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Reframing feminism for the twenty-first century, this bold and essential history stands up against "bland corporate manifestos" (Sarah Leonard). Eschewing the conventional wisdom that places the origins of the American women's movement in the nostalgic glow of the late 1960s, Feminism Unfinished traces the beginnings of this seminal American social movement to the 1920s, in the process creating an expanded, historical narrative that dramatically rewrites a century of American women's history. Also challenging the contemporary "lean-in," trickle-down feminist philosophy and asserting that women's histories all too often depoliticize politics, labor issues, and divergent economic circumstances, Dorothy Sue Cobble, Linda Gordon, and Astrid Henry demonstrate that the post-Suffrage women's movement focused on exploitation of women in the workplace as well as on inherent sexual rights. The authors carefully revise our "wave" vision of feminism, which previously suggested that there were clear breaks and sharp divisions within these media-driven "waves." Showing how history books have obscured the notable activism by working-class and minority women in the past, Feminism Unfinished provides a much-needed corrective.
This is a historical account of feminism that looks at the roots of feminism, voting rights, and the liberation of the sixties, and analyzes the current situation of women across Europe, in the United States, and elsewhere in the world, particularly the Third World countries. Walters examines the difficulties and inequities that women still face, more than forty years after the "new wave" of 1960s feminism--difficulties, particularly, in combining domesticity, motherhood and work outside the home. How much have women's lives really changed? In the West, women still come up against the "glass ceiling" at work, with most earning considerably less than their male counterparts. What are we to make of the now commonplace insistence that feminism deprives men of their rights and dignities? And how does one tackle the issue of female emancipation in different cultural and economic environments--in, for example, Islam, Hinduism, the Middle East, Africa, and the Indian subcontinent?
Bringing together classic and new writings of the trailblazing feminist theorist Chandra Talpade Mohanty, Feminism without Borders addresses some of the most pressing and complex issues facing contemporary feminism. Forging vital links between daily life and collective action and between theory and pedagogy, Mohanty has been at the vanguard of Third World and international feminist thought and activism for nearly two decades. This collection highlights the concerns running throughout her pioneering work: the politics of difference and solidarity, decolonizing and democratizing feminist practice, the crossing of borders, and the relation of feminist knowledge and scholarship to organizing and social movements. Mohanty offers here a sustained critique of globalization and urges a reorientation of transnational feminist practice toward anticapitalist struggles. Feminism without Borders opens with Mohanty's influential critique of western feminism ("Under Western Eyes") and closes with a reconsideration of that piece based on her latest thinking regarding the ways that gender matters in the racial, class, and national formations of globalization. In between these essays, Mohanty meditates on the lives of women workers at different ends of the global assembly line (in India, the United Kingdom, and the United States); feminist writing on experience, identity, and community; dominant conceptions of multiculturalism and citizenship; and the corporatization of the North American academy. She considers the evolution of interdisciplinary programs like Women's Studies and Race and Ethnic Studies; pedagogies of accommodation and dissent; and transnational women's movements for grassroots ecological solutions and consumer, health, and reproductive rights. Mohanty's probing and provocative analyses of key concepts in feminist thought--"home," "sisterhood," "experience," "community"--lead the way toward a feminism without borders, a feminism fully engaged with the realities of a transnational world.
This book provides feminist approaches to Wisdom Literature from leading scholars of the Hebrew Bible and feminist hermeneutics.
Having enjoyed more than twenty years of development, feminist epistemology and philosophy of science are now thriving fields of inquiry, offering current scholars a rich tradition from which to draw. In addition to a recognition of the power of knowledge itself and its effects on women's lives, a central feature of feminist epistemology and philosophy of science has been the attention they draw to the role of power dynamics within knowledge-seeking practices and the implications of these dynamics for our understandings of knowledge, science, and epistemology. Feminist Epistemology and Philosophy of Science: Power in Knowledge collects new works that address today's key challenges for a power-sensitive feminist approach to questions of knowledge and scientific practice. The essays build upon established work in feminist epistemology and philosophy of science, offering new developments in the fields, and representing the broad array of the feminist work now being done and the many ways in which feminists incorporate power dynamics into their analyses.
Prominent feminist author Barbara Walker has revamped, retold, and infused with life some of your favorite classic fairy tales. No longer are women submissive, helpless creatures in need of redemption through the princely male! Instead they are vibrantly alive, strong women who take fate into their own hands.
Attuned to the social contexts within which laws are created, feminist lawyers, historians, and activists have long recognized the discontinuities and contradictions that lie at the heart of efforts to transform the law in ways that fully serve women's interests. At its core, the nascent field of feminist legal history is driven by a commitment to uncover women's legal agency and how women, both historically and currently, use law to obtain individual and societal empowerment.Feminist Legal History represents feminist legal historians' efforts to define their field, by showcasing historical research and analysis that demonstrates how women were denied legal rights, how women used the law proactively to gain rights, and how, empowered by law, women worked to alter the law to try to change gendered realities. Encompassing two centuries of American history, thirteen original essays expose the many ways in which legal decisions have hinged upon ideas about women or gender as well as the ways women themselves have intervened in the law, from Elizabeth Cady Stanton's notion of a legal class of gender to the deeply embedded inequities involved in Ledbetter v. Goodyear, a 2007 Supreme Court pay discrimination case.Contributors: Carrie N. Baker, Felice Batlan, Tracey Jean Boisseau, Eileen Boris, Richard H. Chused, Lynda Dodd, Jill Hasday, Gwen Hoerr Jordan, Maya Manian, Melissa Murray, Mae C. Quinn, Margo Schlanger, Reva Siegel, Tracy A. Thomas, and Leti Volpp
The women of The Feminist Memoir Project give voice to the spirit, the drive, and the claims of the Women's Liberation Movement they helped shape, beginning in the late 1960s. These 32 writers were among the thousands to jump-start feminism in our time. Here, in pieces that are passionate, personal, critical, and witty, they describe what it felt like to make history, to live through and contribute to the massive social movement that transformed the nation. What made these particular women rebel? And what experiences, ideas, feelings, and beliefs shaped their rebellion? How did they maintain the will and energy to keep such an unwomanly struggle going for so long, and continuing still? Memoirs and responses by Kate Millett, Vivian Gornick, Michele Wallace, Alix Kates Shulman, Joan Nestle, Jo Freeman, Yvonne Rainer, Barbara Smith, Ellen Willis, and many more embody the excitement that fueled the movement and the conflicts that threatened it from within. These stories tell how the world we live in changed. With The Feminist Memoir Project, these activists contribute to yet another movement project, the political work of memory.
Though all women are women, no woman is only a woman, wrote Elizabeth Spelman in The Inessential Woman. Gone are the days when feminism translated simply into the advocacy of equality for women. Women's interests are not always aligned; race, class, and sexuality complicate the equation. In recent years, feminist ideologies have become increasingly diverse. Today, one feminist's most ardent political opponent may well be another feminist. As feminism grows increasingly diverse, the time has come to ask a painful and frequently avoided question: what does it mean for women to oppress women? This pathbreaking, provocative anthology addresses this troublesome dilemma from various feminist perspectives, offering an interdisciplinary collection of writings that widens our understanding of oppression to take into account women who are at odds. The book examines the social, political, and psychological ramifications of this phenomenon, as evidenced in a range of texts, from women's antislavery writing to women's anti-abortion writing, from mother-daughter incest stories to maternal surrogacy narratives, from the Bible to the popular romance nove, from Jane Austen to Alice Walker. The value of the volume is perhaps best summed up by an early response to the idea-This is a book that should never be written; feminists should concentrate on how men oppress women. Ironically, it is precisely because the subject triggers such responses, the authors argue, that a volume such as Feminist Nightmares has become a necessity.
The Feminist Porn Book brings together for the first time writings by feminists in the adult industry and research by feminist porn scholars. This book investigates not only how feminists understand pornography, but also how feminists do porn-that is, direct, act in, produce, and consume one of the world's most lucrative and growing industries. With original contributions by Susie Bright, Candida Royalle, Betty Dodson, Nina Hartley, Buck Angel, and more, The Feminist Porn Book updates the debates since the porn wars of the 1980s, which sharply divided the women's movement, and identifies the importance of pornography as a form of expression and labor in which women and other minorities produce power and pleasure.Tristan Taormino is an award-winning author, columnist, editor, sex educator, and feminist pornographer. She is the author of seven books including The Ultimate Guide to Anal Sex for Women and Opening Up. She runs the adult film production company Smart Ass Productions and is an exclusive director for Vivid Entertainment.Constance Penley is professor of film and media studies at University of California Santa Barbara.Celine Parreñas Shimizu is an associate professor of film and performance studies in the Asian American, Comparative Literature, Feminist, and Film and Media Studies departments at the University of California, Santa Barbara.Mireille Miller-Young is assistant professor of feminist studies and affiliate assistant professor of black studies, film and media studies, and comparative literature at University of California, Santa Barbara.
A classroom resource for instructors that includes full syllabi and teaching modules, Feminist Practices will be of interest to anyone who teaches in women's, gender, and sexuality studies. Feminist Practices is intended for use in classrooms and to spark creative ideas for teaching a diverse array of topics. What makes a practice feminist? What is at stake in claiming the feminist label? Whether within a university context or in larger national and global ones, feminist projects involve challenging established relations of power (critique), envisioning alternative possibilities (theory), and employing activism to change social relations. By taking diverse forms of feminist practice as its focal point, this course reader investigates how to study the complexity of women's and men's lives in ways that take race, gender-power, ethnicity, class, and nationality seriously. Feminist Practices also shows how the production of such feminist knowledge challenges long-established beliefs about the world. Topics covered include * Gendered labor, * Commercialization of sexuality and reproduction, * Love and marriage in the twenty-first century, * Violence against women, * Varieties of feminist activism, and * Women's leadership and governance. Feminist Practices draws upon articles published in Signs: Journal of Women in Culture and Society to explore the nature of feminist practices in the twenty-first century and the range of issues these practices address. Organized thematically the collection captures the complexity of a global movement that emerges in the context of local struggles over diverse modes of injustice.
In this definitive volume, respected historian Christine Stansell tells the story of one of the great democratic movements of our times. She paints richly detailed portraits of well-known leaders--Mary Wollstonecraft, Elizabeth Cady Stanton, Betty Friedan--but others, too, appear in a new light, including Ruth Bader Ginsburg and Toni Morrison. Accounting for the failures of feminism as well as the successes, Stansell notes the emergence in the early 1900s of the dashing "New Woman"; the passing of the Nineteenth Amendment, which granted women the right to vote; the post-World War II collapse of suburban neo-Victorianism; the radical feminism of the 1960s; and the fight for women's rights in developing countries in the era of international feminist movements. A soaring work, The Feminist Promise is bound to become an authoritative source on this essential subject for decades to come.for the failures of feminism as well as the successes. She notes significant moments in the struggle for gender equality, such as the emergence in the early 1900s of the dashing "New Woman"; the passing of the Nineteenth Amendment, which granted women the right to vote; the post-World War II collapse of suburban neo-Victorianism; and the radical feminism of the 1960s--all of which led to vast changes in American culture and society. The Feminist Promise dramatically updates our understanding of feminism, taking the story through the age of Reagan and into the era of international feminist movements that have swept the globe. Stansell provocatively insists that the fight for women's rights in developing countries "cannot be separated from democracy's survival."A soaring work unprecedented in scope, historical depth, and literary appeal, The Feminist Promise is bound to become an authoritative source on this essential subject for decades to come on. At once a work of scholarship, political observation, and personal reflection, it is a book that speaks to the demands and challenges--individual, national, and international--of the twenty-first century.From the Hardcover edition.
In Feminist, Queer, Crip Alison Kafer imagines a different future for disability and disabled bodies. Challenging the ways in which ideas about the future and time have been deployed in the service of compulsory able-bodiedness and able-mindedness, Kafer rejects the idea of disability as a pre-determined limit. She juxtaposes theories, movements, and identities such as environmental justice, reproductive justice, cyborg theory, transgender politics, and disability that are typically discussed in isolation and envisions new possibilities for crip futures and feminist/queer/crip alliances. This bold book goes against the grain of normalization and promotes a political framework for a more just world.
Although it is well known in other fields, the concept of "resilience" has not been addressed explicitly by feminist rhetoricians. This collection develops it in readings of rhetorical situations across a range of social contexts and national cultures. Contributors demonstrate that resilience offers an important new conceptual frame for feminist rhetoric, with emphasis on agency, change, and hope in the daily lives of individuals or groups of individuals disempowered by social or material forces. Collectively, these chapters create a robust conception of resilience as a complex rhetorical process, redeeming it from its popular association with individual heroism through an important focus on relationality, community, and an ethics of connection. Resilience, in this volume, is a specifically rhetorical response to complicated forces in individual lives. Through it, Feminist Rhetorical Resilience widens the interpretive space within which rhetoricians can work.
The Feminist Spectator as Critic broke new ground as one of the pioneering books on feminist spectatorship, encouraging resistant readings to generate feminist meanings in performance. Approaching live spectatorship through a range of interdisciplinary methods, the book has been foundational in theater studies, performance studies, and gender/sexuality/women's studies. This updated and enlarged second edition celebrates the book's twenty-fifth anniversary with a substantial new introduction and up-to-the-moment bibliography, detailing the progress to date in gender equity in theater and the arts, and suggesting how far we have yet to go.
One of the major differences Bell Hooks see in the political climate today is that there is less collective support for coming to critical consciousness--in communities, in institutions, and among friends.
A hilarious romp by a popular conservative columnist The four most common words a feminist uses are "I," "me," "my," and "mine." Feminists are the only people who actually use these words more in adulthood than they did when they were two years old. Mike Adams-like P. J. O'Rourke and Christopher Buckley-understands that the best way to fight humorless liberals is to poke fun at them. And no liberal group is more humorless, or more in need of poking, than feminists on college campuses. It might seem like professional suicide for a conservative male professor to ridicule feminists for their antics on campus. But Adams does just that, with hilarious results. In Feminists Say the Darndest Things, he writes to feminists around the country with many thoughtful questions, such as: Why did they build a sex toy museum in the middle of a campus and then file sexual harassment charges against those who criticized their indiscretion? Why do they write "scholarly" articles like the one suggesting that deer hunters are simply acting out fantasies of raping underage women? And why, after his column said that feminists are intolerant of free speech, did they respond by trying to get him fired? When the author's pen pals take the bait, they do a better job of making feminism look silly than any critic ever could.
New York Times bestselling author Laura Lippman has been hailed as one of the best crime fiction writers in America today, winning virtually every major award in the genre. The author of the enormously popular series featuring Baltimore P.I. Tess Monaghan as well as three critically lauded stand-alone novels, Lippman now turns her attention to short stories--and reveals another level of mastery.Lippman sets many of the stories in this sterling anthology, Hardly Knew Her, in familiar territory: her beloved Baltimore, from downtown to its affluent suburbs, where successful businessmen go to shocking lengths to protect what they have or ruthlessly expand their holdings, while dissatisfied wives find murderous ways to escape their lives. But Lippman is also unafraid to travel--to New Orleans, to an unnamed southwestern city, and even to Dublin, the backdrop for the lethal clash of two not-so-innocents abroad. Tess Monaghan is here, in two stories and a profile, aligning herself with various underdogs. And in her extraordinary, never-before-published novella, Scratch a Woman, Lippman takes us deep into the private world of a high-priced call girl/madam and devoted soccer mom, exploring the mystery of what may, in fact, be written in the blood.Each of these ingenious tales is a gem--sometimes poignant, sometimes humorous, always filled with delightfully unanticipated twists and reversals. For people who have yet to read Lippman, get ready to experience the spellbinding power of "one of today's most pleasing storytellers, hailed for her keen psychological insights and her compelling characterizations," (San Diego Union-Tribune), who has "invigorated the crime fiction arena with smart, innovative, and exciting work" (George Pelecanos). As for longtime devotees of her multiple award-winning novels, you'll discover that you hardly know her.
New York Times bestselling author Laura Lippman has been hailed as one of the best crime fiction writers in America today, winning virtually every major award in the genre. The author of the enormously popular series featuring Baltimore P.I. Tess Monaghan as well as three critically lauded stand-alone novels, Lippman now turns her attention to short stories--and reveals another level of mastery. Lippman sets many of the stories in this sterling anthology, Hardly Knew Her, in familiar territory: her beloved Baltimore, from downtown to its affluent suburbs, where successful businessmen go to shocking lengths to protect what they have or ruthlessly expand their holdings, while dissatisfied wives find murderous ways to escape their lives. But Lippman is also unafraid to travel--to New Orleans, to an unnamed southwestern city, and even to Dublin, the backdrop for the lethal clash of two not-so-innocents abroad. Tess Monaghan is here, in two stories and a profile, aligning herself with various underdogs. And in her extraordinary, never-before-published novella, Scratch a Woman, Lippman takes us deep into the private world of a high-priced call girl/madam and devoted soccer mom, exploring the mystery of what may, in fact, be written in the blood. Each of these ingenious tales is a gem--sometimes poignant, sometimes humorous, always filled with delightfully unanticipated twists and reversals. For people who have yet to read Lippman, get ready to experience the spellbinding power of "one of today's most pleasing storytellers, hailed for her keen psychological insights and her compelling characterizations," (San Diego Union-Tribune), who has "invigorated the crime fiction arena with smart, innovative, and exciting work" (George Pelecanos). As for longtime devotees of her multiple award-winning novels, you'll discover that you hardly know her.
Once Ellie Haskell's life was a fairy tale: the one about the overweight, underpaid interior designer who falls rapturously in love with a gorgeous prince and lives happily ever after. But now, four months after the birth of her twins, her worst nightmare has come true: the princess has turned into a frog and the bliss has gone out of the bedroom.Can a course in the sensual arts, featuring naughty nighties and Peach Melba Love Rub, rekindle the romance she and her adored Bentley once shared? It's a question that leads Ellie straight to an organization called Fully Female.But before she can say "Marriage Makeover," one fellow vamp becomes a sex-crazed zombie and another meets her end in a fatally frothy bubble bath. Then a third victim of amour turns up dead, and Ellie realizes it's more than ill luck. Can Ellie catch a crazed killer before love gets a bad name.
A riveting, true-life account of violence, racial injustice, and betrayal within the ranks of the Boston Police Department The Boston police officers who brutally beat Michael Cox at a deserted fence one icy night in 1995 knew right away that they had made a terrible mistake. The badge and handgun under Cox's bloodied parka proved it: He was not a black gang member but a plainclothes officer who had been chasing the same murder suspect they were. While Cox was being beaten, Officer Kenny Conley chased down and captured the suspect. Afterward, as Cox waited for an apology from his department, federal prosecutors accused Conley of lying when he denied witnessing Cox's beating. Both Cox and Conley grew up in Boston and had dedicated their lives to serving the Boston Police Department, but when they needed its support, they were abandoned. A remarkable work of investigative journalism, The Fence details the shocking story of the attack, the attempted cover-up by police officers beholden to a "blue wall of silence," and the bitter repercussions on the lives of those involved. It follows Cox's 1998 federal civil rights trial against the Boston Police Department and features a diverse cast of characters, including the victims, their families, the officers accused in the beating, city officials, and the actual murder suspect--all set against the rich backdrop of Boston. Like J. Anthony Lukas's 1985 Pulitzer Prize-winning classic Common Ground, The Fence examines Boston's race relations and the unwritten police code of covering up through the intimate lens of those who experienced the crime directly. By coming to know the officers and criminals brought together that night at the fence--and the families whose lives were changed forever as a result--we sense how deeply the strains of prejudice run in this city still haunted by tribalism and racial tension. Boston journalist Dick Lehr has written a gritty, captivating true-crime story with unusual depth--a chilling exploration of what happens when fear of admitting mistakes combines with a police culture of lying to undermine justice.
As the freshman baseball team at State University tries to live up to its nickname, "Fence Busters," Chip must endure an injury and friction with a jealous teammate as he restores his team and rebuilds a community.
Learn fencing and get a great workout, improve hand-eye coordination, and just plain have fun. Endorsed by Veteran Fencers Quarterly.
In Fences and Windows, Naomi Klein offers a bird's-eye view of the life of an activist and the development of the anti-globalization movement from the Seattle World Trade Organization protests in 1999 through September 11, 2001. Bringing together columns, speeches, essays, and reportage, Klein once again provides provocative arguments on a broad range of issues. Whether she is discussing the privatization of water; genetically modified food; free trade; or the development of the movement itself and its future post 9/11, Naomi Klein is one of the most thoughtful and brilliant activists and thinkers for a new generation.
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