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Reading Cavell's The World Viewed: A Philosophical Perspective on Film
by Marian Keane William RothmanIn their thoughtful study of one of Stanley Cavell's greatest yet most neglected books, William Rothman and Marian Keane address this eminent philosopher's many readers, from a variety of disciplines, who have neither understood why he has given film so much attention, nor grasped the place of The World Viewed within the totality of his writings about film. Rothman and Keane also reintroduce The World Viewed to the field of film studies. When the new field entered universities in the late 1960s, it predicated its legitimacy on the conviction that the medium's artistic achievements called for serious criticism and on the corollary conviction that no existing field was capable of the criticism filmed called for. The study of film needed to found itself, intellectually, upon a philosophical investigation of the conditions of the medium and art of film. Such was the challenge The World Viewed took upon itself. However, film studies opted to embrace theory as a higher authority than our experiences of movies, divorcing itself from the philosophical perspective of self-reflection apart from which, The World Viewed teaches, we cannot know what movies mean, or what they are. Rotham and Keane now argue that the poststructuralist theories that dominated film studies for a quarter of a century no longer compel conviction, Cavell's brilliant and beautiful book can provide a sense of liberation to a field that has forsaken its original calling. read in a way that acknowledges its philosophical achievement, The World Viewed can show the field a way to move forward by rediscovering its passion for the art of film. Reading Cavell's The World Viewed will prove invaluable to scholars and students of film and philosophy, and to those in other fields, such as literary studies and American studies, who have found Cavell's work provocative and fruitful.
The Elocutionists: Women, Music, and the Spoken Word
by Marian Wilson KimberEmerging in the 1850s, elocutionists recited poetry or drama with music to create a new type of performance. The genre--dominated by women--achieved remarkable popularity. Yet the elocutionists and their art fell into total obscurity during the twentieth century. Marian Wilson Kimber restores elocution with music to its rightful place in performance history. Gazing through the lenses of gender and genre, Wilson Kimber argues that these female artists transgressed the previous boundaries between private and public domains. Their performances advocated for female agency while also contributing to a new social construction of gender. Elocutionists, proud purveyors of wholesome entertainment, pointedly contrasted their "acceptable" feminine attributes against those of morally suspect actresses. As Wilson Kimber shows, their influence far outlived their heyday. Women, the primary composers of melodramatic compositions, did nothing less than create a tradition that helped shape the history of American music.
Cinema of Collaboration: DEFA Coproductions and International Exchange in Cold War Europe (Film Europa #21)
by Mariana IvanovaFrom their very inception, European cinemas undertook collaborative ventures in an attempt to cultivate a transnational “Film-Europe.” In the postwar era, it was DEFA, the state cinema of East Germany, that emerged as a key site for cooperative practices. Despite the significant challenges that the Cold War created for collaboration, DEFA sought international prestige through various initiatives. These ranged from film exchange in occupied Germany to partnerships with Western producers, and from coproductions with Eastern European studios to strategies for film co-authorship. Uniquely positioned between East and West, DEFA proved a crucial mediator among European cinemas during a period of profound political division.
Science on Screen and Paper: Media Cultures and Knowledge Production in Cold War Europe (Visual and Media Cultures of the Cold War and Beyond #2)
by Mariana Ivanova and Juliane ScholzDuring the Cold War, scientific discoveries were adapted and critiqued in many different forms of media across a divided Europe. Now, more than 30 years since the end of the Cold War, Science on Screen and Paper explores the intersections between scientific research and media by drawing from media history, film studies, and the history of science. From public relations material to educational and science films, from children’s magazines to television broadcasts, the contributions in this collected volume seek to embrace medial differences and focus on intersectional themes and strategies for the representation of science.
Media Representations of Police and Crime
by Marianne ColbranThis unique book explores the social processes which shape fictional representations of police and crime in television dramas. Exploring ten leading British and European police dramas from the last twenty-five years, Colbran, a former scriptwriter, presents a revealing insight into police dramas, informed by media and criminological theory.
Katie Cox Goes Viral
by Marianne LevyEverybody's watching Katie Cox...Katie Cox is used to going unnoticed, by her mom, her dad, even her best friend. But when a video of her singing in her bedroom goes viral, she becomes a superstar overnight. As the views skyrocket and a recording contract beckons, the real world starts to feel very far away.It isn't long before Katie starts riding high on her newfound fame. But the higher she goes, the further there is to fall...
Katie Cox vs. the Boy Band
by Marianne LevyKatie is going to have to face the music...Katie Cox (overnight singing sensation and owner of the World's Worst Bangs) never meant to become a pop star. And she didn't mean to start a war with Karamel (aka the World's Cheesiest Boy Band). Now her first concert is just days away. Cool? Maybe. Terrifying? Definitely. And with her school friends more interested in her fame than her feelings, and an army of Karamel fans ready to take her down, this battle goes way beyond the charts.
Dancing with Merce Cunningham
by Marianne Preger-SimonDancing with Merce Cunningham is a buoyant, captivating memoir of a talented dancer’s lifelong friendship with one of the choreographic geniuses of our time. Dancing with Merce Cunningham is a buoyant, captivating memoir of a talented dancer’s lifelong friendship with one of the choreographic geniuses of our time. Marianne Preger-Simon’s story opens amid the explosion of artistic creativity that followed World War II. While immersed in the vibrant arts scene of postwar Paris during a college year abroad, Preger-Simon was so struck by Merce Cunningham’s unconventional dance style that she joined his classes in New York. She soon became an important member of his brand new dance troupe—and a constant friend. Through her experiences in the Merce Cunningham Dance Company, Preger-Simon offers a rare account of exactly how Cunningham taught and interacted with his students. She describes the puzzled reactions of audiences to the novel non-narrative choreography of the company’s debut performances. She touches on Cunningham’s quicksilver temperament—lamenting his early frustrations with obscurity and the discomfort she suspects he endured in concealing his homosexuality and partnership with composer John Cage—yet she celebrates above all his dependable charm, kindness, and engagement. She also portrays the comradery among the company’s dancers, designers, and musicians, many of whom—including Cage, David Tudor, and Carolyn Brown—would become integral to the avant-garde arts movement, as she tells tales of their adventures touring in a VW Microbus across the United States. Finally, reflecting on her connection with Cunningham throughout the latter part of his career, Preger-Simon recalls warm moments that nurtured their enduring bond after she left the dance company and, later, New York. Interspersed with her letters to friends and family, journal entries, and correspondence from Cunningham himself, Preger-Simon’s memoir is an intimate look at one of the most influential companies in modern American dance and the brilliance of its visionary leader.
Margaret Mitchell and John Marsh: The Love Story Behind Gone With the Wind
by Marianne WalkerBased on almost 200 previously unpublished letters and extensive interviews with their closest associates, Walker's biography of Margaret Mitchell and her husband, John Marsh, offers a new look into a devoted marriage and fascinating partnership that ultimately created a Pulitzer Prize winning novel. This edition of Walker's biography celebrates the seventy-fifth anniversary of the publication of Gone With the Wind in 1936. In lively extracts from their letters to family and friends, John and Margaret, who also went by Peggy, describe the stormy years of their courtship, their bohemian lifestyle as a young married couple, the arduous but fulfilling years when Peggy was writing her famous novel, the thrill of its acceptance for publication and its literary success, and the excitement of the making of the movie. In telling the private side of this twenty-four-year marriage, author Marianne Walker reveals a long-suspected truth: Gone With the Wind might have never been written were it not for John Marsh. He was Peggy's best friend and constant champion, and he became her editor, proofreader, researcher, business manager, and the inspiration and motivation behind her writing. At every point, including the turbulent years of Mitchell's first marriage to Red Upshaw, it was John who provided the intellectual stimulation, emotional support, and editorial insights that allowed Peggy to channel her talents into the creation of her astounding Civil War epic. Through years of meticulous research, Marianne Walker reveals the intimate and moving love story between a husband and wife, and between a writer and her editor.
Detroit Opera House (Images of America)
by Marianne Weldon Michael HauserThe theater known today as the Detroit Opera House has been an integral part of the city's culture and history as well as the live entertainment industry. Its existence has been threatened in the past, but it has survived wars, the Great Depression, civil unrest, economic meltdowns, the abandonment of downtown, and, most recently, a pandemic. Generations of patrons have fond, vivid memories of attending films, stage presentations, or events with family and friends as it transitioned from the Broadway Capitol to the Paramount to the Grand Circus to the Detroit Opera House. The reason for building these "temples of amusement" was to literally transport a guest into another world, and the Detroit Opera House has valiantly fulfilled that task. What began as an idea by David DiChiera, founder of Michigan Opera Theatre, the owner and operator of today's Detroit Opera House, blossomed into a magnificent performing arts center with its formal opening in 1996.
John Coates: The Man Who Built The Snowman
by Marie BeardmoreAn abundantly illustrated biography of the British animation producer behind Yellow Submarine, The Snowman, and other classics.John Coates is best known as the producer of The Snowman, When the Wind Blows, Wind in the Willows, Willows in Winter, and Famous Fred—and as the man behind the Beatles film Yellow Submarine. In his long, eventful career, he earned a BAFTA and a CableACE Award as well as Primetime Emmy and Academy Award nominations.This intimate biography takes us on a journey through Coates’s youth, his years as an army officer in the 11th Hussars in World War II, and his postwar life, working as a distributor for Rank Films throughout Asia before returning to England and eventually taking over TVC’s animation studio.With a foreword by Raymond Briggs and an epilogue by John Coates
Scriptwriting for Web Series: Writing for the Digital Age
by Marie Drennan Yuri Baranovsky Vlad BaranovskyScriptwriting for Web Series: Writing for the Digital Age offers aspiring writers a comprehensive how-to guide to scriptwriting for web series in the digital age. Containing in-depth advice on writing both short- and long-form webisodes as part of a series, as well as standalone pieces, it goes beyond the screenwriting process to discuss production, promotion and copyright in order to offer a well-rounded guide to creating and distributing a successful web series. Written in a friendly, readable and jargon-free style by an experienced scriptwriting professor and two award-winning web series creators, it offers invaluable professional insights, as well as examples from successful series, sample scripts and interviews with key series creators, writers and industry professionals.
The Autobiography
by Marie HelvinOne of the original supermodels and international fashion icons, Marie Helvin has been an iconic image in every decade since the 1970s. She was a Hawaiian hippie child in the 60s, a magazine cover star in the 70s, a society supermodel in the 80s, a pioneer detox guru in the 90s and a reluctant reality TV contestant in 2006.In each decade she found herself in the company of the brightest and the best. Still at the forefront of the fashion industry, she is as much in demand as ever, most recently modelling for her seventh British Vogue cover.Marie's autobiography candidly tells the story of friendships with the rich and famous. She reveals the dark side of her own personality as she explains how, gradually, she came to believe in her own beauty and found fulfilment as an independent woman.Illustrated with photographs from many of the greats, including Bailey, Helmut Newton and Nick Knight, Marie Helvin's memoir is a remarkable story of our times.
The Autobiography
by Marie HelvinThe candid and revealing autobiography of supermodel Marie HelvinOne of the original supermodels and international fashion icons, Marie Helvin has been an iconic image in every decade since the 1970s. She was a Hawaiian hippie child in the 60s, a magazine cover star in the 70s, a society supermodel in the 80s, a pioneer detox guru in the 90s and a reluctant reality TV contestant in 2006.In each decade she found herself in the company of the brightest and the best. Still at the forefront of the fashion industry, she is as much in demand as ever, most recently modelling for her seventh British Vogue cover.Marie's autobiography candidly tells the story of friendships with the rich and famous. She reveals the dark side of her own personality as she explains how, gradually, she came to believe in her own beauty and found fulfilment as an independent woman.Illustrated with photographs from many of the greats, including Bailey, Helmut Newton and Nick Knight, Marie Helvin's memoir is a remarkable story of our times.
The Art of the Story-Teller
by Marie L. Shedlock"It is a delight to see a new edition of this long out-of-print book, the best on the subject of stpry-telling." -- The Junior Bookshelf. Everything you need to know to tell stories successfully to children: choosing material, using gestures, capturing straying attentions, more. 18 ready-for-telling stories written especially for youngsters. Annotated bibliography of 135 stories.
The Kingdom of Back
by Marie LuTwo siblings. Two brilliant talents. But only one Mozart. Born with a gift for music, Nannerl Mozart has just one wish--to be remembered forever. But even as she delights audiences with her masterful playing, she has little hope she'll ever become the acclaimed composer she longs to be. She is a young woman in 18th century Europe, and that means composing is forbidden to her. She will perform only until she reaches a marriageable age--her tyrannical father has made that much clear. <p><p> And as Nannerl's hope grows dimmer with each passing year, the talents of her beloved younger brother, Wolfgang, only seem to shine brighter. His brilliance begins to eclipse her own, until one day a mysterious stranger from a magical land appears with an irresistible offer. He has the power to make her wish come true--but his help may cost her everything. <p> In her first work of historical fiction, #1 New York Times bestselling author Marie Lu spins a lush, lyrically-told story of music, magic, and the unbreakable bond between a brother and sister. <P><P><b>A New York Times Bestseller</b>
Behind the Smile: My Journey out of Postpartum Depression
by Marie Osmond"I was sitting on the kitchen floor, heaving in sobs, and all I could think was: 'This can't possibly be me.'" In a candid account, Marie Osmond, beloved actress, singing star, and television personality, discloses her heartwrenching battle with postpartum depression and the private pain behind her public persona. Sinking fast into numbing despair after the birth of her last baby, Marie Osmond joined the thousands of women each year who suffer from an illness not often discussed openly. Now she tells her inspiring story...
Films That Spill: Beyond the Cinema of Transgression
by Marie Sophie BeckmannFilms That Spill is a comprehensive study of the Cinema of Transgression, a hitherto underexamined moment in US underground film culture. Reconsidering the concept of transgressive cinema not only as a description of the intentionally provocative content of the films but also as a feature of a cross-disciplinary practice, Marie Sophie Beckmann explores how filmmaking in the context of the vibrant and intermingling art, music, performance, and film scenes in 1980s Lower Manhattan spilled over the boundaries of artistic disciplines, media formats, and content concepts. This study not only provides a microhistory of these scenes and insight into their afterlife in archives and exhibitions but also represents an innovative contribution to debates within film, media, and visual culture about the methodological and historiographical challenges posed by the expansion of film beyond the discursive boundaries of cinema.
On Stage & In Shadows: a career memoir
by Marie Wallace"Broadway veteran Marie Wallace provides an intimate. informative, often humorous look behind the scenes of some stage classics. And her Dark Shadows fans will learn fun new facts about the Gothic soap opera."
Women and Film Animation: A Feminist Corpus at the National Film Board of Canada 1939-1989
by Marie-Josée Saint-PierreThe creations of female animation filmmakers are recognized all over the world while being, paradoxically, unknown to the general public. Women and Film Animation: A Feminist Corpus at the National Film Board of Canada 1939-1989 brings out of the shadows the work of true pioneers by presenting and analyzing, from a resolutely feminist perspective, the works they have conceived within the National Film Board of Canada (NFB).This institution has played an essential role in the emergence of animated cinema in Canada, but it is forgotten or ignored that a good part of this vast corpus is the work of women who have worked there not only as assistants but also as directors. These artists have contributed to changing the traditional representations of women in a unique way in both commercial and avant-garde animated cinema. The author accounts for their concerns, their creativity, and their many bright achievements. To do this, she relies on a wide range of critical works in social and cultural history of Canada, in feminist art history, and on multiple studies on animated cinema.Key Features: Provides an interdisciplinary approach that combines concepts from feminist studies, film theory and visual arts for a nuanced analysis of the role of women in animated cinema Discusses historical and sociological background that sheds light on the condition of women Includes a profound analysis of the changes and continuities in the role of women in this industry over time, focusing on the National Film Board of Canada Features previously unreleased archival material and selected excerpts from reviews by the NFB’s programming committee, highlighting the impact of production circumstances of the works of specific women animators
Parametric Packet-based Audiovisual Quality Model for IPTV services
by Marie-Neige GarciaThis volume presents a parametric, packet-based, comprehensive model to measure and predict the audiovisual quality of Internet Protocol Television services as it is likely to be perceived by the user. The comprehensive model is divided into three sub-models referred to as the audio model, the video model, and the audiovisual model. The audio and video models take as input a parametric description of the audiovisual processing path, and deliver distinct estimates for both the audio and video quality. These distinct estimates are eventually used as input data for the audiovisual model. This model provides an overall estimate of the perceived audiovisual quality in total. The parametric description can be used as diagnostic information. The quality estimates and diagnostic information can be practically applied to enhance network deployment and operations. Two applications come to mind in particular: Network planning and network service quality monitoring. The audio model can be used indifferently for both applications. However, two variants of the video model have been developed in order to address particular needs of the applications mentioned above. The comprehensive model covers effects due to resolution, coding, and IP-packet loss in case of RTP-type transport. The model applied to quality monitoring is standardized under the ITU-T Recommendations P. 1201 and P. 1201. 2.
Finding My Balance: A Memoir
by Mariel HemingwayActress Mariel Hemingway uses the lessons and practices of yoga as a starting point for her own personal reflections and a larger-than-life family story. The result is a searingly honest memoir that is firmly practical, as well as a moving narrative of the author's struggle to deal with a complex and often stressful life. Mariel was the third daughter born to Jack Hemingway, Ernest Hemingway's son, and Byra Whittlesey. Her older sister, Muffet, suffered for years from instability, while middle sister Margaux, a celebrated actress and model who was caught up in the fast lane, eventually died of the effects of her driven lifestyle. Their mother, Byra, was darkly moody and emotionally quixotic, and made no secret of her disdain for her husband, while Jack, himself insecure in no small part because of his celebrated father, a man he never really felt he knew, was an indifferent parent at best. Even before she was a teenager, Mariel was forced to assume the role of stable center of her family. In just about every way, she never really had a childhood of her own, a situation that was exacerbated by her sudden thrust into celebrity when she was first cast in sister Margaux's film Lipstick, then in Woody Allen's Manhattan. Suddenly, Mariel was a movie star. Always an athletic person, Mariel turned to yoga and its meditative practice in an effort to maintain her center while much of her life threatened to spin out of control. As the title of this remarkable memoir suggests, much of her adult life has been directed toward finding and maintaining her balance in situations that have been heartbreakingly unsettling and emotionally disorienting. Throughout the book, Mariel uses her yoga training as a starting point for each chapter, carefully describing a particular position, then letting her mind wander into thoughts of the past and her rocky life. As each chapter begins with instruction, so does the book end in the same way, the exercises this time organized in a sequence that can be followed by anyone who wants to practice them. Included are photos of Mariel as she performs the various moves. Living the life now of wife and mother to two teenaged daughters while still pursuing a career in film, Mariel Hemingway has weathered some of the worst storms that life can bring. Certainly she has found her balance. And in this deeply inspiring, thoroughly fascinating memoir, she shares for the first time the story of that journey.
La mejor broma del mundo (La casita de Mariela #Volumen 2)
by Mariela¡Juega, ríe, sueña y sé feliz con las aventuras en la casita de Mariela! Mariela cae una y otra vez en las bromas que le hace su padre: se esconde en los armarios, cambia las cosas de sitio… ¡Es desternillante! Sin embargo, él, por una razón por otra, siempre escapa a las bromas de Mariela. ¿Cómo competir con papá y jugarle la broma perfecta? Piensa que te piensa, Mariela idea un plan que no puede fallar… ¡o sí! La segunda aventura de Mariela, tu youtuber preferida, y de su padre Ricardo. ¡Ayúdala a preparar la broma más brillante y genial de la historia!
Happenings and Other Acts (Worlds of Performance)
by Mariellen R. SandfordFirst published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Affective Images: Post-apartheid Documentary Perspectives (SUNY Press Open Access)
by Marietta KestingAffective Images examines both canonical and lesser-known photographs and films that address the struggle against apartheid and the new struggles that came into being in post-apartheid times. Marietta Kesting argues for a way of embodied seeing and complements this with feminist and queer film studies, history of photography, media theory, and cultural studies. Featuring in-depth discussions of photographs, films, and other visual documents, Kesting then situates them in broader historical contexts, such as cultural history and the history of black subjectivity and revolves the images around the intersection of race and gender. In its interdisciplinary approach, this book explores the recurrence of affective images of the past in a different way, including flashbacks, trauma, "white noise," and the return of the repressed. It draws its materials from photographers, filmmakers, and artists such as Ernest Cole, Simphiwe Nkwali, Terry Kurgan, Thenjiwe Niki Nkosi, Adze Ugah, and the Center for Historical Reenactments.This book is freely available in an open access edition thanks to Knowledge Unlatched—an initiative that provides libraries and institutions with a centralized platform to support OA collections and from leading publishing houses and OA initiatives. Learn more at the Knowledge Unlatched website at: https://www.knowledgeunlatched.org/, and access the book online at the SUNY Open Access Repository at <a href="http://hdl.handle.net/20.500.12648/7134 ">http://hdl.handle.net/20.500.12648/7134 .