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Theatre in Practice: A Student's Handbook

by Nick O'Brien Annie Sutton

Theatre in Practice is an accessible and wide-ranging exploration of the central practices and key practitioners covered on the various syllabi at A level, IB, BTEC and beyond. Exploring Stanislavski, Brecht, Artaud, Lecoq, Berkoff and Craig, as well as work from innovative theatre companies such as Complicite, Gecko and The Paper Birds, it combines an informal, unpretentious tone with a wealth of practical exercises. Revised and updated to meet the most recent post-16 and A level drama requirements and to include some of the latest practices in theatre, this new edition offers a step-by-step approach to developing key skills such as devising, improvising, rehearsing mono/duologues and directing plays. Written by specialists with extensive experience leading workshops for the post-16 age-group, Theatre in Practice is a thorough and imaginative resource that speaks directly to students. New for this edition: A new chapter exploring Artaud and how to use Artaud with text and when devising. A new chapter exploring the progression of practice from Lecoq to Complicite. A series of step-by-step exercises exploring the Gecko devising process. An exploration of the work of The Paper Birds and E G Craig when devising. New exercises on how to devise using Stanislavski and Brecht.

Teaching a Midsummer Night's Dream, Romeo and Juliet, and Macbeth: Shakespeare Set Free (Folger Shakespeare Library)

by Peggy O'Brien

The Folger Shakespeare Library, the nation's most important center for Shakespeare study and scholarship, is also the center for Shakespeare education. At the Library's Teaching Shakespeare Institute, scholars, actors, and teachers from across the country work together in the business of teaching and learning Shakespeare. This volume of the Shakespeare Set Free series is written by institute faculty and participants and includes the latest developments in recent scholarship. It bristles with the energy created by teaching and learning Shakespeare from the text and through active performance and reflects the experience, wisdom, and wit of real classroom teachers in schools and colleges throughout the United States. In this book, you will find the following:-Clearly written essays by leading scholars to refresh teachers and challenge older students -Michael Tolaydo’s brilliant and accessible technique for classroom teaching through performance -Day-by-day teaching strategies that successfully and energetically immerse students in every grade and skill level in the language and the plays themselves – created, taught, and written by real teachers.

Lakewood Theatre (Images of America)

by Jenny Oby

Beginning as a humble vaudeville hall in the Skowhegan-Madison trolley park, Lakewood Theatre has graced the southwestern shore of Lake Wesserunsett in Madison, Maine, since the turn of the 20th century. Under the masterful guidance of Herbert L. Swett, a Bangor native and Bowdoin graduate, Lakewood eventually developed into a nationally renowned playhouse that was called the “Broadway in Maine” by the New York Times in its heyday, from 1925 until World War II. In the years following the war, Lakewood was operated by Swett’s heirs and became a virtual who’s who of both Broadway and Hollywood, until it nearly went dark in the early 1980s. Operating today as a nonprofit community theater, Lakewood is the official state theater of Maine and the oldest continually running summer theater in the country.

Bernard Shaw, Sean O’Casey, and the Dead James Connolly (Bernard Shaw and His Contemporaries)

by Nelson O’Ceallaigh Ritschel

This book details the Irish socialistic tracks pursued by Bernard Shaw and Sean O’Casey, mostly after 1916, that were arguably impacted by the executed James Connolly. The historical context is carefully unearthed, stretching from its 1894 roots via W. B. Yeats’ dream of Shaw as a menacing, yet grinning sewing machine, to Shaw’s and O’Casey’s 1928 masterworks. In the process, Shaw’s War Issues for Irishmen, Annajanska, the Bolshevik Empress, The Tragedy of an Elderly Gentleman, Saint Joan, The Intelligent Woman’s Guide to Socialism and Capitalism, and O’Casey’s The Story of the Irish Citizen Army, The Shadow of a Gunman, Juno and the Paycock, The Plough and the Stars, and The Silver Tassie are reconsidered, revealing previously undiscovered textures to the masterworks. All of which provides a rethinking, a reconsideration of Ireland’s great drama of the 1920s, as well as furthering the knowledge of Shaw, O’Casey, and Connolly.

John Banville’s Narcissistic Fictions: The Spectral Self

by Mark O’Connell

In reading Banville's novels through the work of key psychoanalytical theorists, John Banville's Narcissistic Fictions brings together apparently disparate thematic strands - missing twins, shame, false identities - and presents these as manifestations of a central concern with narcissism.

Ian McKellen: A Biography

by Garry O'Connor

The definitive biography of Sir Ian McKellen from an acclaimed biographer In 2001, Ian McKellen put on the robe and pointed hat of a wizard named Gandalf and won a place in the hearts of Tolkien fans worldwide. Though his role in the film adaptation of Lord of the Rings introduced him to a new audience, McKellen had a thriving career a lifetime before his visit to Middle Earth. He made his West End acting debut in 1964 in James Saunders’s A Scent of Flowers, but it was in 1980 that he took Broadway by storm when he played Antonio Salieri in Peter Shaffer’s Tony-Award-winning play Amadeus.He has starred in over four hundred plays and films and he is that rare character: a celebrity whose distinguished political and social service has transcended his international fame to reach beyond the stage and screen. The breadth of his career—professional, personal and political—has been truly staggering: Macbeth (opposite Judi Dench), Iago, King Lear, Chekhov’s Sorin in The Seagull and Becket’s tramp Estragon (opposite Patrick Stewart) in Waiting for Godot. Add to all this his tireless political activism in the cause of gay equality and you have a veritable phenomenon. Garry O’Connor’s Ian McKellen: A Biography probes the heart of the actor, recreating his greatest stage roles and exploring his personal life. Ian McKellen will show readers what makes a great actor tick. His life story has been a constantly developing drama and this biography is the next chapter.

Fancy Nancy: Bubbles, Bubbles, and More Bubbles! (I Can Read Level 1)

by Jane O'Connor

Fancy Nancy and her class are going to see The Big Bubble Show!Nancy and Bree can’t wait to go. But when Bree gets sick and has to miss the show, Nancy decides to put on a bubble show of her own. Will Nancy and her classmates be able to put on the best bubble show ever?From the beloved New York Times bestselling author-illustrator team Jane O’Connor and Robin Preiss Glasser, Fancy Nancy: Bubbles, Bubbles, and More Bubbles is a Level One I Can Read, perfect for children learning to sound out words and sentences.

Becoming Belle

by Nuala O'Connor

'Luminous' SEBASTIAN BARRY'Incandescent characters and mellifluous prose' LISA CAREY'Reminiscent of Edith Wharton at her very best' LIZ NUGENT_________The true story of a woman ahead of her time . . . In 1887, Isabel Bilton is the eldest of three daughters of a middle-class military family, growing up in a small garrison town. By 1891 she is the Countess of Clancarty, dubbed "the peasant countess" by the press, and a member of the Irish aristocracy. Becoming Belle is the story of the four years in between, of Belle's rapid ascent and the people that tried to tear her down. Reimagined by a novelist at the height of her powers, Belle is an unforgettable woman. Set against an absorbing portrait of Victorian London, hers is a timeless rags-to-riches story a la Becky Sharpe._________Praise for BECOMING BELLE'Nuala O'Connor has the thrilling ability to step back nimbly and enter the deep dance of time. This is a hidden history laid luminously before us of an exultant Anglo-Irish woman navigating the dark shoals and the bright fields of a life' SEBASTIAN BARRY, award-winning author of The Secret Scripture and Days Without End'Becoming Belle is so mesmerizing you will be distraught when it ends.O'Connor has resurrected a fiery, inexorable woman who rewrites the script on a stage supposedly ruled by men. Sensual, witty, daring, and unapologetically forward.' Lisa Carey, author of The Stolen Child'Belle's determination to live her life on her own terms and in defiance of her times makes her a fascinating subject' Irish Central'Masterful storytelling! I was putty in Nuala O'Connor's hands. She made the unsinkable Belle Bilton and her down-to-earth sister Flo real to me, and brought 1880's London to my living room. Encore! Encore!' Lynn Cullen, bestselling author of Mrs. Poe'A glorious novel in which Belle Bilton and 19th century London are brought roaring to life with exquisite period detail' Hazel Gaynor, New York Times bestselling author of A Memory of Violets'Thoroughly engrossing and entertaining read' Liz Nugent'Thrillingly dramatic and achingly moving and profoundly resonant into this present era' Robert Olen Butler, author of A Good Scent from a Strange Mountain'O'Connor gently unfolds Belle's tale in a manner that is compelling and disarming. The ambience may be Victorian elegance but the sheer honesty of O'Connor's writing is sensual, authentic and earthy. A delight!' Rose Servitova, author of The Longbourn Letters

Becoming Belle

by Nuala O'Connor

'Luminous' SEBASTIAN BARRY'Incandescent characters and mellifluous prose' LISA CAREY'Reminiscent of Edith Wharton at her very best' LIZ NUGENT_________The true story of a woman ahead of her time . . . In 1887, Isabel Bilton is the eldest of three daughters of a middle-class military family, growing up in a small garrison town. By 1891 she is the Countess of Clancarty, dubbed "the peasant countess" by the press, and a member of the Irish aristocracy. Becoming Belle is the story of the four years in between, of Belle's rapid ascent and the people that tried to tear her down. Reimagined by a novelist at the height of her powers, Belle is an unforgettable woman. Set against an absorbing portrait of Victorian London, hers is a timeless rags-to-riches story a la Becky Sharpe._________Praise for BECOMING BELLE'Nuala O'Connor has the thrilling ability to step back nimbly and enter the deep dance of time. This is a hidden history laid luminously before us of an exultant Anglo-Irish woman navigating the dark shoals and the bright fields of a life' SEBASTIAN BARRY, award-winning author of The Secret Scripture and Days Without End'Becoming Belle is so mesmerizing you will be distraught when it ends.O'Connor has resurrected a fiery, inexorable woman who rewrites the script on a stage supposedly ruled by men. Sensual, witty, daring, and unapologetically forward.' Lisa Carey, author of The Stolen Child'Belle's determination to live her life on her own terms and in defiance of her times makes her a fascinating subject' Irish Central'Masterful storytelling! I was putty in Nuala O'Connor's hands. She made the unsinkable Belle Bilton and her down-to-earth sister Flo real to me, and brought 1880's London to my living room. Encore! Encore!' Lynn Cullen, bestselling author of Mrs. Poe'A glorious novel in which Belle Bilton and 19th century London are brought roaring to life with exquisite period detail' Hazel Gaynor, New York Times bestselling author of A Memory of Violets'Thoroughly engrossing and entertaining read' Liz Nugent'Thrillingly dramatic and achingly moving and profoundly resonant into this present era' Robert Olen Butler, author of A Good Scent from a Strange Mountain'O'Connor gently unfolds Belle's tale in a manner that is compelling and disarming. The ambience may be Victorian elegance but the sheer honesty of O'Connor's writing is sensual, authentic and earthy. A delight!' Rose Servitova, author of The Longbourn Letters

Shakespeare and the 99%: Literary Studies, the Profession, and the Production of Inequity

by Sharon O'Dair Timothy Francisco

Through the discursive political lenses of Occupy Wall Street and the 99%, this volume of essays examines the study of Shakespeare and of literature more generally in today’s climate of educational and professional uncertainty. Acknowledging the problematic relationship of higher education to the production of inequity and hierarchy in our society, essays in this book examine the profession, our pedagogy, and our scholarship in an effort to direct Shakespeare studies, literary studies, and higher education itself toward greater equity for students and professors. Covering a range of topics from diverse positions and perspectives, these essays confront and question foundational assumptions about higher education, and hence society, including intellectual merit and institutional status. These essays comprise a timely conversation critical for understanding our profession in “post-Occupy” America.

Japanese Political Theatre in the 18th Century: Bunraku Puppet Plays in Social Context (Routledge Advances in Theatre & Performance Studies)

by Akihiro Odanaka Masami Iwai

Bunraku has fascinated theatre practitioners through its particular forms of staging, such as highly elaborated manipulation of puppets and exquisite coordination of chanters and shamisen players. However, Bunraku lacks scholarship dedicated to translating not only the language but also cultural barriers of this work. In this book, Odanaka and Iwai tackle the wealth of bunraku plays underrepresented in English through rexamining their siginifcance on a global scale. Little is written on the fact that bunraku theatre, despites its elegant figures of puppets and exotic stories, was often made as a place to manifest the political concerns of playwrights in the 18th century, hence a reflection of the audience's expectation that could not have materialized outside the theatre. Japanese Political Theatre in the 18th Century aims to make bunraku texts readable for those who are interested in the political and cultural implications of this revered theatre tradition.

Devising Theatre: A Practical and Theoretical Handbook

by Alison Oddey

Devising Theatre is a practical handbook that combines a critical analysis of contemporary devised theatre practice with descriptions of selected companies, and suggestions for any group devising theatre from scratch. It is the first book to propose a general theory of devised theatre. After identifying the unique nature of this type of performance, the author examines how devised theatre is perceived by professional practitioners, and provides an historical overview illustrating how it has evolved since the 1960s. Alison Oddey examines the particular working practices and products of a number of professional companies, including a Reminiscence theatre for the elderly and a theatre-in-education group, and offers ideas and exercises for exploration and experimentation.

Yorùbá Performance, Theatre and Politics

by Glenn Odom

This book explains the connections between traditional performance (e.g. masked dances, prophecy, praise recitations), contemporary theatre (Wole Soyinka, Ola Rotimi, Tess Onwueme, Femi Osofisan, and Stella Oyedepo) , and the political sphere in the context of the Yorùbá people in Nigeria.

World Theories of Theatre

by Glenn A. Odom

World Theories of Theatre expands the horizons of theatrical theory beyond the West, providing the tools essential for a truly global approach to theatre. Identifying major debates in theatrical theory from around the world, combining discussions of the key theoretical questions facing theatre studies with extended excerpts from primary materials, specific primary materials, case studies and coverage of Southern Africa, the Caribbean, North Africa and the Middle East, Oceania, Latin America, East Asia, and India. The volume is divided into three sections: Theoretical questions, which applies cross-cultural perspectives to key issues from aesthetics to postcolonialism, interculturalism, and globalization. Cultural and literary theory, which is organised by region, presenting a range of theatrical theories in their historical and cultural context. Practical exercises, which provides a brief series of suggestions for physical exploration of these theoretical concepts. World Theories of Theatre presents fresh, vital ways of thinking about the theatre, highlighting the extraordinary diversity of approaches available to scholars and students of theatre studies. This volume includes theoretical excerpts from: Zeami Motokiyo Bharata Muni Wole Soyinka Femi Osofisan Uptal Dutt Saadallah Wannous Enrique Buenaventura Derek Walcott Werewere Liking Maryrose Casey Augusto Boal Tadashi Suzuki Jiao Juyin Oriza Hirata Gao Xingjian Roma Potiki Poile Sengupta

Failing Up: How to Take Risks, Aim Higher, and Never Stop Learning

by Leslie Odom Jr.

Leslie Odom Jr., burst on the scene in 2015, originating the role of Aaron Burr in the Broadway musical phenomenon Hamilton. Since then, he has performed for sold-out audiences, sung for the Obamas at the White House, and won a Tony Award for Best Leading Actor in a Musical. But before he landed the role of a lifetime in one of the biggest musicals of all time, Odom put in years of hard work as a singer and an actor.With personal stories from his life, Odom asks the questions that will help you unlock your true potential and achieve your goals even when they seem impossible. What work did you put in today that will help you improve tomorrow? How do you surround yourself with people who will care about your dreams as much as you do? How do you know when to play it safe and when to risk it all for something bigger and better?These stories will inspire you, motivate you, and empower you for the greatness that lies ahead, whether you’re graduating from college, starting a new job, or just looking to live each day to the fullest.

[boxhead]

by Darren O'Donnell

Dr. Thoughtless Actions, a young geneticist, awakes one morning to find a cardboard box secured to his head. Unable to wrench it off, he attempts suicide, not only failing but also, unbeknownst to himself, cloning himself, creating Dr. Wishful Thinking. The two losers fall in love, fall in science, and fail to make a baby. Their conversation, an intricately woven semantic circus, traverses boxedness, love, and the more ridiculous areas of metaphysical speculation. Through a series of rapid exchanges, verbal games, and musical numbers, they discover that all their thoughts come from God, all their words come from the devil, and their desire for love is a habit acquired from the cinema. Sound familiar? Don't be so hard on yourself. [boxhead]: a bedtime story for your brain.

Haircuts by Children and Other Evidence for a New Social Contract (Exploded Views Ser.)

by Darren O'Donnell

A cultural planner's immodest proposal: change how we think about children and we just might change the world. We live in an ‘adultitarian’ state, where the rules are based on very adult priori- ties and understandings of reality. Young people are disenfranchised and power- less; they understand they’re subject to an authoritarian regime, whether they buy into it or not. But their unique perspectives also offer incredible potential for social, cultural and economic innovation. Cultural planner and performance director Darren O’Donnell has been collaborating with children for years through his company, Mammalian Diving Reflex; their most well-known piece, Haircuts by Children (exactly what it sounds like) has been performed internationally. O’Donnell suggests that working with children in the cultural industries in a manner that maintains a large space for their participation can be understood as a pilot for a vision of a very different role for young people in the world – one that the UN Committee on the Rights of the Child considers a ‘new social contract.’ Haircuts by Children is a practical proposal for the inclusion of children in as many realms as possible, not only as an expression of their rights, but as a way to intervene in the world and to disrupt the stark economic inequalities perpetuated by the status quo. Deeply practical and wildly whimsical, Haircuts by Children might actually make total sense. ‘No other playwright working in Toronto right now has O’Donnell’s talent for synthesizing psychosocial, artistic and political random thoughts and reflections into compelling analyses ... The world (not to mention the theatre world) could use more of this, if only to get us talking and debating.’ – The Globe and Mail

Inoculations: Four Plays

by Darren O'Donnell

These four plays - 'White Mice', 'Who Shot Jacques Lacan?', 'Radio Rooster Says That's Bad' and 'Over' - written by Darren O'Donnell for his theatre company, Mammalian Diving Reflex, will challenge your politics, your ontology and everything you hold to be safe, stable and sacrosanct.

pppeeeaaaccceee

by Darren O'Donnell

pppeeeaaaccceee, is a vast, imaginative and mesmerizing glide through Life and Power. The play is set in Ephemeral; three people firmly floating chat - in O'Donnell's inimitable rapid-fire style - about the revolution. Which revolution? Good question. A gently aggressive meditation, pppeeeaaaccceee examines our being, asks us what we're doing and reminds us that there are monsters in here. Peace. Say it slow, stretch it out, make it last forever.

Social Acupuncture: A Guide To Suicide, Performance And Utopia

by Darren O'Donnell

Theatre doesn't have much relevance anymore. Or so acclaimed playwright Darren O'Donnell tells us. The dynamics of unplanned social interaction, he says, are far more compelling than any play he could produce.

Hamnet and Judith: A novel

by Maggie O'Farrell

"Remarkable . . . will leave you shaking with loss but also the love from which family is spun." Emma Donoghue, author of Room"Without a doubt one of the best novels I've ever read." Mary Beth Keane, author of Ask Again, YesTWO EXTRAORDINARY PEOPLE. A LOVE THAT DRAWS THEM TOGETHER. A PLAGUE THAT THREATENS TO TEAR THEM APART.England, 1580. A young Latin tutor--penniless, bullied by a violent father--falls in love with an eccentric young woman: a wild creature who walks her family's estate with a falcon on her shoulder and is known throughout the countryside for her unusual gifts as a healer. Agnes understands plants and potions better than she does people, but once she settles on the Henley Street in Stratford she becomes a fiercely protective mother and a steadfast, centrifugal force in the life of her young husband. His gifts as a writer are just beginning to awaken when their beloved twins, Hamnet and Judith, are afflicted with the bubonic plague, and, devastatingly, one of them succumbs to the illness.A luminous portrait of a marriage, a shattering evocation of a family ravaged by grief and loss, and a hypnotic recreation of the story that inspired one of the greatest literary masterpieces of all time, Hamnet & Judith is mesmerizing and seductive, an impossible-to-put-down novel from one of our most gifted writers.

Performance Dynamics and the Amsterdam Werkteater

by Dunbar H. Ogden

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1987.

Stage Management

by Alice R. O'Grady Lawrence Stern

Revered as the authoritative resource for stage management, this text offers students a practical manual on how to stage manage in all theater environments. Rich with practical resources -- checklists, diagrams, examples, forms and step-by-step directions -- Stage Management eschews excessive discussion of philosophy and gets right to the essential materials and processes of putting on a production. In addition to sharing his own expertise, Stern has gathered practical advice from working stage managers of Broadway, off-Broadway, touring companies, regional, community, and 99-seat Equity waiver theaters.

Two-Spirit Acts: Queer Indigenous Performances

by Jean O'Hara Waawaate Fobister Muriel Miguel Kent Monkman

With a refreshing spin, the plays touch on topics of desire, identity, and community as they humorously tackle the colonial misunderstandings of Indigenous people. From a female trickster story centred on erotic lesbian tales to the farcical story about a new nation of Indigenous people called the Nation of Mischief, this collection creates a space to explore what it means to be queer and Indigenous.

Barbecue / Bootycandy (TCG Edition)

by Robert O'Hara

Sutter is on an outrageous odyssey through his childhood home, his church, dive bars, motel rooms, and even nursing homes. The journey uncovers characters who are at once fascinating, zany, controversial, and even a bit smutty, painting a portrait of life as a societal outlier. Based on the author's personal experience, Bootycandy is a kaleidoscope of sketches that interconnects to portray growing up gay and black. This subversive, uproarious satire crashes headlong into the murky terrain of pain and pleasure and . . . BOOTYCANDY!

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