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A History of Japanese Theatre
by Jonah SalzJapan boasts one of the world's oldest, most vibrant and most influential performance traditions. This accessible and complete history provides a comprehensive overview of Japanese theatre and its continuing global influence. Written by eminent international scholars, it spans the full range of dance-theatre genres over the past fifteen hundred years, including noh theatre, bunraku puppet theatre, kabuki theatre, shingeki modern theatre, rakugo storytelling, vanguard butoh dance and media experimentation. The first part addresses traditional genres, their historical trajectories and performance conventions. Part II covers the spectrum of new genres since Meiji (1868–), and Parts III to VI provide discussions of playwriting, architecture, Shakespeare, and interculturalism, situating Japanese elements within their global theatrical context. Beautifully illustrated with photographs and prints, this history features interviews with key modern directors, an overview of historical scholarship in English and Japanese, and a timeline. A further reading list covers a range of multimedia resources to encourage further explorations.
Mary Wroth and Shakespeare (Routledge Studies in Shakespeare)
by Paul Salzman Marion Wynne-DaviesOver the last twenty five years, scholarship on Early Modern women writers has produced editions and criticisms, both on various groups and individual authors. The work on Mary Wroth has been particularly impressive at integrating her poetry, prose and drama into the canon. This in turn has led to comparative studies that link Wroth to a number of male and female writers, including of course, William Shakespeare. At the same time no single volume has attempted a comprehensive comparative analysis. This book sets out to explore the ways in which Wroth negotiated the discourses that are embedded in the Shakespearean canon in order to develop an understanding of her oeuvre based, not on influence and imitation, but on difference, originality and innovation.
Technical Design Solutions for Theatre: The Technical Brief Collection Volume 2
by Bronislaw J. SammlerThe Technical Brief is a collection of single-focus articles on technical production solutions, published three times a year by the prestigious Yale School of Drama. The primary objective of the publication is to share creative solutions to technical problems so that fellow theatre technicians can avoid having to reinvent the wheel with each new challenge. The range of topics includes scenery, props, painting, electrics, sound and costumes. The articles each describe an approach, device, or technique that has been tested on stage or in a shop by students and professionals. Some articles included are: Building Authentic Elizabethan Ruffs; Simple and Inexpensive Stained Glass; A Quick-Load Floor Pulley Design; A Simple Approach to Stretching Drops; Flexi-Pitch Escape Stairs; Spot-Welding Scrim with Sobo; Handrail Armatures for a Grand Staircase; The Triscuit-Studwall Deck System; A Frameless Turntable; Stand on Stage: Minimum Weight, Maximum Effect; A Self-Paging Cable Tray; Roller Chain Turntable Drives; A Bench-Built XLR Cable Tester
Technical Design Solutions for Theatre Volume 3: The Technical Brief Collection Volume 1
by Bronislaw J Sammler Don HarveyTechnical Design Solutions for Theatre is a collection of single-focus articles detailing technical production solutions that have appeared in The Technical Brief Collection, a publication of the Yale School of Drama’s Technical Design and Production Department. The primary objective of the publication was to share creative solutions to technical problems so that fellow theatre technicians can avoid having to reinvent the wheel with each new challenge. The range of topics includes scenery, props, painting, projections, sound, and costumes. Each article describes an approach, device, or technique that has been tested onstage or in a shop. Great reference of tips and solutions to persistent technical challenges in theatre production Solutions provided by contributors from over twenty different producing organizations Ten years of The Technical Brief Collection articles bound in each of three volumes A comprehensive index to all three volumes included in Volume III
Lighting Dance: A Study of Technical, Philosophical, and Psychological Shadows
by Flaviana Xavier SampaioLighting Dance pioneers the discussion of the ability of lighting design to foreground shadow in dance performances. Through a series of experiments integrating light, shadow, and improvised dance movement, it highlights and analyses what it advances as an innovative expression of shadow in dance as an alternative to more conventional approaches to lighting design. Different art forms, such as painting, film, and dance pieces from Loie Fuller, the Russell Maliphant Dance Company, Elevenplay, Pilobolus, and the Tao Dance Theater served to inspire and contextualise the study. From lighting to psychology, from reviews to academic books, shadows are examined as a symbolic and manipulative entity. The book also presents the dance solo Sombreiro, which was created to echo the experiments with light, shadow, and movement aligned to an interpretation of cultural shadow (Jung 1954, in Samuels, Shorter, and Plaut 1986; Casement 2006; Ramos 2004; Stein 2004; and others). The historical development of lighting within dance practices is also outlined, providing a valuable resource for lighting designers, dance practitioners, and theatre goers interested in the visuality of dance performances.
Pastoral Drama in Early Modern Italy: The Making of a New Genre
by Lisa Sampson"Emerging in Italy in the mid-sixteenth century, pastoral drama is one of the most characteristic genres of its time. Sampson traces its uneven development into the following century by exploring masterpieces by Tasso and Guarini, and many lesser known works, some by women writers. She examines the treatment of key themes of love, the Golden Age, and Nature and Art against the background of the textual and stage production of the plays. An investigation of critical writings associated with the genre further reveals its significance to the contemporary literary scene, by stimulating 'modernizing' attitudes towards the canon, as well as new enquiries into the function and possibilities of art."
Routledge Revivals: Workers' Theatre Movements in Britain and America (Routledge Revivals: History Workshop Series #5)
by Raphael Samuel Ewan Maccoll Stuart CosgroveFirst published in 1985, this book examines how workers theatre movements intended their performances to be activist — perceiving art as a weapon of struggle and enlightenment — and an emancipatory act. An introductory study relates left-wing theatre groupings to the cultural narratives of contemporary British socialism. The progress of the Workers’ Theatre Movement (1928-1935) is traced from simple realism to the most brilliant phase of its Russian and German development alongside which the parallel movements in the United States are also examined. A number of crucial texts are reprints as well as stage notes and glimpses of the dramaturgical controversies which accompanied them.
Kindertransport
by Diane SamuelsA modern classic about one woman's struggle to come to terms with her past. Brutally separated from her German Jewish parents at the age of nine, Eva is brought to England with the promise of a new life…. <p><p>Between 1939 until the outbreak of World War II, nearly 10,000 Jewish children were taken from their families in Nazi-occupied Germany and sent to live with foster families in Britain. Diane Samuels' seminal play, Kindertransport, imagines the fate of one such child. <p><p>Now widely considered a modern classic, Kindertransport has been read and studied the world over. Kindertransport won the 1992 Verity Bargate Award and was subsequently staged by the Soho Theatre Company at the Cockpit Theatre in London in 1993. It also won the Meyer-Whitworth Award in 1993. Since its premiere the play has been revived several times. Watford Palace Theatre staged it in 1996, in a production that transferred to the West End. Renowned theatre company Shared Experience also revived the play to great acclaim for a regional tour in 2007. <p><p> This edition includes several personal memoirs by German-born children whose lives were saved, and transformed, by the Kindertransport.
Theatre and Dictatorship in the Luso-Hispanic World (Routledge Advances in Theatre & Performance Studies)
by Diego SánchezTheatre and Dictatorship in the Luso-Hispanic World explores the discourses that have linked theatrical performance and prevailing dictatorial regimes across Spain, Portugal and their former colonies. These are divided into three different approaches to theatre itself - as cultural practice, as performance, and as textual artifact - addressing topics including obedience, resistance, authoritarian policies, theatre business, exile, violence, memory, trauma, nationalism, and postcolonialism. This book draws together a diverse range of methodological approaches to foreground the effects and constraints of dictatorship on theatrical expression and how theatre responds to these impositions.
I'm Black When I'm Singing, I'm Blue When I Ain't: And Other Plays
by Sonia SanchezSonia Sanchez is a prolific, award-winning poet and one of the most prominent writers in the Black Arts movement. This collection brings her plays together in one volume for the first time. Like her poetry, Sanchez's plays voice her critique of the racism and sexism that she encountered as a young female writer in the black militant community in the late 1960s and early 1970s, her ongoing concern with the well-being of the black community, and her commitment to social justice. In addition to The Bronx Is Next (1968), Sister Son/ji (1969), Dirty Hearts (1971), Malcolm/Man Don't Live Here No Mo (1972), and Uh, Uh; But How Do It Free Us? (1974), this collection includes the never-before-published dramas I'm Black When I'm Singing, I'm Blue When I Ain't (1982) and 2 X 2 (2009), as well as three essays in which Sanchez reflects on her art and activism. Jacqueline Wood's introduction illuminates Sanchez's stagecraft in relation to her poetry and advocacy for social change, and the feminist dramatic voice in black revolutionary art.
Bodies in Commotion: Disability and Performance
by Carrie Sandahl Philip Auslander"A testament to the synergy of two evolving fields. From the study of staged performances to examinations of the performing body in everyday life, this book demonstrates the enormous profitability of moving beyond disability as metaphor. . . . It's a lesson that many of our cultural institutions desperately need to learn. " -Martin F. Norden, University of Massachusetts-Amherst This groundbreaking collection imagines disabled bodies as "bodies in commotion"-bodies that dance across artistic and discursive boundaries, challenging our understanding of both disability and performance. In the book's essays, leading critics and artists explore topics that range from theater and dance to multi-media performance art, agit-prop, American Sign Language theater, and wheelchair sports. Bodies in Commotionis the first collection to consider the mutually interpretive qualities of these two emerging fields, producing a dynamic new resource for artists, activists, and scholars.
Ibsen’s Houses
by Mark B. SandbergHenrik Ibsen's plays came at a pivotal moment in late nineteenth-century European modernity. They engaged his public through a strategic use of metaphors of house and home, which resonated with experiences of displacement, philosophical homelessness, and exile. The most famous of these metaphors - embodied by the titles of his plays A Doll's House, Pillars of Society, and The Master Builder - have entered into mainstream Western thought in ways that mask the full force of the reversals Ibsen performed on notions of architectural space. Analyzing literary and performance-related reception materials from Ibsen's lifetime, Mark B. Sandberg concentrates on the interior dramas of the playwright's prose-play cycle, drawing also on his selected poems. Sandberg's close readings of texts and cultural commentary present the immediate context of the plays, provide new perspectives on them for international readers, and reveal how Ibsen became a master of the modern uncanny.
The Cultural Geography of Early Modern Drama, 1620–1650
by Julie SandersLiterary geographies is an exciting new area of interdisciplinary research. Innovative and engaging, this book applies theories of landscape, space and place from the discipline of cultural geography within an early modern historical context. Different kinds of drama and performance are analysed: from commercial drama by key playwrights to household masques and entertainment performed by families and in semi-official contexts. Sanders provides a fresh look at works from the careers of Ben Jonson, John Milton and Richard Brome, paying attention to geographical spaces and habitats like forests, coastlines and arctic landscapes of ice and snow, as well as the more familiar locales of early modern country estates and city streets and spaces. Overall, the book encourages readers to think about geography as kinetic, embodied and physical, not least in its literary configurations, presenting a key contribution to early modern scholarship.
Early Modern Drama, 1576-1642
by Julie SandersEngaging and stimulating, this Introduction provides a fresh vista of the early modern theatrical landscape. Chapters are arranged according to key genres (tragedy, revenge, satire, history play, pastoral and city comedy), punctuated by a series of focused case studies on topics ranging from repertoire to performance style, political events to the physical body of the actor, and from plays in print to the space of the playhouse. Julie Sanders encourages readers to engage with particular dramatic moments, such as opening scenes, skulls on stage or the conventions of disguise, and to apply the materials and methods contained in the book in inventive ways. A timeline and frequent cross-references provide continuity. Always alert to the possibilities of performance, Sanders reveals the remarkable story of early modern drama not through individual writers, but through repertoires and company practices, helping to relocate and re-imagine canonical plays and playwrights.
Gorilla Theater: A Practical Guide to Performing the New Outdoor Theater Anytime, Anywhere
by Christopher Carter SandersonFirst Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Happenings and Other Acts (Worlds of Performance)
by Mariellen R. SandfordFirst published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
BANG BANG
by Kat SandlerLila, a young Black ex-cop, has been on leave from the police force ever since she shot an unarmed Black youth. She’s moved back in with her mother, Karen, and is drinking beer for breakfast. So when Tim, a white playwright, shows up at her door to casually inform her that his play inspired by her experience is being adapted into a movie, Lila’s trauma is dragged out for speculation once again. The star of the film, their ex-cop bodyguard and Karen are pulled into the fight, leading to an epic metatheatrical standoff in a living room play about a living room play about gun violence, police, art and appropriation. This dark, fast-paced dramedy by the author of Punch Up and Mustard traces the responsibility we have as artists in storytelling and the impact of what it means to be inspired by true events.
Mustard
by Kat SandlerMustard shouldn’t still be here, but he is. Imaginary friends don’t normally stay with their Person until that Person is a troubled teenager, exhibiting strangely violent behaviour. Imaginary friends don’t suddenly become visible to their Person’s mom and then go on a date with them, either. But Mustard is special. At least that’s what he thinks. And he’s not ready to leave his best friend, Thai, even though he’s in deep trouble with some unsavoury characters who are ready to enforce some serious rules. And, oh yeah, he’s falling in love with Sadie, Thai’s recently separated, wine-guzzling mom, who doesn’t believe he’s real. A twisted fairy tale about friendship, love, growing up, moving on and finding magic where you least expect it, this darkly comedic bedtime story by Canadian theatre’s indie darling blurs imagination with reality in order to save a family from its own destruction.
Yaga
by Kat SandlerYaga is a mash-up of police procedural, noir thriller, comedy, and lore.Kat wanted to point out how society speaks of and labels women, especially older women.
Punch Up
by Kat Sandler SandlerDuncan has always been a pretty boring guy, leading a simple life while working at a bread factory. Then he stumbles upon Brenda, a sad young woman who’s about to end her life. Convinced he’s fallen in love, Duncan strikes up a desperate deal: if he can get her to laugh, she'll give life another shot, but if she doesn’t even giggle, he'll help her go through with her plan. There’s just one catch: Duncan isn’t funny. At all. So he borrows Pat, his second-favourite comedian, to help him come up with the perfect routine. But Pat is having a hard time mustering his sense of humour after a bad break-up, and the last thing he wants to do is teach a lonely loser the difference between knock-knock jokes and schadenfreude while chained to a typewriter. A tragicomedy of three misfits, Punch Up navigates a hostage situation and a life-or-death comedy lesson to show just how far we’ll go for a laugh.
Approaches to Teaching the Plays of August Wilson (Approaches to Teaching World Literature #140)
by Sandra G. Shannon and Sandra L. RichardsThe award-winning playwright August Wilson used drama as a medium to write a history of twentieth-century America through the perspectives of its black citizenry. In the plays of his Pittsburgh Cycle, including the Pulitzer Prize-winning Fences and The Piano Lesson, Wilson mixes African spirituality with the realism of the American theater and puts African American storytelling and performance practices in dialogue with canonical writers like Aristotle and Shakespeare. As they portray black Americans living through migration, industrialization, and war, Wilson's plays explore the relation between a unified black consciousness and America's collective identity.In part 1 of this volume, "Materials," the editors survey sources on Wilson's biography, teachable texts of Wilson's plays, useful secondary readings, and compelling audiovisual and Web resources. The essays in part 2, "Approaches," look at a diverse set of issues in Wilson's work, including the importance of blues and jazz, intertextual connections to other playwrights, race in performance, Yoruban spirituality, and the role of women in the plays.
Yiddish Plays for Reading and Performance (SUNY series in Contemporary Jewish Literature and Culture)
by Nahma SandrowYiddish theater was first and foremost fine theater, with varied repertory and actors of high quality. The three stage-ready plays and nine individual scenes collected here, most of them well-known in Yiddish repertory but never before translated, offer an introduction to the full range of Yiddish theater. Fresh, lively, and accurate, these translations have been prepared for reading or performance by award-winning playwright and scholar Nahma Sandrow. They come with useful stage directions, notes, and playing histories, as well as comments by directors who have worked in both English and Yiddish theater. In the three full-length plays, a matriarch battles for control of her business and her family (Mirele Efros; or, The Jewish Queen Lear); two desperate women struggle over a man, who himself is struggling to change his life (Yankl the Blacksmith); and, in a charming fantasy village, a poetic village fiddler gambles on romance (Yoshke the Musician). The nine scenes from selected other plays are shaped to stand alone and range in genre from symbolist to naturalist, operetta to vaudeville, domestic to romantic to avant-garde. In her preface, Sandrow contextualizes the plays in modern Western theater history from the nineteenth century to the present. Yiddish Plays for Reading and Performance is not nostalgia—just a collection of good plays that also serves as an informed introduction to Yiddish theater at its liveliest.
Null im Verhalten: Die Zeugnisse von drei Jahren Juventus-Spiele.
by Marco Edoardo SanfeliciDie Zeugnisse von drei Jahren Juventus-Spiele. Null im Verhalten Das Buch sammelt die besten Zeugnisse von Marco Edoardo Sanfelici. Die Urteile, die nach jedem Juventus-Spiel Fotos von der Leistung des Juventus-Teams machen, sind Urteile ohne Berufung. Aus dem brillanten und leidenschaftlichen Geist eines Fan-Kommentators sind hier die urkomischen Bewertungen, die das Verhalten Ihrer größten Idole auf dem Platz besser als jedes VAR-Bild bezeugen.
Zen and the Art of Stand-Up Comedy (Theatre Arts Ser.)
by Jay SankeyIn this engaging and disarmingly frank book, comic Jay Sankey spills the beans, explaining not only how to write and perform stand-up comedy, but how to improve and perfect your work. Much more than a how-to manual Zen and the Art of Stand-Up Comedy is the most detailed and comprehensive book on the subject to date.
Zen and the Art of the Monologue
by Jay SankeyJay Sankey--stand-up comic, magician, and cartoonist--is back with another book for performers. Building on the success of his Zen and the Art of Stand-up Comedy, Jay is moving further into the uncharted wilds of solo performance.