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A Year of Weeks: 52 Awesome Weeks of Trying New Things
by Erica RootFull of charming illustrations and inspiring prompts, A Year of Weeks is an interactive, imagination-sparking road map for a year of trying new things—broken into fifty-two exciting, achievable activities. From drinking enough water to trying out hand lettering, readers will delight in the engaging challenges and perspective-expanding activities curated by artist Erica Root in A Year of Weeks. Drawing on a wide range of prompts—from the practical to the dreamy—each week offers opportunities to try new things. And with each day broken down to bite-sized morsels and accomplishable goals, like dusting small corners or learning how to draw animal mugs, this adorable book has a little something for everyone in search of inspiration—from those who love decluttering to those who love lists. Through engaging activities and imagination-sparking illustrations, A Year of Weeks offers endless opportunities for enriching your life—one week at a time.
Year of Yes: How to Dance It Out, Stand In the Sun and Be Your Own Person
by Shonda RhimesThe mega-talented creator of Grey's Anatomy and Scandal and executive producer of How to Get Away With Murder chronicles how saying YES for one year changed her life-and how it can change yours, too.With three hit shows on television and three children at home, the uber-talented Shonda Rhimes had lots of good reasons to say NO when an unexpected invitation arrived. Hollywood party? No. Speaking engagement? No. Media appearances? No. And there was the side-benefit of saying No for an introvert like Shonda: nothing new to fear. Then Shonda's sister laid down a challenge: just for one year, try to say YES to the unexpected invitations that come your way. Shonda reluctantly agreed-and the result was nothing short of transformative. In Year of Yes, Shonda Rhimes chronicles the powerful impact saying yes had on every aspect of her life-and how we can all change our lives with one little word. Yes.
A Year on Our Farm: How the Countryside Made Me
by Matt BakerEscape into nature with Matt Baker's fascinating journey through the natural year and family life on the farm'A delight' Countryfile Magazine_______Matt Baker finds his calm on the farm.Surrounded by nature with his family, dogs, array of sheep, Mediterranean miniature donkeys and a whole host of wildlife in the farm's ancient woodland, Matt shows us how the power and beauty of the countryside can bring joy to us all.Following the ever-changing seasons of the year, we see woodland animals emerge after a long winter of hibernation and lambs begin to gambol in April. We hear the dawn chorus in the height of summer and see the preparations unfold for the harsh and wild winter months.Peppered with hand drawn sketches, unforgettable moments from Matt's TV career and stories of a landscape you'll fall in love with - from its sun-soaked pastures to 6ft snow drifts - Matt reveals how the outdoors has made him who he is today.
The Year with Rudolf Nureyev
by Simon RobinsonHere, for the first time, is an intimate and fascinating portrait of Rudolf Nureyev off-stage-a man who was an exacting, unpredictable, parsimonious and often immature individual, yet who, at the same time, aroused great affection in a host of friends. Simon Robinson frankly recalls his eventful year working for Nureyev. He did everything for this hopelessly impractical dancer except be his lover, much to Nureyev's disappointment. It was the Russian's insatiable sexual appetite that eventually destroyed him. Nureyev had six houses on three continents but no staff in any of them and he couldn't cook, drive, write a letter, tie a necktie or even change a light bulb. In 1990 Simon Robinson, until then professional crew on a racing yacht, became his PA. For the next twelve months they traveled from the Caribbean to America to Europe, living in luxury in Nureyev's New York and Paris apartments and in spartan isolation on his tiny Mediterranean island. Nureyev's explosive nature was exhausting to live with and many times during their year together Robinson nearly quit-and Nureyev nearly sacked him. It didn't happen, however, because Nureyev needed his PA's calm reliability to ballast his own rocky life, and because Robinson knew that genius must make its own rules.
A Year with the Producers: One Actor's Exhausting (But Worth It) Journey from Cats to Mel Brooks' Mega-Hit (A\theatre Arts Book Ser.)
by Jeffry DenmanA behind-the-scenes story with more than a touch of theatrical magic about it, A Year with The Producers is a book for actors and theater fans everywhere.
Yearbook
by Seth RogenTHE NEW YORK TIMES AND SUNDAY TIMES BESTSELLERHi! I'm Seth! I was asked to describe my book, Yearbook, for the inside cover flap (which is a gross phrase) and for websites like this one, so... here it goes!!! Yearbook is a collection of true stories that I desperately hope are just funny at worst, and life-changingly amazing at best. (I understand that it's likely the former, which is a fancy "book" way of saying "the first one.") I talk about my grandparents, doing stand-up comedy as a teenager, bar mitzvahs and Jewish summer camp, and tell way more stories about doing drugs than my mother would like. I also talk about some of my adventures in Los Angeles, and surely say things about other famous people that will create a wildly awkward conversation for me at a party one day. I hope you enjoy the book should you buy it, and if you don't enjoy it, I'm sorry. If you ever see me on the street and explain the situation, I'll do my best to make it up to you.
Yearbook
by Seth RogenA collection of funny personal essays from one of the writers of Superbad and Pineapple Express and one of the producers of The Disaster Artist, Neighbors, and The Boys. (All of these words have been added to help this book show up in people’s searches using the wonders of algorithmic technology. Thanks for bearing with us!) <P><P> Hi! I’m Seth! I was asked to describe my book, Yearbook, for the inside flap (which is a gross phrase) and for websites and shit like that, so… here it goes!!! Yearbook is a collection of true stories that I desperately hope are just funny at worst, and life-changingly amazing at best. (I understand that it’s likely the former, which is a fancy “book” way of saying “the first one.”) <P><P> I talk about my grandparents, doing stand-up comedy as a teenager, bar mitzvahs, and Jewish summer camp, and tell way more stories about doing drugs than my mother would like. I also talk about some of my adventures in Los Angeles, and surely say things about other famous people that will create a wildly awkward conversation for me at a party one day. <P><P> I hope you enjoy the book should you buy it, and if you don’t enjoy it, I’m sorry. If you ever see me on the street and explain the situation, I’ll do my best to make it up to you. <P><P><b>A New York Times Bestseller</b>
Yearbook
by Seth RogenHi! I'm Seth! I was asked to describe my book, Yearbook, for the inside cover flap (which is a gross phrase) and for websites like this one, so... here it goes!!!Yearbook is a collection of true stories that I desperately hope are just funny at worst, and life-changingly amazing at best. (I understand that it's likely the former, which is a fancy "book" way of saying "the first one.") I asked lots of people to help me read the book including my mom and wife, and together we talk about my grandparents, doing stand-up comedy as a teenager, bar mitzvahs and Jewish summer camp, and tell way more stories about doing drugs than my mother would like. I also talk about some of my adventures in Los Angeles, and surely say things about other famous people that will create a wildly awkward conversation for me at a party one day. I hope you enjoy the book should you buy it, and if you don't enjoy it, I'm sorry. If you ever see me on the street and explain the situation, I'll do my best to make it up to you.Read by: Vikas Adam, Jason Alexander, MacLeod Andrews, Eric B. Anthony, James Anthony, Tom Antonellis, Brian Arens, Dan Aykroyd, Ike Barinholtz, Noah Bentley, Buzz Blackburn, Cassandra Campbell, Alan Carlson, Hannah Choi, Tommy Chong, Sacha Baron Cohen, Lise Coyle, Nick Damiani, Lauri Jo Daniels, Snoop Dogg, Inés del Castillo, Sabina Demidovich, Giordan Diaz, James DiGiacomo, Andrew Fetherolf, Dylan Frankel, Jono Fredericks, Elan Garfias, Lee Goettl, Evan Goldberg, Michel Gondry, Christopher Grove, Simon Helberg, Hillary Huber, Kyle Hunter, Billy Idol, Ray James, Lori Ada Jaroslow, Gregory Jones, Jim Kaplan, Vincent Kartheiser, Terrence Kidd, Ami Korn, Nick Kroll, David Krumholtz, Helen Laser, Raymond J. Lee, Darryl Lenox, Teri Linden, Eric Jason Martin, Katharine Lee McEwan, Miles Meili, Todd Menesses, Lauren Miller-Rogen, Scott Miller, Raymond Ochoa, Gaye Pardo, Ronald Peet, Jay Pharoah, Mark Pooley, Will Reiser, Andrew Rich, Christopher Paul Richards, Danya Rogen, Mark Rogen, Sandy Rogen, Seth Rogen, Tara Sands, Paul Scheer, Samba Schutte, James Scofield, Wesley Scott, Jason Segel, Ariel Shaffir, Mike Shapiro, Rob Shapiro, James Sie, Martin Starr, Nick Thurston, Kiff VandenHeuvel, Byron Wagner, Paul-Mikél Williams, and Mirron Willis.
The Years of Alienation in Italy: Factory and Asylum Between the Economic Miracle and the Years of Lead
by Alessandra Diazzi Alvise Sforza TarabochiaThe Years of Alienation in Italy offers an interdisciplinary overview of the socio-political, psychological, philosophical, and cultural meanings that the notion of alienation took on in Italy between the 1960s and the 1970s. It addresses alienation as a social condition of estrangement caused by the capitalist system, a pathological state of the mind and an ontological condition of subjectivity. Contributors to the edited volume explore the pervasive influence this multifarious concept had on literature, cinema, architecture, and photography in Italy. The collection also theoretically reassesses the notion of alienation from a novel perspective, employing Italy as a paradigmatic case study in its pioneering role in the revolution of mental health care and factory work during these two decades.
Years of Minutes: The Best of Rooney from 60 Minutes
by Andy RooneyAndy Rooney has been at it for twenty-five years. It's time to celebrate. So here's the ultimate gift for every Rooney fan: an illustrated collection of Rooney's very best pieces from a quarter centur
The Year's Work at the Zombie Research Center (The Year's Work: Studies in Fan Culture and Cultural Theory)
by Edward P. Comentale Aaron JaffeThey have stalked the horizons of our culture, wreaked havoc on moribund concepts of dead and not dead, threatened our sense of identity, and endangered our personal safety. Now zombies have emerged from the lurking shadows of society’s fringes to wander the sacred halls of the academy, feasting on tender minds and hurling rot across our intellectual landscape. It is time to unite in common cause, to shore up defenses, firm up critical and analytical resources, and fortify crumbling lines of inquiry. Responding to this call, Brain Workers from the Zombie Research Center poke and prod the rotting corpus of zombie culture trying to make sense of cult classics and the unstoppable growth of new and even more disturbing work. They exhume "zombie theory" and decaying historical documents from America, Europe, and the Caribbean in order to unearth the zombie world and arm readers with the brain tools necessary for everyday survival. Readers will see that zombie culture today "lives" in shapes as mutable as a zombie horde—and is often just as violent.
The Year's Work in Lebowski Studies
by Aaron Jaffe Edward P. ComentaleA massive underground sensation, The Big Lebowski has been hailed as the first cult film of the internet age. In this book, 21 fans and scholars address the film's influences--westerns, noir, grail legends, the 1960s, and Fluxus--and its historical connections to the first Iraq war, boomers, slackerdom, surrealism, college culture, and of course bowling. The Year's Work in Lebowski Studies contains neither arid analyses nor lectures for the late-night crowd, but new ways of thinking and writing about film culture.
The Year's Work in Nerds, Wonks, and Neocons (The\year's Work: Studies In Fan Culture And Cultural Theory Ser.)
by Jonathan P. Eburne Benjamin SchreierWhat happens when math nerds, band and theater geeks, goths, sci-fi fanatics, Young Republican debate poindexters, techies, Trekkies, D&D players, wallflowers, bookworms, and RPG players grow up? And what can they tell us about the life of the mind in the contemporary United States? With #GamerGate in the national news, shows like The Big Bang Theory on ever-increasing numbers of screens, and Peter Orzsag and Paul Ryan on magazine covers, it is clear that nerds, policy wonks, and neoconservatives play a major role in today’s popular culture in America. The Year’s Work in Nerds, Wonks, and Neocons delves into subcultures of intellectual history to explore their influence on contemporary American intellectual life. Not limiting themselves to describing how individuals are depicted, the authors consider the intellectual endeavors these depictions have come to represent, exploring many models and practices of learnedness, reflection, knowledge production, and opinion in the contemporary world. As teachers, researchers, and university scholars continue to struggle for mainstream visibility, this book illuminates the other forms of intellectual excitement that have emerged alongside them and found ways to survive and even thrive in the face of dismissal or contempt.
The Year's Work in Showgirls Studies (The Year's Work: Studies in Fan Culture and Cultural Theory)
by Anna Breckon Kara Keeling Adrian Martin Kieryn McKay Jane Chi Park Zahra Stardust Billy Stevenson Shawna TangThe Year's Work in Showgirls Studies is a fan culture volume that deconstructs how and why Showgirls, a 1995 drama with a female lead bent on becoming a famous performer in Las Vegas, became a much-contested cult film despite being a critical failure when it released. The collection orchestrates a conversation between scholarly essay work and archival documentation offering a magnificent representation of the array of responses generated by the film, its makers, its promoters, and its audience. A multifaceted approach to the film, its popularity, and its social relevance results in a new text for understanding normative social hierarchies of sexuality, race, and gender. The Year's Work in Showgirls Studies engages with the figurative and actual place of sex work and feminized affective labor in our society.
The Year's Work in the Oddball Archive (The Year's Work: Studies in Fan Culture and Cultural Theory)
by Jonathan P. Eburne Judith RoofThe modern age is no stranger to the cabinet of curiosities, the freak show, or a drawer full of odds and ends. These collections of oddities engagingly work against the rationality and order of the conventional archive found in a university, a corporation, or a governmental holding. In form, methodology, and content, The Year's Work in the Oddball Archive offers a counterargument to a more reasoned form of storing and recording the avant-garde (or the post-avant-garde), the perverse, the off, the bent, the absurd, the quirky, the weird, and the queer. To do so, it positions itself within the history of mirabilia launched by curiosity cabinets starting in the mid-fifteenth century and continuing to the present day. These archives (or are they counter-archives?) are located in unexpected places--the doorways of Katrina homes, the cavity of a cow, the remnants of extinct animals, an Internet site--and they offer up "alternate modes of knowing" to the traditional archive.
Yellowstone: Delicious Homestyle Recipes from Character and Real-Life Chef Gabriel "Gator" Guilbeau
by Gabriel "Gator" GuilbeauRecreate recipes with Yellowstone: The Official Dutton Ranch Family Cookbook, featuring delicious dishes from the hit series as prepared by real-life chef and character &“Gator.&”Whether it&’s a hearty breakfast of Rip&’s Fry Bread with Scrambled Eggs (his favorite dish handed down by his mother), a quick week-night dinner with Beth&’s Cheesy Hamburger Mac Casserole (no box needed), or a pick-me-up with Beth&’s Vodka Smoothie (&“two scoops of ice cream and three shots of vodka&”), Yellowstone: The Official Dutton Ranch Family Cookbook compiles over 55 recipes inspired by and featured in the critically acclaimed hit series. Gabriel &“Gator&” Guilbeau—a real-life chef and the set caterer for Yellowstone and fan-favorite character on the show—shares his hearty and delicious recipes from the Dutton Ranch. Learn Gator&’s secrets to making a perfectly barbecued pulled pork (a Bunkhouse staple), an enviable gumbo (a cast favorite), and flawless homestyle biscuits. Whether you're hosting a Yellowstone viewing party or serving up a comforting homestyle meal, wrangle up your ingredients and bring the exciting world of Yellowstone into your kitchen. 55 + RECIPES BY REAL-LIFE CHEF AND CHARACTER "GATOR": Includes more than 55 simple and delicious recipes by real-life chef and beloved character &“Gator&” of the hit series Yellowstone, compiled into one faux leather-bound edition. GEARED FOR ALL OCCASIONS AND SKILLS: Easy-to-follow recipes and everyday ingredients make Yellowstone: The Official Dutton Ranch Family Cookbook perfect for any occasion and skill level—whether a themed dinner party, viewing party, or weeknight meal. FULL-COLOR IMAGES THROUGHOUT: Beautiful, full-color photographs of the cast and Montana landscape complement the recipes, making it the perfect gift for every Yellowstone fan
Yes, I Can Say That: When They Come for the Comedians, We Are All in Trouble
by Judy Gold"No one makes me laugh harder than Judy Gold. If I had to pick one comedian to write a book about free speech, it would be Judy." – Amy SchumerFrom award-winning comedian Judy Gold, a concise, funny, and thoughtful polemic on the current assault on comedy, that explores how it is undermining free speech and a fundamental attack against the integrity of the art.From Mae West and Lenny Bruce to Richard Pryor and Howard Stern to Kathy Griffith and Kevin Hart, comedians have long been under fire for using provocative, often taboo subjects to challenge mores and get a laugh. But in the age of social media, comedians are at greater risk of being silenced, enduring shaming, threats, and damaged careers because of angry, censorious electronic mobs. But while comedians’ work has often been used to rile up detractors, a new threat has emerged from the left: identity politics and notions like "safetyism" and trigger warnings that are now creating a cultural and political standard that runs perilously close to censorship. From college campuses to the Oscars, comics are being censured for old jokes, long-standing comedy traditions, unfinished bits and old material that instead of being forgotten, go viral. For comics like Judy Gold, today’s attacks on comics would have Richard Pryor and Lenny Bruce "rolling in their graves." "No one has the right to tell comics what they can or cannot joke about. Do you tell artists what they can or cannot paint?" she asks. Freedom of speech is fundamental for great stand-up comedy. Humor is the most palatable way to discuss a subversive or taboo topic, but it better be funny. A comic's observations are deliberately delivered to entertain, provoke, and lead to an exchange of ideas. "We are truth tellers." More important, the tolerance of free speech is essential for a healthy democracy.In addition to offering readers a quick study on the history of comedy and the arts (noting such historical reference points as The Hays Code) and the threats to them, Gold takes readers on a hilarious ride with chapters such as "Thank God Don Rickles is Dead," as well as her singular take on "micro-aggressions," such as:Person: "OMG! You’re a lesbian? I had no idea. I mean you wear make-up. When did you become a lesbian?"Judy Gold: "Coincidently, right after I met you!" (micro-assault!)In this era of "fake news," partisan politics, and heated rhetoric, the need to protect free speech has never been greater, especially for comics, who often serve as the canaries in the coalmine, monitoring the health of our democracy. Yes I Can Say That is a funny and provocative look at how safe spaces are the very antithesis of comedy as an art form—and an urgent call to arms to protect our most fundamental Constitutional right. There's a good reason it was the FIRST amendment.
Yes? No! Maybe…: Seductive Ambiguity in Dance
by Emilyn ClaidCovering fifty years of British dance, from Margot Fonteyn to innovative contemporary practitioners such as Wendy Houstoun and Nigel Charnock, Yes? No! Maybe is an innovative approach to performing and watching dance. Emilyn Claid brings her life experience and interweaves it with academic theory and historical narrative to create a dynamic approach to dance writing. Using the 1970s revolution of new dance as a hinge, Claid looks back to ballet and forward to British independent dance which is new dance’s legacy. She explores the shifts in performer-spectator relationships, and investigates questions of subjectivity, absence and presence, identity, gender, race and desire using psychoanalytical, feminist, postmodern, post-structuralist and queer theoretical perspectives. Artists and practitioners, professional performers, teachers, choreographers and theatre-goers will all find this book an informative and insightful read.
Yes Please
by Amy Poehler<P>In a perfect world . . .We'd get to hang out with Amy Poehler, watching dumb movies, listening to music, and swapping tales about our coworkers and difficult childhoods. Because in a perfect world, we'd all be friends with Amy--someone who seems so fun, is full of interesting stories, tells great jokes, and offers plenty of advice and wisdom (the useful kind, not the annoying kind you didn't ask for, anyway). <P>Unfortunately, between her Golden Globe-winning role on Parks and Recreation, work as a producer and director, place as one of the most beloved SNL alumni and cofounder of the Upright Citizens' Brigade, involvement with the website Smart Girls at the Party, frequent turns as acting double for Meryl Streep, and her other gig as the mom of two young sons, she's not available for movie night.Luckily we have the next best thing: Yes Please, Amy's hilarious and candid book. <P>A collection of stories, thoughts, ideas, lists, and haikus from the mind of one of our most beloved entertainers, Yes Please offers Amy's thoughts on everything from her "too safe" childhood outside of Boston to her early days in New York City, her ideas about Hollywood and "the biz," the demon that looks back at all of us in the mirror, and her joy at being told she has a "face for wigs." Yes Please is chock-full of words and wisdom to live by. <P><b>A New York Times Bestseller</b>
Yes, You're Pregnant, But What About Me?
by Kevin NealonAt fifty-three, Kevin Nealon thought he had it all: a massive international celebrity with legions of loyal fans; a fabulous modeling career; hundreds of millions of dollars in the bank; and the most recognizable face on the planet. Nealon had accomplished the impossible: a thirty-year career in show business with only limited trips to rehab. But just like every other celebrity, he felt that was not enough. The perpetually insatiable Nealon wanted more, and for him "more" meant a little addition that drooled, burped, and pooped (no, not a Pomeranian).Now, in his first-ever book, Nealon tells the outrageous story of how he battled through aching joints, Milano cookie cravings, and a rapidly receding hairline to become a first-time dad at an age when most fathers are packing their kids off to college. Offering hysterical commentary about his fickle, often hormonal, road to belated and bloated fatherhood, Nealon guides you through the delivery room and beyond, discussing how his past, his wife, and his neuroses all converged in a montage of side-splitting insecurities during the months leading up to the birth of his son.In Yes, You're Pregnant, But What About Me?, Nealon details his trip through all the emotional stages of pregnancy—uncomfortable, denial, hungry, sleepy, self-conscious, hungrier, confused, cranky, not-quite-as-hungry but still craving something, sweaty, covered in cookie crumbs—all while struggling to keep his blood pressure down and find the time to read the latest issue of the AARP Bulletin. Wrestling with the dilemmas and fears that fathers have been dealing with for centuries (Can I duct-tape a crib together? How often can I reuse a disposable diaper? What if the baby looks like me and not my wife?), Nealon never fails to entertain with the frequent lunacy and inevitable joy that punctuate his story about parenthood.Laugh-out-loud funny and remarkably poignant, Nealon's entertaining perspective and his wealth of sarcasm provide a take on fatherhood that is as fresh as it is universal, always reminding you that half the fun of being a parent is getting there.
Yesterday, Today and Forever
by Maria Von TrappTrue stories of Maria Von Trapp's family and her life.
Yesterday, Today, Tomorrow: My Life
by Sophia LorenIn her first memoir, the Academy Award–winning actress Sophia Loren tells her incredible life story from the struggles of her childhood in war-torn Naples to her life as a screen legend, icon of elegance, and devoted mother.In her acting career spanning more than six decades, Sophia Loren became known for her striking beauty and dramatic roles with famed costars Cary Grant, Frank Sinatra, Marlon Brando, Gregory Peck, Jack Lemmon, and Paul Newman. The luminous Italian movie star was the first artist to win an Oscar for a foreign language performance, after which she continued a vibrant and varied career that took her from Hollywood to Paris to Italy—and back to Hollywood. In Yesterday, Today, and Tomorrow, Loren shares vivid memories of work, love, and family with winning candor.Born in 1934 and growing up in World War II Italy, Loren’s life of glamour and success was preceded by years of poverty and hardship, when she lived in her grandparents’ house with her single mother and sister, and endured near starvation. She shares how she blossomed from a toothpick-thin girl into a beautiful woman seemingly overnight, getting her start by winning a beauty pageant; and how her first Hollywood film, The Pride and the Passion, ignited a high-profile romance with Cary Grant, who would vie with her mentor, friend, frequent producer, and lover Carlo Ponti to become her husband. Loren also reveals her long-held desire to become a mother, the disappointments she suffered, the ultimate joy of having two sons, and her happiness as a mother and grandmother.From trying times to triumphant ones, this scintillating autobiography paints a multi-dimensional portrait of the woman behind the celebrity, beginning each chapter with a letter, photograph, or object that prompts her memories. In Loren’s own words, this is a collection of “unpublished memories, curious anecdotes, tiny secrets told, all of which spring from a box found by chance, a precious treasure trove filled with emotions, experiences, adventures.” Her wise and candid voice speaks from the pages with riveting detail and sharp humor. Yesterday, Today, and Tomorrow is as elegant, entrancing, and memorable as Sophia Loren herself.
Yevgeny Vakhtangov: A Critical Portrait
by Andrei Malaev-BabelYevgeny Vakhtangov was a pioneering theatre artist who married Stanislavski’s demands for inner truth with a singular imaginative vision. Directly and indirectly, he is responsible for the making of our contemporary theatre: that is Andrei Malaev-Babel’s argument in this, the first English-language monograph to consider Vakhtangov’s life and work as actor and director, teacher and theoretician. Ranging from Moscow to Israel, from Fantastic Realism to Vakhtangov’s futuristic projection, the theatre of the ‘Eternal Mask’, Yevgeny Vakhtangov: A Critical Portrait: considers his input as one of the original teachers of Stanislavsky’s system, and the complex relationship shared by the two men; reflects on his directorship of the First Studio of the Moscow Art Theatre and the Habima (which was later to become Israel's National Theatre) as well as the Vakhtangov Studio, the institution he established; examines in detail his three final directorial masterpieces, Erick XIV, The Dybbuk and Princess Turandot. Lavishly illustrated and elegantly conceived, Yevgeny Vakhtangov represents the ideal companion to Malaev-Babel’s Vakhtangov Sourcebook (2011). Together, these important critical interventions reveal Vakhtangov’s true stature as one of the most significant representatives of the Russian theatrical avant-garde.
Yiddish Cinema: The Drama of Troubled Communication (SUNY series, Horizons of Cinema)
by Jonah Corne Monika VrečarIn this book, Jonah Corne and Monika Vrečar offer a conceptually innovative reexamination of Yiddish cinema, a crucial yet little-known diasporic phenomenon that enjoyed its "golden age" in the mid- to late 1930s. Yiddish cinema, they argue, exhibits a distinctive fascination with media forms, technologies, and institutions, and with relationality writ large. What stands behind this communication obsession, as it might be understood, is the films' engagement both with Judaic ideals and with a series of Jewish sociohistorical predicaments of troubled communication (immigration, displacement, the breakdown of tradition, and so on) that the films seek to reflect. Accordingly, the authors create a resonant conversation between Yiddish cinema, populated by an endless procession of disconnected characters ardently striving to rejoin the world of communication, and the brilliant yet underappreciated ideas of pioneering Czech-Jewish media theorist Vilém Flusser (1920–1991), who escaped Nazi persecution and built the first part of his intellectual career in Brazil. Indeed, the authors claim that the popular art of Yiddish cinema articulates in dramatic terms a version of the central Flusserian hypothesis that "the structure of communication is the infrastructure of human reality" and, by doing so, embodies a remarkable Jewish media theory "from below." Films discussed include The Wandering Jew (1933), The Dybbuk (1937), Where is My Child? (1937), A Little Letter to Mother (1938), Kol Nidre (1939), Motel the Operator (1939), Tevye (1939), The Living Orphan (1939), and Long Is the Road (1948).