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lady in the red dress
by David YeeThe turmoil in Max's life was set in motion by Sylvia, an elusive figure who enters his life and charges Max with the task of finding Tommy Jade, a Chinese immigrant from the 1920s. Dragged further into the history of the Chinese-Canadian struggle for redress and into the lives of those involved, Max discovers that not only is his life in danger, but also his son's. A modern-day noir that draws from both Haruki Murakami and Frank Miller, lady in the red dress is a darkly comic story about the skeletons in our closets and the consequences of our inactions told by one of Canada's most-promising young playwrights.
paper SERIES
by David YeeAn unhappy orphan who finds solace in paper cut-outs of her parents, an Indian doctor who displays his medical degree in his taxi cab, and waiters who tamper with fortune cookie are some of the vibrant characters who are brought to life in this anthology of six monologues that revolve around paper. From drama to comedy to crime-thriller, Yee brings us a variety of plots and characters in a series of imaginative, thought-provoking vignettes.
Finding Identity Through Directing
by Soseh YekaniansFinding Identity through Directing is a practice-led autoethnographical monograph that provides an in-depth exploration into the field of theatre directing and an individual’s endless creative pursuit for belonging. The book specifically examines how a culturally displaced individual may find a sense of identity through their directing and addresses the internal struggles of belonging, acceptance and Self that are often experienced by those who have confronted cultural unhoming. The first half of the story scrutinises Dr Yekanians’ own identity as an Iranian born Armenian-Australian and how she struggled with belonging growing up in a world that for the most part, was unaccepting of her differences. The second half, looks at how theatre directing, aided her (re)discovery of Self. While evidence shows that within the past decade there has been a growing interest in the vocation of theatre directing, embarking on a career within this field, while exciting, can often be a daunting and experimental vocation. Finding Identity through Directing questions this conundrum and specifically asks, in a competitive artistic profession that is rapidly developing, what attracts an individual to the authoritative role of the director and what are the underlying motivations of this attraction? By uncovering that there is more to the role of the director than the mere finality of a production, we can observe that the theatre is a promising setting for cultural exchanges in dialogue and for personal development. Theatre directing as the vehicle for these expansions and progressions of self can potentially address the internal struggles of identity often experienced by those who, in some form, have encountered cultural displacement.
Restless Spirits: Plays (Excelsior Editions)
by William S. Yellow RobeFinalist for the 2020 ForeWord INDIE Book of the Year in the Multicultural Adult Fiction Category Restless Spirits is a collection of previously unpublished plays by contemporary Assiniboine playwright William S. Yellow Robe Jr. Including one full-length and seven one-act plays, this book reflects one of the author's most creative and productive periods in his career. Selected by Yellow Robe, in consultation with editor Jace Weaver, the plays reveal the range of Yellow Robe's writing from tragedies to farce. They are unified by their supernatural themes or significant elements, including Wood Bones, his most recent and highly successful full-length play. Weaver's introduction says that the works in this collection clearly demonstrate that Yellow Robe is not just a great American Indian playwright, but a great American playwright in the company of David Mamet, Lynn Nottage, and Wallace Shawn. Renowned American Indian playwright Hanay L. Geiogamah provides a foreword and calls this volume "a real gift to the American Indian theater—and to theater, more generally."
Theory
by Norman YeungIs there a limit to free speech? Who gets to decide? Isabelle’s film theory students are stunned that she would open an unmoderated online discussion group to complement a controversial syllabus. Her intention was for them to learn from each other, but when an anonymous student starts to post racist comments and offensive videos on the forum and others challenge Isabelle’s methods, she is forced to decide whether to intervene or to let the social experiment play out. But the posts soon turn abusive and threatening to Isabelle’s relationship with her wife, Lee, causing her to take matters into her own hands. In this thrilling exploration of the intersections and divisions within liberalism, a young tenure-track professor finds herself in a high-stakes game of cat-and-mouse that has her questioning her beliefs and fighting back for her life.
Establishment of "Drama" Orientation: Transition of the Research Paradigm of Chinese Dramas in the 1920s and 1930s (China Perspectives)
by Zhang YifanThe “national drama” in China is a historical concept. Grown on longstanding Chinese culture and art, the traditional drama, mainly in the form of “opera”, has been integrated with “drama” of an international background. From the perspective of modern “drama and opera”, this book mainly studies the conditions and research of Chinese traditional drama in the 1920s and 1930s. Instead of analyzing from the viewpoint of literature appreciation or music theory, the author regards the drama as a comprehensive stage art. He attaches special importance to restoring historical scenes and therefore mainly introduces the drama journals and monographs published in that historical period, in order to help readers understand the original state of drama at that time through the records of the witnesses. In particular, this book delivers an insightful view about the evolution of the meaning of “national drama” and “drama”. The book will help scholars and readers understand the meaning and the whole story of the “national drama” concept, and will certainly facilitate the construction of the discipline of Drama and Opera.
Jar of Fat (Yale Drama Series)
by Seayoung YimAn absurdist comedy and fifteenth winner of the Yale Drama Prize, exploring family, religion, identity, desire, and beauty in Korean American culture In a fantastical fairy-tale world, two Korean American sisters are deemed too fat to fit in their family grave. Will the sisters’ close bond survive under the pressure of their community and fretful parents, who will spare no effort to make them tinier? Jar of Fat, the fifteenth winner of the Yale Drama Prize, is a phantasmagorical, absurdist Korean American tale about the allure and danger entangled within the quest for beauty and thinness. Both laugh-out-loud funny and deeply troubling, Seayoung Yim’s play burns through the accumulated rage that anti-fat bias produces to reclaim what it steals from us every day: grace, space, possibility, and breath.
La bicicleta roja
by Yolanda María González GallegoLas personas en las que confiamos son siempre las que guardan los secretos más atroces. Meli lleva a tres de sus amigos a conocer el almacén que, una vez derribado y reconstruido, albergará el restaurante de su novio. <P><P> Sin embargo, lo que se presentaba como una tarde tranquila y relajada se convierte en un auténtico infierno cuando alguien encierra al grupo dentro del almacén. Por si fuera poco, el derribo del local tendrá lugar a la mañana siguiente. <P>El pánico ante esta situación extrema hará que los amigos acaben por desvelar secretos que habían mantenido ocultos durante mucho tiempo. Accésit en el I Certamen Textos Teatrales "Escena Canaria"
Dynevor Terrace; Or, The Clue of Life -- Volume 1
by Charlotte M. YongeDynevor Terrace may be described as an extended family chronicle. All the main characters and many of the minor characters are either descendants of the Dynevors, an ancient Welsh family, or closely connected with them. The line had ended with three daughters, who all married in the 1 790s. In 1847, when the novel opens, only the eldest sister is still alive. Catherine has had a chequered life. Born the heiress of Cheveleigh, the family seat, she had married a Mr Frost who speculated in mines. At first his ventures were successful, and he invested some of the proceeds in Dynevor Terrace, built for letting in the small spa town of Northworld, near the seat of the earl of Ormersfield, who had married Catherine's younger sister. The earl involved himself in Mr Frost's speculations, and at his suggestion demolished the village adjoining his park, to improve his view. The villages were compelled to spend move some miles away to Marksedge, a desolate piece of heath land, where they grew unhealthy, impoverished and lawless.
Dynevor Terrace; Or, The Clue of Life -- Volume 2
by Charlotte M. YongeDynevor Terrace may be described as an extended family chronicle. All the main characters and many of the minor characters are either descendants of the Dynevors, an ancient Welsh family, or closely connected with them. The line had ended with three daughters, who all married in the 1 790s. In 1847, when the novel opens, only the eldest sister is still alive. Catherine has had a chequered life. Born the heiress of Cheveleigh, the family seat, she had married a Mr Frost who speculated in mines. At first his ventures were successful, and he invested some of the proceeds in Dynevor Terrace, built for letting in the small spa town of Northworld, near the seat of the earl of Ormersfield, who had married Catherine's younger sister. The earl involved himself in Mr Frost's speculations, and at his suggestion demolished the village adjoining his park, to improve his view. The villages were compelled to spend move some miles away to Marksedge, a desolate piece of heath land, where they grew unhealthy, impoverished and lawless.
A Thousand Times More Fair: What Shakespeare's Plays Teach Us About Justice
by Kenji Yoshino“Fascinating....Loaded with perceptive and provocative comments on Shakespeare’s plots, characters, and contemporary analogs.”—Justice John Paul Stevens, Supreme Court of the United States“Kenji Yoshino is the face and the voice of the new civil rights.”—Barbara Ehrenreich, author of Nickled and DimedA Thousand Times More Fair is a highly inventive and provocative exploration of ethics and the law that uses the plays of William Shakespeare as a prism through which to view the nature of justice in our contemporary lives. Celebrated law professor and author Kenji Yoshino delves into ten of the most important works of the Immortal Bard of Avon, offering prescient and thought-provoking discussions of lawyers, property rights, vengeance (legal and otherwise), and restitution that have tremendous significance to the defining events of our times—from the O.J. Simpson trial to Abu Ghraib. Anyone fascinated by important legal and social issues—as well as fans of Shakespeare-centered bestsellers like Will in the World—will find A Thousand Times More Fair an exceptionally rewarding reading experience.
Documentary Vanguards in Modern Theatre (Routledge Advances in Theatre & Performance Studies)
by Timothy YoukerPractitioners and critics alike often attribute great authenticity to documentary theatre, casting it as a salutary alternative not only to corporate news outlets and official histories but also to the supposed "self-indulgence" and "elitism" of avant-garde theatre. Documentary Vanguards in Modern Theatre, by contrast, argues for treating documentarians as vanguardists who (for good or ill) push, remap, or transgress the margins of historical and political visibility, often taking issue with professional discourses that claim a monopoly on authoritative representations of the real. This is the first book to situate documentary theatre’s development within the larger story of theatrical experimentalism, collage art, collective ritual, and other avant-garde dramaturgical and performance practices of the late 19th and 20th Centuries.
James Skipworth and the Catfish Colonel
by Cy YoungComedy / Characters: 2 male, 1 female / Interior Set / A playwright has vowed to shoot himself unless someone agrees to option his play immediately. He appears at the office of producer Helen Osborne, an attractive and highly theatrical woman who is the reigning queen on a long running soap opera. Anxious to be off to an important meeting at Sardi's, the producer doesn't take the increasingly anxious writer seriously until he nails her door shut. Helen uses all of her feminine wiles to escape as the action escalates into a zany free for all in which writer ties producer to a chair and, with the help of an actor friend in the hall outside, reads the play to her with side splitting results. The producer finally turns the tables on the hapless writer as the action explodes into a fast paced farce uniting all three in an hilarious and madcap finale.
Jump, I'll Catch You!
by Cy YoungThis wacky comedy is about two people who meet on a bus in Ypsilanti, Michigan, and discover they've both had out of body experiences. Bennie survived the car crash that killed his family; Merriam attempted suicide. As their relationship develops, Merriam's neurotic tendencies surface and Bennie's unflappable cheerfulness drives her bananas. She realizes that he is not over his tragedy and she leaves. They meet a month later on the bus. When it arrives at Bennie's stop, the cemetery, he decides to stay on the bus with Merriam.
The Sloth
by Cy YoungComedy \ 3 m., 3 f. to play var. roles. \ Ext. \ Nadine Schitzle of Tarzana, California, has a problem: there's a sloth in the eucalyptus tree in her back yard and she's convinced it's her husband, Herman. Her neighbor calls Eye Witness News anchor woman Sally Sweet, who shows up with her crew, and suddenly the story is hot news. The animal shelter representative informs Nadine that an animal that big can't be kept within the city limits and a psychiatrist from social services arrives to determine her competency. Called before a judge, Nadine explains with unquestionable logic why she feels Herman has turned into a sloth and the judge, who says Nadine reminds him of his mother, rules for competency. Back home, Nadine celebrates with her minister and a friend, who also believes Herman is the sloth, and berates her neighbors for trying to have her committed so they could get her property. She gives Herman and all his belongings except the Honda to the San Diego Zoo.
How to Direct a Musical
by David YoungHow to Direct a Musical is a lively and practical guide to the seemingly overwhelming task of directing a musical. David Young brings to this handbook his extensive experience as a director of over 100 productions and more than 250 workshops in the US, China, Senegal and Brazil. Young takes a pragmatic, do-it-yourself approach, guiding the reader from planning to casting, rehearsal to opening night. Topics covered include script analysis, collaboration with designers, musical directors, choreographers and crew, eliminating lengthy pauses between scenes, dress rehearsals and curtain calls.
The Cambridge Companion to African American Theatre (Cambridge Companions to Theatre and Performance)
by Harvey YoungThis new edition provides an expanded, comprehensive history of African American theatre, from the early nineteenth century to the present day. Including discussions of slave rebellions on the national stage, African Americans on Broadway, the Harlem Renaissance, African American women dramatists, and the New Negro and Black Arts movements, the Companion also features fresh chapters on significant contemporary developments, such as the influence of the Black Lives Matter movement, the mainstream successes of Black Queer Drama and the evolution of African American Dance Theatre. Leading scholars spotlight the producers, directors, playwrights, and actors who have fashioned a more accurate appearance of Black life on stage, revealing the impact of African American theatre both within the United States and around the world. Addressing recent theatre productions in the context of political and cultural change, it invites readers to reflect on where African American theatre is heading in the twenty-first century.
The Cambridge Companion to African American Theatre
by Harvey YoungThis Companion provides a comprehensive overview of African American theatre, from the early nineteenth century to the present day. Along the way, it chronicles the evolution of African American theatre and its engagement with the wider community, including discussions of slave rebellions on the national stage, African Americans on Broadway, the Harlem Renaissance, African American women dramatists, and the 'New Negro' and 'Black Arts' movements. Leading scholars spotlight the producers, directors, playwrights and actors whose efforts helped to fashion a more accurate appearance of black life on stage, and reveal the impact of African American theatre both within the United States and further afield. Chapters also address recent theatre productions in the context of political and cultural change and ask where African American theatre is heading in the twenty-first century.
Theatre After Empire
by Harvey YoungEmphasizing the resilience of theatre arts in the midst of significant political change, Theatre After Empire spotlights the emergence of new performance styles in the wake of collapsed political systems.Centering on theatrical works from the late nineteenth century to the present, twelve original essays written by prominent theatre scholars showcase the development of new work after social revolutions, independence campaigns, the overthrow of monarchies, and world wars. Global in scope, this book features performances occurring across Africa, the Americas, Asia, Europe, and the Middle East. The essays attend to a range of live events—theatre, dance, and performance art—that stage subaltern experiences and reveal societies in the midst of cultural, political, and geographic transition.This collection is an engaging resource for students and scholars of theatre and performance; world history; and those interested in postcolonialism, multiculturalism, and transnationalism.The Introduction ("Framing Latine Theatre and Performance") of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.
Falling, Floating, Flickering: Disability and Differential Movement in African Diasporic Performance (Crip #7)
by Hershini Bhana YoungInsists on the importance of embodiment and movement to the creation of Black socialityLinking African diasporic performance, disability studies, and movement studies, Falling, Floating, Flickering approaches disability transnationally by centering Black, African, and diasporic experiences. By eschewing capital’s weighted calculus of which bodies hold value, this book centers alternate morphologies and movement practices that have previously been dismissed as abnormal or unrecognizable. To move beyond binaries of ability, Hershini Bhana Young traverses multiple geohistories and cultural forms stretching from the United States and the Mediterranean to Sierra Leone, Nigeria, and South Africa, as well as independent and experimental film, novels, sculptures, images, dance, performances, and anecdotes. In doing so, she argues for the importance of differential embodiment and movement to the creation and survival of Black sociality, and refutes stereotypic notions of Africa as less progressive than the West in recognizing the rights of disabled people. Ultimately, this book foregrounds the engagement of diasporic Africans, who are still reeling from the violence of colonialism, slavery, poverty, and war, as they gesture toward a liberatory Black sociality by falling, floating, and flickering.
Illegible Will: Coercive Spectacles of Labor in South Africa and the Diaspora
by Hershini Bhana YoungIn Illegible Will Hershini Bhana Young engages with the archive of South African and black diasporic performance to examine the absence of black women's will from that archive. Young argues for that will's illegibility, given the paucity of materials outlining the agency of black historical subjects. Drawing on court documents, novels, photographs, historical records, websites, and descriptions of music and dance, Young shows how black will can be conjured through critical imaginings done in concert with historical research. She critically imagines the will of familiar subjects such as Sarah Baartman and that of obscure figures such as the eighteenth-century slave Tryntjie of Madagascar, who was executed in 1713 for attempting to poison her mistress. She also investigates the presence of will in contemporary expressive culture, such as the Miss Landmine Angola beauty pageant, placing it in the long genealogy of the freak show. In these capacious case studies Young situates South African performance within African diasporic circuits of meaning throughout Africa, North America, and South Asia, demonstrating how performative engagement with archival absence can locate that which was never recorded.
Tear the Curtain!
by Jonathon Young Kim Collier Kevin KerrIn this psychological thriller set in a fictionalized 1930s Vancouver, Alex Braithwaite, a troubled but passionate theatre critic, believes he has found the legendary Stanley Lee, director of the infamous avant-garde theatre "The Empty Space." Alex becomes convinced that this man's radically subversive ideas are what the artistic community of the city needs to shatter audience complacency. In his pursuit of the truth behind Stanley Lee's mysterious disappearance and his artistic ideas, Alex becomes caught between the warring factions of two prominent mob families - one controlling the city's playhouses, the other its cinemas, but both ensnared by the Empty Space Society. At the dawn of the Talkies, can Alex tear through the artifice of these art forms in time to save the city's art community from ripping itself apart?The play's collaborators found inspiration within the walls of Vancouver's Stanley Theatre, a space that has a dual history as a cinema and vaudeville house. Fittingly, this gritty film-noir production became an exploration of the two kinds of art and how they affect the audience. Tear the Curtain! explores global issues that consider what we want from art: to be shocked and surprised or for order to be restored.Cast of 2 women and 8 men.
The Philosophy of Tragedy
by Julian YoungThis book is a full survey of the philosophy of tragedy from antiquity to the present. From Aristotle to Žižek the focal question has been: why, in spite of its distressing content, do we value tragic drama? What is the nature of the 'tragic effect'? Some philosophers point to a certain kind of pleasure that results from tragedy. Others, while not excluding pleasure, emphasize the knowledge we gain from tragedy – of psychology, ethics, freedom or immortality. Through a critical engagement with these and other philosophers, the book concludes by suggesting an answer to the question of what it is that constitutes tragedy 'in its highest vocation'. This book will be of equal interest to students of philosophy and of literature.
Everything Beautiful Is Not Ruined
by Danielle Younge-UllmanThen Ingrid traveled all over Europe with her opera star mother, Margot-Sophia. Life was beautiful and bright, and every day soared with music. Now Ingrid is on a summertime wilderness survival trek for at-risk teens: addicts, runaways, and her. She’s fighting to survive crushing humiliations, physical challenges that push her to her limits, and mind games that threaten to break her. Then When the curtain fell on Margot-Sophia’s singing career, they buried the past and settled into a small, painfully normal life. But Ingrid longed to let the music soar again. She wanted it so much that, for a while, nothing else mattered. Now Ingrid is never going to make it through this summer if she can’t figure out why she’s here, what happened to Margot-Sophia, and why the music really stopped.From the Hardcover edition.
Everything Beautiful Is Not Ruined
by Danielle Younge-UllmanIn the tradition of Sara Zarr and A. S. King, a girl must survive an extreme wilderness experience to prove to her mother that she has the strength to pursue her dreams.Then: Ingrid traveled all over Europe with her opera star mother, Margot-Sophia. Life was beautiful and bright, and every day soared with music.Now: Ingrid is on a summertime wilderness survival trek for at-risk teens—addicts, runaways, and her. She’s fighting to survive crushing humiliations, physical challenges that push her to her limits, and mind games that threaten to break her.Then: When the curtain fell on Margot-Sophia’s singing career, they buried the past and settled into a small, painfully normal life. But Ingrid longed to let the music soar again. She wanted it so much that, for a while, nothing else mattered.Now: Ingrid is never going to make it through this summer if she can’t figure out why she’s here, what happened to Margot-Sophia, and why the music really stopped.