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Sofia Coppola: Interviews (Conversations with Filmmakers Series)
by Amy N. MonaghanSofia Coppola (b. 1971) was baptized on film. After appearing in The Godfather as an infant, it took twenty-five years for Coppola to take her place behind the camera, helming her own adaptation of Jeffrey Eugenides’s celebrated novel The Virgin Suicides. Following her debut, Coppola was the third woman ever to be nominated for Best Director and became an Academy Award winner for Best Original Screenplay for her sophomore feature, Lost in Translation. She has also been awarded the Golden Lion at the Venice Film Festival and Best Director at Cannes. In addition to her filmmaking, Coppola is recognized as an influential tastemaker. She sequenced the so-called Tokyo dream pop of the Lost in Translation soundtrack like an album, a success in its own right. Her third film, Marie Antoinette, further showcased Coppola’s ear for the unexpected needle drop, soundtracking the controversial queen’s life with a series of New Romantic bangers popular during the director’s adolescence. The conversations compiled within Sofia Coppola: Interviews mark the filmmaker’s progression from dismissed dilettante to acclaimed auteur of among the most visually arresting, melancholy, and wryly funny films of the twenty-first century. Coppola discusses her approach to collaboration, Bill Murray as muse, and how Purple Rain blew her twelve-year-old mind. There are interviews from major publications, but Coppola speaks with musician Kim Gordon for indie magazine Bust and Tavi Gevinson, then-adolescent founder of online teen magazine Rookie, as well. The volume also features a new and previously unpublished interview conducted with volume editor Amy N. Monaghan in which Coppola discusses her plans for the now-cancelled adaptation of The Custom of the Country. To read these interviews is to witness Sofia Coppola coming into her own as a world-renowned artist.
Howard Cruse (Biographix #1)
by Janine UtellHoward Cruse tells the life story of one of the most important figures in LGBTQ+ comics. A preacher’s kid from Alabama who became “the godfather of queer comics,” Cruse (1944–2019) was a groundbreaking underground cartoonist, a wicked satirist, an LGBTQ+ activist, and a mentor to a vast network of queer comics artists. His comic strip Wendel, published in The Advocate throughout the 1980s, is considered a revolutionary moment in the development of LGBTQ+ comics, as is his inaugurating the editorship of Gay Comix with Kitchen Sink Press in 1979, which furthered the careers of important artists like Jennifer Camper and Alison Bechdel. Cruse’s graphic novel Stuck Rubber Baby, published in 1995, fictionalizes his own coming out in the context of the civil rights movement in 1960s Birmingham and was a significant forerunner to contemporary graphic novels and memoirs. Howard Cruse draws on extensive archival research and interviews and covers Cruse’s entire body of work: the cute and zany Barefootz, the unexpected innovations of the Gay Comix stories, the domestic intimacies of Wendel, and the complexity and power of Stuck Rubber Baby. The book places Cruse’s art in the context of his life and his times, including the historic movements for gay rights and against the AIDS crisis, and it celebrates this extraordinary and essential figure of LGBTQ+ comics and American comics art more broadly.
Conversations with Nalo Hopkinson (Literary Conversations Series)
by Isiah Lavender IIIA key figure in contemporary speculative fiction, Jamaican-born Canadian Nalo Hopkinson (b. 1960) is the first Black queer woman as well as the youngest person to be named a Grand Master by the Science Fiction and Fantasy Writers of America. Her Caribbean-inspired narratives—Brown Girl in the Ring, Midnight Robber, The Salt Roads, The New Moon’s Arms, The Chaos, and Sister Mine—project complex futures and complex identities for people of color in terms of race, sex, and gender. Hopkinson has always had a vested interest in expanding racial and ethnic diversity in all facets of speculative fiction from its writers to its readers, and this desire is reflected in her award-winning anthologies. Her work best represents the current and ongoing colored wave of science fiction in the twenty-first century.In twenty-one interviews ranging from 1999 until 2021, Conversations with Nalo Hopkinson reveals a writer of fierce intelligence and humor in love with ideas and concerned with issues of identity. She provides powerful insights on code-switching, race, Afrofuturism, queer identities, sexuality, Caribbean folklore, and postcolonial science fictions, among other things. As a result, the conversations presented here very much demonstrate the uniqueness of her mind and her influence as a writer.
Part of the Magic: A Collection of Disney-Inspired Brushes with Greatness
by Bambi MoéPart of the Magic: A Collection of Disney-Inspired Brushes with Greatness is a book of remarkable and wildly entertaining anecdotal stories told through the lens of an entertainment industry insider. Author Bambi Moé enjoyed a twenty-year career at The Walt Disney Company in charge of all aspects of music for Walt Disney Television Animation. Her name, vocation, and background gave her exceptional access to pop culture and entertainment giants. The book takes readers on a nonstop ride and keeps them riveted throughout extremely candid encounters shared here for the first time. Moé’s fascinating true stories provide a rare insight into the creative process associated with music in animation and give readers a historical reference to The Walt Disney Company’s burgeoning direct-to-video empire. Her career exemplifies the rewards often associated with hard work, perseverance, integrity, and the ability to recognize potential in others. Often the only woman in a male-dominated work environment, Moé’s success will inspire young readers interested in pursuing a career in entertainment. Part of the Magic invites readers to consider their own stories and recognize their own universality. Like a photo that captures life’s moments and teaches us lessons, each of Moé’s brushes with greatness serves as a reminder that we are all connected by reason of our own humanity. Her joy extends far beyond the original encounter and multiplies in the retelling of these stories.
Conversations with Beth Henley (Literary Conversations Series)
by Jackson R. Bryer and Mary C. HartigWith roots in the American South, Beth Henley (b. 1952) has for four decades been a working playwright and screenwriter. Winner of the Pulitzer Prize in 1981 at the age of twenty-eight, Henley so far has written twenty-five produced plays that are always original, usually darkly comic, and often experimental. In these interviews, Henley speaks of the plays, from her early crowd-pleasers, Crimes of the Heart and The Miss Firecracker Contest, to her more experimental plays, including The Debutante Ball and Control Freaks, to her brilliant and time-bending play, The Jacksonian. Henley is a master at writing about the duality of human experience—the beautiful and the grotesque, the cruel and the loving. This duality provokes in Henley both amazement and compassion. She discusses here not only her admiration for Chekhov and other influences, but also her process of bringing a play from notebooks of images and bits of dialogues through rumination, writing, and rewriting to rehearsals and previews. The interviews range from 1981, just before she won the Pulitzer Prize, to 2020 and cover nearly forty years of a creative life, which, as Henley remarks in the most recent interview, is “such a life worth living: to be in tune with the creative process.”
A Slow, Calculated Lynching: The Story of Clyde Kennard (Race, Rhetoric, and Media Series)
by Devery S. AndersonIn the years following Brown v. Board of Education, countless Black citizens endured violent resistance and even death while fighting for their constitutional rights. One of those citizens, Clyde Kennard (1927–1963), a Korean War veteran and civil rights leader from Hattiesburg, Mississippi, attempted repeatedly to enroll at the all-white Mississippi Southern College—now the University of Southern Mississippi—in the late 1950s. In A Slow, Calculated Lynching: The Story of Clyde Kennard, Devery S. Anderson tells the story of a man who paid the ultimate price for trying to attend a white college during Jim Crow. Rather than facing conventional vigilantes, he stood opposed to the governor, the Mississippi State Sovereignty Commission, and other high-ranking entities willing to stop at nothing to deny his dreams. In this comprehensive and extensively researched biography, Anderson examines the relentless subterfuge against Kennard, including the cruelly successful attempts to frame him—once for a misdemeanor and then for a felony. This second conviction resulted in a sentence of seven years hard labor at Mississippi State Penitentiary, forever disqualifying him from attending a state-sponsored school. While imprisoned, he developed cancer, was denied care, then sadly died six months after the governor commuted his sentence. In this prolonged lynching, Clyde Kennard was robbed of his ambitions and ultimately his life, but his final days and legacy reject the notion that he was powerless.Anderson highlights the resolve of friends and fellow activists to posthumously restore his name. Those who fought against him, and later for him, link a story of betrayal and redemption, chronicling the worst and best in southern race relations. The redemption was not only a symbolic one for Kennard but proved healing for the entire state. He was gone, but countless others still benefit from Kennard’s legacy and the biracial, bipartisan effort he inspired.
The Struggle of Struggles (Civil Rights in Mississippi Series)
by Vera PigeeNamed one of five best books on women in the Civil Rights Movement by Wall Street JournalFrom 1955 to 1975, Vera Pigee (1924–2007) put her life and livelihood on the line with grassroots efforts for social change in Mississippi, principally through her years of leadership in Coahoma County’s NAACP. Known as the “Lady of Hats,” coined by NAACP executive secretary Roy Wilkins, Pigee was a businesswoman, mother, and leader. Her book, The Struggle of Struggles, offers a detailed view of the daily grind of organizing for years to open the state’s closed society. Fearless, forthright, and fashionable, Pigee also suffered for her efforts at the hands of white supremacists and those unwilling to accept strong women in leadership. She wrote herself into the histories, confronted misinformation, and self-published one of the first autobiographies from the era. Women like her worked, often without accolade or recognition, in their communities all over the country, but did not document their efforts in this way.The Struggle of Struggles, originally published in 1975, spotlights the gendered and generational tensions within the civil rights movement. It outlines the complexity, frustrations, and snubs, as well as the joy and triumphs that Pigee experienced and witnessed in the quest for a fairer and more equitable nation. This new edition begins with a detailed introductory essay by historian Françoise N. Hamlin, who interviewed Pigee and her daughter in the few years preceding their passing, as well as their coworkers and current activists. In addition to the insightful Introduction, Hamlin has also provided annotations to the original text for clarity and explanation, along with a timeline to guide a new generation of readers.
With Hawks and Angels: Episodes from a Southern Life (Willie Morris Books in Memoir and Biography)
by Joel Lafayette Fletcher IIIWith Hawks and Angels: Episodes from a Southern Life chronicles the fortunate life of a man born in the Cajun country of Louisiana and his interaction with the three distinct parts of his home state: the swampy, laissez-faire South where he was born, the red clay hills and piney woods of northern Louisiana where his relatives lived, and exotic New Orleans, where he was educated. Author Joel Lafayette Fletcher III examines his childhood on the campus of what is now the University of Louisiana at Lafayette where his father, Joel Lafayette Fletcher Jr., was president for twenty-five years, to his time as a student at Tulane. The book follows Fletcher through his service as a naval officer—when he began to admit to himself, accept, and explore who he really was—to his life in Europe and, eventually, Virginia where he now resides. With Hawks and Angels intimately explores the life of a young man growing up in the racially segregated Deep South while coming to terms with being gay at a time when being out was not socially acceptable. Based on his personal journals and recollections and filled with the unique characters he met along the way, With Hawks and Angels is the culmination of writing that, for Fletcher, was a way of holding onto an important part of his true self that for many years he felt compelled to hide.
Becoming Ezra Jack Keats (Willie Morris Books in Memoir and Biography)
by Virginia McGee ButlerBecoming Ezra Jack Keats offers the first complete biography of acclaimed children’s author and illustrator Ezra Jack Keats (1916–1983) intended for adult readers. Drawing extensively from his unpublished autobiography and letters, Becoming Ezra Jack Keats covers the breadth of Keats’s life, taking readers through his early years as the child of immigrant parents, his introduction to illustration and writing, and the full arc of his remarkable career.Beyond a standard biography, this volume presents a time capsule of the political, social, and economic issues evolving during the span of Keats’s lifetime. It also addresses his trailblazing commitment to representation and diversity, most notably in his work The Snowy Day, which won the Caldecott Medal as the first full-color picture book to feature a Black child as the protagonist. Keats far surpassed his father’s prediction that he would be a starving artist. Instead, as shown in Becoming Ezra Jack Keats, he is now regarded as one of the most influential figures in children’s literature, having published twenty-two books translated into sixteen languages, all featuring the diversity he saw in the children outside the window of his Brooklyn studio.
William Levi Dawson: American Music Educator (American Made Music Series)
by Mark Hugh MaloneWilliam Levi Dawson (1899–1990) overcame adversity and Jim Crow racism to become a nationally recognized composer, choral arranger, conductor, and professor of music. In William Levi Dawson: American Music Educator, Mark Hugh Malone tells the fascinating tale of Dawson’s early life, quest for education, rise to success at the Tuskegee Institute, achievement of national notoriety as a composer, and retirement years spent conducting choirs throughout the US and world.From his days as a student at Tuskegee in the final years of Booker T. Washington’s presidency, Dawson continually pursued education in music, despite racial barriers to college admission. Returning to Tuskegee later in life, he became director of the School of Music. Under his direction, the Tuskegee Choir achieved national recognition by singing at Radio City Music Hall, presenting concerts for Presidents Herbert Hoover and Franklin D. Roosevelt, and performing on nationwide radio and television broadcasts.Dawson’s Negro Folk Symphony, only the second extended musical work to be written by an African American, was premiered by Leopold Stokowski and the Philadelphia Orchestra in both Philadelphia and New York City. Dawson’s arrangements of spirituals, the original folk music of African Americans enslaved in America during the antebellum period, quickly became highly sought-after choral works. This biographical account of Dawson's life is narrated with a generous sprinkling of his personal memories and photographs.
Abbas Kiarostami: Interviews (Conversations with Filmmakers Series)
by Monika RaeschThe cinephile community knows Abbas Kiarostami (1940–2016) as one of the most important filmmakers of the previous decades. This volume illustrates why the Iranian filmmaker achieved critical acclaim around the globe and details his many contributions to the art of filmmaking. Kiarostami began his illustrious career in his native Iran in the 1970s, although European and American audiences did not begin to take notice until he released his 1987 feature Where’s the Friend’s House? His films defy established conventions, placing audiences as active viewers who must make decisions about actions and characters while watching the narratives unfold. He asks viewers to question the genre construct (Close-Up) and challenges them to determine how to watch and imagine a narrative (Ten and Shirin). In recognition for his approach to the craft, Kiarostami was awarded many honors during his lifetime, including the top prize at the Cannes Film Festival in 1997 for Taste of Cherry. In Abbas Kiarostami: Interviews, editor Monika Raesch collects eighteen interviews (several translated into English for the first time), lectures, and other materials that span Kiarostami’s career in the film industry. In addition to exploring his expertise, the texts provide insight into his life philosophy. This volume offers a well-rounded picture of the filmmaker through his conversations with journalists, film scholars, critics, students, and audience members.
A Thousand Places Left Behind: One Soldier’s Account of Jungle Warfare in WWII Burma
by Peter K. Lutken Jr.Born and raised in Mississippi, Peter K. Lutken, Jr. (1920–2014) joined the army in 1941 and was assigned to the Coast Artillery. Originally sent to India to guard airfields, he was reassigned to the British V Force, then the American OSS (Office of Strategic Services and precursor to the CIA) after he volunteered for reconnaissance missions behind Japanese lines. Skills he had learned as a boy in the backwoods and swamps around the Pearl River stood him in good stead, and by the end of the war, he attained the rank of major, commanding an entire battalion of ethnic Kachins and other local people of northern Burma (now called Myanmar). Lutken's stories carry the reader along as he sails on a troop ship to India, then treks into the mountainous jungles of northern Burma to gather intelligence and engage in guerrilla warfare with the Japanese. In his straightforward way, he describes how he learned the language of the Kachins and much about their customs and legends, and how he fought alongside them for the course of the war. Adventures of rafting uncharted rivers, surprise attacks, sabotage, natural hazards and disease, feasts and ceremonies, the plight of refugees, and tragic events of war are all told from the perspective of a young soldier, who finds himself half a world away from home. Based on hundreds of pages of transcripts from tapes recorded late in his life, A Thousand Places Left Behind recounts the untold story not just of one soldier’s experiences, but of the little-known history of American and British forces in Burma during World War II. Supported by original maps based on Lutken’s personal travels as well as photographs from his scrapbook, the book traces Lutken’s journey overseas, his expeditions into the jungle, and his return to Jackson, Mississippi in 1945. Beyond the war, Lutken’s connection with the Kachins culminated in “Project Old Soldier,” a crop exchange program which he and other veterans of OSS Detachment 101 initiated in the 1990s and which lasted until after his death in 2014. The book tells a remarkable story of bravery, friendship, history, and the unbreakable bonds forged in times of war.
Sylvia Plath Day by Day, Volume 1: 1932-1955
by Carl RollysonSince Sylvia Plath’s death in 1963, she has become the subject of a constant stream of books, biographies, and articles. She has been hailed as a groundbreaking poet for her starkly beautiful poems in Ariel and as a brilliant forerunner of the feminist coming-of-age novel in her semiautobiographical The Bell Jar. Each new biography has offered insight and sources with which to measure Plath’s life and influence. Sylvia Plath Day by Day, a two-volume series, offers a distillation of this data without the inherent bias of a narrative.Volume 1 commences with Plath’s birth in Boston in 1932, records her response to her elementary and high school years, her entry into Smith College, and her breakdown and suicide attempt, and ends on February 14, 1955, the day she wrote to Ruth Cohen, principal of Newnham College, Cambridge, to accept admission as an “affiliated student at Newnham College to read for the English Tripos.” Sylvia Plath Day by Day is for readers of all kinds with a wide variety of interests in the woman and her work. The entries are suitable for dipping into and can be read in a minute or an hour. Ranging over several sources, including Plath’s diaries, journals, letters, stories, and other prose and poetry—including new material and archived material rarely seen by readers—a fresh kaleidoscopic view of the writer emerges.
Conversations with Jerry W. Ward Jr. (Literary Conversations Series)
by John ZhengJerry W. Ward Jr. (b. 1943) has published nonfiction, literary criticism, encyclopedias, anthologies, and poetry. Ward is also a highly respected scholar with a specialty in African American literature and has been recognized internationally as one of the leading experts on Richard Wright. Ward was Lawrence Durgin Professor of Literature at Tougaloo College, served as a member of both the Mississippi Humanities Council and the Mississippi Advisory Committee for the US Commission on Civil Rights, and cofounded the Richard Wright Circle and the Richard Wright Newsletter. He has won numerous awards, and in 2001 he was inducted into the International Literary Hall of Fame for Writers of African Descent. Conversations with Jerry W. Ward Jr. aims to add an indispensable source to American literature and African American studies. It offers an account of Ward's intelligent and thoughtful responses to questions about literature, literary criticism, teaching, writing, civil rights, Black aesthetics, race, and culture. Throughout the fourteen interviews collected in this volume that range from 1995 to 2021, Ward demonstrates his responsibilities as a contemporary scholar, professor, writer, and social critic. His charming personality glimmers through these interviews, which, in a sense, are inner views that allow us to see into his mind, understand his heart, and appreciate his wit.
Season to Taste: Rewriting Kitchen Space in Contemporary Women’s Food Memoirs (Ingrid G. Houck Series in Food and Foodways)
by Caroline J. SmithBetween 2000 and 2010, many contemporary US-American women writers were returning to the private space of the kitchen, writing about their experiences in that space and then publishing their memoirs for the larger public to consume. Season to Taste: Rewriting Kitchen Space in Contemporary Women’s Food Memoirs explores women’s food memoirs with recipes in order to consider the ways in which these women are rewriting this kitchen space and renegotiating their relationships with food.Caroline J. Smith begins the book with a historical overview of how the space of the kitchen, and the expectations of women associated with it, have shifted considerably since the 1960s. Better Homes and Gardens, as well as the discourse of the second-wave feminist movement, tended to depict the space as a place of imprisonment. The contemporary popular writers examined in Season to Taste, such as Ruth Reichl, Kim Sunée, Jocelyn Delk Adams, Julie Powell, and Molly Wizenberg, respond to this characterization by instead presenting the kitchen as a place of transformation. In their memoirs and recipes, these authors reinterpret their roles within the private sphere of the home as well as the public sphere of the world of publishing (whether print or digital publication). The authors examined here explode the divide of private/feminine and public/masculine in both content and form and complicate the genres of recipe writing, diary writing, and memoir. These women writers, through the act of preparing and consuming food, encourage readers to reconsider the changing gender politics of the kitchen.
To Dance, to Live: A Biography of Thalia Mara (Willie Morris Books in Memoir and Biography)
by Carolyn J. BrownThalia Mara’s story spans the history of dance in the twentieth century and the rise of the arts in her adopted city of Jackson, Mississippi. As an adolescent Mara (1911–2003) studied with renowned Russian teacher Adolph Bolm, who recommended she go at age sixteen to Paris for further study. During a tour in Europe and South America, she met her partner in dance and life, Arthur Mahoney, and they dazzled the world with their breathtaking performances during the 1930s and '40s. The two were named codirectors of Jacob’s Pillow in 1947, gracing the cover of Life magazine that year. Later they started two schools of dance in New York City, but despite much success, they closed due to lack of funding. That misfortune, however, was Jackson’s boon as it led Mara to the second phase of her career: reviving the Jackson Ballet Company and bringing the USA International Ballet Competition (IBC) to the state.Thalia Mara was recognized at the end of her life not only for the USA IBC’s decision to locate in Jackson, but also for her efforts as a patron of the arts. Her extraordinary fundraising and planning attracted international performers to the city in the 1980s and '90s. To Dance, to Live: A Biography of Thalia Mara gives the first full account of a life devoted to the arts.
Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System
by Milan HainDavid O. Selznick (1902–1965) was one of the most prominent film producers of the Hollywood studio era, responsible for such artistic and commercial triumphs as King Kong, David Copperfield, Anna Karenina, A Star Is Born, Gone with the Wind, Rebecca, Spellbound, and The Third Man. However, film production was not his only domain. Starting in the late 1930s, he built an impressive stable of stars within his own independent company, including Ingrid Bergman, Vivien Leigh, Joan Fontaine, Jennifer Jones, and Gregory Peck. In Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System, author Milan Hain reveals the mechanisms by which Selznick and his collaborators discovered and promoted new stars and describes how these personalities were marketed, whether for financial gain or symbolic recognition and prestige. Using a wide range of archival materials, the book significantly complements and reshapes our understanding of Selznick’s celebrated career by focusing on heretofore neglected aspects of his creative and business activities. It also sheds light on the US film industry during the Golden Age of Hollywood studios and in the postwar period when the established order began to break down. By structuring the book around Selznick and his role as a starmaker, Hain demonstrates that star production and development in the Hollywood studio system was a highly organized and systematic activity, though the respective strategies and procedures were often hidden from the public eye.
Christian Petzold: Interviews (Conversations with Filmmakers Series)
by Marco Abel, Aylin Bademsoy, and Jaimey FisherChristian Petzold (b. 1960) is the best-known filmmaker associated with the “Berlin School” of postunification German cinema. Identifying as an intellectual, Petzold self-consciously approaches his work for both the big and the small screen by weaving critical reflection on the very conditions of contemporary filmmaking into his approach. Archeologically reconstructing genre filmmaking in a national film production context that makes the production of genre cinema virtually impossible, he repeatedly draws on plots from classic films, including Alfred Hitchcock’s, in order to provide his viewers with the distinct pleasures only cinema can instill without, however, allowing his audience the comforts the “cinema of identification” affords them. Including thirty-five interviews, Christian Petzold: Interviews is the first book in any language to document how one of Germany’s best-known director's thinking about his work has evolved over the course of a quarter of a century, spanning his days as a flailing student filmmaker in the early 1990s in postunified Germany to 2020, when his reputation as one of world cinema’s most respected auteurs has been firmly enshrined. The interviews collected here—thirty of which are published in English for the first time—highlight Petzold’s career-long commitment to foregrounding how economic operations affect individual lives. The volume makes for a rich resource for readers interested in Petzold’s work or contemporary German cinema but also those looking for theoretically challenging and sophisticated commentary offered by one of global art cinema’s leading figures.
Conversations with Jimmy Carter (Literary Conversations Series)
by Tom HeadWhen Jimmy Carter (b. 1924) lost the presidency in 1980, it would have been reasonable to think his public life was coming to an end. The moderate, evangelical, blue-jeans-wearing peanut farmer made an unlikely governor of Georgia, and an even less likely winner of the vicious 1976 Democratic presidential primary. Coming into an era of American politics where evangelical and rural voters became increasingly identified with the Reagan revolution, and the Democratic Party’s identity became increasingly secular and urban, he did not fit neatly into the political categories of the emerging decade. But it was not politics that would define President Carter in the end: it would be his humble Christian faith and his enduring commitment to the poor, to peace, and to human rights.In Conversations with Jimmy Carter, ten interviews, drawn from Carter’s five decades as a national public figure and author, capture the complexities and contradictions that have defined him—and that have helped to both reflect and shape the highest aspirations of the American experiment.
Jack Kent: The Wit, Whimsy, and Wisdom of a Comic Storyteller
by Paul V. AllenJack Kent (1920–1985) had two distinct and successful careers: newspaper cartoonist and author of children’s books. For each of these he drew upon different aspects of his personality and life experiences. From 1950 to 1965 he wrote and drew King Aroo, a nationally syndicated comic strip beloved by fans for its combination of absurdity, fantasy, wordplay, and wit. The strip’s DNA was comprised of things Kent loved—fairytales, nursery rhymes, vaudeville, Krazy Kat, foreign languages, and puns. In 1968, he published his first children’s book, Just Only John, and began a career in kids’ books that would result in over sixty published works, among them such classics as The Fat Cat and There’s No Such Thing as a Dragon. Kent’s stories for children were funny but often arose from the dark parts of his life—an itinerant childhood, an unfinished education, two harrowing tours of duty in World War II, and a persistent lack of confidence—and tackled such themes as rejection, isolation, self-doubt, and the desire for transformation.Jack Kent: The Wit, Whimsy, and Wisdom of a Comic Storyteller illuminates how Kent’s life experiences informed his art and his storytelling in both King Aroo and his children’s books. Paul V. Allen draws from archival research, brand-new interviews, and in-depth examinations of Kent’s work. Also included are many King Aroo comic strips that have never been reprinted in book form.
Path to Grace: Reimagining the Civil Rights Movement (Margaret Walker Alexander Series in African American Studies)
by Ethel Morgan SmithWinner of the 2023 Eudora Welty PrizeThe civil rights movement is often defined narrowly, relegated to the 1950s and 1960s and populated by such colossal figures as Martin Luther King Jr. and Rosa Parks. Many forget that the movement was bigger than the figures on the frontline and that it grew from intellectual and historical efforts that continue today. In Path to Grace: Reimagining the Civil Rights Movement, Ethel Morgan Smith shines light on unsung heroes of the civil rights movement, the ordinary citizens working behind the scenes to make an impact in their communities.Through eleven original interviews with teachers, parents hosting fundraisers for civil right workers, volunteers helping with voter registration, and more, Smith highlights the contributions these figures made to the civil rights movement. Some of these brave warriors worked at the elbows of icons while others were clearing new paths, all passing through history without wide recognition. Path to Grace introduces readers to new witnesses and largely neglected voices. Also included are interviews with such esteemed but less studied figures as writer Gloria Naylor, poet Nikki Giovanni, fashion designer Ann Lowe, and educator Constance Curry. This work of social change situates these narratives in both the past and present. Indeed, many of Smith’s subjects, such as Emma Bruce, John Canty, Andrea Lee, Ann Lowe, and Blanche Virginia Franklin Moore, can trace their ancestry back to enslavement, which provides a direct chain of narrators and firmly plants the roots of the civil rights movement in the country’s foundation. Through historical contextualization and an analysis of contemporary sociopolitical events, Path to Grace celebrates the contributions of some of the nameless individuals, generation after generation, who worked to make the United States better for all its citizens.
The Ballad of Karla Faye Tucker
by Mark BeaverOn a June night in 1983, twenty-three-year-old Karla Faye Tucker and her boyfriend, fueled by a sinister cocktail of illicit drugs, broke into a Houston apartment. “We were very wired,” Tucker later testified, “and we was looking for something to do.” Though they later claimed they entered the premises with no murderous intent, they ended up slaughtering two people—one a sworn enemy, the other an utter stranger. The weapon: a pickax they found in the apartment. Fourteen years later, in early 1998, Tucker was facing lethal injection. But after her religious conversion in prison, Texas would be executing a different woman than the one who’d committed the murders. Her change was so dramatic that the most powerful and influential voices in American televangelism—Pat Robertson and Jerry Falwell among them—were urging viewers to contact Texas's governor, George W. Bush, and plead for clemency. One follower was author Mark Beaver’s father, a devout Southern Baptist deacon who asked Beaver to put his fledgling literary ambitions to work by composing a letter on his behalf to Governor Bush.Through a merger of true crime, social history, and memoir, The Ballad of Karla Faye Tucker illustrates how a seemingly distant news story triggers a national reckoning and exposes a growing divide in America’s evangelical community. It’s a tale of how one woman defies all conventions of death row inmates, and her saga serves as an unlikely but fascinating prism for exploring American culture and the limits of forgiveness and transformation. It’s also a deeply personal reflection on how a father’s request leads his son to struggle with who he was raised to be and who he imagines becoming.
The Poacher's Nightmare: Stories of an Undercover Game Warden
by Kennie PrinceRaccoons are not the only bandits wearing masks in the wilderness. Growing up, author Kennie Prince spent most of his time in the woods and creeks near his home in Rankin County, Mississippi. A highly skilled outdoorsman, Prince began his career with the Mississippi Department of Wildlife Conservation in 1983 and dedicated his life to protecting Mississippi’s fish and wildlife resources in dangerous undercover work. The Poacher’s Nightmare: Stories of an Undercover Game Warden contains dozens of hair-raising accounts of covert wildlife operations, often spanning years, requiring ingenious planning, complicated secrecy, and deft coordination.Prince infiltrated bloody-minded, wary criminal groups, winning their trust. When his traps were fully set, he involved other state and federal law enforcement officials to bring an abrupt halt to abominable thefts of vast fish and wildlife resources from the public trust. Smart, creative, knowledgeable, tenacious, disciplined, passionate, and a natural-born actor, Prince bore a unique skillset that made him an ideal fit for this perilous undertaking. This memoir details how Prince gained the confidence of tightly knit circles of loyal, leery poachers and put an end to their destructive evil.
Elvis and Gladys (Southern Icons Series)
by Elaine DundyWho on the planet doesn't know that Elvis Presley gave electrifying performances and enthralled millions? Who doesn't know that he was the King of Rock 'n' Roll? But who knows that the King himself lived in the thrall of one dominant person? This was Gladys Smith Presley, his protective, indulgent, beloved mother. Elvis and Gladys, one of the best researched and most acclaimed books on Elvis's early life, reconstructs the extraordinary role Gladys played in her son's formative years. Uncovering facts not seen by other biographers, Elvis and Gladys reconstructs for the first time the history of the mother and son's devoted relationship and reveals new information about Elvis—his Cherokee ancestry, his boyhood obsession with comic books, and his early compulsion to rescue his family from poverty. Coming to life in the compelling narrative is the poignant story of a unique boy and the maternal tie that bound him. It is at once an intimate psychological portrait of a tragic relationship and a mesmerizing tale of the early years of an international idol. “For once, a legend is presented to us by the mind and heart of a literate, careful biographer who cares,” wrote Liz Smith in the New York Daily News when Elvis and Gladys was originally published in 1985. This is the book, Smith says, “for any Elvis lover who wants to know more about what made Presley the man he was and the mama's boy he became.” The Boston Globe called this thoughtful, informative biography of one of popular music's most enduring stars “nothing less than the best Elvis book yet.”
Love Letter from Pig: My Brother's Story of Freedom Summer
by Julie KabatIn the summer of 1964, the FBI found the smoldering remains of the station wagon that James Chaney, Michael Schwerner, and Andrew Goodman had been driving before their disappearance. Shortly after this awful discovery, Julie Kabat’s beloved brother Luke arrived as a volunteer for the Mississippi Summer Project. Teaching biology to Freedom School students in Meridian, Luke became one of more than seven hundred student volunteers who joined experienced Black civil rights workers and clergy to challenge white supremacy in the nation’s most segregated state. During his time in Mississippi, Luke helped plan the community memorial service for Chaney, attended the Democratic National Convention in support of the Mississippi Freedom Democratic Party, and even spent time in jail for “contributing to the delinquency of minors.” This arrest followed his decision to take students out for ice cream. Through his activism, Luke grappled with many issues that continue to haunt and divide us today: racialized oppression, threats of violence, and segregation whether explicit in law or implicit through custom. Sadly, Luke died just two years after Freedom Summer, leaving behind copious letters, diaries, and essays, as well as a lasting impact on his younger sister, nicknamed “Pig.” Drawing on a wealth of primary resources, especially her brother’s letters and diaries, Kabat delves deep into her family history to understand Luke’s motivations for joining the movement and documents his experiences as an activist. In addition to Luke’s personal narrative, Kabat includes conversations with surviving Freedom School volunteers and students who declare the life-long legacy of Freedom Summer. A sister’s tribute to her brother, Love Letter from Pig: My Brother’s Story of Freedom Summer addresses ongoing issues of civil rights and racial inequality facing the nation today.