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Innovation & Digital Theatremaking: Rethinking Theatre with “The Show Must Go Online”
by Robert Myles Valerie Clayman PyeInnovation & Digital Theatremaking introduces a blueprint for how to think differently about Theatre, how to respond creatively in uncertainty, and how to wield whatever resources are available to create new work in new ways. In 2020, the COVID-19 pandemic had a colossal impact on theatre across the world. At a time when even the wealthiest and best-supported theatre companies in the world ceased all operations and shuttered their stages, the theatre company The Show Must Go Online (TSMGO) forged its way into a new frontier: the highly accessible digital landscape of online performance. In this book, TSMGO creator Robert Myles and Valerie Clayman Pye explore the success of TSMGO from a practical standpoint, offering insights and strategies that can help theatremakers at every level respond proactively to the future of Theatre in the digital era. Each chapter addresses a different aspect of the creative process and concludes with take-homes so readers can learn how to innovate rapidly, undertake research and development in order to create their own models, and cultivate their own theatrical communities. Written for theatremakers, directors, producers, and creatives of all levels of experience, this book will help readers to think critically and creatively about theatre and theatre pedagogues to understand how to train their students for the theatre of the future.
Yoruba Oral Tradition in Islamic Nigeria: A History of Dàdàkúàdá (Global Africa)
by Abdul-Rasheed Na'AllahThis book traces Dàdàkúàdá’s history and artistic vision and discusses its vibrancy as the most popular traditional Yoruba oral art form in Islamic Africa. Foregrounding the role of Dàdàkúàdá in Ilorin, and of Ilorin in Dàdàkúàdá the book covers the history, cultural identity, performance techniques, language, social life and relationship with Islam of the oral genre. The author examines Dàdàkúàdá’s relationship with Islam and discusses how the Dàdàkúàdá singers, through their songs and performances, are able to accommodate Islam in ways that have ensured their continued survival as a traditional African genre in a predominantly Muslim community. This book will be of interest to scholars of traditional African culture, African art history, performance studies and Islam in Africa.
Serial Black Face
by Janine Nabers Marsha NormanThe 2014 winner of the Yale Drama Series "The play does not have a tragic ending, though you will be certain that it must. But it is a tragic story. It is the tragedy of lives lived without hope of deliverance. . . . I will leave you to read the play and determine how on earth we get to a satisfying ending to this tragic tale of a woman without a chance. But that ending is the genius of Nabers's work, her faith in the ability of people with no chance, to find one. "-Marsha Norman, from the Foreword The year is 1979 and a serial killer in Atlanta is abducting and murdering young black children. Against a backdrop of fear and uncertainty, playwright Janine Nabers explores the emotional battleground where an African-American single mother wars with her teenage daughter, each coping in her own way with personal tragedy and loss. The volatility of their situation is intensified when a severely damaged and devastatingly handsome stranger becomes an integral part of their lives. "Serial Black Face" is the seventh winner of the DC Horn Foundation/Yale Drama Series Prize, selected by Pulitzer Prize-winning playwright Marsha Norman. At once startling, engrossing, suspenseful, and exhilarating, Nabers's powerful drama employs a real-life nightmare, the Atlanta Child Murders of the late 1970s, to incisively examine human frailty and the prickly complexities of a mother-daughter relationship. A stunning theatrical work, both thoughtful and profoundly moving, "Serial Black Face" is richly deserving of this year's prize. "
Lolita: A Screenplay (Vintage International)
by Vladimir NabokovThe screenplay for Kubrik's 1962 film tells the story of an older man's obsession with a young girl.
Man From The USSR & Other Plays: And Other Plays
by Vladimir NabokovFour plays and two essays on drama, written during Nabokov's émigré years before his writings in English earned him worldwide fame. Translated and with Introductions by Dmitri Nabokov.
The Tragedy of Mister Morn
by Vladimir Nabokov Thomas Karshan Anastasia TolstoyFor the first time in English, Vladimir Nabokov's earliest major work, written when he was only twenty-four: his only full-length play, introduced by Thomas Karshan and beautifully translated by Karshan and Anastasia Tolstoy. The Tragedy of Mister Morn was written in the winter of 1923-1924, when Nabokov was completely unknown. The five-act play--the story of an incognito king whose love for the wife of a banished revolutionary brings on the chaos the king has fought to prevent--was never published in Nabokov's lifetime and lay in manuscript until it appeared in a Russian literary journal in 1997. It is an astonishingly precocious work, in exquisite verse, touching for the first time on what would become this great writer's major themes: intense sexual desire and jealousy, the elusiveness of happiness, the power of the imagination, and the eternal battle between truth and fantasy. The play is Nabokov's major response to the Russian Revolution, which he had lived through, but it approaches the events of 1917 above all through the prism of Shakespearean tragedy.
Sementes de amor
by Uri J. NachimsonAmor, sexo, ambição, as difíceis relações entre dois países vizinhos com culturas e realidades diferentes, que nunca conseguiram sekar a paz. Um amor impossível... todos os ingredientes em uma estória envolvente da primeira à última palavra.
Showstoppers!: The Surprising Backstage Stories of Broadway's Most Remarkable Songs
by Gerald NachmanWhen Robert Preston shouted "Ya got trouble!" in River City, when Carol Channing glided down a gilded staircase while waiters serenaded her with "Hello, Dolly!," when Barbra Streisand defied us to rain on her parade in Funny Girl, audiences were instantly enchanted. Showstoppers! is all about Broadway musicals' most memorable numbers--why they were so effective, how they were created, and why they still resonate. Much of it is told through the eyes of the performers, songwriters, directors, and choreographers who first built these explosive numbers and lit the fuse. Gerald Nachman interviewed dozens of iconic musical theater figures, including Patti LuPone, John Raitt, Jerry Herman, Edie Adams, Dick Van Dyke, Joel Grey, Marvin Hamlisch, John Kander, Tommy Tune, Sheldon Harnick, and Harold Prince, uncovering priceless untold anecdotes and details.
The Art of Is: Improvising as a Way of Life
by Stephen NachmanovitchA MASTERFUL BOOK ABOUT BREATHING LIFE INTO ART AND ART INTO LIFE “Stephen Nachmanovitch’s The Art of Is is a philosophical meditation on living, living fully, living in the present. To the author, an improvisation is a co-creation that arises out of listening and mutual attentiveness, out of a universal bond of sharing that connects all humanity. It is a product of the nervous system, bigger than the brain and bigger than the body; it is a once-in-a-lifetime encounter, unprecedented and unrepeatable. Drawing from the wisdom of the ages, The Art of Is not only gives the reader an inside view of the states of mind that give rise to improvisation, it is also a celebration of the power of the human spirit, which — when exercised with love, immense patience, and discipline — is an antidote to hate.” — Yo-Yo Ma, cellist
And Slowly Beauty
by Michel Nadeau Maureen LabontéEverything changes on what begins as a typical day in the life of the aptly named Mr. Mann, a forty-eight-year-old, buttoned-down, middle management type in a pinstriped grey suit, who feels himself losing touch with his job, his wife, his children, and the rest of his urban life. He wins tickets to a production of Chekhov's Three Sisters and realizes that the mid-life cocoon he has spun around himself is beginning to unwind.And Slowly Beauty, first performed in French in 2003, was created collaboratively by Michel Nadeau and colleagues from his Quebec troupe, Théâtre Niveau Parking. With the intensity of an electric current striking a reflecting pool, Nadeau shows us how Chekhov's century-old drama about the yearning of three sisters in a dreary provincial town directly addresses Mann's own stifled existence and liberates him from his self-imposed "gulag."Mann returns to see Three Sisters a second time, finding that its themes of beauty and poetry lost to the monotony of everyday existence mirror many aspects of his own existence. At the same time, Mann's dying friend realizes that he is for the first time able to appreciate the astonishing beauty of trees outside his window. The irony of such a deathbed admission is not lost on Mr. Mann.With Chekhov's characters and themes coming to inhabit the protagonist's mind and life, emphasized by the repeated image of geese flying overhead - these birds do not question the purpose of their journey but find it sufficient to fly in unison - And Slowly Beauty speaks eloquently to the power of art to transform lives.Cast of 3 women and 3 men.
Innovations in Education: கல்வியில் புதுமைகள்
by Professor Nagarajan“கல்வியில் புதுமைகள் என்னும் இந்நூல், மிகக் குறுகிய காலத்தில் தமிழ்நாட்டிலுள்ள அனைத்துப் பல்கலைக் கழகங்களைச் சார்ந்த சார்ந்த பி.எட்.வகுப்பு மாணவர்களிடையேயும், கல்வியியல் பேராசிரியப் பெருந்தகைகளிடையேயும் வெகுவாக பிரபலமடைந்துள்ளது. பெரியார், திருவள்ளுவர், போன்ற பல்கலைக்கழகங்களில் இத்தாளுக்கான பாடத்திட்டம் ஏற்கனவே உள்ளதுபோல் தொடர்வதாலும், சென்னைப் பல்கலைக்கழகம் இத்தாளுக்குரிய பாடங்களில் இரண்டு மூன்று பாடங்களை நீக்கிவிட்டு, அவைகளுக்கு பதிலாக, வழிப்படுத்தப்பட்ட அமைப்பு அணுகுமுறை, “கற்பித்தல் ஊடகங்களைத் தேர்ந்தெடுத்தலும் பயன்படுத்தலும்”, “தகவல் நுட்பவியலைப் பயன்படுத்தும் நவீன கற்பித்தல் முறைகள்” போன்ற பாடங்களை சேர்த்து தனது பாடத்திட்டத்தை மாற்றி அமைத்து
Modernization of Asian Theatres: Process and Tradition
by Yasushi Nagata Ravi ChaturvediThis volume focuses on the theatre history of Asian countries, and discusses the specific context of theatre modernization in Asia. While Asian theatre is one of the primary interests within theatre scholarship in the world today, knowledge of Asian theatre history is very limited and often surprisingly incorrect. Therefore, this volume addresses a major gap in contemporary theatre studies. The volume discusses the conflict between tradition and modernity in theatre, suggesting that the problems of modernity are closely related to the idea of tradition. Although Asian countries preserved the traditional form and values of their respective theatres, they had to also confront the newly introduced values or mechanisms of European modernity. Several papers in this volume therefore provide critical surveys of the history of theatre modernization in Asian countries or regions—Japan, Korea, Taiwan, Hong Kong, India Malaysia, Singapore, and Uyghur. Other papers focus on specific case studies of the history of modernization, discussing contemporary Taiwanese performances, translations of modern French comedy into Chinese, the modernization of Chinese Xiqu, modern Okinawan plays, Malaysian traditional performances, Korean national theatre, and Japanese plays during World War II. Renowned academics and theatre critics have contributed to this volume, making it a valuable resource for researchers and students of theatre studies, literature, and cultural studies.
Ludic Ubuntu Ethics: Decolonizing Justice (Routledge Studies in Penal Abolition and Transformative Justice)
by Mechthild NagelLudic Ubuntu Ethics develops a positive peace vision, taking a bold look at African and Indigenous justice practices and proposes new relational justice models. ‘Ubuntu’ signifies shared humanity, presenting us a sociocentric perspective of life that is immensely helpful in rethinking the relation of offender and victim. In this book, Nagel introduces a new theoretical liberation model—ludic Ubuntu ethics—to showcase five different justice conceptions through a psychosocial lens, allowing for a contrasting analysis of negative Ubuntu (eg., through shaming and separation) towards positive Ubuntu (eg., mediation, healing circles, and practices that no longer rely on punishment). Providing a novel perspective on penal abolitionism, the volume draws on precolonial (pre-carceral) Indigenous justice perspectives and Black feminism, using discourse analysis and a constructivist approach to justice theory. Nagel also introduces readers to a post secular turn by taking seriously the spiritual dimensions of healing from harm and highlighting the community’s response. Spanning disciplinary boundaries and aimed at readers seeking to understand how to move beyond reintegrative shaming and restorative justice theories, the volume will engage scholars of criminology, philosophy and law, and more specifically penal abolitionism, social ethics, peace studies, African studies, critical legal studies, and human rights. It will also be of great interest to practitioners and activists in restorative justice, mediation, social work, and performance studies.
The Arts: World Themes
by Geraldine NagleA fresh approach to the interdisciplinary humanities course that takes a strong multicultural approach to the visual and performing arts. Organized thematically, the text covers painting, printmaking, sculpture, camera arts, architecture, music, and drama.
New York’s Yiddish Theater: From the Bowery to Broadway
by Edna NahshonIn the early decades of the twentieth century, a vibrant theatrical culture took shape on New York City's Lower East Side. Original dramas, comedies, musicals, and vaudeville, along with sophisticated productions of Shakespeare, Ibsen, and Chekhov, were innovatively staged for crowds that rivaled the audiences on Broadway. Though these productions were in Yiddish and catered to Eastern European, Jewish audiences (the largest immigrant group in the city at the time), their artistic innovations, energetic style, and engagement with politics and the world around them came to influence all facets of the American stage. Vividly illustrated and with essays from leading historians and critics, this book recounts the heyday of "Yiddish Broadway" and its vital contribution to American Jewish life and crossover to the broader American culture. These performances grappled with Jewish nationalism, labor relations, women's rights, religious observance, acculturation, and assimilation. They reflected a range of genres, from tear-jerkers to experimental theater. The artists who came of age in this world include Stella Adler, Eddie Cantor, Jerry Lewis, Sophie Tucker, Mel Brooks, and Joan Rivers. The story of New York's Yiddish theater is a tale of creativity and legacy and of immigrants who, in the process of becoming Americans, had an enormous impact on the country's cultural and artistic development.
Wrestling With Shylock
by Edna Nahshon Michael ShapiroShakespeare's The Merchant of Venice occupies a unique place in world culture. As the fictional, albeit iconic, character of Shylock has been interpreted as exotic outsider, social pariah, melodramatic villain and tragic victim, the play, which has been performed and read in dozens of languages, has served as a lens for examining ideas and images of the Jew at various historical moments. In the last two hundred years, many of the play's stage interpreters, spectators, readers and adapters have themselves been Jews, whose responses are often embedded in literary, theatrical and musical works. This volume examines the ever-expanding body of Jewish responses to Shakespeare's most Jewishly relevant play.
Antic Street
by Robert NailComedy, 3m, 3f; Placing emphasis on pantomine and character portrayal, it needs only six chairs-- to represent an open touring car. In the car are young people of high school age going on a picnic. There is Ginger, earnest and overbearingly sunny; Robert, the sensitive one, impressed only by poetry (or ants, as a hilarious final scene proves); Blossom, the exuberant and idiotic teenager; Sam and Gwendolyn, the lovers who live-- in thirty minutes-- a life of adolescent violence, ranging from rage to young soulfulness; and Elbert, the little brother who looks with noisy criticism on their actions and suffers their company only for the food likely to be served. The relations of these, oddly assorted six, put to the trials and tribulations of a picnic, result in situations of merriment and in dialogue flippant, fast and rich in performance possibilities.
The Art of Unarmed Stage Combat
by Robert NajarianThe Art of Unarmed Stage Combat is your guide to the principles and techniques of theatrical violence, combining detailed discussions of the mechanics of stage fighting with the nuances of acting decisions to make fighting styles reflect character and story. Expert Fight Director Robert Najarian offers never-before-published games and exercises that will allow you to develop the skills and concepts for performing violence for stage and screen. This title utilizes a unique system of training techniques that result in stage violence that is both physically engaging for you as a performer, while remaining viscerally engaging for the audience.
Exit Stage Left
by Gail NallIn this funny and sweet digital-original novel perfect for fans of Fame, Casey works to find a new passion after her dreams of becoming a Broadway star are ruined.Casey Fitzgerald has always been an actress. She's known it was her destiny ever since she snagged the role of "apple" in her kindergarten's production of The Food Pyramid. But when she doesn't get the lead in her performing arts high school's production of The Sound of Music, she begins to question everything. Not getting the lead means no recommendations, and no recommendations means she can kiss good-bye any chance of getting a scholarship to the prestigious New York College of Performing Arts.After some soul searching and some wise words from her friend Harrison, Casey decides to totally reinvent herself. She's already ditched her on-again off-again boyfriend Trevor and is interested in the new boy at school, so why not start fresh with everything? But every new destiny she tries doesn't seem quite right. And when her best friend, Amanda, who did get the lead, starts hanging out with Trevor, Casey's not sure if she'll ever be able to leave the drama behind.Epic Reads Impulse is a digital imprint with new releases each month.
A Cuban Girl's Guide to Tea and Tomorrow: Soon to be a movie starring Kit Connor (Cuban Girl's Guide Ser.)
by Laura Taylor NameyLove isn't always part of the plan . . . A charming, heartwarming story following a Miami girl who unexpectedly finds love – and herself – in a small English town. Soon to be a movie starring Heartstopper's Kit Connor and Pretty Little Liars' Maia Reficco! For Lila Reyes, a summer in England hadn't been on the cards. Certainly not one stuck in the small town of Winchester with a lack of sun and zero Miami flavour. But when Lila meets Orion Maxwell in the local tea shop, her nightmare trip starts to look up. With a bright new future suddenly on the horizon, will Lila leave behind everything she's ever planned and follow her heart? A New York Times bestseller and Reese Witherspoon x Hello Sunshine Book Club YA Pick.PRAISE FOR A CUBAN GIRL'S GUIDE TO TEA AND TOMORROW: 'An absolute delight' Rachael Lippincott, author of Five Feet Apart 'An utterly charming read that feels like a treasured recipe that will heal and feed a broken heart.' Nina Moreno, author of Don&’t Date Rosa Santos 'I could live inside Laura Taylor Namey&’s lush, vibrant words forever.' Rachel Lynn Solomon, author of Today Tonight Tomorrow 'This book. THIS BOOK. Laura Taylor Namey has written the coziest love story I&’ve ever had the pleasure to read.' Erin Hahn, author of You&’d Be Mine and More Than Maybe
Scenic Design and Lighting Techniques: A Basic Guide for Theatre
by Rob Napoli Chuck GlomanBasic. This is the key word in Scenic Design and Lighting Tecniques: A Basic Guide for Theatre, written by two seasoned professionals with over twenty years of experience. This book is designed to show you how to turn a bare stage into a basic set design, without using heavy language that would bog you down. From materials and construction to basic props and lighting, this book explains all you will need to know to build your set and light it.
Space, Time and Ways of Seeing: The Performance Culture of Kutiyattam
by Mundoli NarayananThis volume explores the constitutive role played by space in the performance of Kutiyattam. The only surviving form of Sanskrit theatre, Kutiyattam is distinctive in terms of its performance conventions and its unique culture of extensive elaboration and interpretation. Drawing upon the concepts of phenomenology on the processes of perception, particularly on the works of Edmund Husserl, Martin Heidegger and Maurice Merleau-Ponty, it analyses the role of space in the communicative structures of performance of Kutiyattam and its contribution to the production of meaning in theatre, especially in the context of contemporary theatre. The book explores the theatrical event as a phenomenon that comes into existence through a triangular relationship among the ‘ways of being’ of the performers, the ‘ways of seeing’ of the audience, and the space which brings them together. Based on this formulation, Kutiyattam is approached as a ‘theatre of elaboration,’ made possible by the ‘intimate,’ ‘proximal’ ways of seeing of the audience, in the particular theatrical space of the kūttampalaṃs, the temple theatres, where Kutiyattam has customarily been performed for more than five centuries. This volume will be of great interest to scholars and researchers of cultural studies, theatre and performance studies, cultural anthropology, phenomenology and South Asian studies.
Wooden Os
by Vin NardizziWooden Os is a study of the presence of trees and wood in the drama of Shakespeare and his contemporaries - in plays set within forests, in character dialogue, and in props and theatre constructions. Vin Nardizzi connects these themes to the dependence, and surprising ecological impact, of London's commercial theatre industry on England's woodlands, the primary resource required to build all structures in early modern England.Wooden Os situates the theatre within an environmental history that witnessed a perceived scarcity of wood and timber that drove up prices, as well as statute law prohibiting the devastation of English woodlands and urgent calls for the remedying of a resource shortage that was feared would result in eco-political collapse. By considering works including Friar Bacon and Friar Bungay, the revised Spanish Tragedy, and The Tempest, Nardizzi demonstrates how the "trees" within them were used in imaginative ways to mediate England's resource crisis.
Crossing Cultural Borders Through the Actor's Work: Foreign Bodies of Knowledge (Routledge Advances in Theatre & Performance Studies)
by Cláudia Tatinge NascimentoA sophisticated analysis of how the intersection of technique, memory, and imagination inform performance, this book redirects the intercultural debate by focusing exclusively on the actor at work. Alongside the perspectives of other prominent intercultural actors, this study draws from original interviews with Ang Gey Pin (formerly with the Workcenter of Jerzy Grotowski and Thomas Richards) and Roberta Carreri (Odin Teatret). By illuminating the hidden creative processes usually unavailable to outsiders--the actor’s apprenticeship, training, character development, and rehearsals--Nascimento both reveals how assumptions based on race or ethnicity are misguiding, trouble definitions of intra- and intercultural practices, and details how performance analyses and claims of appropriation fail to consider the permanent transformation of the actor’s identity that cultural transmission and embodiment represent.
Rainmaker
by N. Richard NashAt the time of a paralyzing drought in the West, we discover a girl whose father and two brothers are worried as much about her becoming an old maid as they are about their dying cattle. For the truth is, she is indeed a plain girl. The brothers try every possible scheme to marry her off but without success. Nor is there any sign of relief from the dry heat. Suddenly from out of nowhere appears a picaresque character with a mellifluous tongue and the most grandiose notions a man could imagine. He claims to be a rainmaker. And he promises to bring rain, for $100. It's a silly idea, but the rainmaker is so refreshing and ingratiating that the family finally consents. Forthwith they begin banging on big brass drums to rattle the sky; while the rainmaker turns his magic on the girl, and persuades her that she has a very real beauty of her own. And she believes it, just as her father believes the fellow can actually bring rain. And rain does come, and so does love.