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Female Bodies on the American
by Jennifer-Scott MobleyThe fat female body is a unique construction in American culture that has been understood in various ways during the twentieth and early twenty-first centuries. Analyzing post-WWII stage and screen performances, Mobley argues that the fat actress's body signals myriad cultural assumptions and suggests new ways of reading the body in performance.
A Feminist Companion to Shakespeare
by Dympna CallaghanThe question is not whether Shakespeare studies needs feminism, but whether feminism needs Shakespeare. This is the explicitly political approach taken in the dynamic and newly updated edition of A Feminist Companion to Shakespeare. Provides the definitive feminist statement on Shakespeare for the 21st century Updates address some of the newest theatrical andcreative engagements with Shakespeare, offering fresh insights into Shakespeare's plays and poems, and gender dynamics in early modern England Contributors come from across the feminist generations and from various stages in their careers to address what is new in the field in terms of historical and textual discovery Explores issues vital to feminist inquiry, including race, sexuality, the body, queer politics, social economies, religion, and capitalism In addition to highlighting changes, it draws attention to the strong continuities of scholarship in this field over the course of the history of feminist criticism of Shakespeare The previous edition was a recipient of a Choice Outstanding Academic Title award; this second edition maintains its coverage and range, and bringsthe scholarship right up to the present day
A Few Well-Frozen Worms
by Ronnie BarkerWith a fondness for spoonerisms and double entendres, Ronnie Barker is one of the nation’s greatest comics. Gathered together in this second ‘best of’ volume is a cocktail of his sketches and monologues from every strand of his long and brilliant career.
The First Frame
by Pannill CampIn the late eighteenth century, a movement to transform France's theatre architecture united the nation. Playwrights, philosophers, and powerful agents including King Louis XV rejected the modified structures that had housed the plays of Racine and Molière, and debated which playhouse form should support the future of French stagecraft. In The First Frame, Pannill Camp argues that these reforms helped to lay down the theoretical and practical foundations of modern theatre space. Examining dramatic theory, architecture, and philosophy, Camp explores how architects, dramatists, and spectators began to see theatre and scientific experimentation as parallel enterprises. During this period of modernisation, physicists began to cite dramatic theory and adopt theatrical staging techniques, while playwrights sought to reveal observable truths of human nature. Camp goes on to show that these reforms had consequences for the way we understand both modern theatrical aesthetics and the production of scientific knowledge in the present day.
Five, Six, Seven, Nate!: Better Nate Than Ever; Five, Six, Seven, Nate!; Nate Expectations (Nate Ser.)
by Tim Federle&“The Nate series by Tim Federle is a wonderful evocation of what it&’s like to be a theater kid. Highly recommended.&” —Lin-Manuel Miranda, star and creator of the musical, HamiltonWinner of the Lambda Literary AwardEncore! Nate Foster&’s Broadway dreams are finally coming true in this sequel to Better Nate Than Ever that Publishers Weekly calls a &“funny, tender coming-of-age story.&”Armed with a one-way ticket to New York City, small-town theater geek Nate is off to start rehearsals for E.T.: The Broadway Musical. It&’s everything he ever practiced his autograph for! But as thrilling as Broadway is, rehearsals are nothing like Nate expects: full of intimidating child stars, cut-throat understudies, and a director who can&’t even remember Nate&’s name.Now, as the countdown to opening night is starting to feel more like a time bomb, Nate is going to need more than his lucky rabbit&’s foot if he ever wants to see his name in lights. He may even need a showbiz miracle.The companion novel to Better Nate Than Ever, which TheNew York Times called &“inspired and inspiring,&” Five, Six, Seven, Nate! is full of secret admirers, surprise reunions, and twice the drama of middle school...with a lot more glitter.
Flesh and Other Fragments of Love
by Evelyne de la Chenelière Linda GaboriauWhen Pierre and Simone planned a vacation to the Irish coast, they were hoping to revive their failing marriage. What they weren't expecting was to stumble upon the body of Mary, a drowned woman, during a walk along the beach. It's not long before curiosity and obsession take over, and the couple begin to piece together Mary's history using both facts and their imaginations. As her story comes alive, Mary's presence integrates itself into Pierre and Simone's lives, resurrecting their memories and regrets, fears and obsessions. Now they must struggle more than ever to revisit the past in order to write their own story.
The Flick
by Annie Baker"Funny, heartbreaking, sly and unblinking...The Flick may be the best argument anyone has yet made for the continued necessity and profound uniqueness of theater." --Jesse Green, New York "Hilarious and ineffably touching...Ms. Baker's peerless aptitude for exploring how people grope their way toward a sense of equanimity, even as they learn to accept disappointment, is among the things that make her such a gifted writer...This lovingly observed play will sink deep into your consciousness." --Charles Isherwood, New York Times "This hypnotic, heartbreaking micro-epic about movies and moving on is irreducibly theatrical." --David Cote, TimeOut New York In a rundown movie theater in central Massachusetts, three underpaid employees sweep up popcorn in the empty aisles and tend to one of the last thirty-five-millimeter projectors in the state. With keen insight and a ceaseless attention to detail, The Flick pays tribute to the power of movies and paints a heartbreaking portrait of three characters and their working lives. A critical hit when it premiered Off-Broadway, this comedy, by one of the country's most produced and highly regarded young playwrights, was awarded the coveted 2013 Susan Smith Blackburn Prize, an Obie Award for Playwriting and the 2014 Pulitzer Prize for Drama. ANNIE BAKER'S works include The Aliens (Obie Award), Body Awareness, Circle Mirror Transformation (Obie Award), Nocturama, and an adaptation of Anton Chekhov's Uncle Vanya. Her work has been produced at more than a hundred theaters in the U.S. and in more than a dozen countries. Recent honors include a Guggenheim Fellowship, the Steinberg Playwright Award and a New York Drama Critics Circle Award. She is a resident playwright at Signature Theatre.
Flowers in the Attic: A Stage Play (Dollanganger)
by V. C. AndrewsThe only official stage play of V.C. Andrews's enduring classic of forbidden love--adapted by Andrew Neiderman (The Devil's Advocate). Experience in this new format the original story that captured the world's imagination and earned V.C. Andrews a fiercely devoted readership.At the top of the stairs there are four secrets hidden. Blond, beautiful, innocent, and struggling to stay alive . . . They were a perfect family, golden and carefree--until a heartbreaking tragedy shattered their happiness. Now, for the sake of an inheritance that will ensure their future, the children must be hidden away out of sight, as if they never existed. Kept on the top floor of their grandmotherds vast mansion, their loving mother assures them it will be just for a little while. But as brutal days swell into agonizing months and years, Cathy, Chris, and twins Cory and Carrie, realize their survival is at the mercy of their cruel and superstitious grandmother . . . and this cramped and helpless world may be the only one they ever know.Book One of the Dollanganger series, the sequels include Petals in the Wind, If There Be Thorns, Seeds of Yesterday, and Garden of Shadows. Then experience the attic from Christopher's point of view in Christopher's Diary: Secrets of Foxworth and Christopher's Diary: Echoes of Dollanganger.
Ford's Theatre (Images of America)
by Brian Anderson Ford's Theatre SocietyFord's Theatre in downtown Washington, DC, is best known as the scene of Pres. Abraham Lincoln's assassination on April 14, 1865. It is among the oldest and most visited sites of national tragedy in the United States. First constructed in 1833 as a Baptist church, the property was acquired by John T. Ford and converted into a theater in 1861. Presenting almost 500 performances before the assassination, Ford afterward sold the building to the federal government. A century later, the National Park Service reconstructed the theater, and Ford's Theatre Society began presenting live performances there in 1968. Since then, the two organizations have partnered to offer more than 650,000 annual visitors an array of quality programming about Lincoln's presidency and legacy. Today, patrons can explore the Tenth Street "campus," consisting of the theater, interactive museum galleries, the house where Lincoln died, and the Center for Education and Leadership.
The Fourth Wish
by Lindsay RibarHere's what Margo McKenna knows about genies: She's seen Aladdin more times than she can count; she's found a magic genie ring and made her three allotted wishes; she's even fallen head over heels in love with Oliver, the cute genie whose life she saved by fighting off another genie. But none of this prepared her for the shock of becoming a genie herself. Everything Margo's taken for granted--graduating high school, going to college, hating math, performing in the school musical, even being a girl--is in question. Just at a time when she's trying to figure out who she wants to be, Margo is forced to become whomever her master wants. But Margo is also coming into a power she never imagined she'd have. How will she reconcile the two? And where will she and Oliver stand when she's done? Fans of Every Day and Anna and the French Kiss will love this romantic, magical, and surprising conclusion to The Art of Wishing.
Frances Burney and Narrative Prior to Ideology
by Brian McCreaFrances Burney and Narrative Prior to Ideology works between Burney’s Journals and Letters and her fiction more thoroughly than any study of her in the past twenty-five years. By doing so, it offers significant reinterpretations of Burney’s four novels: Evelina, Cecilia, Camilla, and The Wanderer. It describes Burney’s eluding the major modern–isms through which critics have tried to read her: Feminism (with its “gendering” of beauty and reversal of gender roles); Capitalism and its Marxist critique (here the details of Burney’s housekeeping become important); Professionalism (as a response to status inconsistency and class conflict); and Ian Watt’s “Formal Realism” (Burney perhaps saved the novel from a sharp decline it suffered in the 1770s, even as she tried to distance herself from the genre). Burney’s most successful writing appeared before the coining of “ideology.” But her standing “prior to ideology” is not a matter of chronological accident. Rather, she quietly but forcefully resisted shared explanations—domesticity as model for household management, debt as basis for family finance, professional status as a means to social confidence, the novel as the dominant literary genre—that became popular during her long and eventful life. Frederic Jameson has described Paul de Man, “in private conversation,” claiming, “Marxism . . . has no way of understanding the eighteenth century.” Frances Burney and Narrative Prior to Ideology conjoins Burney’s “eighteenth-centuryness” with her modernity. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
A Free Man of Color (Books That Changed the World)
by John GuareThe Tony Award-winning playwright spins “a tale of adultery, racism and the Louisiana Purchase…with daring and dizzying skill” (Ben Brantley, The New York Times).The author of classics American plays such as Six Degrees of Separation and The House of Blue Leaves, Tony and Obie Award-winning playwright John Guare is celebrated for his theatrically playful, intellectually dazzling imagination. His play “A Free Man of Color evolves from a bustling farce into something deeper and darker but similarly exhilarating” (USA Today).A Free Man of Color is set in boisterous New Orleans prior to the historic Louisiana Purchase. Before law and order took hold and class, racial, and political lines were drawn, New Orleans was a carnival of beautiful women, flowing wine, and pleasure for the taking. At the center of this Dionysian world is Jacques Cornet, a mixed-race gentleman who commands men, seduces women, and preens like a peacock. But it is 1801 and the map of New Orleans is about to be redrawn. The Louisiana Purchase brings American rule and racial segregation to the chaotic, colorful world of Jacques Cornet and all that he represents, turning the tables on freedom and liberty.
Freud Amoureux: Les femmes de Sigmund Freud
by Lázaro DroznesDrame de fiction basé sur la relation clandestine de Sigmund Freud avec sa belle-soeur Minna Bernays, qui, pour aggraver les choses, vivait dans la même maison avec toute sa famille. Cette relation a été récemment confirmée par des preuves historiques et a été l'un des secrets les mieux gardés de la vie de Freud. Martha Bernays et sa sœur Minna ont vécu ensemble 40 ans à Vienne avec les 5 enfants de la famille Freud et ont partagé l'amour de l'un des scientifiques qui a le plus contribué au changement des comportements sexuels au cours du XXe siècle
From the Old Country
by T. M. Mcclellan Lihe Zhong Tiejun ZhongThough he lived mostly in rural South Taiwan, Zhong Lihe (1915--1960) spent several years in Manchuria and Peking, moving among an eclectic mix of ethnicities, classes, and cultures. His ficitonal portraits unfold on Japanese battlefields and in Peking slums, as well as in the remote, impoverished hill-country villages and farms of Zhong Lihe's native Hakka districts. His scenic descriptions are deft and atmospheric, and his psychological explorations are acute. The first anthology to present his work in English, this volume features two novellas, ten short stories, and four short prose works.
Fuente Ovejuna: Lost In A Mirror (Clásicos Y Modernos Ser. #Vol. 16)
by Lope de VegaEl comendador de Fuente Ovejuna comete tales atrocidades contra mujeres y hombres, que todos los vecinos asaltan la casa de la Encomienda, dan muerte al tirano y se reparten sus bienes. De la corte llega un juez para instruir el proceso contra los habitantes del pueblo. Ni con la tortura consigue que contesten a la pregunta «¿Quién mató al Comendador?» otra cosa que: «Fuente Ovejuna lo hizo, Fuente Ovejuna, señor». Esta historia de venganza y rebeldía estaba inspirada en un hecho real.
God and the Indian
by Drew Hayden TaylorWhile panhandling outside a coffee shop, Johnny, a Cree woman, is shocked to recognize a face from her childhood, which was spent in a Native American boarding school. Desperate to hear him acknowledge the terrible abuse inflicted on her and other children at the school, Johnny follows Anglican assistant bishop George King to his office to confront him.Ojibway writer Drew Hayden Taylor is the author of twenty-one publications. Hailed by the Montreal Gazette as one of Canada's leading Native dramatists, he writes for the screen and the stage, and contributes regularly to national newspapers.
A God in Need of Help
by Sean DixonIt's 1606 and Europe is at war over God. At the behest of the Holy Roman Emperor, Rudolf II, Venice's four strongest men are charged with transporting a holy painting -- Albrecht Dürer's The Brotherhood of the Rosary -- across the Alps to Prague. In the small Alpine village of Pusterwald, they are set upon by Protestant zealots; their escape is attributed to a miracle. The strongmen and their captain are summoned to an inquiry, led by the magistrate of Venice and the cardinal archbishop of Milan, to determine whether something divine did indeed occur. Each man's recounting adds a layer of colour to the canvas. Through this vividly painted mystery, inspired by true events, Sean Dixon challenges the role of faith at the dawn of the Age of Reason.
Gracefully Grayson
by Ami PolonskyGrayson Sender has been holding onto a secret for what seems like forever: "he" is a girl on the inside, stuck in the wrong gender's body. The weight of this secret is crushing, but sharing it would mean facing ridicule, scorn, rejection, or worse. <P><P>Despite the risks, Grayson's true self itches to break free. Will new strength from an unexpected friendship and a caring teacher's wisdom be enough to help Grayson step into the spotlight she was born to inhabit? <P>Debut author Ami Polonsky's moving, beautifully-written novel about identity, self-esteem, and friendship shines with the strength of a young person's spirit and the enduring power of acceptance.
The Grandkid
by John LazarusJulius Rothstein and his granddaughter Abby have loved each other from opposite ends of Canada since Abby was born. But now, accepted as a freshman student at the university where Julius teaches, Abby is moving in with him to be close to school and to keep her newly widowed grandfather company. The two must negotiate a new relationship as housemates and friends, which means dealing with issues of youth and age, work and play, activism and apathy, homework and heart attacks, and those three tricky topics: sex, politics, and religion.
Grasses of a Thousand Colors
by Wallace ShawnAn updated and revised edition of Wallace Shawn's most outlandish work to date.This poetic epic about a scientist, his wife, and his two mistresses as they fend for their lives in a world savagely close to extinction, raises issues of redemption, forgiveness, and responsibility. Grasses of a Thousand Colors is a troubling, erotic adventure that received high critical praise for its first New York City revival in 2013, starring Shawn.Wallace Shawn is a noted actor and writer. His often politically charged and controversial plays include The Fever, Aunt Dan and Lemon, Marie and Bruce, and The Designated Mourner.
The Great God Pan
by Amy Herzog"The Great God Pan is a haunting, deeply affecting play about the interaction of identity, psychology and pathology. Ms. Herzog writes with keen sensitivity to the complex weave of feelings embedded in all human relationships, with particular attention to the way we tiptoe around areas of radioactive emotion." - New York Times"Whatever the ideal contemporary American drama is, it has to look a lot like The Great God Pan. It is provocative and subtle, slowly, carefully revelatory, sweetly moving, thought-provoking, funny and insightful." - New York Observer"An intelligent, delicately articulate writer." - Village Voice"A moving and unsettling look at the nature of identity and the vagaries of memory. With subtlety and compassion, Herzog contemplates how well we can really know ourselves." - BackstageJamie's life in Brooklyn seems just fine: a beautiful girlfriend, a burgeoning journalism career, and parents who live just far enough away. But when a possible childhood trauma comes to light, lives are thrown into a tailspin. Unsettling and deeply compassionate, The Great God Pan tells the intimate tale of what is lost and won when a hidden truth is suddenly revealed.Amy Herzog's plays include 4000 Miles (Pulitzer Prize finalist), After the Revolution and Belleville. Ms. Herzog is the recipient of numerous awards, including the Whiting Writers' Award, an Obie Award and the Helen Merrill Award for Aspiring Playwrights.
Grotowski, Women, and Contemporary Performance: Meetings with Remarkable Women (Routledge Advances in Theatre & Performance Studies)
by Virginie MagnatAs the first examination of women's foremost contributions to Jerzy Grotowski's cross-cultural investigation of performance, this book complements and broadens existing literature by offering a more diverse and inclusive re-assessment of Grotowski's legacy, thereby probing its significance for contemporary performance practice and research. Although the particularly strenuous physical training emblematic of Grotowski's approach is not gender specific, it has historically been associated with a masculine conception of the performer incarnated by Ryszard Cieslak in The Constant Prince, thus overlooking the work of Rena Mirecka, Maja Komorowska, and Elizabeth Albahaca, to name only the leading women performers identified with the period of theatre productions. This book therefore redresses this imbalance by focusing on key women from different cultures and generations who share a direct connection to Grotowski's legacy while clearly asserting their artistic independence. These women actively participated in all phases of the Polish director’s practical research, and continue to play a vital role in today's transnational community of artists whose work reflects Grotowski's enduring influence. Grounding her inquiry in her embodied research and on-going collaboration with these artists, Magnat explores the interrelation of creativity, embodiment, agency, and spirituality within their performing and teaching. Building on current debates in performance studies, experimental ethnography, Indigenous research, global gender studies, and ecocriticism, the author maps out interconnections between these women's distinct artistic practices across the boundaries that once delineated Grotowski's theatrical and post-theatrical experiments.
A Guide to Ancient Greek Drama (Blackwell Guides to Classical Literature #3)
by Ian C. Storey Arlene AllanThis newly updated second edition features wide-ranging, systematically organized scholarship in a concise introduction to ancient Greek drama, which flourished from the sixth to third century BC. Covers all three genres of ancient Greek drama – tragedy, comedy, and satyr-drama Surveys the extant work of Aeschylus, Sophokles, Euripides, Aristophanes, and Menander, and includes entries on ‘lost’ playwrights Examines contextual issues such as the origins of dramatic art forms; the conventions of the festivals and the theater; drama’s relationship with the worship of Dionysos; political dimensions of drama; and how to read and watch Greek drama Includes single-page synopses of every surviving ancient Greek play
Hamlet in Purgatory: Expanded Edition (Princeton Classics #4)
by Stephen GreenblattIn Hamlet in Purgatory, renowned literary scholar Stephen Greenblatt delves into his longtime fascination with the ghost of Hamlet's father, and his daring and ultimately gratifying journey takes him through surprising intellectual territory. It yields an extraordinary account of the rise and fall of Purgatory as both a belief and a lucrative institution--as well as a capacious new reading of the power of Hamlet. In the mid-sixteenth century, English authorities abruptly changed the relationship between the living and dead. Declaring that Purgatory was a false "poem," they abolished the institutions and banned the practices that Christians relied on to ease the passage to Heaven for themselves and their dead loved ones. Greenblatt explores the fantastic adventure narratives, ghost stories, pilgrimages, and imagery by which a belief in a grisly "prison house of souls" had been shaped and reinforced in the Middle Ages. He probes the psychological benefits as well as the high costs of this belief and of its demolition. With the doctrine of Purgatory and the elaborate practices that grew up around it, the church had provided a powerful method of negotiating with the dead. The Protestant attack on Purgatory destroyed this method for most people in England, but it did not eradicate the longings and fears that Catholic doctrine had for centuries focused and exploited. In his strikingly original interpretation, Greenblatt argues that the human desires to commune with, assist, and be rid of the dead were transformed by Shakespeare--consummate conjurer that he was--into the substance of several of his plays, above all the weirdly powerful Hamlet. Thus, the space of Purgatory became the stage haunted by literature's most famous ghost. This book constitutes an extraordinary feat that could have been accomplished by only Stephen Greenblatt. It is at once a deeply satisfying reading of medieval religion, an innovative interpretation of the apparitions that trouble Shakespeare's tragic heroes, and an exploration of how a culture can be inhabited by its own spectral leftovers. This expanded Princeton Classics edition includes a new preface by the author.
Hamlet, Prince of Denmark: Hamlet (anglais Français Édition Illustré) (First Avenue Classics ™)
by William Shakespeare"Something is rotten in the state of Denmark." Brooding Hamlet, the son of the recently deceased king, is about to discover the royal family's corruption firsthand. Taken by the castle watchman to meet the apparition they see at night, Hamlet is surprised to find it is his father's ghost. Hamlet seeks to avenge his father's dishonorable death, but the casualties along the way may prove to be just as tragic. Enter William Shakespeare's famous world of betrayal, madness, and "murder most foul" through this unabridged version of Hamlet, Prince of Denmark, first published in England in 1603.