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If You Knew My Name: A Novel in Verse
by Lisa Roberts CarterLisa Roberts Carter&’s debut, If You Knew My Name, is a novel-in-verse telling the story of 17-year-old Mason Tyndall— an aspiring rap artist whose mother is a BLM activist. She saw fatal officer-involved shootings as senseless tragedies. He viewed them as trending hashtags — that is, until he almost became one.Mason Zy&’Aire Tyndall has big dreams. Dreams of sick beats, epic mic-drops, sold out stadiums. Mason&’s going to be a rap star—and you don&’t become a rap star by hitting up BLM protests with your mom or sitting at a desk. Mason wants to get out there and make a name for himself, but he&’ll have to graduate high school first. And he can&’t do that if he fails his senior year. Convinced his poetry class is a waste of time, Mason&’s teacher helps him see just how valuable a couplet and a rhyme can be. But when an unarmed Black man is killed by the police in his city, tensions start to rise—among the cops, the community, and even Mason&’s peers. Caught in the middle of increasingly violent conflicts, Mason will have to find a way to use his voice for change…and fast.
There Was Nothing You Could Do: Bruce Springsteen's “Born In The U.S.A.” and the End of the Heartland
by Steven HydenA thought-provoking exploration of Bruce Springsteen&’s iconic album, Born in the U.S.A.—a record that both chronicled and foreshadowed the changing tides of modern America On June 4, 1984, Columbia Records issued what would become one of the best-selling and most impactful rock albums of all time. An instant classic, Bruce Springsteen&’s Born in the U.S.A. would prove itself to be a landmark not only for the man who made it, but rock music in general and even the larger American culture over the next 40 years. In There Was Nothing You Could Do, veteran rock critic Steven Hyden shows exactly how this record became such a pivotal part of the American tapestry. Alternating between insightful criticism, meticulous journalism, and personal anecdotes, Hyden delves into the songs that made—and didn&’t make—the final cut, including the tracks that wound up on its sister album, 1982&’s Nebraska. He also investigates the myriad reasons why Springsteen ran from and then embraced the success of his most popular (and most misunderstood) LP, as he carefully toed the line between balancing his commercial ambitions and being co-opted by the machine. But the book doesn&’t stop there. Beyond Springsteen&’s own career, Hyden explores the role the album played in a greater historical context, documenting not just where the country was in the tumultuous aftermath of Vietnam and Watergate, but offering a dream of what it might become—and a perceptive forecast of what it turned into decades later. As Springsteen himself reluctantly conceded, many of the working-class middle American progressives Springsteen wrote about in 1984 had turned into resentful and scorned Trump voters by the 2010s. And though it wasn&’t the future he dreamed of, the cautionary warnings tucked within Springsteen&’s heartfelt lyrics prove that the chaotic turmoil of our current moment has been a long time coming. How did we lose Springsteen&’s heartland? And what can listening to this prescient album teach us about the decline of our country? In There Was Nothing You Could Do, Hyden takes readers on a journey to find out.
Sports Analytics: A Guide for Coaches, Managers, and Other Decision Makers
by Benjamin AlamarData and analytics have the potential to provide sports organizations with a competitive advantage both on and off the field. Yet even as the use of analytics in sports has become commonplace, teams regularly find themselves making big investments without significant payoff.This book is a practical, nontechnical guide to incorporating sports data into decision making, giving leaders the knowledge they need to maximize their organization’s investment in analytics. Benjamin C. Alamar—a leading expert who has built high-performing analytics groups—surveys the current state of the use of data in sports, including both specifics around the tools and how to deploy them most effectively. Sports Analytics offers a clear, easily digestible overview of data management, statistical models, and information systems and a detailed understanding of their vast possibilities. It walks readers through the essentials of understanding the value of different types of data and strategies for building and managing an analytics team. Throughout, Alamar illustrates the value of analytics with real-world examples and case studies from both the sports and business sides.Sports Analytics has guided a range of sports professionals to success since its original publication in 2013. This second edition adds examples and strategies that focus on using data on the business side of a sports organization, provides concrete strategies for incorporating different types of data into decision making, and updates all discussions for the rapid technological developments of the last decade.
Copyright Vigilantes: Intellectual Property and the Hollywood Superhero
by Ezra ClaverieCopyright Vigilantes: Intellectual Property and the Hollywood Superhero explains superhero blockbusters as allegories of intellectual property relations. In movies based on characters owned by the comics duopoly of DC and Marvel, no narrative recurs more often than a villain’s attempt to copy the superhero's unique powers. In this volume, author Ezra Claverie explains this fixation as a symptom of the films’ mode of production. Since the 1930s, the dominant American comics publishers have treated the creations of artists and writers as work for hire, such that stories and characters become company property. Thus, publishers avoided sharing the profits both from magazine sales and from licensing characters into other media. For decades, creators have challenged this regime, demanding either shares of profits or outright ownership of their creations. Now that the duopoly rents, licenses, and adapts superheroes for increasingly expensive franchises, and for growing international audiences, any challenge to intellectual property relations threatens a production regime worth billions of dollars. Duopoly movies, therefore, present any attempt to break the superhero’s monopoly on their powers as the scheme of terrorists, mad scientists, or space Nazis—assuaging studio anxieties and revealing the fears of those who benefit most from the real-world ownership of superheroes. Weaving together legal analysis, Marxist political economy, and close readings of movies, Copyright Vigilantes explains the preoccupations of Hollywood’s leading genre.
Conquest of the Useless: Fever Dreams in the Jungle
by Werner HerzogNewly repackaged as a Penguin paperback, Conquest of the Useless, the legendary filmmaker Werner Herzog's diary of the making of Fitzcarraldo, one of his most revered and classic filmsIn 1982, the visionary directory Werner Herzog released Fitzcarraldo, a lavish film about a would-be rubber baron who pulls a 320-ton steamship over a mountain. It was hailed instantly by critics around the globe as a masterpiece and won Herzog the 1982 Outstanding Director Prize at the Cannes Film Festival, affirming Herzog&’s reputation as one of the most revered and enigmatic filmmakers of his time.Conquest of the Useless is the diary Herzog kept during the making of Fitzcarraldo, compiled from June 1979 to November 1981. Emerging as if out of an Amazonian fever dream during filming, Herzog&’s writings are an extraordinary documentary unto themselves. Strange and otherworldly events are recounted by the filmmaker. The crew's camp in the heart of the jungle is attacked and burned to the ground; the production of the film clashes with a border war; and, of course, Herzog unravels the impossible logistics of moving a 320-ton steamship over a hill without the use of special effects.In his preface, Herzog warns that the diary entries collected in Conquest of the Useless do not represent &“reports on the actual filming&” but rather &“inner landscapes, born of the delirium of the jungle.&” Thus begins an extraordinary glimpse into the mind of a genius during the making of one of his greatest achievements.
Life's Too Short: A Memoir
by Darius Rucker"Darius has always been one of my favorite people to sing with and to call a friend in this industry and yet even knowing him well for as long as I have, there are so many incredible stories in Life's Too Short that I enjoyed learning for the first time.”—Sheryl CrowA raw, heartfelt memoir from Darius Rucker, the Grammy Award– winning country music sensation and multiplatinum-selling lead singer of Hootie & The Blowfish In 1986 Darius Rucker cofounded Hootie & The Blowfish at the University of South Carolina. What began as a party band playing frat houses and dive bars quickly became a global pop rock phenomenon through their multiplatinum-selling debut album, cracked rear view, which featured era-defining hit songs like “Only Wanna Be with You,” “Let Her Cry,” and “Hold My Hand.” Later, Darius would chart a pioneering path as a solo country music artist, with classic anthems like “Wagon Wheel” and “Alright.” Nearly forty years after the band’s formation, Darius tells his remarkable story through the lens of the songs that shaped him—from Al Green, Stevie Wonder, and KISS to Lou Reed, Billy Joel, Nanci Griffith, and so many more. Set against the soundtrack of his life, Darius recounts his childhood as the son of a single mother in Charleston, South Carolina. He traces the unlikely ascent of his band and shares wild tales of life on the road—but he also faces his missteps, defeats, and demons. As moving as it is entertaining, Life’s Too Short is a timeless book about a man and his music.
Help I S*xted My Boss: The Sunday Times Bestselling Guide to Avoiding Life’s Awkward Moments
by William Hanson Jordan North'Funny, filthy and fantastic. Cackled from start to finish' - Rylan ClarkHow do you ask your mate for that £50 back?When is OK to trump in front of your partner?And what should you do if you've accidentally sexted your boss?William and Jordan are from very different worlds.William's an etiquette expert, with his tongue firmly in his teacup and unparalleled knowledge of table linen. Jordan's a TV and radio presenter, the patron saint of Burnley and an expert in all things common. Together they've entertained millions of listeners worldwide with their hit podcast Help I Sexted My Boss.Now, they’ve pooled all of their wisdom on how to get through life’s most awkward moments.From candlelight suppers to picky teas, first dates to flatmate dramas, Help I Sexted My Boss is full of both useful and useless advice. This is your indispensable guide to navigating the trepidation and challenges of modern life.'Hilarious lads.. and weirdly useful. This generation’s Ant and Dec. If one of them was really posh. Great read' - Vicky PattisonSunday Times Bestseller, November 2023
Lil' Muffin Drops the Mic: The brand-new children’s book from comedian Romesh Ranganathan!
by Romesh RanganathanFrom comedy superstar Romesh Ranganathan comes a hilarious and heartfelt tale that proves rap battles and baking muffins really can mix. The perfect story for readers age 8+ and fans of David Baddiel and Adam B Wins the Internet!Ever since his dad left, James can't seem to stop worrying about everything. His favourite hobby, baking, is a fun (and delicious!) distraction, but no matter how many AMAZING brownies he makes, James still feels like there's a missing ingredient in his life . . .Until he discovers rapping, and he's COMPLETELY hooked. It's not long before James starts writing his own raps about everything - from music and cakes to his giant pet rabbit, Graham!So when he hears that grime artist star Brukka is on the hunt for young talent, James starts to wonder: could this be his chance to share his MUFFINS, his MUSIC, and maybe even his feelings with the whole school? If he could only find the confidence . . .Full of laugh-out-loud illustrations from bestselling illustrator James Lancett, this is the children's read of the summer!
I'm Glad My Mom Died
by Jennette McCurdy* #1 NEW YORK TIMES BESTSELLER * #1 INTERNATIONAL BESTSELLER * MORE THAN 2 MILLION COPIES SOLD! A heartbreaking and hilarious memoir by iCarly and Sam & Cat star Jennette McCurdy about her struggles as a former child actor—including eating disorders, addiction, and a complicated relationship with her overbearing mother—and how she retook control of her life. Jennette McCurdy was six years old when she had her first acting audition. Her mother&’s dream was for her only daughter to become a star, and Jennette would do anything to make her mother happy. So she went along with what Mom called &“calorie restriction,&” eating little and weighing herself five times a day. She endured extensive at-home makeovers while Mom chided, &“Your eyelashes are invisible, okay? You think Dakota Fanning doesn&’t tint hers?&” She was even showered by Mom until age sixteen while sharing her diaries, email, and all her income. In I&’m Glad My Mom Died, Jennette recounts all this in unflinching detail—just as she chronicles what happens when the dream finally comes true. Cast in a new Nickelodeon series called iCarly, she is thrust into fame. Though Mom is ecstatic, emailing fan club moderators and getting on a first-name basis with the paparazzi (&“Hi Gale!&”), Jennette is riddled with anxiety, shame, and self-loathing, which manifest into eating disorders, addiction, and a series of unhealthy relationships. These issues only get worse when, soon after taking the lead in the iCarly spinoff Sam & Cat alongside Ariana Grande, her mother dies of cancer. Finally, after discovering therapy and quitting acting, Jennette embarks on recovery and decides for the first time in her life what she really wants. Told with refreshing candor and dark humor, I&’m Glad My Mom Died is an inspiring story of resilience, independence, and the joy of shampooing your own hair.
Sinatra and Me: In the Wee Small Hours (A Gift for Frank Sinatra Fans)
by Mary Jane Ross Tony OppedisanoThis intimate, revealing portrait of Frank Sinatra—from the man closest to the famous singer during the last decade of his life—features never-before-seen photos and new revelations about some of the most famous people of the past fifty years, including Jackie Kennedy, Marilyn Monroe, Sam Giancana, Madonna, and Bono. &“If you are a Frank fan, buy this book&” (Jimmy Kimmel).More than a hundred books have been written about legendary crooner and actor Frank Sinatra. Every detail of his life seems to captivate: his career, his romantic relationships, his personality, his businesses, his style. But a hard-to-pin-down quality has always clung to him—a certain elusiveness that emerges again and again in retrospective depictions. Until now. From Sinatra&’s closest confidant and an eventual member of his management team, Tony Oppedisano, comes an extraordinarily intimate look at the singing idol that offers &“new information on almost every page&” (The Wall Street Journal). Deep into the night, for more than two thousand nights, Frank and Tony would converse—about music, family, friends, great loves, achievements and successes, failures and disappointments, the lives they&’d led, the lives they wished they&’d led. In these full-disclosure conversations, Sinatra spoke of his close yet complex relationship with his father, his conflicts with record companies, his carousing in Vegas, his love affairs with some of the most beautiful women of his era, his triumphs on some of the world&’s biggest stages, his complicated relationships with his talented children, and, most important, his dedication to his craft. Toward the end, no one was closer to the singer than Oppedisano, who kept his own rooms at the Sinatra residences for many years, often brokered difficult conversations between family members, and held the superstar entertainer&’s hand when he drew his last breath. &“Frank Sinatra fans, pull up a chair and let longtime confidante and road manager Tony Oppedisano regale you with tales from the entertainer&’s inner circle&” (Parade magazine)—Sinatra and Me pulls back the curtain on a man whom history has, in many ways, gotten wrong.
Great Scenes For Young Actors From The Stage (Young Actors Ser.)
by Craig Slaight Jack SharrarGreat Scenes for Young Actors (Young Actors Series)
Pageboy: A Memoir
by Elliot Page#1 NEW YORK TIMES BESTSELLERA New York Times "100 Notable Books of 2023"A TIME Magazine "100 Must-Read Books of 2023"A Washington Post "50 Notable Works of Nonfiction"An Autostraddle "Best Queer Books of 2023"“Vivid…Moving…Juicy” – NPR"Eloquent and enthralling..." —Washington Post"Searing, deeply moving, and incredibly poignant... This isn’t simply a book on what it means to be trans, it’s about what it means to be human." —Alok Vaid-MenonFull of intimate stories, from chasing down secret love affairs to battling body image and struggling with familial strife, Pageboy is a love letter to the power of being seen. With this evocative and lyrical debut, Oscar-nominated star Elliot Page captures the universal human experience of searching for ourselves and our place in this complicated world.“Can I kiss you?” It was two months before the world premiere of Juno, and Elliot Page was in his first ever queer bar. The hot summer air hung heavy around him as he looked at her. And then it happened. In front of everyone. A previously unfathomable experience. Here he was on the precipice of discovering himself as a queer person, as a trans person. Getting closer to his desires, his dreams, himself, without the repression he’d carried for so long. But for Elliot, two steps forward had always come with one step back. With Juno’s massive success, Elliot became one of the world’s most beloved actors. His dreams were coming true, but the pressure to perform suffocated him. He was forced to play the part of the glossy young starlet, a role that made his skin crawl, on and off set. The career that had been an escape out of his reality and into a world of imagination was suddenly a nightmare. As he navigated criticism and abuse from some of the most powerful people in Hollywood, a past that snapped at his heels, and a society dead set on forcing him into a binary, Elliot often stayed silent, unsure of what to do. Until enough was enough. The Oscar-nominated star who captivated the world with his performance in Juno finally shares his story in a groundbreaking and inspiring memoir about love, family, fame — and stepping into who we truly are with strength, joy and connection.
Becky Lynch: Not Your Average Average Girl
by Rebecca QuinINSTANT NEW YORK TIMES BESTSELLER This compelling and candid memoir from WWE superstar Rebecca Quin—a.k.a. The Man, a.k.a. Becky Lynch—delves into her earliest wrestling days, her scrappy beginnings, and her meteoric rise to fame. Raised in Dublin, Ireland, in a devoutly Catholic family, Rebecca Quin constantly invented new ways to make her mother worry—roughhousing with the neighborhood kids, hosting secret parties while her parents were away, enrolling in a warehouse wrestling school, nearly breaking her neck and almost kneecapping a WWE star before her own wrestling career even began—and she was always in search of a thrilling escape from the ordinary. Rebecca&’s childhood love of wrestling set her on an unlikely path. With few female wrestlers to look to for guidance, Rebecca pursued a wrestling career hoping to change the culture and move it away from the antiquated disrespect so often directed at the elite female athletes who grace the ring. Even as a teenager, she knew that she would stop at nothing to earn a space among the greatest wrestlers of our time and to pave a new path for female fighters. Culled from decades of journal entries, Rebecca&’s memoir offers a raw, exclusive, and honest depiction of the complex woman behind the character Rebecca Quin plays on TV.
Made to Be Seen: Perspectives on the History of Visual Anthropology
by Marcus Banks and Jay RubyMade to be Seen brings together leading scholars of visual anthropology to examine the historical development of this multifaceted and growing field. Expanding the definition of visual anthropology beyond more limited notions, the contributors to Made to be Seen reflect on the role of the visual in all areas of life. Different essays critically examine a range of topics: art, dress and body adornment, photography, the built environment, digital forms of visual anthropology, indigenous media, the body as a cultural phenomenon, the relationship between experimental and ethnographic film, and more. The first attempt to present a comprehensive overview of the many aspects of an anthropological approach to the study of visual and pictorial culture, Made to be Seen will be the standard reference on the subject for years to come. Students and scholars in anthropology, sociology, visual studies, and cultural studies will greatly benefit from this pioneering look at the way the visual is inextricably threaded through most, if not all, areas of human activity.
Film, Music, Memory (Cinema and Modernity)
by Berthold HoecknerFilm has shaped modern society in part by changing its cultures of memory. Film, Music, Memory reveals that this change has rested in no small measure on the mnemonic powers of music. As films were consumed by growing American and European audiences, their soundtracks became an integral part of individual and collective memory. Berthold Hoeckner analyzes three critical processes through which music influenced this new culture of memory: storage, retrieval, and affect. Films store memory through an archive of cinematic scores. In turn, a few bars from a soundtrack instantly recall the image that accompanied them, and along with it, the affective experience of the movie. Hoeckner examines films that reflect directly on memory, whether by featuring an amnesic character, a traumatic event, or a surge of nostalgia. As the history of cinema unfolded, movies even began to recall their own history through quotations, remakes, and stories about how cinema contributed to the soundtrack of people’s lives. Ultimately, Film, Music, Memory demonstrates that music has transformed not only what we remember about the cinematic experience, but also how we relate to memory itself.
Herzog by Ebert
by Roger EbertRoger Ebert was the most influential film critic in the United States, the first to win a Pulitzer Prize. For almost fifty years, he wrote with plainspoken eloquence about the films he loved for the Chicago Sun-Times, his vast cinematic knowledge matched by a sheer love of life that bolstered his appreciation of films. Ebert had particular admiration for the work of director Werner Herzog, whom he first encountered at the New York Film Festival in 1968, the start of a long and productive relationship between the filmmaker and the film critic.Herzog by Ebert is a comprehensive collection of Ebert’s writings about the legendary director, featuring all of his reviews of individual films, as well as longer essays he wrote for his Great Movies series. The book also brings together other essays, letters, and interviews, including a letter Ebert wrote Herzog upon learning of the dedication to him of “Encounters at the End of the World;” a multifaceted profile written at the 1982 Cannes Film Festival; and an interview with Herzog at Facet’s Multimedia in 1979 that has previously been available only in a difficult-to-obtain pamphlet. Herzog himself contributes a foreword in which he discusses his relationship with Ebert. Brimming with insights from both filmmaker and film critic, Herzog by Ebert will be essential for fans of either of their prolific bodies of work.
Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling
by David BordwellIn the 1940s, American movies changed. Flashbacks began to be used in outrageous, unpredictable ways. Soundtracks flaunted voice-over commentary, and characters might pivot from a scene to address the viewer. Incidents were replayed from different characters’ viewpoints, and sometimes those versions proved to be false. Films now plunged viewers into characters’ memories, dreams, and hallucinations. Some films didn’t have protagonists, while others centered on anti-heroes or psychopaths. Women might be on the verge of madness, and neurotic heroes lurched into violent confrontations. Combining many of these ingredients, a new genre emerged—the psychological thriller, populated by women in peril and innocent bystanders targeted for death. If this sounds like today’s cinema, that’s because it is. In Reinventing Hollywood, David Bordwell examines the full range and depth of trends that crystallized into traditions. He shows how the Christopher Nolans and Quentin Tarantinos of today owe an immense debt to the dynamic, occasionally delirious narrative experiments of the Forties. Through in-depth analyses of films both famous and virtually unknown, from Our Town and All About Eve to Swell Guy and The Guilt of Janet Ames, Bordwell assesses the era’s unique achievements and its legacy for future filmmakers. Reinventing Hollywood is a groundbreaking study of how Hollywood storytelling became a more complex art and essential reading for lovers of popular cinema.
Still: American Silent Motion Picture Photography
by David S. ShieldsThe success of movies like The Artist and Hugo recreated the wonder and magic of silent film for modern audiences, many of whom might never have experienced a movie without sound. But while the American silent movie was one of the most significant popular art forms of the modern age, it is also one that is largely lost to us, as more than eighty percent of silent films have disappeared, the victims of age, disaster, and neglect. We now know about many of these cinematic masterpieces only from the collections of still portraits and production photographs that were originally created for publicity and reference. Capturing the beauty, horror, and moodiness of silent motion pictures, these images are remarkable pieces of art in their own right. In the first history of still camera work generated by the American silent motion picture industry, David S. Shields chronicles the evolution of silent film aesthetics, glamour, and publicity, and provides unparalleled insight into this influential body of popular imagery. Exploring the work of over sixty camera artists, Still recovers the stories of the photographers who descended on early Hollywood and the stars and starlets who sat for them between 1908 and 1928. Focusing on the most culturally influential types of photographs—the performer portrait and the scene still—Shields follows photographers such as Albert Witzel and W. F. Seely as they devised the poses that newspapers and magazines would bring to Americans, who mimicked the sultry stares and dangerous glances of silent stars. He uncovers scene shots of unprecedented splendor—visions that would ignite the popular imagination. And he details how still photographs changed the film industry, whose growing preoccupation with artistry in imagery caused directors and stars to hire celebrated stage photographers and transformed cameramen into bankable names. Reproducing over one hundred and fifty of these gorgeous black-and-white photographs, Still brings to life an entire long-lost visual culture that a century later still has the power to enchant.
Rhythmic Gesture in Mozart: Le Nozze di Figaro & Don Giovanni
by Wye Jamison AllanbrookWye Jamison Allanbrook’s widely influential Rhythmic Gesture in Mozart challenges the view that Wolfgang Amadeus Mozart’s music was a “pure play” of key and theme, more abstract than that of his predecessors. Allanbrook’s innovative work shows that Mozart used a vocabulary of symbolic gestures and musical rhythms to reveal the nature of his characters and their interrelations. The dance rhythms and meters that pervade his operas conveyed very specific meanings to the audiences of the day.
Shakespeare's Lyric Stage: Myth, Music, and Poetry in the Last Plays
by Seth LererWhat does it mean to have an emotional response to poetry and music? And, just as important but considered less often, what does it mean not to have such a response? What happens when lyric utterances—which should invite consolation, revelation, and connection—somehow fall short of the listener’s expectations? As Seth Lerer shows in this pioneering book, Shakespeare’s late plays invite us to contemplate that very question, offering up lyric as a displaced and sometimes desperate antidote to situations of duress or powerlessness. Lerer argues that the theme of lyric misalignment running throughout The Tempest, The Winter’s Tale, Henry VIII, and Cymbeline serves a political purpose, a last-ditch effort at transformation for characters and audiences who had lived through witch-hunting, plague, regime change, political conspiracies, and public executions. A deep dive into the relationship between aesthetics and politics, this book also explores what Shakespearean lyric is able to recuperate for these “victims of history” by virtue of its disjointed utterances. To this end, Lerer establishes the concept of mythic lyricism: an estranging use of songs and poetry that functions to recreate the past as present, to empower the mythic dead, and to restore a bit of magic to the commonplaces and commodities of Jacobean England. Reading against the devotion to form and prosody common in Shakespeare scholarship, Lerer’s account of lyric utterance’s vexed role in his late works offers new ways to understand generational distance and cultural change throughout the playwright’s oeuvre.
Film Music Analysis: Studying the Score (Routledge Music and Screen Media Series)
by Frank LehmanSince the establishment of film music studies, there has been a steady growth of serious analytical work on the film music repertoire. Film Music Analysis: Studying the Score offers the first collection of essays dedicated to the close investigation of musical structure and meaning in film music. Showcasing scholarship from a diverse and distinguished group of music theorists and musicologists, this book presents the many ways to inspect the inner workings of film music in a manner that is exciting and accessible to anyone curious about this music, regardless of their background in film or music theory.Each chapter takes as its focus one music-theoretical parameter and explores how that concept can be used to analyze and interpret film music. Covering theoretical concepts that range from familiar categories such as leitmotif and pitch structure to more cutting-edge ideas such as timbral associativity, topic theory, and metrical states, the book provides a toolkit with which to explore this captivatingly varied repertoire. With example analyses drawn from classic and contemporary films, Film Music Analysis: Studying the Score is a valuable teaching tool and an indispensable addition to the library of any lover of film and music.
Tim & Tom: An American Comedy in Black and White (None Ser.)
by Tim Reid Tom Dreesen Ron RapoportAs the heady promise of the 1960s sagged under the weight of widespread violence, rioting, and racial unrest, two young men--one black and one white--took to stages across the nation to help Americans confront their racial divide: by laughing at it.Tim and Tom tells the story of that pioneering duo, the first interracial comedy team in the history of show business--and the last. Tim Reid and Tom Dreesen polished their act in the nightclubs of Chicago, then took it on the road, not only in the North, but in the still-simmering South as well, developing routines that even today remain surprisingly frank--and remarkably funny--about race. Most nights, the shock of seeing an integrated comedy team quickly dissipated in uproarious laughter, but on some occasions the audience’s confusion and discomfort led to racist heckling, threats, and even violence. Though Tim and Tom perpetually seemed on the verge of making it big throughout their five years together, they grudgingly came to realize that they were ahead of their time: America was not yet ready to laugh at its own failed promise. Eventually, the grind of the road took its toll, as bitter arguments led to an acrimonious breakup. But the underlying bond of friendship Reid and Dreesen had forged with each groundbreaking joke has endured for decades, while their solo careers delivered the success that had eluded them as a team. By turns revealing, shocking, and riotously funny, Tim and Tom unearths a largely forgotten chapter in the history of comedy.
The Routledge Companion to Performance-Related Concepts in Non-European Languages (ISSN)
by Erika Fischer-Lichte Torsten Jost Astrid SchenkaInvestigating more than 70 key concepts relating to the performing arts in more than six non-European languages, this volume provides a groundbreaking research tool and one-of-a-kind reference source for theatre, performance and dance studies worldwide.The Companion features in-depth explorations of and expert introductions to a select number of performance-related key concepts in Arabic, Chinese, Japanese, Korean, Yorùbá as well as the Indian languages Sanskrit, Hindi and Tamil. Key concepts—such as Furǧa فرجة in Arabic, for example, or Jiadingxing 假定性 in Chinese, Gei 芸 in Japanese, Ìparadà in Yorùbá and Imyeon 이면 in Korean—that defy easy translation from one language to another (and especially into English as the world’s lingua franca) and that reflect culturally specific ways of thinking and talking about the performing arts are thoroughly examined in in-depth articles. Written by more than 60 distinguished scholars from around the globe, the articles describe in detail each concept’s dynamic history, its flexible scope of meaning and current range of usage. The Companion also includes extensive introductions to each language section, in which internationally renowned experts explain how the presented key concepts are situated within, and are constitutive of, distinct and dynamic epistemic systems that have different yet always interlinked histories and orientations. Offers a fascinating insight into the unique histories, characteristics, and orientations of linguistically and culturally distinct epistemic systems related to the performative arts Contains extensive cross-references and bibliographies An invaluable research tool and one-of-a-kind reference source for scholars and students worldwide and across the humanities, especially in the fields of theatre, performance, dance, translation, area and cultural studies An accessible handbook for everybody interested in performance cultures and performance-related knowledge systems existing in the world today. This volume provides an invaluable research tool and one-of-a-kind reference source for scholars and students worldwide and across the humanities, especially in the fields of theatre, performance, dance, translation and area studies, history (of science and the humanities) and cultural studies.
Architecture and Choreography: Collaborations in Dance, Space and Time
by Beth WeinsteinArchitecture and Choreography: Collaborations in Dance, Space and Time examines the field of archi-choreographic experiments—unique interdisciplinary encounters and performed events generated through collaborations between architects and choreographers.Forty case studies spanning four decades give evidence of the range of motivations for embarking on these creative endeavors and diverse conceptual underpinnings, generative methods, objects of inquiry, and outcomes. Architecture and Choreography builds histories and theories through which to examine these works, the contexts within, and processes through which the works emerged, and the critical questions they raise about ways to work together, sites and citations, ethics and equity, control and agency. Three themes frame pairs of chapters. The first addresses disciplinarity through works that critically reflect upon their discipline’s tools, techniques, and conventions juxtaposed against projects that cite or use other art forms and cultural phenomena as source material. The second interrogates space and the role of spatial dispositifs, institutions, and sites, and their hidden and not-so-hidden conditions, as conceptual drivers and structures to subvert, trouble, unsettle, remember. The third asks who and what dances, finding a spectrum from mobilized architectural bodies to more-than-human cybarcorps. Modes of collaboration and the temporalities and life cycles of projects inform bookending chapters.Architecture and Choreography offers vital lessons not only for architects and choreographers but also for students and practitioners across design and performance fields.
Only Say Good Things: Surviving Playboy and Finding Myself
by Crystal HefnerAN INSTANT NEW YORK TIMES BESTSELLER A JANUARY 2024 APPLE BOOKS STAFF PICK AND AUDIBLE EDITORS SELECT NAMED A BEST BOOK TO READ THIS JANUARY BY THE GLOSS A raw and unflinching look at the objectification and misogyny of the Playboy mansion, a woman&’s stolen young adulthood and her journey to self-acceptance, and a rare look inside Hugh Hefner&’s final days. At just twenty-one years old, Crystal Harris&’ life changed forever when she attended a party at the notorious Playboy mansion. Picked out of the crowd by Hugh Hefner, she became one of his infamous &“girlfriends,&” attending glamorous Hollywood parties and traveling the world. Yet this seemingly alluring lifestyle had a dark side. Hef controlled his girlfriends with strict rules regarding everything from their hair and makeup to their curfews, and Crystal was forced to compete with other women for her spot in the highly hierarchal system. Living at the mansion, she felt more like a fixture than a resident. She quickly rose to the top, but being Hef&’s number one girlfriend came at the cost of Crystal&’s identity outside her role in the Playboy universe. Her fate seemed sealed when Hef surprised her with a marriage proposal she could not imagine refusing. But as Crystal Hefner, she grew increasingly restless to understand who she truly was away from what she saw as Playboy&’s toxic culture. In ONLY SAY GOOD THINGS, Crystal offers a vulnerable and clear-eyed look at how her experience with Hugh Hefner catalyzed her transformative journey from someone who prized external validation over all else to a person who finally recognizes her true worth. This candid memoir provides a fascinating look behind the scenes at a powerful cultural icon and brand, and an equally empowering perspective on hard-won lessons about who we allow to determine our value.