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A Midsummer Night's Dream: The 30-Minute Shakespeare
by Nick NewlinPlanning a school or amateur Shakespeare production? The best way to experience the plays is to perform them, but getting started can be a challenge: The complete plays are too long and complex, while scene selections or simplified language are too limited."The 30-Minute Shakespeare" is a new series of abridgements that tell the "story" of each play from start to finish while keeping the beauty of Shakespeare's language intact. Specific stage directions and character suggestions give even inexperienced actors the tools to perform Shakespeare with confidence, understanding, and fun!This cutting focuses on three ridiculously funny and vibrant scenes from A MIDSUMMER NIGHT'S DREAM. The first scene starts with Puck mistakenly anointing the eyes of the wrong lovers with love potion, leading to a madcap chase scene between Helena, Lysander, Hermia, and Demetrius. Scene two features Bottom's magical transformation to an ass, always an audience favorite. The final scene is the classic play within a play, where the "Rude Mechanicals" act out with "tragical mirth" the story of Pyramus and Thisbe, with specific comic suggestions for the characters, including Lion chasing Thisbe into the audience!The edition also includes an essay by editor Nick Newlin on how to produce a Shakespeare play with novice actors, and notes about the original production of this abridgement at the Folger Shakespeare Library's annual Student Shakespeare Festival.
Much Ado About Nothing: The 30-Minute Shakespeare
by Nick NewlinPlanning a school or amateur Shakespeare production? The best way to experience the plays is to perform them, but getting started can be a challenge: The complete plays are too long and complex, while scene selections or simplified language are too limited."The 30-Minute Shakespeare" is a new series of abridgements that tell the "story" of each play from start to finish while keeping the beauty of Shakespeare's language intact. Specific stage directions and character suggestions give even inexperienced actors the tools to perform Shakespeare with confidence, understanding, and fun!This cutting of Shakespeare's utterly charming and popular comedy MUCH ADO ABOUT NOTHING features five key scenes, including Beatrice and Benedick's classic initial word-battle, and the uproarious hide-and-seek deception of the two "lovers." The next scenes are the brutal rejection of Hero at the altar by a deceived Claudio and the timeless manhandling of the English language by the bumbling constable Dogberry. In the fifth and final scene, Shakespeare resolves the play's conflicts and confusions, and love reigns again. This cutting really tells the story, and includes some sidesplitting stage business, particularly the back-and-forth physical and verbal parrying between Benedick and Beatrice.The edition also includes an essay by editor Nick Newlin on how to produce a Shakespeare play with novice actors, and notes about the original production of this abridgement at the Folger Shakespeare Library's annual Student Shakespeare Festival.
Romeo and Juliet: The 30-Minute Shakespeare
by Nick NewlinPlanning a school or amateur Shakespeare production? The best way to experience the plays is to perform them, but getting started can be a challenge: The complete plays are too long and complex, while scene selections or simplified language are too limited."The 30-Minute Shakespeare" is a new series of abridgements that tell the "story" of each play from start to finish while keeping the beauty of Shakespeare's language intact. Specific stage directions and character suggestions give even inexperienced actors the tools to perform Shakespeare with confidence, understanding, and fun!This cutting of ROMEO AND JULIET is edited to four key scenes, starting with the lyrical prologue and the foreboding opening brawl, which is played out in slow motion to music. Also included are the timeless balcony scene; the harsh scolding of Juliet by her father; and the final moments at the tomb.The edition also includes an essay by editor Nick Newlin on how to produce a Shakespeare play with novice actors, and notes about the original production of this abridgement at the Folger Shakespeare Library's annual Student Shakespeare Festival.
The Tempest
by Nick NewlinThe Tempest: The 30-Minute Shakespeare offers eight scenes from this rich comedy. Beginning with the magical storm and shipwreck, this adaptation includes the uproarious discovery of the monster Caliban and his plot to kill Prospero. Included are the heartfelt marriage vows between Ferdinand and Miranda, the disguised antics of fairy Ariel, and Prospero's poetic abjuration of his rough magic. The edition includes a preface by Nick Newlin containing helpful advice on how to put on a Shakespeare performance in a high school class with novice actors as well as an appendix with suggestions for the specific play and recommendations for further resources.
Twelfth Night: The 30-Minute Shakespeare
by Nick NewlinPlanning a school or amateur Shakespeare production? The best way to experience the plays is to perform them, but getting started can be a challenge: The complete plays are too long and complex, while scene selections or simplified language are too limited."The 30-Minute Shakespeare" is a new series of abridgements that tell the "story" of each play from start to finish while keeping the beauty of Shakespeare's language intact. Specific stage directions and character suggestions give even inexperienced actors the tools to perform Shakespeare with confidence, understanding, and fun!This cutting of TWELFTH NIGHT, Shakespeare's bittersweet comic masterpiece, consists of three classic scenes. After an extended introductory narration, the action begins with Feste the Fool consoling a mourning Lady Olivia with wit and wordplay. Viola (disguised as a male Cesario) woos Olivia on behalf of Duke Orsino, but Olivia falls for the messenger Viola/Cesario instead. The final scene in Olivia's kitchen gives young actors an easy and specific way to play late-night revelry, as Sir Toby Belch and his friends amuse themselves with the censorious but ultimately hapless Malvolio. One highlight of the production is a group "rap" version of the song "Come Away Death."The edition also includes an essay by editor Nick Newlin on how to produce a Shakespeare play with novice actors, and notes about the original production of this abridgement at the Folger Shakespeare Library's annual Student Shakespeare Festival.
The 30-Minute Shakespeare Anthology: 18 Student Scenes with Monologues
by Nick Newlin William ShakespeareDrawing on his eighteen years of experience as a teaching artist for Folger Shakespeare Library, Nick Newlin offers eighteen scenes to get young actors on their feet performing Shakespeare with confidence, understanding, and fun!Each scene averages five minutes in length, containing two to six characters, and features a monologue that young performers can use in performance, audition, or competition. Every scene has been "road tested" by one of Newlin's student groups at the Folger's annual Secondary School Shakespeare Festival, and includes dynamic stage directions and incisive performance notes to help teachers and students bring Shakespeare's plays to life.The 30-Minute Shakespeare Anthology includes one scene and monologue from eighteen of Shakespeare's greatest plays, including Romeo and Juliet, Macbeth, Hamlet, Othello, A Midsummer Night's Dream, Julius Caesar, Much Ado About Nothing, As You Like It, The Merchant of Venice, and The Taming of the Shrew.Additionally, the anthology contains a scene and monologue from Henry IV Part I, King Lear, As You Like It, The Comedy of Errors, The Tempest, Twelfth Night, The Merry Wives of Windsor, and Love's Labor's Lost.Also featured is an essay by editor Nick Newlin on how to produce a Shakespeare play with novice actors, and notes about the original production of this abridgment at the Folger Shakespeare Library's annual Student Shakespeare Festival. Each scene and monologue has accompanying notes and performance suggestions.
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by Danny Newman"Buy it, borrow it, steal it, but get your hands on it! If you follow Danny's advice on how to sell tickets, you won't have an unsold seat in the house all season long!"--Ralph Black, American Symphony League
Female Body Image in Contemporary Art: Dieting, Eating Disorders, Self-Harm, and Fatness (Routledge Research in Gender and Art)
by Emily L. NewmanNumerous contemporary artists, particularly female artists, have chosen to examine the idealization of the female body. In this crucial book, Emily L. Newman focuses on a number of key themes including obesity, anorexia, bulimia, dieting, self-harm, and female body image. Many artists utilize their own bodies in their work, and in the act of trying to critique the diet industry, they also often become complicit, as they strive to lose weight themselves. Making art and engaging eating disorder communities (in real life and online) often work to perpetuate the illnesses of themselves or others. A core group of artists has worked to show bodies that are outside the norm, paralleling the rise of fat activism in the 1990s and 2000s. Interwoven throughout this inclusive study are related interdisciplinary concerns including sociology, popular culture, and feminism.
Shakespeare's Rhetoric of Comic Character: Dramatic Convention In Classical And Renaissance Comedy
by Karen NewmanFirst published in 1985. In this revisionist history of comic characterization, Karen Newman argues that, contrary to received opinion, Shakespeare was not the first comic dramatist to create self-conscious characters who seem 'lifelike' or 'realistic'. His comic practice is firmly set within a comic tradition which stretches from Plautus and Menander to playwrights of the Italian Renaissance.
How to Think like Shakespeare: Lessons from a Renaissance Education (Skills For Scholars Ser.)
by Scott NewstokA lively and engaging guide to vital habits of mind that can help you think more deeply, write more effectively, and learn more joyfullyHow to Think like Shakespeare offers an enlightening and entertaining guide to the craft of thought—one that demonstrates what we've lost in education today, and how we might begin to recover it. In fourteen brief, lively chapters that draw from Shakespeare's world and works, and from other writers past and present, Scott Newstok distills vital habits of mind that can help you think more deeply, write more effectively, and learn more joyfully, in school or beyond.Challenging a host of today's questionable notions about education, Newstok shows how mental play emerges through work, creativity through imitation, autonomy through tradition, innovation through constraint, and freedom through discipline. It was these practices, and a conversation with the past—not a fruitless obsession with assessment—that nurtured a mind like Shakespeare's. And while few of us can hope to approach the genius of the Bard, we can all learn from the exercises that shaped him.Written in a friendly, conversational tone and brimming with insights, How to Think like Shakespeare enacts the thrill of thinking on every page, reviving timeless—and timely—ways to stretch your mind and hone your words.
The Cry of the Senses: Listening to Latinx and Caribbean Poetics (Dissident Acts)
by Ren Ellis NeyraIn The Cry of the Senses, Ren Ellis Neyra examines the imaginative possibility for sound and poetics to foster new modes of sensorial solidarity in the Caribbean Americas. Weaving together the black radical tradition with Caribbean and Latinx performance, cinema, music, and literature, Ellis Neyra highlights the ways Latinx and Caribbean sonic practices challenge antiblack, colonial, post-Enlightenment, and humanist epistemologies. They locate and address the sonic in its myriad manifestations—across genres and forms, in a legal trial, and in the art and writing of Xandra Ibarra, the Fania All-Stars, Beatriz Santiago Muñoz, Édouard Glissant, and Eduardo Corral—while demonstrating how it operates as a raucous form of diasporic dissent and connectivity. Throughout, Ellis Neyra emphasizes Caribbean and Latinx sensorial practices while attuning readers to the many forms of blackness and queerness. Tracking the sonic through their method of multisensorial, poetic listening, Ellis Neyra shows how attending to the senses can inspire alternate, ethical ways of collective listening and being.
A Perfect Bowl of Pho
by Nam NguyenNam, a procrastination-prone Vietnamese Canadian university student, sets out with the vague ambition to write a musical about his diaspora as embodied by food, particularly the world-famous noodle soup pho. What follows is pure meta musical, genre-bending through thousands of years of history, featuring rapping ancient kings, communist spies, dancing sharks and refugees, and awkward first dates in suburbia. However, Nam eventually finds himself caught between his different characters as each argues what pho (the food and the show) truly represents, and he struggles to find an answer that will satisfy everyone—in the end, isn’t this just a bunch of silly soup songs?
Vietgone
by Qui NguyenAn all-American love story about two very new Americans. It's 1975. Saigon has fallen. He lost his wife. She lost her fiancé. But now in a new land, they just might find each other. <p><p> Using his uniquely infectious style The New York Times calls "culturally savvy comedy" - and skipping back and forth from the dramatic evacuation of Saigon to the here and now - playwright Qui Nguyen gets up-close-and-personal to tell the story that led to the creation of...Qui Nguyen.
Experimental Dance and the Somatics of Language: Thinking in Micromovement (New World Choreographies)
by Megan V. NicelyThis book is about dance’s relationship to language. It investigates how dance bodies work with the micromovements elicited by language’s affective forces, and the micropolitics of the thought-sensations that arise when movement and words accompany one another within choreographic contexts. Situating itself where theory meets practice—the zone where ideas arise to be tested, the book draws on embodied research in practices within the lineages of American postmodern dance and Japanese butoh, set in dialog with affect-based philosophies and somatics. Understanding that language is felt, both when uttered and when unspoken, this book speaks to the choreographic thinking that takes place when language is considered a primary element in creating the sensorium.
Whole World of Music: A Henry Cowell Symposium (Contemporary Music Studies)
by David NichollsFirst Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
The Drowning Girls and Comrades
by Liz Nicholls Beth Graham Charlie Tomlinson Daniela VlaskalicThe Drowning GirlsBessie, Alice, and Margaret have two things in common: they are married to George Joseph Smith, and they are dead. Surfacing from the bathtubs they were drowned in, the three breathless brides gather evidence against their womanizing, murderous husband by reliving the shocking events leading up to their deaths. Reflecting on the misconceptions of love, married life, and the not-so-happily ever after, The Drowning Girls is both a breathtaking fantasia and a social critique, full of rich images, a myriad of characters, and lyrical language.ComradesBartolomeo Vanzetti and Nicola Sacco dreamt of the land of the free. Leaving their small Italian villages, they embarked on a long voyage to the United States, only to encounter a world they never could have imagined. Controversially imprisoned for murder, both men must fight for their lives amidst discrimination and public humiliation. Based on actual events, Comrades bring to life Sacco and Vanzetti's seven-year imprisonment and explores the struggles and agonies of two men, tried not for what they did, but for who they were.
Modern Korean Drama: An Anthology
by Richard NicholsCarefully selected and represented, the plays in this collection showcase both the fantastic and the realistic innovations of Korean dramatists during a time of rapid social and historical change. Stretching from 1962 to 2004, these seven works tackle major subjects, such as the close of the Choson dynasty and the aftermath of the Korean War, while delving into trenchant cultural issues, such as the marginalization of students who rebel against mainstream education and the role of traditional values in a materialistic society. Longtime scholar of Korea and its vibrant, politically acute theater, Richard Nichols opens with a general overview of modern Korean drama since 1910 and concludes with an appendix describing theater production and audience attendance in Seoul. He chooses works that aren't just for Korean audiences. These texts confront universal themes and situations, tackling the problem of ambition, the trouble with fidelity, and the complexity of sexual and interpersonal relationships. Nichols situates each work critically, historically, and culturally, including brief biographies of playwrights and extensive notes. A bibliography also provides alternative readings and the titles of additional plays currently available in English. Primed for production, these skillful translations provide Western directors with exciting new material for the stage. At the same time, they offer students and scholars a sophisticated survey of the modern Korean dramatic tradition.
Uncommon Tongues: Eloquence and Eccentricity in the English Renaissance
by Catherine NicholsonIn the late sixteenth century, as England began to assert its integrity as a nation and English its merit as a literate tongue, vernacular writing took a turn for the eccentric. Authors such as John Lyly, Edmund Spenser, and Christopher Marlowe loudly announced their ambitions for the mother tongue--but the extremity of their stylistic innovations yielded texts that seemed hardly English at all. Critics likened Lyly's hyperembellished prose to a bejeweled "Indian," complained that Spenser had "writ no language," and mocked Marlowe's blank verse as a "Turkish" concoction of "big-sounding sentences" and "termes Italianate. " In its most sophisticated literary guises, the much-vaunted common tongue suddenly appeared quite foreign. In Uncommon Tongues, Catherine Nicholson locates strangeness at the paradoxical heart of sixteenth-century vernacular culture. Torn between two rival conceptions of eloquence, savvy writers and teachers labored to reconcile their country's need for a consistent, accessible mother tongue with the expectation that poetic language depart from everyday speech. That struggle, waged by pedagogical theorists and rhetoricians as well as authors we now recognize as some of the most accomplished and significant in English literary history, produced works that made the vernacular's oddities, constraints, and defects synonymous with its virtues. Such willful eccentricity, Nicholson argues, came to be seen as both the essence and antithesis of English eloquence.
Theatre in Towns
by Helen Nicholson Jenny Hughes Gemma Edwards Cara GrayTheatre in Towns offers a contemporary perspective on the role of theatre in the cultural life of towns in England. Exploring volunteer-led, professional and community theatres, this book investigates the rich and diverse ways that theatres in towns serve their locality, negotiate their civic role, participate in networks of mutual aid and exchange, and connect audiences beyond their geographical borders. With a geographical focus on post-industrial, seaside, commuter and market towns in England, the book opens questions about how theatre shapes the narratives of town life, and how localism, networks and partnerships across and between towns contribute to living sustainably. Each chapter is critically and historically informed, drawing on original research in towns, including visits to performances and many conversations with townspeople, from theatre-makers, performers, set-builders, front-of-house volunteers, to audience members and civic leaders. Theatre in Towns asks urgent questions about how the relationships between towns and theatres can be redefined in new and equitable ways in the future. Theatre in Towns brings new research to scholars and students of theatre studies, cultural geography, cultural and social policy and political sociology. It will also interest artists, policy-makers and researchers wanting to develop their own and others’ understanding of the value of active theatre cultures in towns. The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.
The Colonial Public and the Parsi Stage: The Making of the Theatre of Empire (1853-1893) (Transnational Theatre Histories)
by Rashna Darius NicholsonThe Colonial Public and the Parsi Stage is the first comprehensive study of the Parsi theatre, colonial South and Southeast Asia’s most influential cultural phenomenon and the precursor of the Indian cinema industry. By providing extensive, unpublished information on its first actors, audiences, production methods, and plays, this book traces how the theatre—which was one of the first in the Indian subcontinent to adopt European stagecraft—transformed into a pan-Asian entertainment industry in the second half of the nineteenth century. Nicholson sheds light on the motivations that led to the development of the popular, commercial theatre movement in Asia through three areas of investigation: the vernacular public sphere, the emergence of competing visions of nationhood, and the narratological function that women served within a continually shifting socio-political order. The book will be of interest to scholars across several disciplines, including cultural history, gender studies, Victorian studies, the sociology of religion, colonialism, and theatre.
The Retreat from Moscow
by William NicholsonHow well do we know the people we marry' Is it wrong to decide it's time to be honest' Is love enough to save a family' In The Retreat from Moscow, William Nicholson, the celebrated author of Shadowlands, tells the powerful story of a husband who decides to be truthful in his marriage, and of the wife and son whose lives will never be the same again. Edward and Alice have been married for thirty-three years. He is a teacher at a boys school, perfectly at home with his daily crossword and lately engrossed in reading about Napoleon's costly invasion of Moscow. She is an observant Catholic, exacting and opinionated, and has been collecting poems about lost love for a new anthology. Jamie, their diffident thirty-two year old son, is visiting for the weekend when Edward announces he has met another woman. With the coiled intensity of Tom Stoppard's The Real Thing and the embracing empathy of Edward Albee's best family dramas, The Retreat from Moscow shines a breathtakingly natural light on the fallout of a shattered marriage.
Shadowlands
by William NicholsonDramatizes the relationship between the British writer and his American wife, whose death was a turning point in his philosophical outlook
Middleton and Rowley
by David NicolCan the inadvertent clashes between collaborators produce more powerful effects than their concordances? For Thomas Middleton and William Rowley, the playwriting team best known for their tragedy The Changeling, disagreements and friction proved quite beneficial for their work.This first full-length study of Middleton and Rowley uses their plays to propose a new model for the study of collaborative authorship in early modern English drama. David Nicol highlights the diverse forms of collaborative relationships that factor into a play's meaning, including playwrights, actors, companies, playhouses, and patrons. This kaleidoscopic approach, which views the plays from all these perspectives, throws new light on the Middleton-Rowley oeuvre and on early modern dramatic collaboration as a whole.
Shakespeare (Shakespeare Survey Ser. #Series Number 7)
by Allardyce NicollFirst published in 1952. An invaluable introduction to Shakespeare, this book places Shakespeare's work and criticism against the background of Elizabethan life in its historical, social, political, religious, linguistic and literary aspects. Contents include: The Problem of Interpretation; Shakespeare at Work; Man and Society; Man and the Universe; The Inner Life.
Rock and Pop Venues
by Niels Werner Adelman-LarsenPopular music plays a substantial role in most people's life. The demand and financial revenue of Rock and Pop concerts is large and still increasing with the decreased revenue on recorded music. Based on the first ever scientific investigations on recommendable acoustics for amplified music conducted by the author, this book sets forward precise guidelines for acoustical engineers to optimize the acoustics in existing or future halls for amplified music. Gives precise guidelines on how to design the acoustics in venues that present amplified music Debates essential construction details, including placement of sound system and use of possible building materials, in the architectural design of new venues or the renovation of old ones Portrays 75 well-known European Rock & Pop venues, their architecture and acoustic properties. 20 venues were rated for their acoustics by music professionals leading to an easy-to-use assessment methodology "Acoustics are important within pop and rock venues to ensure a great experience for audiences and performers. This book fills an important gap of knowledge on the acoustics of venues. It will be of value to sound engineers as well as building owners and operators and building design professionals". Rob Harris, Arup Acoustics "With this book, many future amplified music concerts will sound better, for the joy of audiences and musicians alike. This enormous work demonstrates a rare degree of passion and insight, from the hand of the key researcher in the field". Dr. Per V. Brüel