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Gendered Identity and the Lost Female: Hybridity as a Partial Experience in the Anglophone Caribbean Performances
by Shrabani BasuThis book offers an exploration of the postcolonial hybrid experience in anglophone Caribbean plays and performance from a feminist perspective.In a hitherto unattempted consideration of Caribbean theatre and performance, this study of gendered identities chronicles the postcolonial hybrid experience – and how it varies in the context of questions of sex, performance and social designation. In the process, it examines the diverse performances of the anglophone Caribbean. The work includes works by Caribbean anglophone playwrights like Derek Walcott, Mustapha Matura, Michael Gikes, Dennis Scott, Trevor Rhone, Earl Lovelace and Errol John with more recent works of Pat Cumper, Rawle Gibbons and Tony Hall. The study would also engage with Carnival, calypso and chutney music, while commenting on its evolving influences over the hybrid imagination.Each section covers the dominant socio-political thematics associated with the tradition and its effect on it, followed by an analysis of contemporaneously significant literary and cultural works – plays, carnival narrative and calypso and chutney lyrics as well as the experiences of performers. From Lovelace’s fictional Jestina to the real-life Drupatee, the book critically explores the marginalization of female performances while forming a hybrid identity.
From Stage to Screen: The Legacy of Traditional Chinese Theatre in Chinese Martial Arts Cinema Soundtracks
by Shuang WangChinese martial arts cinema is held to be a synthesis drawing on artistic conventions of traditional Chinese theatre. Film sound and music perform as the legitimate heirs of some of the aesthetic ideas and norms of traditional Chinese theatre. This book critically examines the history of this under-explored field of inquiry from a theoretically comparative perspective, demonstrating that the musical codes drawn from traditional theatre are a constantly changing component integral to Chinese martial arts cinema. It explores the interaction between traditional Chinese theatre and Chinese martial arts cinema in how the musical codes of the former have shaped the aesthetics of the latter uniquely. This departs from conventional existing studies that focus on “adaptation.” The book’s historical and theoretical approach connects film, theatre and music, and re-defines the status of distinctive domains of filmic expression, grounding theatre as the pivot – or “hinge” – of film aesthetics. The book proffers this unique angle of research to rethink and re-imagine film sound and audiovisual synchronisation. Primarily intended for scholars in Chinese cinema, film music, Chinese theatre and visual culture, this monograph also presents introductory and comprehensive material for undergraduate and graduate-level courses in film and media studies, film music, Chinese cinema, and Chinese theatre.
Performance Arts: Research in the Age of Digital Revolution (Digital Culture and Humanities #4)
by Kwok-Kan TamThis volume reshapes a contemporary understanding of research in theatre and performance arts. Bringing together distinguished scholars from all over the world, the book serves as an arena for international scholars to introduce innovative research methodologies and disseminate their research findings regarding VLT, data archiving, and digital history and discusses the impacts of digital culture in art production, stage performance, film, and literature. The Ibsen focus in the book is illustrative of the power of digital database research that is generating new relations in spatial-historical dimensions that have otherwise gone unnoticed. It demonstrates how a new methodology can bring practical benefits to handling big data with the support of digital technologies. In line with the post-pandemic landscape, this book engages a reflection on how the digital revolution has brought about changes and challenges, and constraints and breakthroughs within the field of theatre and performance arts. It is of appeal to theatre artists and practitioners, scholars, critics, librarians, digital archive engineers, and postgraduate students interested in theatre, performance studies, digital media, information technology, library science, communication, education, sociology, as well as political science. “The book investigates the latest methodological development in digital cultures and performance arts, which significantly contributes to the ever-changing and increasingly advanced technological culture in this field.” - Jessica Tsui-yan Li, York University, Canada"In line with the post-pandemic landscape, this book engages the reader in reflecting on how the digital revolution has brought about chances and challenges, constraints and breakthroughs to the field of theatre and performance arts. An original, eye-opening and inspiring volume at multiple levels, this book brings together distinguished scholars from all over the world." - Dr Anna Tso, The Hang Seng University of Hong Kong
Beyond Shakespeare: Film Studies, Performance Studies, and Netflix
by Iris H. TuanWith joy and grace to accompany the readers to have the translocal tour to visit about thirty-seven works, this monograph applies the academic critical theories of Performance Studies, Film Studies, Psychoanalysis, Postmodernism, and Visual Culture, to interpreting the special selection works. The focus and common theme are on race, body, and class. With the background of COVID-19 since 2019 up to the present, the book offers the readers with the remarkable insight of human beings’ accumulated wisdom and experiences in surviving with the dreadful diseases like the plagues in Shakespeare’s time. After the supreme reading, may the global readers in the world acquire the knowledge and power to live in sustainability with education and entertainment of films, performances, and online streaming Netflix TV dramas.
Shakespeare and Protestant Poetics
by Jason GleckmanThis book explores the impact of the sixteenth-century Reformation on the plays of William Shakespeare. Taking three fundamental Protestant concerns of the era – (double) predestination, conversion, and free will – it demonstrates how Protestant theologians, in England and elsewhere, re-imagined these longstanding Christian concepts from a specifically Protestant perspective. Shakespeare utilizes these insights to generate his distinctive view of human nature and the relationship between humans and God. Through in-depth readings of the Shakespeare comedies ‘The Merry Wives of Windsor’, ‘Much Ado About Nothing’, ‘A Midsummer Night’s Dream’, and ‘Twelfth Night’, the romance ‘A Winter’s Tale’, and the tragedies of ‘Macbeth’ and ‘Hamlet’, this book examines the results of almost a century of Protestant thought upon literary art.
Computer Assisted Music and Dramatics: Possibilities and Challenges (Advances in Intelligent Systems and Computing #1444)
by Ambuja Salgaonkar Makarand VelankarThis book is intended for researchers interested in using computational methods and tools to engage with music, dance and theatre. The chapters have evolved out of presentations and deliberations at an international workshop entitled Computer Assisted Music and Dramatics: Possibilities and Challenges organized by University of Mumbai in honour of Professor Hari Sahasrabuddhe, a renowned educator and a pioneering computational musicologist (CM) of Indian classical music. The workshop included contributions from CM as well as musicians with a special focus on South Asian arts. The case studies and reflective essays here are based on analyses of genres, practices and theoretical constructs modelled computationally. They offer a balanced and complementary perspective to help innovation in the synthesis of music by extracting information from recorded performances. This material would be of interest to scholars of the sciences and humanities and facilitate exchanges and generation of ideas.
Utpal Dutt's Theatre: Continuities and Disjunctions in His Politics and Aesthetics (Performance Studies & Cultural Discourse in South Asia #1)
by Uddalak DuttaThis book offers the reader an in-depth understanding of Utpal Dutt’s entire career in drama. Covering Dutt’s career in proscenium, street theatre and Jatra, it analyzes the interesting exchange of dramatic art with politics in his theatre. Owing to a plethora of unsubstantiated opinions, Dutt is either revered by his followers or dismissed by his opponents, but hardly ever studied with necessary objectivity and intellectual rigour. The book attempts to bust the myth that Dutt was primarily a political propagandist who used theatre only as a means to achieve his political end. The remarkable range of Dutt’s subject matter makes him as internationally significant as he is loved by Indian theatre enthusiasts. His work has been discussed on various reputed international platforms. Yet there is a stark lacuna when it comes to intellectual attention devoted to Dutt’s theatre. This is the first book which attempts to introduce Dutt’s theatre comprehensively to an international readership. The book looks briefly at Dutt’s life, the impact of his politics on his theatre, the art of his characterization, his dramaturgy and stage technique, and the legacy of his work in theatre. It also offers the reader with a chronological list of the first performances of his original theatrical works and an exhaustive bibliography, which, it is hoped, shall prove especially useful for researchers. The book is designed for lay theatre enthusiasts as well as advanced students of theatre.
El teatro sucede en colores (Alfaguara Vuelve A Las Escuelas Ser.)
by Liliana BodocVersión teatral del libro Sucedió en colores. Cinco actos que nos conectan con las emociones y sentimientos profundos. Ideales para leer; disfrutar y también para representar en su versión de teatro. El libro es una invitación a leer teatro y a representar una pieza teatral. Inicia con una introducción "El teatro no es cuento"; que acerca a los lectores a la versión teatral de Sucedió en colores. En el acto ROJO; un diablo se enamora de la más hermosa de las vendedoras de manzanas del Mercado de las Rosas. Pero para que su amor se concrete tendrá que recibir por respuesta solo tres "Sí" de la encantadora muchacha. "Solo tres Sí"; ni una palabra más; ni una menos. En BLANCO; a la hora de los cuentos; un abuelo esquimal relata historias a sus nietos. Y la noche se llena de luna; luna del oso; luna entera; luna de lobo y luna muerta. Porque así es como se suceden las lunas en el cielo. Y luego se suceden tres relatos más; cada uno teñido de un color y de emociones intensas. Así se van sucediendo los colores, negro; amarillo y verde hasta conformar una pieza sensible y con personajes entrañables. Cada acto va creando un universo de juego; potencia la imaginación y la fantasía.
Cuánto vale una heladera y otros textos de teatro
by Claudia PiñeiroSeis piezas breves de teatro, tres comedias y tres dramas, escritas por una de las autoras más leídas en Argentina y en el mundo: Claudia Piñeiro. Este libro reúne las seis obras de teatro escritas por Claudia Piñeiro, tres comedias y tres dramas. Seis historias de gente común en situaciones que pueden mover a la risa o al espanto. Una mujer reclama una heladera nueva porque la suya se quemó por una bajada de tensión, pero su apellido se escribe con la letra ñ y las computadoras de la empresa no la reconocen como la propietaria; los hijos de una anciana con Parkinson se pelean para ver quién va a cuidarla; un hombre es asesinado unos días antes de casarse y en su velorio se descubren unas cuantas verdades; una madre y su hija dialogan sobre el genocidio armenio en paralelo al genocidio de la última dictadura en la Argentina; un joven vuelve al pueblo que abandonó años atrás para reencontrarse con su historia; el robo a una escribanía deja a la escribana y a su empleado atados uno junto al otro, en un diálogo incómodo. Con una enorme capacidad para la evocación de escenas cotidianas, con diálogos precisos, con el oído siempre atento a las inflexiones de la oralidad, la autora desliza sutiles sugerencias para la puesta en escena: una mirada, una luz, una canción nos llevan directo al corazón de las historias. Un libro delicioso que confirma que Claudia Piñeiro brilla en todos los géneros literarios. La crítica ha dicho... «Catedrales, la última novela de Claudia Piñeiro, nos interpela como sociedad. Nos obliga a detenernos y reflexionar. El texto exige no ser indiferentes.»Andrés Klipphan, Infobae «Si bien Piñeiro es reconocida por novelas dentro del género (Las viudas de los jueves; Betibú), es en el cruce entre intimidad y enigma donde nacen sus libros.»Verónica Boix, La Nación, sobre Catedrales «...su mayor virtud como narradora de cuentos podría ser la capacidad de resolver lo definitivo en un instante.»Silvina Friera, Página 12, sobre Quién no «Sus libros suelen proporcionarnos muy fecundos cruces entre niveles narrativos diferentes: en Las maldiciones está la ficción política pero también un nivel absolutamente íntimo que tiene que ver con la paternidad.»Eduardo Sacheri «Las maldiciones es una novela moral que te lleva al abismo de las oscuridades de las que son capaces los políticos para hundirse en la porquería dando la impresión de seguir impolutos.»Juan Cruz, El País (España) «Las viudas de los jueves es una novela ágil y un análisis implacable de un microcosmos social en acelerado proceso de decadencia.»José Saramago «Claudia Piñeiro arrancó con una perla rara, Tuya, un policial negro duro, pero de mujer, que usa con acelerador los elementos del género: la violencia, el engaño, los cruces complicados.»Elvio E. Gandolfo «Elena sabe es una historia sobrecogedora, narrada con gran hondura y economía de medios.»Rosa Montero
Raparigas como nós
by Helena MagalhãesIsabel e Alice são inseparáveis. Afonso e Ventura já não sabem o que os une. Simão e Zeca querem mudar quem são. E Marisa talvez seja apenas a vilã. Uma reflexão sobre a juventude, pressão dos pares, laços de amizade entre raparigas, festas, drogas, depressão, morte e autodescoberta. Uma reflexão que é também o retrato de uma geração e a ânsia de pertencer. Raparigas como nós é uma viagem entre Lisboa, Cascais e Madrid, contada pela voz de Isabel e que, numa narrativa veloz, nos revela o impacto que podemos ter na vida uns dos outros. Um romance sobre a eletricidade do primeiro amor e os intensos emaranhados das relações de amizade e das memórias de infância.
Otelo: A tragédia de Otelo, o mouro de Veneza
by William ShakespeareUma tragédia sobre poder, racismo, amor e traição, tão relevante hoje como em 1603, ano em que foi escrita pelo maior dramaturgo de sempre. Tradução e introdução de Daniel Jonas «Calar-me? Hei de falar tão livre como o vento. E venham todos, céu, diabos, homens,Que gritem contra mim, hei de falar.» Otelo, destacado general mouro ao serviço do Estado de Veneza, apaixona-se pela bela e jovem Desdémona, oriunda de uma abastada família veneziana. Iago, alferes de Otelo, dominado pela raiva de ter sido preterido, em favor de Cássio, numa promoção a capitão, denuncia a união entre os dois amantes, realizada em segredo, a Brabâncio, pai de Desdémona, provocando a sua ira. Não logrando o seu intento de destruir Otelo, Iago convence-o de que Desdémona o trai com Cássio, assim desencadeando uma série de ações que precipitarão o mais funesto dos desfechos. Otelo é uma das mais importantes e belas tragédias de Shakespeare, cuja notável densidade psicológica expõe a queda inevitável de um homem consumido pela paixão e pelo ciúme. Uma tragédia sobre poder, racismo, amor e traição, tão relevante hoje como em 1603, ano em que foi escrita pelo maior dramaturgo de sempre.
A Devastação
by Helena MagalhãesO poder das amizades femininas junta-se a uma crítica ao patriarcado. No final do verão de 1990, Mar, com apenas seis anos, é enviada para o Romeirão, um internato Católico no Alentejo onde fica até aos 15 anos. Cresce no meio de regras e privações, castigos e fome, mas rodeada e protegida pela irmandade das outras raparigas, principalmente Anita e Amália, mas também de Eduardo, um dos rapazes da vila, com quem vai criar uma relação inesperada e viver as primeiras descobertas de amor. Anos depois, ainda a lidar com o trauma do passado, com as drogas, a depressão e a solidão, é ao lado de Isabel, Alice e Luísa que aprende a viver uma nova vida sóbria e em paz. Quando reencontra Eduardo, nenhum consegue resistir à ligação magnética, mas com ele voltam feridas antigas que a assombram desde a noite em fugiu do Romeirão. A pequena Mar que se transformou na Marisa das Argolas, a "vilã” de Raparigascomo nós, regressa nesta ousada crítica ao patriarcado português. Escrita com sagacidade e emoção, A devastação explora o poder das amizades femininas e captura as complexidades humanas e familiares, a eletricidade do primeiro amor e os segredos que nos enjaulam em locais amaldiçoados dentro de nós.
Nero: Alliance Series Book One
by S. J. TillyThe first time I took a man's life, I knew there'd be no going back, no normal existence in the cards for me. Instead of walking away, I climbed a mountain of bodies and created my own destiny by forming The Alliance. And I was fine with that, content enough to carry on. Until I stepped through those open doors, and into her life. I should've walked away. Should've gone right back out the door I came through. But I didn't. And now her life is in danger. That's the thing about being a bad man. I'll happily paint the streets red to protect what's mine. And Payton is mine. Whether she knows it or not.
The Buddha and the Bard
by Lauren ShufranWhat does Shakespeare have to teach us about mindfulness? What Eastern spiritual views about death, love, and presence are reflected in the writings of The Bard? The Buddha and the Bard reveals the surprising connections between the 2,500-year-old spiritual leader and the most compelling writer of all time. &“Shufran&’s compelling juxtapositions will encourage the reader to ask the deepest questions of themselves while delighting in the play of resonances across a cultural and historical divide.&” – YOGA Magazine Shakespeare understood and represented the human condition better than any writer of his time. As for the Buddha, he saw how to liberate us from that condition. Author Lauren Shufran explores the fascinating interplay of Western drama and Eastern philosophy by pairing quotes from Shakespeare with the tenets of an Eastern spiritual practice, sparking a compelling dialogue between the two. There&’s a remarkable interchange of echoes between Shakespeare&’s conception of &“the inward man&” and Buddhist approaches to recognizing, honoring, and working with our humanness as we play out our roles on the &“stage&” of our lives. The Buddha and the Bard synthesizes literature and scripture, embodied drama and transcendent practice, to shape a multifaceted lyric that we can apply as mindful practice in our own lives. Shufran&’s compelling juxtapositions will encourage the reader to ask the deepest questions of themselves while delighting in the play of resonances across a cultural and historical divide.