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Glamour and violence combine in the international bestseller from the master of the high-action thriller in this chilling tale of a very modern Bluebeard. Artist and ex-Marine Chase Malone decides to intervene when he discovers that Derek Bellasar, the notorious arms merchant, plans to kill his wife Sienna. Sienna and Malone are on the run, pursued by Bellasar, but Malone finds that a woman as beautiful as Sienna is impossible to hide...
A refreshing antidote to the saccharine charms of Peter Mayle's A Year in Provence and Frances Mayes' Under the Tuscan Sun, this is the quirky and hilarious memoir of a criminal lawyer who gives up his New York practise to spend a year in the Etruscan town of Sutri, near Rome, where he moves -reluctantly - with his artist wife and baby. Himself something of an eccentric from a bizarre Nebraskan family, he has spent his adult life living in hotels; and in Sutri, he heads straight for the cafe in the main square. From there he observes the baroque events of small-town life, conjures up a cast of Italian eccentrics (including Pasquale and his hypersensitive organ of smell), and relishes the weirdness and the wonder of Sutri 's history, folklore, architecture and above all its food -particularly the notorious 'fagioli regina' (beans in a tomato and pig skin sauce) and the annual Bean Festival. Part of the delight of reading this memoir is that it not only evokes the sights and smells of an ancient and little-known town in Southern Italy, and brings its people to extraordinary life, but it also reveals the irresistible foibles and philosophy of a talented and unusual mind. Funny, philosophical and surprisingly moving, this is the story of how a rootless American finds home in the most unexpected places and how Pasquale and his compatriots put life into perspective in the strangest way.
One moment Chloe Kingsley, a Dallas artist vacationing in Egypt, is standing in an inner room of the legendary temple at Karnak; the next she is caught up in a vortex of energy and hurled through the centuries. Suddenly she finds herself clothed in a diaphanous gown, covered in someone else's blood, and called RaEmhetepet, a priestess serving the cow-headed goddess HatHor. Chloe Kingsley has entered a world as filled with mystery and dark secrets as the shadows of approaching night. The year is 1452 B.C.E. The pharaoh is a woman. Almighty Hatshepsut is fighting her nephew Thutmosis III for her throne while building a secret tomb in the eastern desert. And Chloe is bit by bit discovering the shocking truths about the extraordinary woman whose body she inhabits and the Sisterhood that claims her complete obedience. Along with Cheftu, a brilliant young physician sent to attend her and who slowly wins her trust, she faces treachery, treason, and an upheaval destined to change the future of humankind. From plagues that plunge a nation into chaos, culminating in a night of consummate terror in which the firstborn of Egypt will die, to the flight of a group of slaves into the desert, Chloe and Cheftu will face choices of morality and courage that will determine their destinies. Their inner journey is ageless, their ultimate goal universal - the quest of the human heart to find its true domain, a love that nothing can diminish, not armies, nor death, nor the endless unraveling of fate. . . .
This is the story of a single wedding dress and its remarkable journey throughout the ages. It is the story of the women with whom the wedding dress comes into contact as it is handed down from generation to generation, as it weaves a history, not only of their lives, but of the countries in which they live. We follow the sometimes sweet, sometimes tragic, always fascinating stories of women and men who fall in love--and we learn that marriage is only the first step in a partnership. It is also Madeline's story, a thirty-seven-year-old documentarian researching a project on divorce in 1997. The assignment initially reflects her own feelings about the tradition of marriage; that women young and old identify with pinning dreams and futures upon a tradition pervaded by romantic ideals--but that every year in the United States, fifty percent of those dreams are destroyed by divorce. In the midst of her project, Madeline is left an inheritance of a magnificent wedding dress and a hope chest filled with family heirloom memorabilia; diaries, journals, and letters. What she unearths is a migration to the past that soon becomes an obsession. T
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