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Infinity
by Hannah Moscovitch Njo Kong KieSarah Jean is a mathematics prodigy who finds safety in numbers, in the reliability of their defined nature. Her affinity for unhealthy relationships, however, remains a complete mystery. Her flings turn into year-long relationships against her better judgment and her confusing emotional patterns are only now coming to light. It’s time for Sarah Jean to make sense of her past in terms she understands and to discover there is more to time than just its inevitable passing. Elliot is a theoretical physicist who spends most of his time thinking about time and how to unify all physics. So when he meets Carmen, a violinist, the two bond over talks about music and theory. Talks that lead them into bed and into a marriage that should and shouldn’t be. As their relationship teeters through time, work and family become a balancing act, and theories are thrown to the stars, revealing truths they’re not ready to face.
Inter Views in Performance Philosophy
by Anna Street Julien Alliot Magnolia PaukerThis book offers a glimpse of new perspectives on how philosophy performs in the gaps between thinking and acting. Bringing together perspectives from world-renowned contemporary philosophers and theorists - including Judith Butler, Alphonso Lingis, Catherine Malabou, Jon McKenzie, Martin Puchner, and Avital Ronell - this book engages with the emerging field of performance philosophy, exploring the fruitful encounters being opened across disciplines by this constantly evolving approach. Intersecting dramatic techniques with theoretical reflections, scholars from diverse geographical and institutional locations come together to trace the transfers between French theory and contemporary Anglo-American philosophical and performance practices in order to challenge conventional approaches to knowledge. Through the crossings of different voices and views, the reader will be led to explore the in-between territories where performance meets traditionally philosophical tools and mediums, such as writing, discipline, plasticity, politics, or care.
Intermedial Theater
by Bryan ReynoldsThis book explores relationships between intermedial theater, consciousness, memory, objects, subjectivity, and affect through productive engagement with the performance aesthetics, socio-cognitive theory, and critical methodology of transversal poetics alongside other leading philosophical approaches to performance. It offers the first sustained analysis of the work of Gilles Deleuze, F#65533;lix Guattari, Jean Baudrillard, and Friedrich Nietzsche in relation to the contemporary European theater of Jan Lauwers and Needcompany, Romeo Castellucci and Soc#65533;etas Raffaello Sanzio, Thomas Ostermeier, Rodrigo Garc#65533;a and La Carnicer#65533;a Teatro, and the Transversal Theater Company. It connects contemporary uses of objects, simulacra, and technologies in both posthumanist discourse and postdramatic theater to the transhistorically and culturally mediating power of Shakespeare as a means by which to discuss the affective impact of intermedial theater on today's audiences.
Intersecting Art and Technology in Practice: Techne/Technique/Technology (Routledge Advances in Art and Visual Studies)
by Camille C Baker and Kate SicchioThis book focuses on the artistic process, creativity and collaboration, and personal approaches to creation and ideation, in making digital and electronic technology-based art. Less interested in the outcome itself – the artefact, artwork or performance – contributors instead highlight the emotional, intellectual, intuitive, instinctive and step-by-step creation dimensions. They aim to shine a light on digital and electronic art practice, involving coding, electronic gadgetry and technology mixed with other forms of more established media, to uncover the practice-as-research processes required, as well as the collaborative aspects of art and technology practice.
Inventing the Opera House: Theater Architecture In Renaissance And Baroque Italy
by Eugene J. JohnsonIn this book, Eugene J. Johnson traces the invention of the opera house, a building type of world wide importance. <P><P>Italy laid the foundation theater buildings in the West, in architectural spaces invented for the commedia dell'arte in the sixteenth century, and theaters built to present the new art form of opera in the seventeenth. Rulers lavished enormous funds on these structures. Often they were among the most expensive artistic undertakings of a given prince. They were part of an upsurge of theatrical invention in the performing arts. At the same time, the productions that took place within the opera house could threaten the social order, to the point where rulers would raze them. Johnson reconstructs the history of the opera house by bringing together evidence from a variety of disciplines, including music, art, theatre, and politics. Writing in an engaging manner, he sets the history of the opera house within its broader early modern social context.<P> This is the only book, since the 1930s, to cover this subject, and the only English language one to ever be produced.<P> Sets the subject into a broad context of the arts, politics, and social history of the period.<P> The book aims to reach both specialists and the general reader, making it appealing to those who know the field well and those who do not care to plow through scholarly jargon.
Jacky Ha-Ha: My Life Is a Joke (Jacky Ha-Ha #2)
by James Patterson Chris Grabenstein Kerascoët<P>James Patterson's newest hilarious heroine returns in Jacky Ha-Ha: My Life Is a Joke, the sequel to the smash hit Jacky Ha-Ha---a #1 New York Times bestseller! <P>Jacky Hart has found a hidden talent in the performing arts, and she's a triple threat onstage! She wants nothing more than to act and sing all summer--but her parents have other plans for her. Jacky reluctantly signs up for a summer job in her resort town of Seaside Heights, New Jersey, where tourists come to enjoy the beach and fun carnival atmosphere. <P>Now she has serious responsibilities like her job and babysitting her younger sisters, but Jacky longs to perform in the summer stock performance of A Midsummer Night's Dream. Can she handle all of her important commitments and still have fun with her friends--or will she learn that juggling isn't one of her many talents? <P>James Patterson's middle grade jokester Jacky returns in this wild romp through summer in the Jersey Shore, featuring lively illustrations by French artist duo Kerascoët. <P><b>A New York Times Bestseller</b>
James Shirley and Early Modern Theatre: New Critical Perspectives (Studies in Performance and Early Modern Drama)
by Barbara RavelhoferJames Shirley was the last great dramatist of the English Renaissance, shining out among other luminaries such as John Ford, Ben Jonson, or Richard Brome. This collection considers Shirley within the culture of his time, and highlights his contribution to seventeenth-century English literature as poet and playwright. Individual essays explore Shirley’s musical theatre and spoken verse, performance conditions, female agency and politics, and the presentation of his work in manuscript and print. Collectively, the essays assemble a larger picture of Caroline drama, showing it to be more than simply a nostalgic endgame, its poets daintily sipping hemlock on the eve of the Civil Wars. Shirley’s literary versatility and long life, spanning the last days of Queen Elizabeth I to the ascension of Charles II, make him an ideal writer through whom to examine the distinctive qualities of Caroline theatre.
Julia Jones' Tagebuch - Teil 6 - Veränderungen
by Katrina Kahler Anja BauermeisterIn Julias Leben läuft alles super. Sie hat einen tollen Freund und die wunderbarste beste Freundin, die man sich vorstellen kann. Ihre Band ist total beliebt. Sie steht kurz vor dem Abschluss der achten Klasse und freut sich schon auf die High School. Es könnte perfekt sein, wenn da nicht dieser unheimliche neue Junge auf ihrer Schule wäre, der Julia verfolgt und ihr Zettel in die Tasche schmuggelt. Und dann geschieht etwas, das Julias gesamte Welt auf den Kopf stellt ... "Julia Jones' Tagebuch - Teil 6 - Veränderungen" ist ein weiterer Teil der beliebten Tagebuchserie von Julia Jones; ein Buch das dich zum Lächeln bringt und Gänsehaut hervorruft.
Juliet's Answer: One Man's Search for Love and the Elusive Cure for Heartbreak
by Glenn DixonEat, Pray, Love meets The Rosie Project in this fresh, heartwarming memoir by a man who travels to Verona and volunteers to answer letters addressed to Shakespeare’s Juliet, all in an attempt to heal his own heartbreak.When Glenn Dixon is spurned by love, he packs his bags for Verona, Italy. Once there, he volunteers to answer the thousands of letters that arrive addressed to Juliet—letters sent from lovelorn people all over the world to Juliet’s hometown; people who long to understand the mysteries of the human heart.Glenn’s journey takes him deep into the charming community of Verona, where he becomes involved in unraveling the truth behind Romeo and Juliet. Did these star-crossed lovers actually exist? Why have they remained at the forefront of hearts and minds for centuries? And what can they teach us about love?When Glenn returns home to Canada and resumes his duties as an English teacher, he undertakes a lively reading of Romeo and Juliet with his students, engaging them in passions past and present. But in an intriguing reversal of fate and fortune, his students—along with an old friend—instruct the teacher on the true meaning of love, loss, and moving on.An enthralling tale of modern-day love steeped in the romantic traditions of eras past, this is a memoir that will warm your heart.
Junk: A Play
by Ayad Akhtar*Now on Broadway at Lincoln Center starring Steven Pasquale* From the Pulitzer Prize-winning author of Disgraced, a fast-paced economic thriller that exposes the financial deal making behind the mergers and acquisitions boom of the 1980s.Set in 1985, Junk tells the story of Robert Merkin, resident genius of the upstart investment firm Sacker Lowell. Hailed as "America's Alchemist," his proclamation that "debt is an asset" has propelled him to a dizzying level of success. By orchestrating the takeover of a massive steel manufacturer, Merkin intends to do the "deal of the decade," the one that will rewrite all the rules. Working on his broadest canvas to date, Pulitzer Prize winner Ayad Akhtar chronicles the lives of men and women engaged in financial civil war: insatiable investors, threatened workers, killer lawyers, skeptical journalists, and ambitious federal prosecutors. Although it's set 40 years in the past, this is a play about the world we live in right now; a world in which money became the only thing of real value.
Killing Hercules: Deianira and the Politics of Domestic Violence, from Sophocles to the War on Terror
by Richard RowlandThis book offers an entirely new reception history of the myth of Hercules and his wife/killer Deianira. The book poses, and attempts to answer, two important and related questions. First, why have artists across two millennia felt compelled to revisit this particular myth to express anxieties about violence at both a global and domestic level? Secondly, from the moment that Sophocles disrupted a myth about the definitive exemplar of masculinity and martial prowess and turned it into a story about domestic abuse, through to a 2014 production of Handel’s Hercules that was set in the context of the ‘war on terror’, the reception history of this myth has been one of discontinuity and conflict; how and why does each culture reinvent this narrative to address its own concerns and discontents, and how does each generation speak to, qualify or annihilate the certainties of its predecessors in order to understand, contain or exonerate the aggression with which their governors – of state and of the household – so often enforce their authority, and the violence to which their nations, and their homes, are perennially vulnerable?
Killing Physicians: Shakespeare's Blind Heroes and Reformation Saints
by John J NortonKilling Physicians: Shakespeare's Blind Heroes and Reformation Saints is intended give its reader a street-level perspective of Shakespeare's great tragedies and late plays.Diving into the social and theological tensions alive in sixteenth-century London neighborhoods, this book uncovers what may have been Shakespeare's answer to a world fraught with political and religious controversy.
King Arthur and His Knights: A Companion Reader With A Dramatization
by Jim Weiss Chris Bauer Rebecca SorgeYou are invited to a world of bravery, magic, and adventure! In a time of fear and danger, will Merlin's magic, Lancelot's bravery, and Arthur's wisdom be enough to unite the kingdom and bring peace? Beloved storyteller Jim Weiss brings tales of King Arthur and his Knights of the Round Table to life with action, wonder, and humor. Gorgeous paintings and whimsical medieval-style illuminated illustrations by Rebecca Sorge will fascinate and delight young readers. This beautifully illustrated Companion Reader is an exact transcript of the award-winning storytelling performance, available on MP3 and audio CD from Well-Trained Mind Press. The Reader can be enjoyed on its own, or used along with the recorded performance to build strong language skills. Listen to the Jim Weiss stories on the CD, read along in the book to improve fluency, vocabulary, and grammar, and then speak great words and sentences out loud by practicing and performing the short, accessible dramatic versions of Jim’s performances.
Kings of the Court
by Alison HughesWhen the Gladiators basketball team's nasty coach finally gets turfed midseason, things couldn't possibly get worse. The team hasn't won a game yet, and morale is at rock bottom. Sameer, who announces the games and keeps score, and Vijay, the team mascot, have their hands full keeping the team's spirits up. When they get promoted to assistant coach and manager, can they help a small, unathletic, Shakespeare-quoting drama teacher coach the team to victory, or at least to dignity? Or will the courtside drama eclipse even the school play?
Lakewood Theatre (Images of America)
by Jenny ObyBeginning as a humble vaudeville hall in the Skowhegan-Madison trolley park, Lakewood Theatre has graced the southwestern shore of Lake Wesserunsett in Madison, Maine, since the turn of the 20th century. Under the masterful guidance of Herbert L. Swett, a Bangor native and Bowdoin graduate, Lakewood eventually developed into a nationally renowned playhouse that was called the “Broadway in Maine” by the New York Times in its heyday, from 1925 until World War II. In the years following the war, Lakewood was operated by Swett’s heirs and became a virtual who’s who of both Broadway and Hollywood, until it nearly went dark in the early 1980s. Operating today as a nonprofit community theater, Lakewood is the official state theater of Maine and the oldest continually running summer theater in the country.
Last Man Standing: Mort Sahl and the Birth of Modern Comedy
by James CurtisA Times Literary Supplement 2017 Book of the YearOn December 22, 1953, Mort Sahl (1927–2021) took the stage at San Francisco's hungry i and changed comedy forever. Before him, standup was about everything but hard news and politics. In his wake, a new generation of smart comics emerged—Shelley Berman, Mike Nichols and Elaine May, Lenny Bruce, Bob Newhart, Dick Gregory, Woody Allen, and the Smothers Brothers, among others. He opened up jazz-inflected satire to a loose network of clubs, cut the first modern comedy album, and appeared on the cover of Time surrounded by caricatures of some of his frequent targets such as Dwight Eisenhower, Richard Nixon, Adlai Stevenson, and John F. Kennedy. Through the extraordinary details of Sahl's life, author James Curtis deftly illustrates why Sahl was dubbed by Steve Allen as “the only real political philosopher we have in modern comedy.”Sahl came on the scene the same year Eisenhower and Nixon entered the White House, the year Playboy first hit the nation's newsstands. Clad in an open collar and pullover sweater, he adopted the persona of a graduate student ruminating on current events. “It was like nothing I'd ever seen,” said Woody Allen, “and I've never seen anything like it after.” Sahl was billed, variously, as the Nation's Conscience, America's Only Working Philosopher, and, most tellingly, the Next President of the United States. Yet he was also a satirist so savage the editors of Time once dubbed him “Will Rogers with fangs.”Here, for the first time, is the whole story of Mort Sahl, America's iconoclastic father of modern standup comedy. Written with Sahl's full cooperation and the participation of many of his friends and contemporaries, it delves deeply into the influences that shaped him, the heady times in which he soared, and the depths to which he fell during the turbulent sixties when he took on the Warren Commission and nearly paid for it with his career.
The Late Harold Pinter
by Basil ChiassonThis volume is the first to provide a book-length study of Pinter's overtly political activity. With chapters on political drama, poetry, and speeches, it charts a consistent tension between aesthetics and politics through Pinter's later career and defines the politics of the work in terms of a pronounced sensory dimension and capacity to affect audiences. The book brings to light unpublished letters and drafts from the Pinter Archive in the British Library and draws his political poems and speeches, which have previously been overshadowed by his plays, into the foreground. Intended for students, instructors, and researchers in drama and theatre, performance studies, literature, and media studies, this book celebrates Pinter's later life and work by discerning a coherent political voice and project and by registering the complex ways that project troubles the divide between aesthetics and politics.
Le Ballate del Cielo
by Franklin A. Díaz Lárez Elena PiccioniIn un Paese asiatico, una catena di strani accadimenti lascia la sua amara impronta di desolazione in centinaia di persone. Per decenni si contano dispersi, senza alcuna spiegazione. Un mistero insolito e insospettabile, riguardo al quale solo molti anni dopo iniziano ad apparire piste affidabili. Contemporaneamente, dalla parte opposta del pianeta, un giovane avvocato va incontro a un duro scontro con la realtà quando inizia a esercitare la propria professione in maniera indipendente. Colpito da ciò che vede, decide di rifugiarsi in un'altra attività legata alla sua formazione accademica, senza sospettare che, nel farlo, dovrà avventurarsi nei più intricati meandri delle sue paure, delle sue insicurezze e confrontarsi con i fantasmi del passato, che non lo hanno mai abbandonato. Per uno strano caso, le due storie si incroceranno e la conclusione sarà di forte impatto, un qualcosa che nessuno riesce a immaginare.
Lerner and Loewe's My Fair Lady (The Fourth Wall)
by Keith Garebian"An Englishman's way of speaking absolutely classifies him,The moment he talks he makes some other Englishman despise him." - Henry George Bernard Shaw famously refused to permit any play of his "to be degraded into an operetta or set to any music except its own." Allowing his beloved Pygmalion to be supplanted by a comic opera was therefore unthinkable; yet Lerner and Loewe transformed it into My Fair Lady (1956), a musical that was to delight audiences and critics alike. By famously reversing Shaw’s original ending, the show even dared to establish a cunningly romantic ending. Keith Garebian delves into the libretto for a fresh take, and explores biographies of the show’s principal artists to discover how their roles intersected with real life. Rex Harrison was an alpha male onstage and off, Julie Andrews struggled with her ‘chaste diva’ image, and the direction of the sexually ambiguous Moss Hartcontributed to the musical’s sexual coding.
The Life Fantastic: A Novel in Three Acts
by Liza KetchumAs seen in the Publishers Weekly African-American Titles for Young Readers feature! Will Teresa Find Fame But Lose Her Soul? It's 1913 and vaudeville is America's most popular form of entertainment. Thousands of theaters across the country host vaudeville troupes. In Brattleboro, Vermont, fifteen-year-old Teresa LeClair--who has a "voice like a nightingale"--remembers the thrill of singing onstage as a child. But her parents have given up life on the road, and her father has decided that Teresa, blessed with perfect pitch, should drop out of school and work in the tuning rooms of the organ factory. Determined to escape the life her father wants for her, Teresa wins an amateur singing contest in Brattleboro's opera house and steals away on the night train to New York. She hopes to become a star on Broadway's "Great White Way," but has no idea of the challenges that lie ahead. There she runs into Pietro Jones and his father, talented African American dancers. Teresa and Pietro become competitors as well as unlikely friends. At a time when young black men could be lynched for simply looking at a white girl, Pietro understands, better than Teresa, the danger of their relationship. Teresa's quest to find her voice onstage and in her life, far from the support of her family, takes place against a complex racial backdrop of American history.
Life Is Like a Musical: How to Live, Love, and Lead Like a Star
by Tim FederleA Self-Help Guide--with Jazz Hands! Life is Like a Musical features 50 wry, witty tips on getting ahead in life and love--all learned in the showbiz trenches. "Hilarious, wise, and one-of-a-kind. This book is so damn brilliant I'm surprised it didn't already exist." -- Sarah Knight, bestselling author of The Life-Changing Magic of Not Giving a F*ck Before Tim Federle became a bestselling author and a Broadway playwright, he worked as a back-up dancer at the Super Bowl, a polar bear at Radio City, and a card-carrying chorus boy on Broadway. Life is Life a Musical features 50 tips learned backstage, onstage, and in between gigs, with chapters such as "Dance Like Everyone's Watching" and "Save the Drama for the Stage." This charming and clever guide will appeal to all ages and inspire readers to step into the lead role of their own life, even if they're not a recovering theater major.
Life on the Victorian Stage: Theatrical Gossip
by Nell DarbyThe expansion of the press in Victorian Britain meant more pages to be filled, and more stories to be found. Life on the Victorian Stage: Theatrical Gossip looks at how the everyday lives of Victorian performers and managers were used for such a purpose, with the British newspapers covering the good, the bad and the ugly side of life on the stage during the nineteenth century. Viewed through the prism of Victorian newspapers, and in particular through their gossip columns, this book looks at the perils facing actors from financial disasters or insecurity to stalking, from libel cases to criminal trials and offers an alternative view of the Victorian theatrical profession.This thoroughly researched and entertaining study looks at how the Victorian press covered the theatrical profession and, in particular, how it covered the misfortunes actors faced. It shows how the development of gossip columns and papers specializing in theater coverage enabled fans to gain an insight into their favorite performers lives that broke down the public-private divide of the stage and helped to create a very modern celebrity culture.The book looks at how technological developments enabled the press to expose the behavior of actors overseas, such as when actor Fred Solomon's' bigamy in America was revealed. It looks at the pressures facing actors, which could lead to suicide, and the impact of the 1857 Matrimonial Causes Act on what the newspapers covered, with theatrical divorce cases coming to form a significant part of their coverage in the latter half of the nineteenth century. Other major events, from theater disasters to the murder of actor William Terriss, are explored within the context of press reportage and its impact. The lives of those in the theatrical profession are put into their wider social context to explore how they lived, and how they were perceived by press and public in Victorian Britain.
The Literary Culture of Plague in Early Modern England
by Kathleen MillerThis book is about the literary culture that emerged during and in the aftermath of the Great Plague of London (1665). Textual transmission impacted upon and simultaneously was impacted by the events of the plague. This book examines the role of print and manuscript cultures on representations of the disease through micro-histories and case studies of writing from that time, interpreting the place of these media and the construction of authorship during the outbreak. The macabre history of plague in early modern England largely ended with the Great Plague of London, and the miscellany of plague writings that responded to the epidemic forms the subject of this book.
Luces de bohemia: Farsas y esperpentos (Obras completas Valle-Inclán #4)
by Ramón del Valle-InclánEl segundo volumen con la producción teatral de uno de los autores más destacados de la España contemporánea: Ramón María del Valle-Inclán. En su incesante exploración de una nueva teatralidad, Valle-Inclán emprende muy pronto un radical proceso de estilización dramática que cultiva el grotesco, la farsa, el metateatro y la deshumanización de los personajes. Títulos como Tablado de marionetas (1926), Retablo de la avaricia, la lujuria y la muerte (1927) y Martes de Carnaval (1930), en que recoge su producción de dos décadas, son expresivos de una tendencia que culmina en la formulación de una nueva y portentosa estética, el esperpento, cuyas premisas expone en la que es considerada por muchos su obra maestra: Luces de bohemia (1924). Reseña:«Alrededor de él vivía la vorágine del verbo, y lo mismo se le podía llamar demiurgo que taumaturgo.»Ramón Gómez de la Serna
Luces de bohemia | Divinas palabras
by Ramón del Valle-Inclán«Los más jóvenes no se han cansado de proclamar en los últimos años la estricta actualidad de Valle, y ven en los esperpentos la más segura vía de un teatro crítico.» Antonio Buero Vallejo Escritas con pocos meses de diferencia, en 1919 y 1920, después de una prolongada crisis creativa, las dos piezas reunidas en este volumen son unánimemente consideradas la cima del teatro de Valle-Inclán, lo que vale por decir que se cuentan entre las cumbres indiscutibles del teatro español (y europeo) del siglo XX, sobre el que han ejercido una persistente influencia. Por vías distintas -pues sus escenarios respectivos son la Galicia rural y el Madrid de la bohemia modernista-, las dos marcan un punto de inflexión en la trayectoria de su autor, que funda a partir de ellas una estética propia, el esperpento, con la que aspira a captar «el espíritu trágico de la vida española». Reseñas:«Valle-Inclán parece que escribió para nosotros y para quienes vengan después que nosotros, y es al mismo tiempo nuestro predecesor y nuestro contemporáneo.»Antonio Muñoz Molina «Una poderosa inyección vigorizante para la literatura en idioma castellano.»Juan Carlos Onetti «Valle-Inclán, el gran renovador del teatro español del siglo XX.»Ramón Irigoyen, El País