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Screens: Viewing Media Installation Art (Electronic Mediations #30)
by Kate MondlochMedia screens--film, video, and computer screens--have increasingly pervaded both artistic production and everyday life since the 1960s. Yet the nature of viewing artworks made from these media, along with their subjective effects, remains largely unexplored. Screens addresses this gap, offering a historical and theoretical framework for understanding screen-reliant installation art and the spectatorship it evokes. Examining a range of installations created over the past fifty years that investigate the rich terrain between the sculptural and the cinematic, including works by artists such as Eija-Liisa Ahtila, Doug Aitken, Peter Campus, Dan Graham, VALIE EXPORT, Bruce Nauman, and Michael Snow, Kate Mondloch traces the construction of screen spectatorship in art from the seminal film and video installations of the 1960s and 1970s to the new media artworks of today's digital culture. Mondloch identifies a momentous shift in contemporary art that challenges key premises of spectatorship brought about by technological objects that literally and metaphorically filter the subject's field of vision. As a result she proposes that contemporary viewers are, quite literally, screen subjects and offers the unique critical leverage of art as an alternative way to understand media culture and contemporary visuality.
Fashionistas (School Gyrls #1)
by Mo MoneyMonica "Mo Money" Marriott is worried her mother won't measure up to her classmates' wealthy parents during Parent's Weekend, so she lies about her mother's background.
British Historical Cinema (British Popular Cinema)
by Claire Monk Amy SargeantFilms recreating or addressing 'the past' - recent or distant, actual or imagined - have been a mainstay of British cinema since the silent era. From Elizabeth to Carry On Up The Khyber, and from the heritage-film debate to issues of authenticity and questions of genre, British Historical Cinema explores the ways in which British films have represented the past on screen, the issues they raise and the debates they have provoked. Discussing films from biopics to literary adaptations, and from depictions of Britain's colonial past to the re-imagining of recent decades in retro films such as Velvet Goldmine, a range of contributors ask whose history is being represented, from whose perspective, and why.
Narrative Therapy in Practice: The Archaeology of Hope
by Gerald Monk Kathie Crocket David Epston John WinsladeHow to apply the definitive postmodern therapeutic technique in a variety of situations, including treating alcoholics, counseling students, treating male sexual abuse survivors, and more. Written with scholarship, energy, practicality, and awareness.
Matt Monro: The Singer's Singer
by Michele MonroA singer once said "His pitch was right on the nose: his word enunciation letter perfect: his understanding of a song thorough. He will be missed very much, not only by myself, but by his fans all over the world." The singer was the legendary Frank Sinatra, the man he spoke about: Matt Monro. <P> Matt Monro: The Singer's Singer, is the highly-anticipated story of one of Britain's most iconic singers, tracing Matt Monro's life from his poverty stricken upbringing in post-war Britain to his day job as London bus driver to the steady rise to fame that saw the singer battling the highs and lows of the entertainment industry to become one of Britain's best-loved entertainers. This is the man behind the image, the man who rubbed shoulders with some of the most famous names in the business, who recorded the very first James Bond theme song (From Russia with Love) and the international hits Softly as I Leave You, Born Free, Walk Away and Portrait of My Love. <P> In an intimate portrait written by the singer's daughter, Michele Monro, and drawing on more than two hundred interviews from the most important characters in Matt's life, The Singer's Singer exposes the man behind the voice, telling the story of how Terry Parson overcame poverty, prejudice and alcoholism to arrive at the very heart of the post-war British entertainment industry as the unforgettable Matt Monro. <P> Including never-before-seen photography, exclusive correspondence between Matt and some of the biggest names in the music business and a rich array of personal anecdotes, this is the first comprehensive look at the life of the man his peers dubbed 'the Singer's Singer', the irreplaceable Matt Monro.
My Story
by Marilyn Monroe Ben HechtWritten at the height of her fame but not published until over a decade after her death, this autobiography of actress and sex symbol Marilyn Monroe (1926-1962) poignantly recounts her childhood as an unwanted orphan, her early adolescence, her rise in the film industry from bit player to celebrity, and her marriage to Joe DiMaggio. In this intimate account of a very public life, she tells of her first (non-consensual) sexual experience, her romance with the Yankee Clipper, and her prescient vision of herself as "the kind of girl they found dead in the hall bedroom with an empty bottle of sleeping pills in her hand." The Marilyn in these pages is a revelation: a gifted, intelligent, vulnerable woman who was far more complex than the unwitting sex siren she portrayed on screen.
From the Sands of Dorne: A Feast of Ice & Fire Companion Cookbook
by Chelsea Monroe-CasselPrepare your palette for more than a dozen all-new recipes in this eBook-exclusive companion to the official Game of Thrones cookbook! Discover the tastes of Dorne, including one dish from The Winds of Winter, the highly anticipated next chapter of George R. R. Martin's beloved series, A Song of Ice and Fire. The most culturally distinct region of the Seven Kingdoms, Dorne is the sun-soaked desert land characterized by its unique customs and brash resistance to the Iron Throne. The Dornish people are known for their bold passions--perhaps best exemplified by the Red Viper himself, Oberyn Martell--and this fiery temperament has yielded a perfect pairing: their delicious cuisine. Packed with fresh flavor, zesty seasonings, and plenty of heat, this eclectic sampling of Southern delights can be enjoyed all year round, with savory fare to warm your bones in Winterfell and frozen desserts to help you keep cool in Sunspear. Inside, you'll find: * Succulent starters: Lemon-Egg Soup; Spicy Shrimp; Roasted Chickpeas. * Mediterranean-style mains: Lamb with Honey, Lemon, and Fiery Peppers; Eggs and Spicy Sausage; Green Peppers Stuffed with Cheese; Spicy Flatbread. * Tasty treats: Blood-Orange Granita; Candied Kumquats; Figs Stuffed with Nuts. With all the imagination, authenticity, and tongue-in-cheek humor that won A Feast of Ice and Fire a cult following, From the Sands of Dorne is an oasis for foodies everywhere.
The Official Game of Thrones Cookbook: Recipes from King's Landing to the Dothraki Sea
by Chelsea Monroe-CasselFrom the world of George R. R. Martin&’s A Song of Ice and Fire comes a collection of 80 delicious recipes inspired by the histories of Westeros, Essos, and beyond.For those who long to dine with the Dragonlords of Old Valyria or quaff a cup of mead with King Robert I, The Official Game of Thrones Cookbook unlocks the vast culinary world of George R. R. Martin&’s A Song of Ice and Fire. Presented as the in-world manuscript of a Citadel maester, these eighty recipes take the reader on a delectable journey throughout the Seven Kingdoms, across the Narrow Sea, and back into the annals of history.The book is created by Chelsea Monroe-Cassel, who tends the popular &“Inn at the Crossroads&” food blog and co-authored A Feast of Ice and Fire. Her Maester Alton is curious, food-obsessed, and loves the fare of the highborn and small folk alike. His recipes evoke the world&’s regions, history, and stories in a charming and knowledgeable voice.The eight chapters offer recipes for every meal of the day, including Dothraki Blood Pie, Crown Roast of Boar&’s Ribs, Dornish Creamcakes, Redwyne Roasted Grapes, Seaweed Ship&’s Biscuits, Barley Griddle Cakes, Winter Town Wassail. Recipes are illustrated by mouthwatering food photography and stunning woodcut illustrations. A resource section suggests menus by region, so you can hold a feast in Riverlands, The Wall, or Braavos. Complete with an introduction by George R. R. Martin, The Official Game of Thrones Cookbook transports you to a much-loved world where trestle tables groan with sumptuous feasts, goblets overflow with mead, and winter is always coming.
A Feast of Ice and Fire: The Official Game of Thrones Companion Cookbook
by Chelsea Monroe-Cassel Sariann Lehrer George R. R. MartinEver wonder what it's like to attend a feast at Winterfell? Wish you could split a lemon cake with Sansa Stark, scarf down a pork pie with the Night's Watch, or indulge in honeyfingers with Daenerys Targaryen? George R. R. Martin's bestselling saga A Song of Ice and Fire and the runaway hit HBO series Game of Thrones are renowned for bringing Westeros's sights and sounds to vivid life. But one important ingredient has always been missing: the mouthwatering dishes that form the backdrop of this extraordinary world. Now, fresh out of the series that redefined fantasy, comes the cookbook that may just redefine dinner . . . and lunch, and breakfast. A passion project from superfans and amateur chefs Chelsea Monroe-Cassel and Sariann Lehrer--and endorsed by George R. R. Martin himself--A Feast of Ice and Fire lovingly replicates a stunning range of cuisines from across the Seven Kingdoms and beyond. From the sumptuous delicacies enjoyed in the halls of power at King's Landing, to the warm and smoky comfort foods of the frozen North, to the rich, exotic fare of the mysterious lands east of Westeros, there's a flavor for every palate, and a treat for every chef. These easy-to-follow recipes have been refined for modern cooking techniques, but adventurous eaters can also attempt the authentic medieval meals that inspired them. The authors have also suggested substitutions for some of the more fantastical ingredients, so you won't have to stock your kitchen with camel, live doves, or dragon eggs to create meals fit for a king (or a khaleesi). In all, A Feast of Ice and Fire contains more than 100 recipes, divided by region: * The Wall: Rack of Lamb and Herbs; Pork Pie; Mutton in Onion-Ale Broth; Mulled Wine; Pease Porridge * The North: Beef and Bacon Pie; Honeyed Chicken; Aurochs with Roasted Leeks; Baked Apples * The South: Cream Swans; Trout Wrapped in Bacon; Stewed Rabbit; Sister's Stew; Blueberry Tarts * King's Landing: Lemon Cakes; Quails Drowned in Butter; Almond Crusted Trout; Bowls of Brown; Iced Milk with Honey * Dorne: Stuffed Grape Leaves; Duck with Lemons; Chickpea Paste * Across the Narrow Sea: Biscuits and Bacon; Tyroshi Honeyfingers; Wintercakes; Honey-Spiced Locusts There's even a guide to dining and entertaining in the style of the Seven Kingdoms. Exhaustively researched and reverently detailed, accompanied by passages from all five books in the series and full-color photographs guaranteed to whet your appetite, this is the companion to the blockbuster phenomenon that millions of stomachs have been growling for. And remember, winter is coming--so don't be afraid to put on a few pounds. Includes a Foreword by George R. R. Martin
Predator: A Memoir, a Movie, an Obsession
by Ander MonsonA searching memoir of a life lived in the flicker of an action film, by the author of I Will Take the Answer In his first memoir, Ander Monson guides readers through a scene-by-scene exploration of the 1987 film Predator, which he has watched 146 times. Some fighters might not have time to bleed, but Monson has the patience to consider their adventure, one frame at a time. He turns his obsession into a lens through which he poignantly examines his own life, formed by mainstream, white, male American culture. Between scenes, Monson delves deeply into his adolescence in Michigan’s Upper Peninsula and Riyadh, his role as a father and the loss of his own mother, and his friendships with men bound by the troubled camaraderie depicted in action and sci-fi blockbusters. Along with excursions into the conflicted pleasures of cosplay and first-person shooters, he imagines himself beside the poet and memoirist Paul Monette, who wrote the novelization of the movie while his partner was dying of AIDS.A sincere and playful book that lovingly dissects the film, Predator also offers questions and critiques of masculinity, fandom, and their interrelation with acts of mass violence. In a stirring reversal, one chapter exposes Monson through the Predator’s heat-seeking vision, asking him, “What do you know about the workings of the hidden world?” As Monson brings us into the brilliant depths of the film and its universe, the hunt begins.
Ransom Kidnapping in Italy: Crime, Memory, and Violence (Toronto Italian Studies)
by Alessandra MontalbanoFor over thirty years, modern Italy was plagued by ransom kidnappings perpetrated by bandits and organized crime syndicates. Nearly 700 men, women, and children were abducted from across the country between the late 1960s and the late 1990s, held hostage by members of the Sardinian banditry, Cosa Nostra, and the ’Ndrangheta. Subjected to harsh captivities and psychological abuse, the victims spent months and even years in isolation while law enforcement and the state struggled to find them. Ransom Kidnapping in Italy examines this Italian criminal phenomenon. Alessandra Montalbano argues that abduction is a key vantage point from which to understand modern Italy: it troubled the law, terrified society, ignited juridical and parliamentary debates, and mobilized citizens. Bringing together archival and media materials with the victims’ accounts and diverse forms of cultural response, the book examines ransom kidnapping through the lenses of historiography, law, literary criticism, trauma studies, phenomenology, and political philosophy. Ransom Kidnapping in Italy traces how and at what price Italians became aware of living in a country that was being blackmailed by criminal organizations that arguably jeoparded the nation even more than terrorism.
Hip-Hop Lollipop
by Susan MontanariIn this lyrical read-aloud filled with rhythm and rhyme and illustrated by Caldecott Honor winner Brian Pinkney, follow a little girl as she dances her way to bedtime. Mama says, "Lollipop, stop! Stop!Jumping snapping nonstop."Arms and shoulders pop 'n' lock.Lollie's dancing hip-hop.Watch as Lollipop grooves her way through her bedtime routine, brushing her teeth to the beat and shimmying into pjs. She sways along with her sister, her parents, and even some enthusiastic pets until, finally, Lollie closes her eyes and dances through her dreams. Susan Montanari and Caldecott Honor winner Brian Pinkney offer a playful bedtime read-aloud that perfectly captures the joy of music, movement, and family.
Silver Screen to Digital: A Brief History of Film Technology
by Carlo MontanaroAn era has ended. After one hundred and twenty-five years, a change has taken place in cinemas. The thousands of figures formed by silver and coloured pigments can no longer be viewed through transparent film, instead, everything has become digital, compressed, virtual and built into the rapid alternation of millions (hopefully, for quality's sake) of dots, or pixels within a very neat and minuscule grid. But projection is just the last link in a chain that is transforming the most direct language invented by humanity over the centuries. The other links – shooting, editing, special effects, re-elaboration and sound reproduction – have by now undergone radical transformations that have often signified progress.Perhaps, it is worth the trouble, then, having accepted this transformation-revolution once and for all, to understand where we started out from, how cinematographic language was born and how its grammar first and later its syntax evolved thanks to technological development. Without lightweight equipment for sound recording, sensitive emulsions, portable and compact lighting, it would not have been possible, at the end of the 50s, for example, to create identifiable "currents" of experimentation and concept under such titles as free cinema or nouvelle vague, which were largely based on footage from life and no longer reconstructed in the studio. That which filmmakers today can achieve even more effectively thanks to a range of digital technologies, paradoxically, involves working with even more-minimal equipment such as a smartphone in front of green or blue screens, against absolutely virtual backgrounds. In short: no more silver and more and more pixels.
Silver Screen to Digital: A Brief History of Film Technology
by Carlo MontanaroA history of transformations in moviemaking technology, from pigments to pixels, celluloid to CGI.An era has ended. After one hundred and twenty-five years, a change has taken place in cinemas. The thousands of figures formed by silver and colored pigments can no longer be viewed through transparent film—instead, everything has become digital, compressed, virtual and built into the rapid alternation of millions (hopefully, for quality’s sake) of dots, or pixels within a very neat and minuscule grid.But projection is just the last link in a chain that is transforming the most direct language invented by humanity over the centuries. The other links—shooting, editing, special effects, re-elaboration and sound reproduction—have by now undergone radical transformations that have often signified progress. Perhaps it is worth the trouble, then, having accepted this transformation-revolution once and for all, to understand where we started out from, how cinematographic language was born, and how its grammar first and later its syntax evolved thanks to technological development.Without lightweight equipment for sound recording, sensitive emulsions, and portable and compact lighting, it would not have been possible, at the end of the fifties, for example, to create identifiable “currents” of experimentation and concept under such titles as free cinema or nouvelle vague, which were largely based on footage from life and no longer reconstructed in the studio. That which filmmakers today can achieve even more effectively thanks to a range of digital technologies, paradoxically, involves working with even more-minimal equipment such as a smartphone in front of green or blue screens, against absolutely virtual backgrounds. In short: no more silver and more and more pixels. This volume journeys through the history of cinema, focusing on the machines and mechanisms that contributed to the magic.
Letters from Linda M. Montano
by Linda M. MontanoLetters from Linda M. Montano is an anthology of writings by one of the seminal performance artists of the last century. It provides an autobiographical and historical record of Montano's artistic practice over the last thirty years, collecting together stories, fairytales, letters, interviews, manifestos and other previously unpublished writings. At the same time, the book acts as a 'how-to' manual for aspiring performance artists, offering practical guidance for students and a range of exercises that Montano has used in her teachings and workshops. Finally, Letters from Linda M. Montano represents a performance in itself, in which the artist considers the process of writing, creating and bringing the work to fruition as another form of 'endurance performance' similar to that of her durational works 14 Years of Living Art and Blood Family Art. COVER PHOTO COURTESY OF GISELA GAMPER.
Hip Hop on Film: Performance Culture, Urban Space, and Genre Transformation in the 1980s
by Kimberley MonteyneEarly hip hop film musicals have either been expunged from cinema history or excoriated in brief passages by critics and other writers. Hip Hop on Film reclaims and reexamines productions such as Breakin' (1984), Beat Street (1984), and Krush Groove (1985) in order to illuminate Hollywood's fascinating efforts to incorporate this nascent urban culture into conventional narrative forms. Such films presented musical conventions against the backdrop of graffiti-splattered trains and abandoned tenements in urban communities of color, setting the stage for radical social and political transformations. Hip hop musicals are also part of the broader history of teen cinema, and films such as Charlie Ahearn's Wild Style (1983) are here examined alongside other contemporary youth-oriented productions. As suburban teen films banished parents and children to the margins of narrative action, hip hop musicals, by contrast, presented inclusive and unconventional filial groupings that included all members of the neighborhood. These alternative social configurations directly referenced specific urban social problems, which affected the stability of inner-city families following diminished governmental assistance in communities of color during the 1980s. Breakdancing, a central element of hip hop musicals, is also reconsidered. It gained widespread acclaim at the same time that these films entered the theaters, but the nation's newly discovered dance form was embattled—caught between a multitude of institutional entities such as the ballet academy, advertising culture, and dance publications that vied to control its meaning, particularly in relation to delineations of gender. As street-trained breakers were enticed to join the world of professional ballet, this newly forged relationship was recast by dance promoters as a way to invigorate and “remasculinize” European dance, while young women simultaneously critiqued conventional masculinities through an appropriation of breakdance. These multiple and volatile histories influenced the first wave of hip hop films, and even structured the sleeper hit Flashdance (1983). This forgotten, ignored, and maligned cinema is not only an important aspect of hip hop history, but is also central to the histories of teen film, the postclassical musical, and even institutional dance. Kimberley Monteyne places these films within the wider context of their cultural antecedents and reconsiders the genre's influence.
The Routledge Companion to Latine Theatre and Performance (Routledge Companions)
by Noe Montez Olga Sanchez SaltveitThe Routledge Companion to Latine Theatre and Performance traces how manifestations of Latine self-determination in contemporary US theatre and performance practices affirm the value of Latine life in a theatrical culture that has a legacy of misrepresentation and erasure.This collection draws on fifty interdisciplinary contributions written by some of the leading Latine theatre and performance scholars and practitioners in the United States to highlight evolving and recurring strategies of world making, activism, and resistance taken by Latine culture makers to gain political agency on and off the stage. The project reveals the continued growth of Latine theatre and performance through chapters covering but not limited to playwriting, casting practices, representation, training, wrestling with anti-Blackness and anti-Indigeneity, theatre for young audiences, community empowerment, and the market forces that govern the US theatre industry. This book enters conversations in performance studies, ethnic studies, American studies, and Latina/e/o/x studies by taking up performance scholar Diana Taylor’s call to consider the ways that “embodied and performed acts generate, record, and transmit knowledge.”This collection is an essential resource for students, scholars, and theatremakers seeking to explore, understand, and advance the huge range and significance of Latine performance.
Twisty Little Passages: An Approach to Interactive Fiction
by Nick MontfortFrom the Book Jacket: Interactive fiction-the best-known form of which is the text game or text adventure-has not received as much critical attention as have such other forms of electronic literature as hypertext fiction and the conversational programs known as chatterbots. Twisty Little Passages (the title refers to a maze in Adventure, the first interactive fiction) is the first book-length consideration of this form, examining it from gaming and literary perspectives. Nick Montfort, an interactive fiction author himself, offers both aficionados and first-time users a way to approach interactive fiction that will lead to a more pleasurable and meaningful experience of it. Twisty Little Passages looks at interactive fiction beginning with its most important literary ancestor, the riddle. Montfort then discusses Adventure and its precursors (including the I Ching and Dungeons and Dragons), and follows this with an examination of mainframe text games developed in response, focusing on the most influential work of that era, Zork. He then considers the introduction of commercial interactive fiction for home computers, particularly that produced by Infocom. Commercial works inspired an.independent reaction, and Montfort describes the emergence of independent creators and the development of an online interactive fiction community in the 1990s. Finally, he considers the influence of interactive fiction on other literary and gaming forms. With Twisty Little Passages. Nick Montfort places interactive fiction in its computational and literary contexts, opening up-this-still-developing form to new consideration.
Harry Styles
by Alice MontgomeryFind out all about Harry Styles - the sexiest member of the hottest boy band on the planet - in this Sunday Times bestselling biography by Alice Montgomery. When Harry Styles auditioned for the X-Factor, little did he know he'd soon be leaving behind school, his Saturday bakery job, obscurity and an ordinary life. One Direction made it to the final and won a record deal, and it wasn't long before Harry's face covered bedroom walls up and down the country. But how did Harry cope with his new-found fame? And what happens when you take America by storm in a 'British Invasion'? With gorgeous green eyes and curls that send girls wild, Harry has found himself surrounded by beautiful women. But what's the truth behind the rumours? Here, his relationships with Caroline Flack, Taylor Swift and the married Lucy Horobin are laid bare. And what next for Harry and 1D? This book by Alice Montgomery will give you the low down on how Harry Styles and the rest of 1D are set to take on the world.Alice Montgomery works in London and is a freelance author. She has written several bestselling biographies, including Susan Boyle: Dreams Can Come True and Katy Perry.
Jamie Dornan: Shades of Desire
by Alice MontgomeryThe first, intimate biography of Jamie Dornan as he takes on one of the most iconic characters in fiction - Christian Grey.Jamie Dornan is about to become the hottest sex symbol on the planet after landing the leading role in the Fifty Shades of Grey movies. But he remains almost as enigmatic as Mr Grey himself.Jamie Dornan: Shades of Desire will reveal everything fans want to know about the mysterious Mr Dornan, from his tragic childhood to his career as a Calvin Klein model, dating Keira Knightley to finding love with his wife Amelia Warner. How does his part as a BDSM-loving billionaire sit alongside his real life role as a family man and father to a young daughter? And how will he cope with fame as the Fifty Shades of Grey films launch him into superstardom?This biography will be the first to show what Jamie Dornan is really like behind closed doors.
Katy Perry: The Unofficial Biography
by Alice MontgomeryThe fascinating account of a girl-next-door turned pop princessEver since the international chart-topping hit, I Kissed a Girl, Katy Perry hasn't stopped making headlines. From reaching number one in charts worldwide to selling out concerts around the globe, her phenomenal success has propelled her to the A-list. But it didn't always seem like she was destined for stardom. Brought up in a deeply religious community, Katy was allowed to listen only to church music. However, with her astounding musical gift, along with plenty of willpower, Katy was determined to follow her dream. Her rise to the top was cemented in 2010, when after a flurry of media gossip, she married the most controversial figure on British TV - Russell Brand. Bestselling biographer Alice Montgomery traces Katy's steps to stardom from her choir girl beginnings to her breakthrough in the music business and her secret wedding ceremony in India, to reveal the intimate story behind the most exciting and unpredictable pop star around.
Susan Boyle: Dreams Can Come True
by Alice MontgomeryOn Britain's Got Talent on 11 April 2009, 48-year-old spinster Susan Magdalane Boyle stepped out onto the stage to jeers and sniggers. As she announced she was going to sing I Dreamed a Dream, the judges Simon Cowell, Amanda Holden and Piers Morgan didn't bother to hide their amusement. One minute later they, and very soon the world, were giving Susan Boyle a standing ovation. She had the voice of an angel and her story was to become a modern day fairytale, a dream come true. In hours the news of Susan's extraordinary, heartbreaking performance had spread around the globe. She was an instant international star. And today she holds the record for the fastest selling female debut album of all time. In this, the first book to explore Susan's amazing rags to riches story, we follow her from her humble West Lothian background to topping the charts and performing for millions worldwide on TV. Whether it was bullying or nearly not entering Britain's Got Talent because "it was a young person's game", when faced with the toughest challenges, Susan never gave up. The memory of her mother inspired her to give her dream one last chance.
Duke Ellington: A Life in Music (Houghton Mifflin Harcourt Vocabulary Readers #Leveled Reader: Level: 4, Theme: 5.2)
by Erick MontgomeryBriefly tells of the life of Duke Ellington, the musician.
Duke Ellington: Man of Music (Leveled Readers 4.5.2)
by Erick MontgomeryDuke Ellington was a great composer and musician. How did he change music in America?
A Town Bewitched
by Suzanne De MontignyIt’s tough for Kira, growing up in the small town of Hope as a child prodigy in classical violin, especially when her dad just died. And to make matters worse, Kate McDonough, the red-haired fiddler appears out of nowhere, bewitching the town with her mysterious Celtic music. Even Uncle Jack succumbs to her charms, forgetting his promise to look after Kira’s family. But when someone begins vandalizing the town leaving dead and gutted birds as a calling card, Kira knows without a doubt who’s behind it. Will anyone believe her?