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Chinese Looks
by Sean MetzgerFrom yellow-face performance in the 19th century to Jackie Chan in the 21st, Chinese Looks examines articles of clothing and modes of adornment as a window on how American views of China have changed in the past 150 years. Sean Metzger provides a cultural history of three iconic objects in theatrical and cinematic performance: the queue, or man's hair braid; the woman's suit known as the qipao; and the Mao suit. Each object emerges at a pivotal moment in US-China relations, indexing shifts in the balance of power between the two nations. Metzger shows how aesthetics, gender, politics, economics, and race are interwoven and argues that close examination of particular forms of dress can help us think anew about gender and modernity.
Cicero's Use Of Judicial Theater
by Jonathan HallIn Cicero's Use of Judicial Theater, Jon Hall examines Cicero's use of showmanship in the Roman courts, looking in particular at the nonverbal devices that he employs during his speeches as he attempts to manipulate opinion. Cicero's speeches in the law-courts often incorporate theatrical devices including the use of family relatives as props during emotional appeals, exploitation of tears and supplication, and the wearing of specially dirtied attire by defendants during a trial, all of which contrast strikingly with the practices of the modem advocate. Hall investigates how Cicero successfully deployed these techniques and why they played such a prominent part in the Roman courts. These "judicial theatrics" are rarely discussed by the ancient rhetorical handbooks, and Cicero's Use of Judicial Theater argues that their successful use by Roman orators derives largely from the inherent theatricality of aristocratic life in ancient Rome--most of the devices deployed in the courts appear elsewhere in the social and political activities of the elite. While Cicero's Use of Judicial Theater will be of interest primarily to professional scholars and students studying the speeches of Cicero, its wider analyses, both of Roman cultural customs and the idiosyncratic practices of the courts, will prove relevant also to social historians, as well as historians of legal procedure.
Class Divisions on the Broadway Stage
by Michael SchwartzExamining twenty-five years of theatre history, this book covers the major plays that feature representations of the Industrial Workers of the World. American class movement and class divisions have long been reflected on the Broadway stage and here Michael Schwartz presents a fresh look at the conflict between labor and capital.
Clowning and Authorship in Early Modern Theatre
by Richard PreissTo early modern audiences, the 'clown' was much more than a minor play character. A celebrity performer, he was a one-man sideshow whose interactive entertainments - face-pulling, farce interludes, jigs, rhyming contests with the crowd - were the main event. Clowning epitomized a theatre that was heterogeneous, improvised, participatory, and irreducible to dramatic texts. How, then, did those texts emerge? Why did playgoers buy books that deleted not only the clown, but them as well? Challenging the narrative that clowns were 'banished' by playwrights like Shakespeare and Jonson, Richard Preiss argues that clowns such as Richard Tarlton, Will Kemp, and Robert Armin actually made playwrights possible - bridging, through the publication of their routines, the experience of 'live' and scripted performance. Clowning and Authorship tells the story of how, as the clown's presence decayed into print, he bequeathed the new categories around which theatre would organize: the author, and the actor.
Collecting Shakespeare: The Story of Henry and Emily Folger
by Stephen H. GrantThe first biography of Henry and Emily Folger, who acquired the largest and finest collection of Shakespeare in the world.In Collecting Shakespeare, Stephen H. Grant recounts the American success story of Henry and Emily Folger of Brooklyn, a couple who were devoted to each other, in love with Shakespeare, and bitten by the collecting bug.Shortly after marrying in 1885, the Folgers started buying, cataloging, and storing all manner of items about Shakespeare and his era. Emily earned a master's degree in Shakespeare studies. The frugal couple worked passionately as a tight-knit team during the Gilded Age, financing their hobby with the fortune Henry earned as president of Standard Oil Company of New York, where he was a trusted associate of John D. Rockefeller Sr.While a number of American universities offered to house the collection, the Folgers wanted to give it to the American people. Afraid the price of antiquarian books would soar if their names were revealed, they secretly acquired prime real estate on Capitol Hill near the Library of Congress. They commissioned the design and construction of an elegant building with a reading room, public exhibition hall, and the Elizabethan Theatre. The Folger Shakespeare Library was dedicated on the Bard's birthday, April 23, 1932.The library houses 82 First Folios, 275,000 books, and 60,000 manuscripts. It welcomes more than 100,000 visitors a year and provides professors, scholars, graduate students, and researchers from around the world with access to the collections. It is also a vibrant center in Washington, D.C., for cultural programs, including theater, concerts, lectures, and poetry readings.The library provided Grant with unprecedented access to the primary sources within the Folger vault. He draws on interviews with surviving Folger relatives and visits to 35 related archives in the United States and in Britain to create a portrait of the remarkable couple who ensured that Shakespeare would have a beautiful home in America.
Complete Works of William Shakespeare: The Cambridge Text From The Latest Edition Of William Aldis Wright... (Leather-bound Classics)
by William Shakespeare Michael A. CramerRomeo and Juliet, A Midsummer Night's Dream, King Lear, Hamlet, and Macbeth-the works of William Shakespeare still resonate in our imaginations four centuries after they were written. The timeless characters and themes of the Bard's plays fascinate us with their joys, struggles, and triumphs, and now they are available in a special volume for Shakespeare fans everywhere.This Canterbury Classics edition of William Shakespeare's works includes all of his poems and plays in an elegant, keepsake edition. Whether for a Shakespeare devotee or someone just discovering him, this is the perfect place to experience the drama of Shakespeare's words. A scholarly introduction provides additional context and insight into the poems and plays.Lexile score: NP
Constructing the Canon of Early Modern Drama
by Jeremy LopezFor one hundred years the drama of Shakespeare's contemporaries has been consistently represented in anthologies, edited texts, and the critical tradition by a familiar group of about two dozen plays running from Kyd's Spanish Tragedy to Ford's 'Tis Pity She's a Whore by way of Dekker, Jonson, Middleton and Webster. How was this canon created, and what ideological and institutional functions does it serve? What preceded it, and is it possible for it to become something else? Jeremy Lopez takes up these questions by tracing a history of anthologies of 'non-Shakespearean' drama from Robert Dodsley's Select Collection of Old Plays (1744) through those recently published by Blackwell, Norton, and Routledge. Containing dozens of short, provocative readings of unfamiliar plays, this book will benefit those who seek a broader sense of the period's dazzling array of forms.
Controversy in French Drama: Molière’s Tartuffe and the Struggle for Influence
by Julia PrestIn 1664, Molière's Tartuffe was banned from public performance. This book provides a detailed, in-depth account of five-year struggle (1664-69) to have the ban lifted and, so doing, sheds important new light on 1660s France and the ancien régime more broadly.
Così Vicino Al Cielo, Così Lontano Dal Paradiso
by Ronyfer Roberto CiampiDi fronte alla disperazione di raggiungere la libertà e i sogni infranti, migliaia di cubani decidono di abbandonare la loro terra natale con qualunque mezzo.Daniel segue le orme di suo padre. Dopo aver perso tutto, decide di andare in esilio in Canada.Per la prima volta nella sua vita, ormai vecchio, malato e stanco scopre l'amore. È grazie a Lorena, un infermiera non più giovanissima che Daniel ritrova la speranza e la fede perduta. Sarà lei, con un soffio, a ridargli la vita e la gioia.Nel tramonto della vita il destino ha in serbo per lui una sorpresa. Un miracolo o una semplice coincidenza del destino?
DMZ Crossing: Performing Emotional Citizenship Along the Korean Border
by Suk-Young KimThe Korean demilitarized zone might be among the most heavily guarded places on earth, but it also provides passage for thousands of defectors, spies, political emissaries, war prisoners, activists, tourists, and others testing the limits of Korean division. This book focuses on a diverse selection of inter-Korean border crossers and the citizenship they acquire based on emotional affiliation rather than constitutional delineation. Using their physical bodies and emotions as optimal frontiers, these individuals resist the state's right to draw geopolitical borders and define their national identity.Drawing on sources that range from North Korean documentary films, museum exhibitions, and theater productions to protester perspectives and interviews with South Korean officials and activists, this volume recasts the history of Korean division and draws a much more nuanced portrait of the region's Cold War legacies. The book ultimately helps readers conceive of the DMZ as a dynamic summation of personalized experiences rather than as a fixed site of historical significance.
Dancing Genius: The Stardom of Vaslav Nijinsky
by Hanna JärvinenTracing the historical figure of Vaslav Nijinsky in contemporary documents and later reminiscences, Dancing Genius opens up questions about authorship in dance, about critical evaluation of performance practice, and the manner in which past events are turned into history.
Dark Road
by Ian Rankin and Mark ThomsonIt’s been 25 years since Alfred Chalmers was convicted of the gruesome murder of four young women in Edinburgh. Isobel McArthur, Scotland’s first Chief Superintendent, was the woman responsible for putting him behind bars, but the case has haunted her ever since.
Dark Road: A play
by Ian Rankin Mark ThomsonFirst performed at Edinburgh's Royal Lyceum Theatre, the first stage play from the SUNDAY TIMES No.1 bestselling author of A SONG FOR THE DARK TIMESIt's been 25 years since Alfred Chalmers was convicted of the gruesome murder of four young women in Edinburgh. Isobel McArthur, Scotland's first Chief Constable, was the woman responsible for putting him behind bars, but the case has haunted her ever since.Now, with her retirement approaching, McArthur decides the time has come for answers. To uncover the truth, she revisits the case and interviews Chalmers for the first time in decades. But her decision rips opens old wounds and McArthur is soon caught up in a web of corruption, psychological mind-games and deceit that threatens not only her own life, but those of her fellow officers and even her own daughter.Tense, gritty and hard-hitting, DARK ROAD is the first ever stage play from bestselling crime writer Ian Rankin, co-written by the Royal Lyceum's Artistic Director Mark Thomson.
David Mamet and Male Friendship
by Arthur HolmbergUsing insights from psychology, sociology, anthropology, and the history of sexuality, Holmberg explores the ambiguity that drives male bonding. Personal interviews with Mamet and with the actors who have interpreted his major roles shed light on how and why men bond with each other and complement close analysis of Mamet's texts.
Dear Elizabeth: A Play in Letters from Elizabeth Bishop to Robert Lowell and Back Again
by Sarah RuhlFrom playwright Sarah Ruhl, Dear Elizabeth is a moving, innovative play based on one of the greatest correspondences in literary history--the letters of Robert Lowell and Elizabeth Bishop. From 1947 to 1977, Robert Lowell and Elizabeth Bishop exchanged more than four hundred letters. Describing the writing of their poems, their travel and daily illnesses, the pyrotechnics of their romantic relationships, and the profound affection they had for each other, these missives are the most intimate record available of both poets and one of the greatest correspondences in American literature. The playwright Sarah Ruhl fell in love with these letters and set herself an unusual challenge: to turn this thirty-year exchange into a stage play, and to bring to life the friendship of two writers who were rarely even in the same country. As innovative as it is moving, Dear Elizabeth gives voice to a conversation that lived mostly in writing, illuminating some of the finest poems of the twentieth century and the minds that produced them.
Der Blaue Engel bin ich: Marlene Dietrichs Leben Passiert Revue
by Lázaro Droznes Orlando GrossegesseMarlene Dietrich war einer der großen Hollywood-Stars und einer der großen Kino-Mythen. In Deutschland geboren, wurde sie durch Josef von Sterberg entdeckt; in die USA emigriert, wurde sie später dort eingebürgert. Sie wurde zur Ikone der Verführungskunst, der femme fatale, des ewig lockenden Weiblichen. Aber ihr Kampf gegen den Nazismus und ihre Teilnahme als Soldatin im Zweiten Weltkrieg zeigen eine andere, oft unterschlagene Facette ihrer Persönlichkeit. In diesem Werk verrät Marlene Begebnisse und intime Erfahrungen. Ihre Stimme wird durch berühmte Lieder wachgerufen, die ebenso wie ihre Erzählungen ein sagenumwobenes Leben Revue passieren lassen. Was ist das Mysterium, das Marlene Dietrich verbirgt und enthüllt?
Desnazificando Leni
by Lázaro Droznes Daniela CäsarEsta ficção dramática recria o julgamento de Leni Riefenstahl, levado adiante pelo Comitê de Desnazificação dos Aliados com o objetivo de determinar seu grau de responsabilidade nos crimes nazistas, e como parte de uma campanha de desnazificação realizada na Alemanha pós-guerra. Diversas cenas dos seus documentários são usadas como evidência contra ela, alegando-se que foram utilizadas como ferramentas de propaganda do regime. Leni defende sua independência e autonomia como artista. No decorrer do julgamento, surge como tema a relação entre os artistas e o poder, a necessidade de desenvolver uma carreira artística que não dependa do poder político e a possibilidade de criar arte por meio da própria arte. Uma arte que justifique a si mesma.
Die Wahrheit Über Amelia
by Rony Fernando GonzalezEs geschah, als Compay Miguel sah, wie die Kinder seines besten Freundes gefangen wurden, und auch die anderen, die in seiner Gegend aufgewachsen waren: In einer Attacke väterlicher Verantwortung zog er die Machete hervor und wollte den Kommandanten von hinten niedermachen. Doch da nahm ihm eine meuchlerische Feuersalve das Leben.
Directing in Musical Theatre: An Essential Guide
by Joe DeerThis comprehensive guide, from the author of Acting in Musical Theatre, will equip aspiring directors with all of the skills that they will need in order to guide a production from beginning to end. From the very first conception and collaborations with crew and cast, through rehearsals and technical production all the way to the final performance, Joe Deer covers the full range. Deer’s accessible and compellingly practical approach uses proven, repeatable methods for addressing all aspects of a production. The focus at every stage is on working with others, using insights from experienced, successful directors to tackle common problems and devise solutions. Each section uses the same structure, to stimulate creative thinking: Timetables: detailed instructions on what to do and when, to provide a flexible organization template Prompts and Investigations: addressing conceptual questions about style, characterization and design Skills Workshops: Exercises and ‘how-to’ guides to essential skills Essential Forms and Formats: Including staging notation, script annotation and rehearsal checklists Case Studies: Well-known productions show how to apply each chapter’s ideas Directing in Musical Theatre not only provides all of the essential skills, but explains when and how to put them to use; how to think like a director.
Disability, Public Space Performance and Spectatorship
by Bree HadleyIn Disability, Public Space Performance and Spectatorship: Unconscious Performers, Bree Hadley examines the performance practices of disabled artists in the US, UK, Europe and Australasia who re-engage, re-enact and re-envisage the stereotyping they are subject to in the very public spaces and places where this stereotyping typically plays out.
Divina Diva: Vita E Arie Di Maria Callas
by Lázaro Droznes Anna ZollinoMaria Callas probabilmente è stata il soprano più importante del "bel canto". La sua vita, piena di vette e abissi, è paragonabile solo alla vita delle eroine tragiche che era solita portare in scena.La sua carriera ha nettamente superato i limiti del teatro lirico, diventando una diva capace di attirare l'interesse della massa e di trasformarsi in una stella del "jet set" internazionale.L'opera, narrata in prima persona dalla Diva, racconta i principali momenti della sua vita turbolenta, alternando con le sue famose arie che illustrano e anticipano il suo tragico destino.Traduzione Anna Zollino
Don Quixote: A Dramatic Adaptation (Texts and Translations #29)
by Mikhail BulgakovWhen Soviet censors approved Mikhail Bulgakov's stage adaptation of Don Quixote, they were unaware that they were sanctioning a subtle but powerful criticism of Stalinist rule. The author, whose novel The Master and Margarita would eventually bring him world renown, achieved this sleight of hand through a deft interpretation of Cervantes's knight. Bulgakov's Don Quixote fits comfortably into the nineteenth-century Russian tradition of idealistic, troubled intellectuals, but Quixote's quest becomes an allegory of the artist under the strictures of Stalin's regime. Bulgakov did not live to see the play performed: it went into production in 1940, only months after his death.The volume's introduction provides background for Bulgakov's adaptation and compares Bulgakov with Cervantes and the twentieth-century Russian work with the seventeenth-century Spanish work.
Don Álvaro o la fuerza del sino
by DUQUE RIVAS DELa historia de un amor condenado por la fatalidad, considerada por la crítica como el drama inaugural del teatro romántico español. «Una estrella adversa», un sino ineludible, parece perseguir a don Álvaro, quien se ha atrevido a desafiar las convenciones sociales. Amores imposibles, destinos trágicos, muerte, violencia, pasiones desatadas que la misma naturaleza refleja en sus montañas escarpadas y sus cielos desgarrados por los relámpagos son los ingredientes de esta obra teatral cuyo estreno, en 1835, supuso el inicio del romanticismo español.
Dramaturgy in Motion
by Katherine ProfetaDramaturgy in Motion innovatively examines the work of the dramaturg in contemporary dance and movement performance. Katherine Profeta, a working dramaturg for more than fifteen years, shifts the focus from asking "Who is the dramaturg?" to "What does the dramaturg think about?" Profeta explores five arenas for the dramaturg's attention--text and language, research, audience, movement, and interculturalism. Drawing on her extended collaboration with choreographer and visual artist Ralph Lemon, she grounds her thinking in actual rehearsal-room examples and situates practice within theoretical discourse about contemporary dramaturgy. Moving between theory and practice, word and movement, question and answer until these distinctions blur, she develops the foundational concept of dramaturgical labor as a quality of motion. Dramaturgy in Motion will be invaluable to practitioners and scholars interested in the processes of creating contemporary dance and movement performance--particularly artists wondering what it might be like to collaborate with a dramaturg and dramaturgs wondering what it might be like to collaborate on movement performance. The book will also appeal to those intrigued by the work of Lemon and his collaborators, to which Profeta turns repeatedly to unfold the thorny questions and rich benefits of dramaturgical labor.
Early Modern Drama, 1576-1642
by Julie SandersEngaging and stimulating, this Introduction provides a fresh vista of the early modern theatrical landscape. Chapters are arranged according to key genres (tragedy, revenge, satire, history play, pastoral and city comedy), punctuated by a series of focused case studies on topics ranging from repertoire to performance style, political events to the physical body of the actor, and from plays in print to the space of the playhouse. Julie Sanders encourages readers to engage with particular dramatic moments, such as opening scenes, skulls on stage or the conventions of disguise, and to apply the materials and methods contained in the book in inventive ways. A timeline and frequent cross-references provide continuity. Always alert to the possibilities of performance, Sanders reveals the remarkable story of early modern drama not through individual writers, but through repertoires and company practices, helping to relocate and re-imagine canonical plays and playwrights.