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Theatre Appreciation Online: Course Number THE 2000
by Stephen NealThis Theatre Appreciation Online course textbook for Florida International University students provides an extensive study on What Is the Theatre, What Is a Play, The Playwright, The Critic and the Dramaturg, The Actor, The Director, Designers and Technicians, Theatre Traditions: East and West, and The Modem Theatre.
The Theatre Of The Occult Revival
by Edmund B. LinganBased on field research and archival study, this book offers an in-depth exploration of the religious foundations, political and social significance, and aesthetic aspects of the theatre created by several of the most influential leaders of the Occult Revival: Katherine Tingley, Rudolf Steiner, Marie Steiner-von Sivers, Aleister Crowley, Alexander Mathews, and Gerald Gardner. The Occult Revival was an international surge of interest in the supernatural, magic, and Eastern mysticism that thrived in Europe and the United States between the late nineteenth-century and the mid-twentieth-century. By studying the theatre that was developed in affiliation with occult movements, this book shows how theatre contributed to the complication and fragmentation of Western religious culture during the turn-of-the-century Occult Revival and how theatre continues to play a part in the development of occult rituals and beliefs.
Theatre Studies: The Basics (The Basics)
by Robert LeachNow in a second edition, Theatre Studies: The Basics is a fully updated guide to the wonderful world of theatre. The practical and theoretical dimensions of theatre – from acting to audience – are woven together throughout to provide an integrated introduction to the study of drama, theatre and performance. Topics covered include: dramatic genres, from tragedy to political documentary theories of performance the history of the theatre in the West acting, directing and scenography With a glossary, chapter summaries and suggestions for further reading throughout, Theatre Studies: the Basics remains the ideal starting point for anyone new to the subject.
Theatre’s Heterotopias
by Joanne TompkinsTheatre's Heterotopias articulates a new methodology for interpreting a space (including architectural, narrative, imaginative, and imaginary) in theatre and performance. A heterotopia is an 'alternative space' that is distinguished from that actual world, but that resonates with it. The value in applying heterotopia to theatre is that in performance, we can actually witness how else space and place might be constituted: it is the point of comparison of what does occur against what else might transpire such that the 'unreal' spaces that comprise a theatrical experience have the capacity to elicit concrete effects beyond its walls. A heterotopia is a technique for exploring theatrical space that affords a better understanding of the theatrical experience, the context in which performance takes place, and the power and knowledge that shape its socio-political context. The book's case studies include site-specificity, selected productions from the National Theatre of Scotland and Shakespeare's Globe, and multimedia performance.
The Theatrical Firearms Handbook
by Kevin InouyeThe Theatrical Firearms Handbook is the essential guide to navigating the many decisions that are involved in the safe and effective use of firearm props for both the stage and screen. It is an invaluable resource for fight choreographers, props designers, backstage crew, directors, actors, stage managers, and more, at all levels of experience. Written in an informal and entertaining manner, with over 100 illustrations, it establishes baseline safety protocol while empowering performers and designers to tell their story of conflict in a way that makes the most of both established convention and current tools of the trade. Within these pages you'll find practical instruction couched in the language of theatre and film, making firearms technology and concepts approachable to dramatic artists without any dumbing-down of the subject material. This handbook is equally at home within the worlds of academic training, professional performance, and independent or community theatre and video productions.
The Theatrical Public Sphere
by Christopher B. BalmeThe concept of the public sphere, as first outlined by German philosopher Jürgen Habermas, refers to the right of all citizens to engage in debate on public issues on equal terms. In this book, Christopher B. Balme explores theatre's role in this crucial political and social function. He traces its origins and argues that the theatrical public sphere invariably focuses attention on theatre as an institution between the shifting borders of the private and public, reasoned debate and agonistic intervention. Chapters explore this concept in a variety of contexts, including the debates that led to the closure of British theatres in 1642, theatre's use of media, controversies surrounding race, religion and blasphemy, and theatre's place in a new age of globalised aesthetics. Balme concludes by addressing the relationship of theatre today with the public sphere and whether theatre's transformation into an art form has made it increasingly irrelevant for contemporary society.
Theatricality, Dark Tourism and Ethical Spectatorship
by Emma WillisTheatricality, Dark Tourism and Ethical Spectatorship: Absent Others builds upon recent literature concerning theatre and ethics and offers a uniquely interdisciplinary approach. With a focus on spectatorship, the book brings together analysis of dark tourism – travel to sites of death and disaster – and theatrical performances. At dark tourism sites, objects and architecture are often personified, imagined to speak on behalf of absent victims. Spectatorsare drawn into this dialogical scenario in that they are asked to 'hear' the voices of the dead. Theatrical performances that depict grievous histories often gain power through paradoxically demonstrating the limits of their representational ability: spectators are asked to attune themselves to absences and incomprehensibilities. This study asks whether playing the part of the listener can be understood in ethical terms. Sites surveyed span a broad geographical scope – Germany, Poland, Vietnam, Cambodia, New Zealand and Rwanda – and are brought into contrast with performances including: Jerzy Grotowski's Akropolis, Catherine Filloux's Photographs from S21, Adrienne Kennedy's An Evening with Dead Essex and Erik Ehn's Maria Kizito.
The Theban Plays: "Oedipus the Tyrant"; "Oedipus at Colonus"; "Antigone"
by Sophocles Peter J. Ahrensdorf Thomas L. PangleThe timeless Theban tragedies of Sophocles--Oedipus the Tyrant, Oedipus at Colonus, and Antigone--have fascinated and moved audiences and readers across the ages with their haunting plots and their unforgettable heroes and heroines. Now, following the best texts faithfully, and translating the key moral, religious, and political terminology of the plays accurately and consistently, Peter J. Ahrensdorf and Thomas L. Pangle allow contemporary readers to study the most literally exact reproductions of precisely what Sophocles wrote, rendered in readily comprehensible English.These translations enable readers to engage the Theban plays of Sophocles in their full, authentic complexity, and to study with precision the plays' profound and enduring human questions. In the preface, notes to the plays, and introductions, Ahrensdorf and Pangle supply critical historical, mythic, and linguistic background information, and highlight the moral, religious, political, philosophic, and psychological questions at the heart of each of the plays. Even readers unfamiliar with Greek drama will find what they need to experience, reflect on, and enjoy these towering works of classical literature.
Theorie und Theater
by Astrid Hackel Mascha VollhardtDie Theaterwissenschaft beruft sich gern auf den gemeinsamen Ursprung von Theorie und Theater. Ein Grund zu fragen, auf welche Weise akademische Diskurse Eingang in zeitgenössische Performances, Tanz- und Theaterinszenierungen finden und was diese umgekehrt zur Vermittlung oder sinnlichen Fremdwerdung theoretischen Wissens beitragen können. Untersucht werden die zahlreichen Verflechtungen und Unwägbarkeiten zwischen Theorie und Theater, die szenische Selbstreferenzialität und Widerständigkeit gegen die eigene Theoretisierbarkeit, die Herausforderungen im Umgang mit humanwissenschaftlichen, (post-)feministischen und queeren Theorien sowie der Stellenwert von Sprache, Sinn und Sinnlichkeit in zeitgenössischen Inszenierungen.
Things We Said Today: Short Plays and Monologues
by Neil LabuteNeil LaBute is one of America's most provocative and lauded playwrights, and his darkly exhilarating talent is on glorious view in this new collection. Things We Said Today features the scripts for Neil LaBute's groundbreaking Directv project 10x10--a series of short films written and directed by LaBute based on ten compelling original monologues, five each for men and women. Also included are five short plays displaying the power and scope of Neil LaBute's creative vision. In Pick One, three white guys come up with a way to solve America's problems; in The Possible one young woman seduces another's boyfriend for an unexpected reason. Call Back features an actress and actor who spar about a past encounter that she, unnervingly, remembers much better than he does. Good Luck (In Farsi), "a pleasingly astringent study in competitiveness and vanity" (The New York Times) has two actresses pulling out all the stops in a preaudition psych out; and in Squeeze Play a father and his son's baseball coach strike a mutually beneficial deal. Rounding out the collection are two monologues commissioned as part of Centerstage's "My America" project.
This Is What Happens Next
by Daniel MacivorMost people hope for happy endings. For Warren, a gay divorcee, that means getting his stuff back; most importantly, his cherished John Denver CD. And then there's Warren's assortment of friends: Susan, a Percocet-fuelled divorce lawyer whose daughters are giving her a hard time; Tarot-reading Aaron, who is dating Susan and who secretly used to be known as Erin; Mike, an alcoholic who sometimes sees his son on Saturdays; and Kevin, Mike's kid who has an imaginary friend. Observing and directing all of their lives is the human will—or Will, as he prefers to be called—who doesn't quite believe in those happy endings. This Is What Happens Next is an intensely relatable, multi-character story that explores the anguish of addiction and divorce as it delves into the fundamentals of human desire and asks the philosophical question, "What happens next?"
Three Sisters
by Anton Chekhov Sharon Marie CarnickeFirst published in her Chekhov: Four Plays and Three Jokes, Sharon Marie Carnicke's eye-opening translation of Three Sisters appears in this edition with a new Introduction that expands upon her discussion in Four Plays & Three Jokes of Chekov's innovative dramaturgy--especially as seen in this subtle melodrama turned inside out.
Timon of Athens (Dover Thrift Editions)
by William ShakespeareA wealthy citizen of ancient Greece, Timon delights in entertaining his friends and lavishing them with extravagant gifts. His largesse ultimately exceeds his means, and when creditors begin to press him for repayment, the open-handed host is devastated to discover that the guests -- who gladly accepted everything he had -- have now turned their backs on him. Profoundly disillusioned, Timon forswears society and retreats to the wilderness, where further discoveries await.In this deeply cynical drama, Shakespeare tells a thought-provoking tale of conspicuous consumption, debt, ruin, and misanthropy. Combining elements of tragedy, satire, and farce, Timon of Athens poses ever-relevant questions about the meaning of friendship, generosity, and gratitude.
Titus Andronicus (Dover Thrift Editions: Plays Ser.)
by William ShakespeareA triumphant general returns to Rome from a war against the Goths and descends into a vicious circle of revenge by refusing to show mercy to his conquered enemy. Blood begets more blood in Titus Andronicus, a fictional drama drawn from a tale by Ovid. Shakespeare styled this early play in the manner of a "revenge tragedy," a genre rooted in classical theater and enormously successful with Elizabethan audiences. Enacting grotesque incidents of rape, murder, and mutilation, this daringly experimental play explores the nature of justice and vengeance.Critical judgment of the drama ranges from dismissal as a panderer's concession to a bloodthirsty mob to praise as a skillful treatment of theatrical violence that examines suffering through the experience of art. Shakespeare's memorable tragedy questions whether revenge is ever justifiable, and its analysis of moral and political issues - betrayal, familial loyalties, sexual violence, nationalism, racism-remains ever relevant.
The Tradition of the Actor-author in Italian Theatre
by Donatella Fischer"The central importance of the actor-author is a distinctive feature of Italian theatrical life, in all its eclectic range of regional cultures and artistic traditions. The fascination of the figure is that he or she stands on both sides of one of theatre's most important power relationships: between the exhilarating freedom of performance and the austere restriction of authorship and the written text. This broad-ranging volume brings together critical essays on the role of the actor-author, spanning the period from the Renaissance to the present. Starting with Castiglione, Ruzante and the commedia dell'arte, and surveying the works of Dario Fo, De Filippo and Bene, among others, the contributors cast light on a tradition which continues into Neapolitan and Sicilian theatre today, and in Italy's currently fashionable 'narrative theatre', where the actor-author is centre stage in a solo performance."
The Tragedy of Julius Caesar: Large Print (First Avenue Classics ™)
by William ShakespeareMarcus Brutus, a Roman politician, considers Emperor Julius Caesar to be a friend, but a senator—Caius Cassius—convinces Brutus that Caesar has too much power. Brutus would rather Rome be a republic than an empire ruled by a tyrant, so he participates in a conspiracy to kill Caesar. Though Brutus believes his actions will benefit Rome, Caesar's murder brings about more bloodshed, including Brutus's own. The play examines friendship and patriotism, the succession of leadership, and the roles of fate and free will. Shakespeare wrote this drama, rooted in Roman history, in 1599; it was published in 1623, after Shakespeare's death. This is an unabridged edition of the tragic play.
The Tragedy of Othello, the Moor of Venice: Edited, With Notes (classic Reprint) (First Avenue Classics ™)
by William ShakespeareOthello, a general in the Venetian army, has married the lovely Desdemona, and Roderigo is not at all happy. He was hoping to woo Desdemona for himself. Roderigo's jealousy is all Iago, Roderigo's sneaky friend, needs, as he has his own reasons to be angry with Othello. By weaving an intricate web of deceit, infidelity, and envy, Iago is able to plant false suspicions and lead people to commit crimes that will destroy the relationships dearest to them. This is an unabridged version of one of William Shakespeare's most famous tragedies, first published in England in 1622.
Translation and Adaptation in Theatre and Film (Routledge Advances in Theatre & Performance Studies)
by Katja KrebsThis book provides a pioneering and provocative exploration of the rich synergies between adaptation studies and translation studies and is the first genuine attempt to discuss the rather loose usage of the concepts of translation and adaptation in terms of theatre and film. At the heart of this collection is the proposition that translation studies and adaptation studies have much to offer each other in practical and theoretical terms and can no longer exist independently from one another. As a result, it generates productive ideas within the contact zone between these two fields of study, both through new theoretical paradigms and detailed case studies. Such closely intertwined areas as translation and adaptation need to encounter each other’s methodologies and perspectives in order to develop ever more rigorous approaches to the study of adaptation and translation phenomena, challenging current assumptions and prejudices in terms of both. The book includes contributions as diverse yet interrelated as Bakhtin’s notion of translation and adaptation, Bollywood adaptations of Shakespeare’s Othello, and an analysis of performance practice, itself arguably an adaptive practice, which uses a variety of languages from English and Greek to British and International Sign-Language. As translation and adaptation practices are an integral part of global cultural and political activities and agendas, it is ever more important to study such occurrences of rewriting and reshaping. By exploring and investigating interdisciplinary and cross-cultural perspectives and approaches, this volume investigates the impact such occurrences of rewriting have on the constructions and experiences of cultures while at the same time developing a rigorous methodological framework which will form the basis of future scholarship on performance and film, translation and adaptation.
Transnational Mobilities in Early Modern Theater (Studies in Performance and Early Modern Drama)
by Robert Henke Eric NicholsonThe essays in this volume investigate English, Italian, Spanish, German, Czech, and Bengali early modern theater, placing Shakespeare and his contemporaries in the theatrical contexts of western and central Europe, as well as the Indian sub-continent. Contributors explore the mobility of theatrical units, genres, performance practices, visual images, and dramatic texts across geo-linguistic borders in early modern Europe. Combining 'distant' and 'close' reading, a systemic and structural approach identifies common theatrical units, or 'theatergrams' as departure points for specifying the particular translations of theatrical cultures across national boundaries. The essays engage both 'dramatic' approaches (e.g., genre, plot, action, and the dramatic text) and 'theatrical' perspectives (e.g., costume, the body and gender of the actor). Following recent work in 'mobility studies,' mobility is examined from both material and symbolic angles, revealing both ample transnational movement and periodic resistance to border-crossing. Four final essays attend to the practical and theoretical dimensions of theatrical translation and adaptation, and contribute to the book’s overall inquiry into the ways in which values, properties, and identities are lost, transformed, or gained in movement across geo-linguistic borders.
The TV Showrunner's Roadmap: 21 Navigational Tips for Screenwriters to Create and Sustain a Hit TV Series
by Neil LandauIf you've ever dreamed of being in charge of your own network, cable, or web series, 'The TV Showrunner's Roadmap' provides you with the tools for creating, writing, and managing your own hit show. Combining his 20+ years as a working screenwriter and UCLA professor, Neil Landau expertly guides you through 21 essential insights to the creation of a successful show, and takes you behind the scenes for exclusive and enlightening interviews with showrunners from some of TV's most lauded series.
Twelfth Night: or, What You Will (First Avenue Classics ™)
by William ShakespeareIn the kingdom of Illyria, a love triangle has everyone on edge. Orsino loves Olivia, a bereaved noblewoman who is in mourning for her dead brother. Olivia loves Cesario, who is actually a woman named Viola. Viola had dressed as a man in order to gain employment in Orsino's household. Viola, of course, falls in love with Orsino, and he has no knowledge of the true identity of his "male" servant, Cesario. A romantic romp full of tricks, twists, and happy reunions, this unabridged version of William Shakespeare's classic comedy was first published in England in 1623.
Ugo Foscolo's Tragic Vision in Italy and England
by Rachel A. WalshOne of the most celebrated Italian writers of the early Romantic period, Ugo Foscolo (1778-1827) was known primarily as a novelist, a poet, and a nationalist. Following the Napoleonic Wars, he lived in self-exile in England during the last decade of his life. There he wrote numerous critical essays and collaborated with Lord Byron and other well-known members of English literary circles.Ugo Foscolo's Tragic Vision in Italy and England examines an underexplored aspect of Foscolo's literary career: his tragic plays and critical essays on that genre. Rachel A. Walsh argues that for Foscolo tragedy was more than another genre in which to exercise his literary ambitions. It was the medium for an elaborate life-long process of self-examination and engagement with political and literary conflict. By analysing Foscolo's tragic struggles on and off the stage, Walsh sheds new light on his career and how it reflects on the important literary and political trends of the time.
Uncommon Tongues: Eloquence and Eccentricity in the English Renaissance
by Catherine NicholsonIn the late sixteenth century, as England began to assert its integrity as a nation and English its merit as a literate tongue, vernacular writing took a turn for the eccentric. Authors such as John Lyly, Edmund Spenser, and Christopher Marlowe loudly announced their ambitions for the mother tongue--but the extremity of their stylistic innovations yielded texts that seemed hardly English at all. Critics likened Lyly's hyperembellished prose to a bejeweled "Indian," complained that Spenser had "writ no language," and mocked Marlowe's blank verse as a "Turkish" concoction of "big-sounding sentences" and "termes Italianate. " In its most sophisticated literary guises, the much-vaunted common tongue suddenly appeared quite foreign. In Uncommon Tongues, Catherine Nicholson locates strangeness at the paradoxical heart of sixteenth-century vernacular culture. Torn between two rival conceptions of eloquence, savvy writers and teachers labored to reconcile their country's need for a consistent, accessible mother tongue with the expectation that poetic language depart from everyday speech. That struggle, waged by pedagogical theorists and rhetoricians as well as authors we now recognize as some of the most accomplished and significant in English literary history, produced works that made the vernacular's oddities, constraints, and defects synonymous with its virtues. Such willful eccentricity, Nicholson argues, came to be seen as both the essence and antithesis of English eloquence.
Under Wraps
by Robert ChafeThe moment Mark meets David his world is thrown off balance. Who could have predicted finding love in a furniture store, or finding it with an unemployed lifeguard? But despite their immediate connection, Mark isn’t sure if David is gay. Mark isn’t even sure if Mark is gay. As he falls deeper in love, Mark works desperately to make David nothing more than a friend and to make that enough. Filled with hopeful exhilaration and devastating missed opportunities, Under Wraps nimbly tracks one man’s tumultuous quest to finally love himself and let it all out.
The Valley
by Joan Macleod"MacLeod has a wonderful ear and eye for the everyday details."--Calgary HeraldInspired by the 2007 Tasering death of Robert Dziekanski at the Vancouver airport, The Valley dramatizes the volatile relationship between law enforcement and people in the grip of mental illness. The play connects both sides of this relationship by portraying two families embattled with depression, each guided by good intentions but challenged by their own flawed humanity.Joan MacLeod is the author of numerous award-winning plays. Her work has been translated into more than eight languages with productions throughout the world, including a sold-out run in New York.