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Not Quite Snow White
by Ashley FranklinA picture book for magical yet imperfect children everywhere, written by debut author Ashley Franklin and perfect for fans of such titles as Matthew A. Cherry's Hair Love, Grace Byers's I Am Enough, and Lupita Nyong'o's Sulwe.Tameika is a girl who belongs on the stage. She loves to act, sing, and dance—and she’s pretty good at it, too. So when her school announces their Snow White musical, Tameika auditions for the lead princess role.But the other kids think she’s “not quite” right to play the role. They whisper, they snicker, and they glare.Will Tameika let their harsh words be her final curtain call?Not Quite Snow White is a delightful and inspiring picture book that highlights the importance of self-confidence while taking an earnest look at what happens when that confidence is shaken or lost. Tameika encourages us all to let our magic shine.
Not Since Carrie: Forty Years of Broadway Musical Flops
by Ken MandelbaumIf you love Broadway musicals, this book is for you. While Broadway has had its share of musical triumphs, it has also seen hundreds of musicals that had brief runs, lost millions of dollars, and broke the hearts of their creators and performers. For every hit musical, there are roughly five others that are quick flops, and even the most celebrated names in show business are not immune to them. Ken Mandelbaum offers the behind-the-scenes story of the development of almost two hundred musical flops that played Broadway between 1950 and 1990, along with a reevaluative and often revisionist study of their quality. Here they all are, from such legendary catastrophes as Carrie, Kelly, Breakfast at Tiffany’s, and Legs Diamond, to flops that starred Lucille Ball and Bette Davis, to the failures of Rodgers and Hammerstein, Jule Styne, Jerry Herman, Alan Jay Lerner, Gower Champion, and many others. Not Since Carrie makes a case for the strengths of certain unsuccessful works, points out some that might be worthy of revival, and allows the reader to relive some of Broadway’s most infamous moments. A reexamination of neglected, forgotten, and often catastrophic musicals, Not Since Carrie will remain the definitive volume on a colorful and vital segment of "lost” theatre history. Ken Mandelbaum has written on musical theatre for The New York Times, Playbill, Stagebill, Billboard, Show Music, and Sony/Columbia Records. He is currently the musical theatre critic for Theater Week magazine. In 1989, he won acclaim for his first book, A Chorus Line and the Musicals of Michael Bennett (St. Martin’s Press). He lives in New York City, and his favorite song is "I Wish It So” from the flop Juno. If you subscribe to a music service like Amazon or Spotify, you can listen to many of the songs described. At the end of the book there is a Shows Index and a Names Index.
A Not So Foreign Affair: Fascism, Sexuality, and the Cultural Rhetoric of American Democracy
by Andrea SlaneIn A Not So Foreign Affair Andrea Slane investigates the influence of images of Nazism on debates about sexuality that are central to contemporary American political rhetoric. By analyzing an array of films, journalism, scholarly theories, melodrama, video, and propaganda literature, Slane describes a common rhetoric that emerged during the 1930s and 1940s as a means of distinguishing "democratic sexuality" from that ascribed to Nazi Germany. World War II marked a turning point in the cultural rhetoric of democracy, Slane claims, because it intensified a preoccupation with the political role of private life and pushed sexuality to the center of democratic discourse. Having created tremendous anxiety--and fascination--in American culture, Nazism became associated with promiscuity, sexual perversionand the destruction of the family. Slane reveals how this particular imprint of fascism is used in progressive as well as conservative imagery and language to further their domestic agendas and shows how our cultural engagement with Nazism reflects the inherent tension in democracy between the value of diversity, individual freedoms national identity, and notions of the common good. Finally, she applies her analysis of wartime narratives to contemporary texts, examining anti-abortion, anti-gay, and anti-federal rhetoric, as well as the psychic life of skinheads, censorship debates, and the contemporary fascination with incest. An invaluable resource for understanding the language we use--both visual and narrative--to describe and debate democracy in the United States today, A Not So Foreign Affair will appeal to those interested in cultural studies, film and video studies, American studies, twentieth century history, German studies, rhetoric, and sexuality studies.
Not So Normal Norbert
by James Patterson Joey Green Hatem AlyJames Patterson's rollicking new middle grade novel is a hilarious adventure into a futuristic world, where different is dangerous, imagination is insanity, and creativity is crazy!Norbert Riddle lives in the United State of Earth, where normal means following the rules, never standing out, and being exactly the same as everyone else, down to the plain gray jumpsuits he wears everyday. He's been normal his whole life--until a moment of temporary hilarity when he does a funny impression of their dictator, Loving Leader...and gets caught!Now, Norbert's been arrested and banished to planet Zorquat 3 in the Orion Nebula, where kids who defy the rules roam free in the Astronuts camp. Norbert has been taught his whole life that different is wrong, but everyone at Astronuts is crazy, creative, and insane! Norbert wants nothing more than to go back to earth where things are awful but at least they're familiar. But he soon realizes that being different could be better--and maybe the crazy farm is exactly where he belongs after all.
Not Starring Zadie Louise
by Joy McCulloughIn this &“entertaining and moving&” (Kirkus Reviews) middle grade novel that&’s perfect for fans of Tim Federle and Gordon Korman, Zadie is determined to spend the summer helping at the community theater—but things go hilariously awry!Zadie loves Tae Kwon Do, comic books, and outer space. She also loves visiting the community theater that her mom runs, especially the lighting grid over the stage and the stage manager&’s booth, which is filled with levers and buttons like a spaceship control panel. So when the family&’s finances suffer a blow and Zadie has to give up her usual activities to spend the summer at the theater, she doesn&’t mind too much. After all, she&’s always wanted to tech a show. She knows she&’d be great at it, but her mom and the new stage manager are totally opposed to the idea of having a kid do tech. Instead, Zadie&’s stuck handing out snacks and folding flyers. But the future of the theater rides on this show, and Zadie is determined to help. She&’s going to make Spinderella the hit of the season—unless she accidentally turns it into a disaster.
Not Taco Bell Material
by Adam CarollaIn his second book, Adam Carolla--author of New York Times bestseller In Fifty Years We'll All Be Chicks and chart-topping podcaster--reveals all the stories behind how he came to be the angry middle-aged man he is today. Funnyman Adam Carolla is known for two things: hilarious rants about things that drive him crazy and personal stories about everything from his hardscrabble childhood to his slacker friends to the hypocrisy of Hollywood. He tackled rants in his first book, and now he tells his best stories and debuts some never-before-heard tales as well. Organized by the myriad "dumps" Carolla called home--through the flophouse apartments he rented in his twenties, up to the homes he personally renovated after achieving success in Hollywood--the anecdotes here follow Adam's journey and the hilarious pitfalls along the way. Adam Carolla started broke and blue collar and has now been on the Hollywood scene for over fifteen years, yet he never lost his underdog demeanor. He's still connected to the working class guy he once was, and delivers a raw and edgy, fish-out-of-water take on the world he lives in (but mostly disagrees with), telling all the stories, no matter who he offends--family, friends or the famous.
Not That Kind of Girl
by Lena DunhamFor readers of Nora Ephron, Tina Fey, and David Sedaris, this hilarious, wise, and fiercely candid collection of personal essays establishes Lena Dunham--the acclaimed creator, producer, and star of HBO's Girls--as one of the most original young talents writing today. In Not That Kind of Girl, Dunham illuminates the experiences that are part of making one's way in the world: falling in love, feeling alone, being ten pounds overweight despite eating only health food, having to prove yourself in a room full of men twice your age, finding true love, and most of all, having the guts to believe that your story is one that deserves to be told. "Take My Virginity (No Really, Take It)" is the account of Dunham's first time, and how her expectations of sex didn't quite live up to the actual event ("No floodgate had been opened, no vault of true womanhood unlocked"); "Girls & Jerks" explores her former attraction to less-than-nice guys--guys who had perfected the "dynamic of disrespect" she found so intriguing; "Is This Even Real?" is a meditation on her lifelong obsession with death and dying--what she calls her "genetically predestined morbidity." And in "I Didn't F*** Them, but They Yelled at Me," she imagines the tell-all she will write when she is eighty and past caring, able to reflect honestly on the sexism and condescension she has encountered in Hollywood, where women are "treated like the paper thingies that protect glasses in hotel bathrooms--necessary but infinitely disposable." Exuberant, moving, and keenly observed, Not That Kind of Girl is a series of dispatches from the frontlines of the struggle that is growing up. "I'm already predicting my future shame at thinking I had anything to offer you," Dunham writes. "But if I can take what I've learned and make one menial job easier for you, or prevent you from having the kind of sex where you feel you must keep your sneakers on in case you want to run away during the act, then every misstep of mine will have been worthwhile."Praise for Not That Kind of Girl "It's not Lena Dunham's candor that makes me gasp. Rather, it's her writing--which is full of surprises where you least expect them. A fine, subversive book."--David Sedaris "Always funny, sometimes wrenching, these essays are a testament to the creative wonder that is Lena Dunham."--Judy Blume "Dunham's writing is just as smart, honest, sophisticated, dangerous, and charming as her work on Girls. Its essential quality is a kind of joyful super-awareness: of herself, the world, the human. Reading her makes you glad to be in the world, and glad that she's in it with you."--George Saunders "Very few women have become famous for being who they actually are, nuanced and imperfect. When honesty happens, it's usually couched in self-ridicule or self-help. Dunham doesn't apologize like that--she simply tells her story as if it might be interesting. Not That Kind of Girl is hilarious, artful, and staggeringly intimate; I read it shivering with recognition."--Miranda July "This book should be required reading for anyone who thinks they understand the experience of being a young woman in our culture. I thought I knew the author rather well, and I found many (not altogether welcome) surprises."--Carroll DunhamFrom the Hardcover edition.
Not that You Asked ...
by Andrew A. RooneyFrom the book jacket: Andy Rooney's syndicated newspaper columns and cantankerous "60 Minutes" essays have made him one of the best known curmudgeons in America. Rooney writes about, well, almost everything, boasting in the introduction to Not That You Asked . . .: "There's something in this book that will irritate almost everyone." m The Critics Publishers Weekly The whiny, white-haired leprechaun who dispenses cranky advice on CBS-TV's 60 Minutes as if his bromides about life's minor annoyances are raw pearls of wisdom will entertain his fans with this latest assemblage. Rooney, author of four previous books, has fun with easy targets such as the decline of romance, dull textbooks, the U.S. postal service, the dearth of good conversation, unwanted Christmas gifts and the Miss America contest. He skewers Americans' suspicious stance toward the Soviets (``I never met a Russian as mean and macho as Rambo'') and pinpoints the use of sexist language (``No men ever get wed in the New York Times , just women''). Rooney has a knack of talking out of both sides of his mouth when discussing topics such as the arms race, student protest, global eco-catastrophe and the animal rights movement. Ambling from class reunions to credit cards, dogs, cats and the joys of spring in the city, these calculatedly curmudgeonly pieces touch on phenomena with which almost everybody can identify.
Not the Girl Next Door: Joan Crawford, a Personal Biography (Applause Bks.)
by Charlotte ChandlerIn this fascinating new biography of screen legend Joan Crawford, Charlotte Chandler draws on exclusive and remarkably candid interviews with Crawford herself and with others who knew her, including first husband Douglas Fairbanks, Jr., and Crawford's daughter Cathy. As a result, this biography is fresh and revealing, a brand-new look at one of Hollywood's most acclaimed stars. Joan Crawford was born Lucille LeSueur in San Antonio, Texas, in 1908 (as she always insisted, though other sources disagreed). Her father abandoned the family, and her mother soon remarried; Lucille was now known as Billie Cassin. Young Billie loved to dance and achieved her early success in silent films playing a dancer. Her breakthrough role came in Our Dancing Daughters. Soon married to Hollywood royalty, Douglas Fairbanks, Jr. (who called her "Billie"), she was a star in her own right, playing opposite John Barrymore and a stellar cast in M-G-M's Grand Hotel. Crawford was cast opposite another young star, Clark Gable, in several films. They would sometimes play lovers on screen -- and off as well. After her marriage to Fairbanks broke up, Crawford married actor Franchot Tone. That marriage soon began to show strains, and Crawford was sometimes seen riding with Spencer Tracy, who gave her a horse she named Secret. Crawford left M-G-M for Warners, and around the time she married her third husband, Phillip Terry, she won her Oscar for best actress (one of three times she was nominated) in Mildred Pierce. But by the 1950s the film roles dried up. Crawford and Terry had divorced, and Crawford married her fourth husband, Pepsi-Cola executive Alfred Steele. In 1962, she and longtime cinematic rival Bette Davis staged a brief comeback in the macabre but commercial What Ever Happened to Baby Jane? Following Steele's death, Crawford became a director of Pepsi- Cola while she continued raising her four adopted children. Although her daughter Christina would publish the scathing memoir Mommie Dearest after Crawford's death, Chandler offers a contrasting portrait of Crawford, drawing in part on reminiscences of younger daughter Cathy among others. Not the Girl Next Door is perhaps Charlotte Chandler's finest Hollywood biography yet, an intimate portrait of a great star who was beautiful, talented, glamorous, and surprisingly vulnerable.
Not the Life It Seems: The True Lives of My Chemical Romance
by Tom BryantThe definitive biography of post-hardcore rock band My Chemical Romance, based on exclusive, unpublished interviews by the journalist who knew the band best. . My Chemical Romance is the Nirvana of the post-hardcore generation. As the most significant band in alternative rock on both sides of the Atlantic for the past decade, My Chemical Romance has sold five million albums and played to packed arenas worldwide. In March 2013, their sudden break-up shocked the industry and made headline news in top music media around the world. Not the Life It Seems is the true story of My Chemical Romance, a saga of the persistence, dreams, and dark forces that drive a band. Illuminated by more than twenty-four hours of firsthand interviews with the band members and those closest to them, it tells the story of an intensely private band in intimate detail.
Not the Other Avant-Garde: The Transnational Foundations of Avant-Garde Performance
by James Martin Harding John RouseAlmost without exception, studies of the avant-garde take for granted the premise that the influential experimental practices associated with the avant-garde began primarily as a European phenomenon that in turn spread around the world. These ten original essays, especially commissioned for Not the Other Avant-Garde, forge a radically new conception of the avant-garde by demonstrating the many ways in which the first- and second-wave avant-gardes were always already a transnational phenomenon, an amalgam of often contradictory performance traditions and practices developed in various cultural locations around the world, including Africa, the Middle East, Mexico, Argentina, India, and Japan. Essays from leading scholars and critics-including Marvin Carlson, Sudipto Chatterjee, John Conteh-Morgan, Peter Eckersall, Harry J. Elam Jr., Joachim Fiebach, David G. Goodman, Jean Graham-Jones, Hannah Higgins, and Adam Versényi-suggest collectively that the very concept of the avant-garde is possible only if conceptualized beyond the limitations of Eurocentric paradigms. Not the Other Avant-Garde is groundbreaking in both avant-garde studies and performance studies and will be a valuable contribution to the fields of theater studies, modernist studies, art history, literature, and music history.
Not to be Missed: Fifty-four Favorites from a Lifetime of Film
by Kenneth TuranAs a child in 1950s Brooklyn, Kenneth Turan often turned to television programs like "Million Dollar Movie" on WOR-TV. Featuring a much-loved theme song from Gone with the Wind, "Million Dollar Movie" would run one feature film twice a day, every day, all week. It was there that he developed a life-long love of the world of the movies.One of the most discerning critics writing today, Kenneth Turan offers insights that are sure to delight and inspire movie-lovers of all kinds in his latest book, Unforgettable. As sophisticated and illuminating as the films they discuss, Turan's sketches are a blend of cultural analysis, historical anecdote and sordid Hollywood controversy, astute critical appraisals, all suffused with his abiding love for the silver screen.Turan's favorite films range across all genres, low and high. From All About Eve to Seven Samurai to Spirited Away, these are now timeless films-classic and contemporary, familiar and obscure, with big budgets and small-each as interesting as the lives of the authors and actors that made the usually two-or-so-hour-long cinematic experience itself.Ernst Lubitsch loved to act out the scenes he was shooting in front of his cast. Laurence Olivier's torrid love affair with Vivien Leigh was the only reason he agreed to play the part of Mr. Darcy in Pride and Prejudice. John Boorman once said that "watching film is very like dreaming," and truly, the highly-stylized violence of Point Blank dares its audience to reconsider what they've seen on the screen.
Not to be Rude: Intemperate outbursts from one nutty broad!
by Sarina RowellNot to be Rude is a painfully assembled collection of writing by Sarina Rowell from cult humour websites The Scrivener's Fancy and Imagined Slights. Here, all in one place, for the first and last time, she goes into bat for the unfairly maligned - thirtysomething, Nicole Kidman, fashion models and being 'childless by choice'; and goes into bat against the unfairly non-maligned - tapas restaurants, second-hand booksellers, live performances and Audrey Hepburn. If you loved the BBC production of Pride and Prejudice with Colin Firth, you won't love Not to be Rude, and will, furthermore, be demonstrating your own terrible taste. 'Pretty damned funny.' -TONY MARTIN (the comedian, not the cyclist)
Not Young, Still Restless: A Memoir
by Jeanne Cooper Lindsay HarrisonJeanne Cooper, the Emmy Award-winning American actress best known for her portrayal of Katherine Chancellor on the daytime soap opera The Young and the Restless, recounts the steps and missteps of her eight-decade career in Not Young, Still Restless. Exploring a career that began with the birth of a phenomenon called television, Cooper’s life story co-stars a cast of characters that reads like a who’s-who of Hollywood’s Golden Age: Frank Sinatra, Tony Curtis, Henry Fonda, and Shelley Winters, to name just a few. Intimate, honest, and inspiring, Not Young, Still Restless is a fascinating memoir of a life in daytime drama—and proof positive that that growing older doesn’t have to mean giving up.
Not Your Average Jo
by Grace K. ShimFrom the author of THE NOH FAMILY, a second standalone YA novel that follows a Korean American teen as she navigates the treacherous world of nepo babies and cultural appropriation that is the Los Angeles music scene. Perfect for fans of Mary H. K. Choi, Maurene Goo, and Emiko Jean.Riley Jo is a teenager who knows what she wants. Born and raised in Bentonville, Arkansas, this Korean American girl has her sights set on being a musician. So when her parents are surprisingly cool about her attending the prestigious Los Angeles–based arts-focused boarding school her senior year of high school, she jumps at the chance. This is her moment to make her indie rock dreams a reality! Things at Carlmont Academy start out strong: She joins a band, and they set out to make plans to perform at the annual spring concert—with a chance to land a record contract. Another student, Xander, decides his school project will be a documentary about the band leading up to their first show. But not everything goes how Riley Jo imagined. She is soon sidelined when her other bandmates feel she is "too Asian" to be their lead singer, and they choose her classmate Bodhi Collins for the role instead.Bodhi is rock music royalty, with a dad who is a famous music exec. And he's got the "all-American rock star look." Her classmates suggest she try making K-pop, but her heart is in indie rock. Riley Jo decides to take matters into her own hands and writes an original song to showcase her talent. But Bodhi takes the credit . . . and given his connections, the band lets him.Xander captures all of this in his film, which he leaks in order to show the truth behind the band. Riley Jo decides to sign up for the spring concert and perform on her own . . . but will she finally be able to take center stage?
Not Your Average Zombie: Rehumanizing the Undead from Voodoo to Zombie Walks
by Chera KeeThe zombie apocalypse hasn’t happened—yet—but zombies are all over popular culture. From movies and TV shows to video games and zombie walks, the undead stalk through our collective fantasies. What is it about zombies that exerts such a powerful fascination? In Not Your Average Zombie, Chera Kee offers an innovative answer by looking at zombies that don’t conform to the stereotypes of mindless slaves or flesh-eating cannibals. Zombies who think, who speak, and who feel love can be sympathetic and even politically powerful, she asserts. Kee analyzes zombies in popular culture from 1930s depictions of zombies in voodoo rituals to contemporary film and television, comic books, video games, and fan practices such as zombie walks. She discusses how the zombie has embodied our fears of losing the self through slavery and cannibalism and shows how “extra-ordinary” zombies defy that loss of free will by refusing to be dehumanized. By challenging their masters, falling in love, and leading rebellions, “extra-ordinary” zombies become figures of liberation and resistance. Kee also thoroughly investigates how representations of racial and gendered identities in zombie texts offer opportunities for living people to gain agency over their lives. Not Your Average Zombie thus deepens and broadens our understanding of how media producers and consumers take up and use these undead figures to make political interventions in the world of the living.
Note by Note: A Celebration of the Piano Lesson
by Tricia TunstallIn this luminous book, Tricia Tunstall explores the enduring fascination of the piano lesson. Even as everything else about the world of music changes, the piano lesson retains its appeal. Drawing on her own lifelong experience as a student and teacher, Tunstall writes about the mysteries and delights of piano teaching and learning. What is it that happens in a piano lesson to make it such a durable ritual? In a world where music is heard more often on the telephone and in the elevator than in the concert hall, why does the piano lesson still have meaning in the lives of children? What does it matter whether one more child learns to play Bach's Minuet in G? Note by Note is in part a memoir in which Tunstall recalls her own childhood piano teachers and their influence. As she observes, the piano lesson is unlike the experience of being coached on an athletic team or taught in a classroom, in that it is a one-on-one, personal communication. Physically proximate, mutually concentrating on the transfer of a skill that is often arduous, complicated and frustrating, teacher and student occasionally experience breakthroughs-moments of joy when the student has learned something, mastered a musical passage or expressed a feeling through music. The relationship is not only one-way: teaching the piano is a lifelong endeavor of particular intensity and power. Anyone who has ever studied the piano-or wanted to-will cherish this gem of a book.
Note Found in a Bottle: My Life As A Drinker
by Susan CheeverBorn into a world ruled and defined by the cocktail hour, in which the solution to any problem could be found in a dry martini or another glass of wine, Susan Cheever led a life both charmed and damned. She and her father, the celebrated writer John Cheever, were deeply affected and troubled by alcohol. Addressing for the first time the profound effects that alcohol had on her life, in shaping of her relationships with men and in influencing her as a writer, Susan Cheever delivers an elegant memoir of clear-eyed candor and unsettling immediacy. She tells of her childhood obsession with the niceties of cocktails and all that they implied -- sociability, sophistication, status; of college days spent drinking beer and cheap wine; of her three failed marriages, in which alcohol was the inescapable component, of a way of life that brought her perilously close to the edge. At once devastating and inspiring, Note Found in a Bottle offers a startlingly intimate portrait of the alcoholic's life -- and of the corageous journey to recovery.
Note to Self
by Connor FrantaIn his New York Times bestselling memoir, A Work in Progress, Connor Franta shared his journey from small-town Midwestern boy to full-fledged Internet sensation. Exploring his past with humor and astounding insight, Connor reminded his fans of why they first fell in love with him on YouTube—and revealed to newcomers how he relates to his millions of dedicated followers. Now, two years later, Connor is ready to bring to light a side of himself he’s rarely shown on or off camera. In this diary-like look at his life since A Work In Progress, Connor talks about his battles with clinical depression, social anxiety, self-love, and acceptance; his desire to maintain an authentic self in a world that values shares and likes over true connections; his struggles with love and loss; and his renewed efforts to be in the moment—with others and himself. Told through short essays, letters to his past and future selves, poetry, and original photography, Note to Self is a raw, in-the-moment look at the fascinating interior life of a young creator turning inward in order to move forward.
Notelets of Filth: A Companion Reader to Morgan Lloyd Malcolm's Emilia (Routledge Advances in Theatre & Performance Studies)
by Morgan Lloyd Malcolm Aida Patient Kimberly A. Williams Laura KresslyThis collection of short, accessible essays serves as a supplementary text to Morgan Lloyd Malcolm’s play, Emilia. Critically acclaimed and beloved by audiences, this innovative and ground-breaking show is a speculative history, an imaginative (re)telling of the life of English Renaissance poet Aemilia Bassano Lanyer. This book features essays by theatre practitioners, activists, and scholars and informed by intersectional feminist, critical race, queer, and postcolonial analyses will enable students and their teachers across secondary school and higher education to consider the play’s major themes from a wide variety of theoretical and interdisciplinary perspectives. This volume explores the current events and cultural contexts that informed the writing and performing of Emilia between 2017 and 2019, various aspects of the professional London productions, critical and audience responses, and best practices for teaching the play to university and secondary school students. It includes a foreword by Emilia playwright Morgan Lloyd Malcolm This book will be of great interest to students and scholars of theatre, arts activism, feminist literature, and theory.
The Notes
by Catherine Con MorseA reserved Chinese American teen at a Southern performing arts boarding school comes into her own under the tutelage of a glamorous new piano teacher. A moving coming-of-age-novel from a debut novelist about first love, adolescent angst, and academic pressures.&“Compellingly readable. Make room in the boarding-school book canon for a new classic.&” - Jeff Zentner, award-winning author of In the Wild Light and The Serpent King"A moving, highly virtuosic, and heart-rending portrait of an aspiring teen pianist trying to find her way...it made me feel seen." - Patricia Park, author of Imposter Syndrome and Other Confession of Alejandra Kim and What&’s Eating Jackie Oh?Claire Wu isn&’t sure that she has what it takes to become a successful concert pianist. It&’s the fear of every student at Greenwood School for the Performing Arts: becoming a washed-out performer who couldn't make it big. And Claire's no Rocky Wong, the ace pianist at their boarding school.Then Dr. Li shows up. She&’s like no other teacher at Greenwood: mysterious, sophisticated, fascinating. Under Dr. Li&’s tutelage, Claire works harder and dreams bigger than ever. And her crush Rocky finally seems interested. Maybe she&’ll even be "Chinese enough" to join the elusive Asian Student Society.Everything is falling into place until eerily personal notes about Claire&’s bond with Dr. Li appear. Claire starts to feel the pressure. But she isn't the only one. Everyone is feeling the strain. Especially Rocky, whose extreme perfectionism hides something more troubling.As the Showcase tension crescendos, Claire must decide if she&’s ready to sink or swim. Only then can she discover who she really is and learn if she&’s ready to give her all for a shot at greatness.The Notes is a powerful and poignant debut YA novel from award-winning writer Catherine Con Morse about dealing with academic pressures, falling in love for the first time, and finding yourself.
Notes From An Accidental Band Geek
by Erin DionneFrom the author of Models Don’t Eat Chocolate Cookies comes a middle grade novel hailed by Linda Urban as "A perfect blend of laugh out loud funny and real-world heart. ” Elsie Wyatt wants to be an orchestra superstar, like her dad and grandfather. The first step? Get into a super-selective summer music camp. In order to qualify, Elsie must "expand her musical horizons” by joining her high school’s marching band. Not only does this mean wearing a plumed hat and polyester pants, but it also means she can’t play her own instrument, can’t sit down, and can’t seem to say the right thing to anyone...let alone Jake, the cute trumpet player she meets on the first day. Plus, everything she does seems to cause a disaster. Surviving marching band is going to be way harder than Elsie thought. For fans of funny, realistic, every-girl novels like Wendy Mass’s 13 Gifts and Lisa Greenwald’s My Life in Pink & Green. "It has humor, heart, and a touch of romance that will provide ample fodder for booktalks. ”-School Library Journal "Marching-band kids everywhere will enjoy this believable celebration of a life-changing, musical rite of passage. ”-Kirkus .
Notes From An Odin Actress: Stones of Water
by Julia Varley‘As an actress I sit, speak, run, sweat and, simultaneously, I represent someone who sits, speaks, runs and sweats. As an actress, I am both myself and the character I am playing. I exist in the concreteness of the performance and, at the same time, I need to be alive in the minds and senses of the spectators. How can I speak of this double reality?’ – Julia Varley This is a book about the experience of being an actress from a professional and female perspective. Julia Varley has been a member of Odin Teatret for over thirty years, and Notes from an Odin Actress is a personal account of her work with Eugenio Barba and this world-renowned theatre company. This is a unique window onto the in-depth exercises and day-to-day processes of an Odin member. It is a journal to enlighten anyone interested in the performances, the discoveries and the hard physical work that accompany a life in theatre.
Notes from the Hard Shoulder
by James MayTop Gear presenter and columnist for the Daily Telegraph James May brings together another brilliant collection of his most controversial and humorous writing. From tales of motoring adventures through India, Russia and Iceland, to classic articles on essential subjects such as driving songs and haunted car parks, these gems from the number one car connoisseur will take readers on a motoring journey that will amuse and entertain in equal measure.
Notes from the Underwire: Adventures from My Awkward and Lovely Life
by Quinn CummingsMeet Quinn Cummings. Former child star, mother, and modern woman, she just wants to be a good person. Quinn grew up in Los Angeles, a city whose patron saint would be a sixteen-year-old with a gold card and two trips to rehab under her belt. Quinn does crossword puzzles, eats lentils without being forced, and longs to wear a scarf without looking like a Camp Fire Girl. And she tries very hard to be the Adult--the one everybody calls for a ride to the airport--but somehow she always comes up short.In Notes from the Underwire, Quinn's smart and hilarious debut, she tackles the domestic and the delightfully absurd, proving that all too often they're one and the same. From fighting off a catnip-addled cat to mortal conflict with a sewing machine, Quinn provides insight into her often chaotic, seldom-perfect universe--a universe made even less perfect when the goofy smile of past celebrity shows its occasional fang. The book, like the author herself, is good hearted, keenly observant, and blisteringly funny. In other words, really good company.