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Vectorworks for Entertainment Design: Using Vectorworks to Design and Document Scenery, Lighting, Rigging and Audio Visual Systems
by Kevin Lee AllenVectorworks for Entertainment Design is the first book in the industry tailored for the entertainment professional. This second edition has been extensively revised and updated, covering the most current details of the Vectorworks software for scenery, lighting, sound, and rigging. With a focused look at the production process from ideation to development to documentation required for proper execution, the book encourages readers to better create their own processes and workflows through exercises that build on one another. This new edition introduces Braceworks, SubDivision modeling, and scripting using the Marionette tool, and covers new tools such as Video Camera, Deform Tool, Camera Match, Schematic Views, and Object Styles. Fully illustrated with step-by-step instructions, this volume contains inspirational and aspirational work from Broadway, Concerts, Regional Theatre, Dance, and Experiential Entertainment. Exploring both the technical how-to and the art of design, this book provides Theatre and Lighting Designers with the tools to learn about the application and use it professionally. Vectorworks for Entertainment Design also includes access to downloadable resources such as exercise files and images to accompany projects discussed within the book.
Samuel Phelps and Sadler's Wells Theatre
by Shirley S. AllenThis is the definitive biography of the actor Samuel Phelps (1804-1878) who brought the Shakespeare’s original plays back to the forefront of theatre after over 100 years of derived versions, and revolutionized theater design in the 20th Century. In an era when performances of Shakespeare’s works had been replaced with derived versions of themselves, Phelps became known for his exquisite productions of Shakespeare that were faithful to their original versions. Phelps revolutionized Shakespearean theatre when he took over management of Sadler’s Wells Theatre. As manager and director, he brought to each production—whether of Shakespeare or of Restoration or contemporary pieces—his own total concept, in which acting, setting, and staging were integrated under his supervision to produce fresh, striking effects. He preserved the best of the traditional past; he pioneered in directions the theatre would follow for decades afterward. This carefully researched and fluently written book covers the full range of Phelps’s half-century career, with special emphasis on his fruitful decades at Sadler’s Wells and on his work as performer and producer of Shakespearian drama. Scholar Shirley S. Allen presents the background against which Phelps worked: the theatrical monopoly, traditional techniques of acting, the repertory system, the advent of melodrama, and the social milieu. She also examines Phelps’s important contemporaries in the theatre—Macready, Charles Kean, Ben Webster, Mrs. Warner, and more—especially as their careers were intertwined with his. This book, first published in 1971, is widely considered the definitive work on Phelps and adds substantially to our understanding of the London stage and of Victorian England.
God: A Comedy In One Act
by Woody AllenSet in an empty Greek amphitheater, this mad play within a play switches back and forth between ancient Athens and modern Broadway. A Greek actor and a writer are discussing how to end a play. Actors, including Doris Levine from Great Neck, Blanche DuBois, and Groucho Marx, pop out of the audience. Peppered with metaphysical and philosophical questions, the play skids along farcically until the actor and writer conclude that it lacks a beginning as well as an end.
Three One-act Plays
by Woody AllenThree delightful one-act plays set in and around New York, in which sophisticated characters confound one another in ways only Woody Allen could imagine Woody Allen’s first dramatic writing published in years, “Riverside Drive,” “Old Saybrook,” and “Central Park West” are humorous, insightful, and unusually readable plays about infidelity. The characters, archetypal New Yorkers all, start out talking innocently enough, but soon the most unexpected things arise—and the reader enjoys every minute of it (though not all the characters do). These plays (successfully produced on the New York stage and in regional theaters on the East Coast) dramatize Allen’s continuing preoccupation with people who rationalize their actions, hide what they’re doing, and inevitably slip into sexual deception—all of it revealed in Allen’s quintessentially pell-mell dialogue. From the Trade Paperback edition.
The Sum of Our Days: A Memoir (P. S. Ser.)
by Isabel AllendeNarrated with warmth, humor, exceptional candor and wisdom, The Sum of Our Days is a portrait of a contemporary family, tied together by the love, strong will, and stubborn determination of a beloved matriarch, the indomitable New York Times bestselling author of The House of the Spirits, Isabel Allende. "An inspiring and thought-provoking work." –Denver Post Isabel Allende reconstructs the painful reality of her own life in the wake of the tragic death of her daughter, Paula. Narrated with warmth, humor, exceptional candor, and wisdom, this remarkable memoir is as exuberant and as full of life as its creator. Allende bares her soul while sharing her thoughts on love, marriage, motherhood, spirituality and religion, infidelity, addiction, and memory—and recounts stories of the wildly eccentric, strong-minded, and eclectic tribe she gathers around her and lovingly embraces as a new kind of family.
B Is for Broadway: Onstage and Backstage from A to Z
by John Robert Allman&“A must-have for all Broadway lovers—B Is for Broadway—a book I am actually in!!! I am buying a dozen.&” —ROSIE O&’DONNELL, Isabelle Stevenson Award recipient, three-time Tony Awards host, and Emmy Award winnerNew from the creators of A Is for Audra: Broadway's Leading Ladies from A to Z! From AUDITIONS to ZIEGFELD, grab a ticket to this smash-hit, rhythmic alphabet book featuring your favorite performers, creators, songs, and shows from the Broadway stage!Step into the spotlight and celebrate a cavalcade of Broadway legends! Start with "A" for "audition" with the iconic line-up from A Chorus Line, then peek behind "B" to see the "backstage" buzz, and dance along with "C" for "choreographers".Children and grown-ups alike can spot beloved stars and creators from today and yesterday, such as Lin-Manuel Miranda, Patti LuPone, Michael Bennett, Jennifer Holliday, Ethel Merman, and Billy Porter. Readers will also see famous New York theaters, beloved shows such as Hamilton and Hairspray, and the crew, stylists, and technicians who are vital to each performance. It's a celebration of the American stage that no fan is going to want to miss.A portion of the proceeds from the sale of this book is donated to The Actors Fund.&“We are honored that a portion of the proceeds of author John Robert Allman and illustrator Peter Emmerich&’s B is For Broadway will go to support our programs. The Actors Fund is proud to be at the forefront of helping everyone in the entertainment community with emergency financial assistance and supportive services, and we&’re grateful that this wonderful new work will help those in need in our performing arts community.&” —Joseph P. Benincasa, President & CEO, The Actors FundB Is for Broadway is a hit with the stage's greatest stars!&“B Is for Broadway celebrates the entire Broadway community—backstage, onstage, everyone! who works in our performing arts and entertainment community. I&’m honored to be a part of that beautiful community, and this lovely book.&” —BEBE NEUWIRTH, Tony and Emmy Award–winning dancer, singer, actress (Sweet Charity, Chicago, Cheers), and Vice Chair of The Actors Fund &“E is for excited, which is what I am to be included in this book to benefit the incredible work of The Actors Fund.&” —BRIAN STOKES MITCHELL, Tony Award–winning actor and Board Chair of The Actors Fund &“The illustrations—gorgeous. The rhymes—delicious. This book—a must-have! B is for Broadway and buy-it-now!&” —KRISTIN CHENOWETH, Tony Award–winning actress (You&’re a Good Man, Charlie Brown) &“What a dynamite willkommen to the world of Broadway!&” —JOEL GREY, Tony Award and Oscar–winning actor (Cabaret) &“B Is for Broadway is a gorgeous children&’s book that will introduce a young person to all the magic of theater!&” —ALI STROKER, Tony Award–winning actress (Oklahoma!)
A Is for Audra: Broadway's Leading Ladies from A to Z
by John Robert Allman"It's an incredible honor to be included in this amazing book of the greatest talent the Broadway stage has ever known!"—AUDRA McDONALD, six-time Tony Award-winning actressFrom Audra McDonald to Liza with a "Z," here is a showstopping alphabet book featuring your favorite leading ladies of the Broadway stage!Step into the spotlight and celebrate a cavalcade of Broadway's legendary ladies. Start with "A" for six-time Tony Award winner Audra McDonald, then sing and dance your way through the alphabet with beloved entertainers like Patti LuPone, Bernadette Peters, Chita Rivera, Lea Salonga, Kristin Chenoweth, Kelli O'Hara, and Liza Minnelli! Broadway fans and theater lovers everywhere will give a standing ovation to this one-of-a-kind tribute full of toe-tapping rhymes, with illustrations as bright and beautiful as the shining lights on any marquee.AND DON'T MISS THE SEQUEL COMING IN OCTOBER: B IS FOR BROADWAY: ONSTAGE AND BACKSTAGE FROM A TO Z!THE RAVE REVIEWS ARE IN FROM THE STARS THEMSELVES! A wonderful, enriching, enlightening book for theater lovers of all ages . . . and all that jazz!"—CHITA RIVERA, two-time Tony Award-winning actress (The Rink, Kiss of the Spider Woman)"A to Z—awesome to zany—I'm thrilled to be a part of such an illustrious group."—CHRISTINE EBERSOLE, two-time Tony Award-winning actress (42nd Street, Grey Gardens)"I'm so honored to be included among these fierce ladies—brought to life with such fun illustrations—in this wonderful book for little divas like my own!"—LEA SALONGA, Tony Award-winning actress (Miss Saigon)"A is for Audra turns the alphabet song into a show stopper! It is literally a love letter to Broadway's leading ladies, and I am so honored to be memorialized alongside all of my sisters!"—RENÉE ELISE GOLDSBERRY, Tony Award-winning actress (Hamilton)"I'm honored to be included in this illustrious group. A to Z, they are all incredible!"—KRISTIN CHENOWETH, Tony Award-winning actress (You're a Good Man, Charlie Brown)"What a fun and fabulous celebration of the females of Broadway! Imagine my joy just to be a part of it!"—KELLI O&’HARA, Tony Award-winning actress (The King and I)&“H is also for honored—because that&’s what I am to be included in this beautiful book. I can&’t wait to show my kids and tell them of all the brilliant leading ladies who have graced the Broadway stage.&” —HEATHER HEADLEY, Tony Award–winning actress (Aida)AND CRITICS LOVE IT TOO! "Women of the Broadway theater take center stage in this loving homage. . . . A lively introduction to a whole new cast of heroines."—Kirkus"this is a book all kids (and many adults) will enjoy as they learn about and fall in love with the theatre."—Playbill.com"A true necessity for any kid&’s bookshelf."—Entertainment Weekly&“a thorough, eye-catching introduction to women of the theater. . . . budding theater lovers will get a thrill.&”—Booklist"A sure hit for thespians of all ages."—School Library Journal"Emmerich&’s flattering caricatures, paired with [Allman&’s] verse, are colorful and slick, bringing Broadway&’s drama to the page&”—Publishers Weekly
Operation Pucker Up (mix)
by Rachele AlpineA girl and her friends enact a scheme to get her first kiss over with before she has to lock lips on stage for the school play in this charming middle grade rom-com in the spirit of Meg Cabot—now with a fresh new look!Prince Charming wakes Snow White with a kiss. My world came crashing down with two words. A kiss?! Grace Shaw just scored the coveted lead in her school play, Snow White, alongside James Lowe—her hot, popular Prince Charming. There&’s just one problem: they kiss at the end. And Grace has never been kissed before. Which means that Grace&’s role sounds more like her worst nightmare than a dream come true. So, Grace&’s two best friends propose Operation Pucker Up—a plan for Grace to score a kiss before opening night so she doesn&’t make a fool of herself in front of an audience. As if Grace isn&’t having a hard enough time, her estranged father suddenly reappears after leaving six months earlier. Her mom and sister welcome Dad back with open arms, but Grace can&’t simply forgive and forget. With opening night fast approaching, Operation Pucker Up reaching ridiculous levels, and family drama teeming behind the scenes, Grace is beginning to think all this love stuff is way too complicated. Will she find a way to have her happily ever after—and seal it with a kiss—both onstage and off?
Devising Critically Engaged Theatre with Youth: The Performing Justice Project
by Megan Alrutz Lynn HoareDevising Critically Engaged Theatre with Youth: The Performing Justice Project offers accessible frameworks for devising original theatre, developing critical understandings of racial and gender justice, and supporting youth to imagine, create, and perform possibilities for a more just and equitable society. Working at the intersections of theory and practice, Alrutz and Hoare present their innovative model for devising critically engaged theatre with novice performers. Sharing why and how the Performing Justice Project (PJP) opens dialogue around challenging and necessary topics already facing young people, the authors bring together critical information about racial and gender justice with new and revised practices from applied theatre, storytelling, theatre, and education for social change. Their curated collection of PJP "performance actions" offers embodied and reflective approaches for building ensemble, devising and performing stories, and exploring and analyzing individual and systemic oppression. This work begins to confront oppressive narratives and disrupt patriarchal systems—including white supremacy, racism, sexism, and homophobia. Devising Critically Engaged Theatre with Youth invites artists, teaching artists, educators, and youth-workers to collaborate bravely with young people to imagine and enact racial and gender justice in their lives and communities. Drawing on examples from PJP residencies in juvenile justice settings, high schools, foster care facilities, and community-based organizations, this book offers flexible and responsive ways for considering experiences of racism and sexism and performing visions of justice. Visit performingjusticeproject.org for additional information and documentation of PJP performances with youth.
Animal Joy: A Book of Laughter and Resuscitation
by Nuar AlsadirA Time Must-Read Book of 2022 A Publishers Weekly Best Book of 2022Aster(ix) Journal's 12 Best Nonfiction Books of 2022An invigorating, continuously surprising book about the serious nature of laughter.Laughter shakes us out of our deadness. An outburst of spontaneous laughter is an eruption from the unconscious that, like political resistance, poetry, or self-revelation, expresses a provocative, impish drive to burst free from external constraints. Taking laughter’s revelatory capacity as a starting point, and rooted in Nuar Alsadir’s experience as a poet and psychoanalyst, Animal Joy seeks to recover the sensation of being present and embodied. Writing in a poetic, associative style, blending the personal with the theoretical, Alsadir ranges from her experience in clown school, Anna Karenina’s morphine addiction, Freud’s un-Freudian behaviors, marriage brokers and war brokers, to “Not Jokes,” Abu Ghraib, Frantz’s negrophobia, smut, the Brett Kavanaugh hearings, laugh tracks, the problem with adjectives, and how poetry can wake us up. At the center of the book, however, is the author’s relationship with her daughters, who erupt into the text like sudden, unexpected laughter. These interventions—frank, tender, and always a challenge to the writer and her thinking—are like tiny revolutions, pointedly showing the dangers of being severed from one’s true self and hinting at ways one might be called back to it.A bold and insatiably curious prose debut, Animal Joy is an ode to spontaneity and feeling alive.
A filha do Sheikh e o Criado
by Mohmmed Alsofi Thayller BarpE se o amor colide com os costumes e hábitos da sociedade? E se as classes sociais fpssem um fantasma assassinando os sentimentos de amor que fluem entre as pessoas? E se os conflitos entre eles fossem violentos, os eventos são conectados e você como um leitor de suspense irá querer saber o resultado desse conflito entre a força do Bem e a força do Mal? Conheça os eventos de suspense e os detalhes, e viva com os heróis de (A filha do Sheikh e o Criado) um romance que nos separa de nossa realidade até que você termine seu último cápitulo e jogue embaixo dos tapetes. Esse romance foi escrito perfeitamente para fazer o leitor se tornar outro humano, adicionando valores positivos para sua vida. Nem todos romances atraem os leitores as profundezas da vida com as felicidades e tristezas, mas (A filha do Sheikh e o Criado) é um romance único com uma narração atrativa, seus personagens têm diferentes naturezas, os eventos são conectador e têm pequenos detalhos que você não pode perder ou não se importar, é um romance que te coloca no mundo e faz de você um dos heróis, compartilhando momentos de sentimentos extremos. O romance (A filha do Sheikh e o Criado) varia entre as experiências, as batidas da vida e os conflitos humanos, é um romance que tem uma imaginação fértil, o romancista registra o sofrimento que muitas familias vivem em um duro conflito entre os sentimentos de amor e os hábitos sociais herdados, revela muitos acontecimentos dos bastidores por trás dos principais eventos e os relacionamentos interconectados de uma imagem social sempre doente no coração de quem tem tristeza e morte. (A filha do Sheikh e o Criado) é a linha entre dois lados do suspense do livro, o leitor e o escritor estão famintos para ler até a última linha.
O Câncer do Amor
by Mohmmed Alsofi Thayller Weverton BarpSim!! O Amor é como um câncer, porque ele o prende a alguém e a imagem dele/dela fica presa em sua mente, além disso, essa pessoa se torna seu coração, quando ele/ela se sente feliz você se sente feliz e quando ele/ela se sente triste você se sente triste, nada mais importa, a não ser dar a ele/ela qualquer coisa que ele/ela precise, mesmo se essa coisa custe sua própria felicidade, sim, isso é o amor!!
El sueño imposible
by Abdulrazzak Alsssoukiel sueño imposible es una novela corta de fantasía romántica que habla sobre un sueño que le sucedió a un chaval desde sus primeros años, el sueño se hizo cada vez más real con el tiempo.
Beyond Immersive Theatre: Aesthetics, Politics and Productive Participation
by Adam AlstonImmersive theatre currently enjoys ubiquity, popularity and recognition in theatre journalism and scholarship. However, the politics of immersive theatre aesthetics still lacks a substantial critique. Does immersive theatre model a particular kind of politics, or a particular kind of audience? What's involved in the production and consumption of immersive theatre aesthetics? Is a productive audience always an empowered audience? And do the terms of an audience's empowerment stand up to political scrutiny? Beyond Immersive Theatre contextualises these questions by tracing the evolution of neoliberal politics and the experience economy over the past four decades. Through detailed critical analyses of work by Ray Lee, Lundahl & Seitl, Punchdrunk, shunt, Theatre Delicatessen and Half Cut, Adam Alston argues that there is a tacit politics to immersive theatre aesthetics - a tacit politics that is illuminated by neoliberalism, and that is ripe to be challenged by the evolution and diversification of immersive theatre.
Virginia Woolf and the Study of Nature
by Christina AltReflecting the modernist fascination with science, Virginia Woolf's representations of nature are informed by a wide-ranging interest in contemporary developments in the life sciences. Christina Alt analyses Woolf's responses to disciplines ranging from taxonomy and the new biology of the laboratory to ethology and ecology and illustrates how Woolf drew on the methods and objectives of the contemporary life sciences to describe her own literary experiments. Through the examination of Woolf's engagement with shifting approaches to the study of nature, this work covers new ground in Woolf studies and makes an important contribution to the understanding of modernist exchanges between literature and science.
An Actor's Guide--Making It in New York City: Everything a Working Actor Needs to Survive and Succeed in the Big Apple
by Glenn AltermanFor any actor in or on the way to New York City, this is the definitive source for advice, winning strategies, marketing techniques, and invaluable insights to being a successful New York actor. This new edition has been completely revised and updated to cover the significant changes in the New York theater landscape over the last nine years. This indispensable guide has also been expanded to include dozens of new interviews with top New York City actors and a completely improved Internet chapter equipped with the most up-to-date tools to thrive in the industry. Aspiring and established professionals will find this thorough and up-to-the-minute volume chock full of resources and advice about auditioning, making professional connections, promoting one's self, seeking opportunities in nontraditional venues, finding an apartment, securing "survival jobs," understanding actor unions, getting headshots, and furthering one's actor training in New York. This guide also details working as a film extra, careers in print modeling, scams and rip-offs to avoid, opportunities for actors with disabilities, and using the Internet to the fullest advantage. Included are in-depth interviews with legendary show business figures such as actor Henry Winkler, casting director Juliet Taylor, and theater director Joseph Chaikin as well as top talents from the fields of film, television, stage, commercials, and talent agencies. Written by a professional New York actor with over thirty years of experience, this meticulously researched guide will give actors the tools they need to survive and thrive in New York show business.
An Actor's Guide—Making It in New York City, Third Edition: Everything a Working Actor Needs to Survive and Succeed in the Big Apple
by Glenn AltermanA Step-by-Step Guide for the Actor Pursuing a Career in New York A great deal has changed in the industry in the last decade. In this new, third edition of An Actor&’s Guide—Making It in New York City, Glenn Alterman provides everything actors need to know. You&’ll discover the ten things that it takes to make it as a successful actor in the city, how to support yourself, where and how to start your life as a New York actor, understanding and marketing &“your brand,&” the best acting schools and conservatories, effective ways to contact agents and casting directors, and more. The author, a successful working actor, also shares many insider tips on topics such as: how to network effectivelyheadshots, photographers, and how to have a successful photo sessioncreating your actor websitesthe best Internet resources and casting siteshow to give winning auditions and interviewsfinding and developing great monologuesoff and off-off Broadway opportunitiesTV and film opportunitiesvoice-overscommercial print modelingcommercialssurvival jobsappropriate behavior in the businessscams and rip-offs to avoidinformation for actors with disabilitiesinformation on diversity and LGBTQ concernsa listing of agents, casting directors and theaters Among the book&’s many interviews are legendary show business figures, such as actors Henry Winkler, Alison Fraser, Dylan Baker, Lisa Emery, and Charles Busch, as well as casting directors Juliet Taylor, Ellen Lewis, Jay Binder, Donna DeSeta, and Liz Lewis, among many others. With Alterman&’s essential guide, you&’ll be prepared to launch and maintain your dream career in the city that never sleeps.
El sistema solar
by Maríana De AlthausUna obra de teatro de Mariana de Althaus llevada ahora al cine. Una obra de teatro donde orbita un orden conflictivo y precario, y a pesar de sus tensiones se mantienen en delicado equilibrio.
Acting Presidents
by Bruce E. AltschulerThis book seeks to fill a major gap in the literature about fictional representations of presidents by studying more than 40 plays, written since 1900, which have had prominent productions on or off-Broadway or in another major city.
Abject Performances: Aesthetic Strategies in Latino Cultural Production (Dissident Acts)
by Leticia AlvaradoIn Abject Performances Leticia Alvarado draws out the irreverent, disruptive aesthetic strategies used by Latino artists and cultural producers who shun standards of respectability that are typically used to conjure concrete minority identities. In place of works imbued with pride, redemption, or celebration, artists such as Ana Mendieta, Nao Bustamante, and the Chicano art collective known as Asco employ negative affects—shame, disgust, and unbelonging—to capture experiences that lie at the edge of the mainstream, inspirational Latino-centered social justice struggles. Drawing from a diverse expressive archive that ranges from performance art to performative testimonies of personal faith-based subjection, Alvarado illuminates modes of community formation and social critique defined by a refusal of identitarian coherence that nonetheless coalesce into Latino affiliation and possibility.
Immersions in Cultural Difference: Tourism, War, Performance
by Natalie AlvarezIn a time of intensifying xenophobia and anti-immigration measures, this book examines the impulse to acquire a deeper understanding of cultural others. Immersions in Cultural Difference takes readers into the heart of immersive simulations, including a simulated terrorist training camp in Utah; mock Afghan villages at military bases in Canada and the UK; a fictional Mexico-US border run in Hidalgo, Mexico; and an immersive tour for settlers at a First Nations reserve in Manitoba, Canada. Natalie Alvarez positions the phenomenon of immersive simulations within intersecting cultural formations: a neoliberal capitalist interest in the so-called “experience economy” that operates alongside histories of colonization and a heightened state of xenophobia produced by War on Terror discourse. The author queries the ethical stakes of these encounters, including her own in relation to the field research she undertakes. As the book moves from site to site, the reader discovers how these immersions function as intercultural rehearsal theaters that serve a diverse set of strategies and pedagogical purposes: they become a “force multiplier” within military strategy, a transgressive form of dark tourism, an activist strategy, and a global, profit-generating practice for a neoliberal capitalist marketplace.
Shakespeare's Understanding of Honor (Studies in Statesmanship)
by John AlvisShakespeare's Understanding of Honor by John Alvis.
Shakespeare as Political Thinker
by John E. Alvis Thomas G. WestThe essays contained in this book proceed from the common conviction that Shakespeare's poetry conveys a wisdom about politics commensurate with his artistry. Well-known thinkers discuss Shakespeare's understanding of politics, the idea of the best polity, the relationship between character and political life, and the interpenetration of poetry, politics, religion, and philosophy.
Playgrounds: Urban Theatrical Culture in Shakespeare’s England and Golden Age Spain (Studies in Performance and Early Modern Drama)
by David J. AmelangThis book compares the theatrical cultures of early modern England and Spain and explores the causes and consequences not just of the remarkable similarities but also of the visible differences between them. An exercise in multi-focal theatre history research, it deploys a wide range of perspectives and evidence with which to recreate the theatrical landscapes of these two countries and thus better understand how the specific conditions of performance actively contributed to the development of each country’s dramatic literature. This monograph develops an innovative comparative framework within which to explore the numerous similarities, as well as the notable differences, between early modern Europe’s two most prominent commercial theatre cultures. By highlighting the nuances and intricacies that make each theatrical culture unique while never losing sight of the fact that the two belong to the same broader cultural ecosystem, its dual focus should appeal to scholars and students of English and Spanish literature alike, as well as those interested in the broader history of European theatre. Learning from what one ‘playground’ – that is, the environment and circumstances out of which a dramatic tradition originates – reveals about the other will help solve not only the questions posed above but also others that still await examination. This investigation will be of great interest to students and scholars in theatre history, comparative drama, early modern drama, and performance culture.
The High School Theatre Teacher's Survival Guide
by Raina S. AmesA reference for high school theatre teachers covering both curricular and extracurricular problems – everything from how to craft a syllabus for a theatre class to what to say to parents about a student's participation in a school play.