitzer Prize and National Book Award winners The Walking, Words for the Wind, and The Far Field.From the Trade Paperback edition.
The Collected Poems of W. B. Yeats includes all of the poems authorized by Yeats for inclusion in his standard canon. Breathtaking in range, it encompasses the entire arc of his career, from luminous reworkings of ancient Irish myths and legends to passionate meditations on the demands and rewards of youth and old age, from exquisite, occasionally whimsical songs of love, nature, and art to somber and angry poems of life in a nation torn by war and uprising. In observing the development of rich and recurring images and themes over the course of his body of work, we can trace the quest of this century's greatest poet to unite intellect and artistry in a single magnificent vision.Revised and corrected, this edition includes Yeats's own notes on his poetry, complemented by explanatory notes from esteemed Yeats scholar Richard J. Finneran. The Collected Poems of W. B. Yeats is the most comprehensive edition of one of the world's most beloved poets available.
This definitive poetry collection, originally published in 1954 to honor Stevens on his 75th birthday, contains:- "Harmonium"- "Ideas of Order"- "The Man With the Blue Guitar"- "Parts of the World"- "Transport Summer"- "The Auroras of Autumn"- "The Rock"From the Trade Paperback edition.
Thornton Wilder, author of such landmark works for the stage as Our Town and The Skin of Our Teeth as well as the classic novel The Bridges of San Luis Rey is considered one of America's greatest man of letters. This two volume publication collects the complete short works for the stage, including a never-before-published one act play.