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The Elephant to Hollywood: Michael Caine's most up-to-date, definitive, bestselling autobiography

by Michael Caine

It's been a long journey for Maurice Micklewhite - born with rickets in London's poverty-stricken Elephant & Castle - to the bright lights of Hollywood.With a glittering career spanning more than five decades and starring roles which have earned him two Oscars, a knighthood, and an iconic place in the Hollywood pantheon, the man now known to us as Michael Caine looks back over it all.Funny, warm, honest, Caine brings us his insider's view of Hollywood (where there's neither holly nor woods). He recalls the films, the legendary stars, the off-screen moments with a gift for story-telling only equalled by David Niven.Hollywood has been his home and his playground. But England is where his heart lies. And where he blames the French for the abundance of snails in his garden.A plaque now celebrates him at the Elephant in London. His handprint is one of only 200 since 1927 to decorate the hallowed pavement outside that mecca of Hollywood stars, Grauman's Chinese Theatre.A very British star, The Elephant to Hollywood is the remarkable full circle of Michael Caine's life.(P)2010 Hodder & Stoughton

A Drop of Hope

by Keith Calabrese

"A book that reminds us of the kindness we are all capable of." -- Gary D. Schmidt, Newbery Honor winner and author of Okay For NowA well. A wish. And a little drop of hope.Times are tough. Jobs are scarce and miracles are in short supply. But something strange is happening in If Only, Ohio. An old well has suddenly, impossibly, begun to grant wishes. And three sixth graders are the only ones who know why.Ernest Wilmette believes a good deed makes magic happen. Ryan Hardy thinks they should just mind their own business. Lizzy MacComber believes in facts, not fairy tales. Of course, you don't have to believe in wishes to make one. As more wishes are made, the well's true secret gets harder and harder to keep. Ernest, Ryan, and Lizzy know they can't fix the world. But in their own little corner of it, they can give everyone a little hope... one wish at a time.

The Art of Bravest Warriors

by Kelsey Calaitges

Explore the cosmos with zany teenage heroes-for-hire, the Bravest Warriors!Reminisce on the super-powered team's greatest adventures from Cartoon Hangover's hit animated series, Bravest Warriors! Warp through informative chapters of the show's main characters, beloved environments, and unique alien species that the team's encountered before. This exclusive collection of beautiful art from the creative mind of Pendleton Ward includes storyboards and scripts from early stages of the show's production as well as comics and fan art for the most impassioned fans of the series. Enjoy this comprehensive collection of illustrations and dive into the development and production materials of the Bravest Warriors--all available in this exclusive art book!This exploration of the hit series Bravest Warriors features hundreds of marvelous art pieces that make this an impeccable volume that can't be missed!

Butoh America: Butoh Dance in the United States and Mexico from 1970 to the early 2000s (Routledge Advances in Theatre & Performance Studies)

by Tanya Calamoneri

Butoh America unearths the people and networks that popularized Butoh dance in the Americas, through a focused look at key artists, producers, and festivals in United States and Mexico. This is the first book to gather these histories into one narrative and look at the development of American Butoh. From its inception in San Francisco in 1976, American Butoh aligned with avant-garde performance art in alternative venues such as galleries and experimental theaters. La MaMa in New York and the Festival Internacional Cervantino in Guanajuato both served to legitimize the form as esteemed experimental performance. A crystalizing moment in each of the three locations—San Francisco, New York, and Mexico City—has been a grand-scale festival featuring prominent Japanese and numerous other international artists, as well as fostering local communities. This book stitches together the flow of people and ideas, highlights the connections in the Butoh diaspora, and incorporates interviewee perspectives regarding future directions for the genre in the Americas.

Poetics of Slow Cinema: Nostalgia, Absurdism, Boredom

by Emre Çağlayan

This book discusses slow cinema, a contemporary global production trend that has recently gained momentum in film theory and criticism. Slow films dispense with narrative progression in favour of a contemplative mood, which is stretched out to the extreme in order to impel viewers to confront cinematic temporality in all its undivided glory. Despite its critical reputation as an oblique mode of film practice, slow cinema continues to attract, challenge and provoke audiences. Focusing on filmmakers Béla Tarr, Tsai Ming-liang and Nuri Bilge Ceylan, this book identifies nostalgia, absurd humour and boredom as intrinsic dimensions of slow cinema and explores the ways in which these directors negotiate local filmmaking conventions with the demands of a global cinephile niche. As the first study to treat slow cinema both as an aesthetic style and as an institutional discourse, Poetics of Slow Cinema offers an illuminating perspective on the tradition’s historical genealogy and envisions it with a Janus-faced disposition in the age of digital technologies—lamenting at once the passing of difficult, ambiguous modernist film and capitalizing on the yearning for its absence.

Actions: The Actors' Thesaurus

by Marina Caldarone Maggie Lloyd-Williams

This book is an essential companion for actors in rehearsal - a thesaurus of action words to revitalize performance.

Es mi turno: Un viaje en busca de mi voz y mis raíces

by Ilia Calderon

LAS MEMORIAS INSPIRADORAS, PERTINENTES Y PROVOCADORAS DE ILIA CALDERÓN -LA PRIMERA PRESENTADORA AFROLATINA EN UN NOTICIARIO HISPANO DE PREEMINENCIA EN LOS ESTADOS UNIDOS- ACERCA DE SEGUIR SUS SUEÑOS, SUPERAR PREJUICIOS Y ACOGER SU IDENTIDAD. De niña, Ilia Calderón se sentía como una típica niña colombiana. En el Chocó, la provincia afrolatina donde se crio, tu piel podría ser de cualquier tono y aún serías considerado familia. Pero cuando dejó su comunidad para asistir a la escuela secundaria y la universidad en Medellín, todo cambió. A partir de ese momento, resolvió volverse "sorda" al racismo, decidida a superar el prejuicio, incluso cuando le repetían que los trabajos prominentes de presentador de noticias no eran para ella. Cuando un giro del destino le presentó una oportunidad única en la cadena noticiera Telemundo en Miami, estaba emocionada de comenzar una nueva vida -e identidad- en los Estados Unidos, donde las fronteras raciales, creía, se habían disuelto hace mucho tiempo y la igualdad era la regla. Sin embargo, se enfrentó a otro tipo de discriminación racial como una mujer inmigrante de color que le hablaba en español a la comunidad latina cada vez más marginada. En los últimos nueve años, Ilia ha reportado desde la primera línea de eventos históricos como el huracán Katrina, los terremotos en México, las elecciones presidenciales de los Estados Unidos de 2016 y la crisis pandémica del COVID-19. Ahora, Ilia corre el telón de los altibajos de su extraordinaria vida y carrera. Desde luchas internas personales hasta problemas profesionales analiza cómo construyó su identidad en medio de la violencia con carga de motivos raciales y la polarización política. Sobre la marcha, ella muestra cómo ha superado el miedo y enfrentado el odio de cara a cara, todo en nombre de crear un mundo mejor para su joven hija, Anna. "Existen muy pocas historias de superación que se acerquen siquiera a las de Ilia como madre y periodista. Qué suerte la mía de trabajar con ella y ser testigo de esta mujer cambiando al mundo."-Jorge Ramos, presentador principal de Noticiero Univision "Esta es la historia de una niñita quién creció con grandes carencias en una humilde casa de madera, que se inundaba cada vez que el río crecía, y quién aprendió a luchar y prepararse para llegar a ser la primera afrolatina en el noticiero más importante en la televisión en español de los EE. UU. La lección que Ilia Calderón aquí nos enseña es clara: ¡todo se puede!" -María Antonieta Collins, autora de bestsellers y corresponsal principal de Noticiero Univisión

Production Culture: Industrial Reflexivity and Critical Practice in Film and Television

by Johan Thornton Caldwell

In Production Culture, John Thornton Caldwell investigates the cultural practices and belief systems of Los Angeles-based film and video production workers: not only those in prestigious positions such as producers and directors but also many "below-the-line" laborers, including gaffers, editors, and camera operators. Caldwell analyzes the narratives and rituals through which workers make sense of their labor and critique the film and TV industry as well as the culture writ large. As a self-reflexive industry, Hollywood constantly exposes itself and its production processes to the public; workers' ideas about the industry are embedded in their daily practices and the media they create. Caldwell suggests ways that scholars might learn from the industry's habitual self-scrutiny. Drawing on interviews, observations of sets and workplaces, and analyses of TV shows, industry documents, economic data, and promotional materials, Caldwell shows how film and video workers function in a transformed, post-network industry. He chronicles how workers have responded to changes including media convergence, labor outsourcing, increasingly unstable labor and business relations, new production technologies, corporate conglomeration, and the proliferation of user-generated content. He explores new struggles over "authorship" within collective creative endeavors, the way that branding and syndication have become central business strategies for networks, and the "viral" use of industrial self-reflexivity to motivate consumers through DVD bonus tracks, behind-the-scenes documentaries, and "making-ofs. " A significant, on-the-ground analysis of an industry in flux, Production Culture offers new ways of thinking about media production as a cultural activity.

New Media: Theories and Practices of Digitextuality (AFI Film Readers)

by John T. Caldwell Anna Everett

First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

Specworld: Folds, Faults, and Fractures in Embedded Creator Industries

by John Thornton Caldwell

John Thornton Caldwell’s landmark Specworld demonstrates how twenty-first-century media industries monetize and industrialize creative labor at all levels of production. Through illuminating case studies and rich ethnography of colliding social-media and filmmaking practices, Caldwell takes readers into the world of production workshopping and trade mentoring to show media production as an untidy social construct rather than a unified, stable practice. This messy complex system, he argues, is full of discrete yet interconnected parts that include legacy production companies, marketers and influencers, aspirant online producers, data miners, financiers, talent agencies, and more. Caldwell peels away the layers of these embedded production systems to examine the folds, fault lines, and fractures that underlie a risky, high-pressure, and often exploitative industry. With insights on the ethical and human predicament faced by industry hopefuls and crossover creators seeking professional careers, Caldwell offers new interpretive frames and research methods that allow readers to better see the hidden and multifaceted financial logics and forms of labor embedded in contemporary media production industries.

Jumpstart Your Awesome Film Production Company

by Sara Caldwell

Firsthand knowledge and advice on every aspect of forming a film production company can be found in this one source. Film production company owners, entertainment attorneys, accountants, and distributors answer the most commonly asked questions on forming and running a successful film production company. They provide proven tips for setting up shop, following a financial plan, working with investors, forming a marketing strategy, getting a film distributed, and more. Real-life anecdotes from a wide range of professionals from the production company trenches are both informing and entertaining.

Splatter Flicks: How to Make Low-Budget Horror Films

by Sara Caldwell

Features dozens of detailed interviews with directors, producers, F/X pros, and more Horror movies get better distribution deals-so they're great for independent filmmakers Entertaining and informative, packed with insightful and sometimes hilarious anecdotes. Everyone who's ever longed to make their very own horror movie needs a copy of Splatter Flicks, a comprehensive guide that shows aspiring filmmakers exactly how today's most successful creators of horror finance, produce, and market their films. Interviews with the creative geniuses behind such low-budget moneymakers as Dead Serious, Till Death Do Us Part, Scarecrow, and many others reveal such dark secrets as how to make a movie for $ 2,000, how to get the best shrieks from scream queens, how to capture fear on film, how to make the perfect monster...the list goes on and on-it won't stop-make it stop-aaaaaahhhhhhh!!!!!! Yes, Splatter Flicks is horrifying...in a good way.

The Real Diana Dors

by Anna Cale

The story of film star Diana Dors is one of fame, glamour and intrigue. From the moment she came into the world, her life was full of drama. Her acting career began in the shadow of the Second World War, entering the film world as a vulnerable young teenager and negotiating the difficult British studio system of the 1940s and 50s. Yet she battled against the odds to become one of the most iconic British actors of the 20th century. This book follows her remarkable story, from childhood in suburban Swindon, to acting success as a teenager and finding fame as the ‘the English Marilyn Monroe’. Many remember her as an outspoken and sometimes controversial figure, grabbing headlines for her personal life as often as her film roles. For Diana, image seemed to be everything, but there was more to her than the ‘blonde bombshell’ reputation suggested. A talented actor, she worked on numerous film and television projects, building a fascinating career that spanned decades. Set against the backdrop of the changing social landscape of twentieth century Britain, this book charts the ups and downs of her diverse acting career and her tumultuous private life, to build a fascinating picture of a truly unique British screen icon.

Led Zeppelin and Philosophy: All Will Be Revealed

by Scott Calef

Led Zeppelin has long been one of the legends of rock, massively successful both commercially and critically. While there are many books about the band, this is the first to plumb the philosophical depths of the creators of "Stairway to Heaven".

The Long Century’s Long Shadow: Weimar Cinema and the Romantic Modern (German and European Studies)

by Kenneth S. Calhoon

The Long Century’s Long Shadow approaches German Romanticism and Weimar cinema as continuous developments, enlisting both in a narrative of reciprocal illumination. The author investigates different moments and media as connected phenomena, situated at alternate ends of the "long nineteenth century" but joined by their mutual rejection of the neo-classical aesthetic standard of placid and weightless poise in numerous media, including film, painting, sculpture, prose, poetry, and dance. Connecting Weimar filmmaking to Romantic thought and practice, Kenneth S. Calhoon offers a non-technological, aesthetic genealogy of cinema. He focuses on well-known literary and artistic works, including films such as Nosferatu, Metropolis, Frankenstein, and Fantasia; the writings of Conrad, Kafka, Goethe, and Novalis; and the paintings of Caspar David Friedrich, one of the leading artists of German Romanticism. With an eye to the modernism of which Weimar filmmaking was a part, The Long Century’s Long Shadow employs the Romantic landscape in poetry and painting as a mirror in which to regard cinema.

Script Tease: Today's Hottest Screenwriters Bare All

by Dylan Callaghan

The Newest Screenwriting SecretsWhat do an erstwhile stripper, an ex–gambling addict, and a stoned Canadian teenager have in common? They wrote your favorite movies, and they're not who you'd expect.Diablo Cody (Juno), Darren Aronofsky (The Wrestler), and Seth Rogan (Superbad) are among the scribes interviewed in Script Tease, your main line to the most current screenwriting wisdom. Their funny, even touching tales of how they made it despite the odds will give you a revealing look into what it really takes to get into the industry.With the guidance of recent greats like Aaron Sorkin (The Social Network) and the Coen Brothers (True Grit), you will learn how to hone your craft and make it in an industry where only the best succeed.

Barbara Stanwyck: The Miracle Woman (Hollywood Legends Series)

by Dan Callahan

Barbara Stanwyck (1907–1990) rose from the ranks of chorus girl to become one of Hollywood's most talented leading women—and America's highest-paid woman in the mid-1940s. Shuttled among foster homes as a child, she took a number of low-wage jobs while she determinedly made the connections that landed her in successful Broadway productions. Stanwyck then acted in a stream of high-quality films from the 1930s through the 1950s. Directors such as Cecil B. DeMille, Fritz Lang, and Frank Capra treasured her particular magic. A four-time Academy Award nominee, winner of three Emmys and a Golden Globe, she was honored with a Lifetime Achievement Award by the Academy. Dan Callahan considers both Stanwyck's life and her art, exploring her seminal collaborations with Capra in such great films as Ladies of Leisure, The Miracle Woman, and The Bitter Tea of General Yen; her Pre-Code movies Night Nurse and Baby Face; and her classic roles in Stella Dallas, Remember the Night, The Lady Eve, and Double Indemnity. After making more than eighty films in Hollywood, she revived her career by turning to television, where her role in the 1960s series The Big Valley renewed her immense popularity. Callahan examines Stanwyck's career in relation to the directors she worked with and the genres she worked in, leading up to her late-career triumphs in two films directed by Douglas Sirk, All I Desire and There's Always Tomorrow, and two outrageous westerns, The Furies and Forty Guns. The book positions Stanwyck where she belongs—at the very top of her profession—and offers a close, sympathetic reading of her performances in all their range and complexity.

Bing and Billie and Frank and Ella and Judy and Barbra

by Dan Callahan

Crosby, Holiday, Sinatra, Fitzgerald, Garland, and Streisand were the major interpreters of the American songbook, and this is the interlocking story of their lives and careers. Here is the epic tale of how these artists dominated American popular music over a fifty-year period, a roller coaster ride that gains momentum through the 1930s and '40s, reaches a crest of magical creativity in the 1950s and early '60s, and then crashes down by the early 1970s, a half century when the great American songbook dominated the airwaves and the fight for racial equality came to the forefront. Ella was beloved in her time, and she is still beloved. Frank is still the king of the songbook, but Bing's legacy is just as vital once you start listening to his unprecedented 1930s output. The best songs from Judy's greatest triumph, her 1963–64 TV series, are shared endlessly online. The legend of Billie grows by the year, and the basis of this should be appreciation and wonder for her own great artistry in the 1930s. Barbra is a living legend and still a commercial force to be reckoned with, the last exemplar of the songbook and its glories. All six of these singers reach out to us and show us new ways of expression and new ways to dream.Their song is largely ended but the melody lingers on.

Vanessa: The Life of Vanessa Redgrave

by Dan Callahan

In this first-ever biography of the woman many have called our greatest living actress, the formidable Vanessa Redgrave is at last revealed to us in all of her different personas. Who isn't in awe of Vanessa Redgrave? Her career on stage and screen remains vital and her extreme-left political stands are still quite controversial. This is the moment, and this is the biography, to take stock of Vanessa Redgrave both as actress and as political activist with a critical, objective study of her life and career. It is also time to account for her unparalleled achievements as an empathetic actress of considerable genius. In his Biographical Dictionary of Film, David Thomson writes about Redgrave, "She has made mistakes, but there is a case for her as the best actress alive, ready for further challenge." Anyone who has seen Redgrave in her numerous stage and film roles will know why Thomson rates her as the very best we have. The radiant, fearless, daring, perverse and always unpredictable Redgrave is the brightest light in the forest of her famous family.

The Best of Callahan

by John Callahan

"John is the funniest man on four wheels." -ROBIN WILLIAMS. "Screw the critics. I love Callahan. His cartoons are like tongue-kissing your grandma. If it's so bad, why does it feel so good?" -DAVE ATTELL, Writer and host of Comedy Central's Insomniac with Dave Attell. From the warped mind of one of America's most twisted cartoonists comes The Best of Callahan-a wildly satirical, wickedly funny collection of favorite cartoons, of fans and author alike. Warning: This book is not for the timid, the easily offended, the politically correct, or your grandparents. It's for people who like their humor dark ... about issues Mom and Dad told us were impolite to talk about in public. If you find offense, you shouldn't have been looking! We're not the boss of you.

Champagne Supernovas: Kate Moss, Marc Jacobs, Alexander McQueen, and the 90s Renegades Who Remade Fashion

by Maureen Callahan

The 1950s had rock 'n' roll and the 60s had the Beats. In the 70s and 80s, it was punk rock and modern art. But for the 1990s, it was all about the fashion-and Kate Moss, Marc Jacobs, and Alexander McQueen were the trio of rebel geniuses who made it great. Each had an amazing talent, and had demons that would jeopardize that same talent. Collectively, they represented a "moment" in fashion and pop culture that upended everything that had come before it. In the tradition of pop-cultural histories like Girls Like Us and Easy Riders, Raging Bulls, Maureen Callahan explores a particular, pivotal time -- the moment when the 1980s gave way to the 1990s, the alternative became the mainstream, and Gen X took over the reins of power in the fashion industry -- through the lives of three people who would become both fashion icons and cautionary tales of the era. Callahan interviews insiders and reveals exclusive insights into the biggest dramas surrounding the most celebrated personalities of the decade: why Kate Moss and Johnny Depp broke up, how Marc Jacobs came through the crucible of the AIDS crisis, and what really drove Alexander McQueen to suicide. Champagne Supernovas is the story of that singular time, as exemplified the lives of the three luminaries who forever changed the way we think about fashion and cult

Champagne Supernovas: Kate Moss, Marc Jacobs, Alexander McQueen, and the 90s Renegades Who Remade Fashion

by Maureen Callahan

The 1950s had rock 'n' roll and the 60s had the Beats. In the 70s and 80s, it was punk rock and modern art. But for the 1990s, it was all about fashion and Kate Moss, Marc Jacobs, and Alexander McQueen were the trio of rebel geniuses who made it great. Each had an amazing talent and each had demons that would jeopardize that same talent. Collectively, they represented a "moment" in fashion and pop culture that upended everything that had come before it. In the tradition of pop-cultural histories like Girls Like Us and Easy Riders, Raging Bulls, Maureen Callahan explores a particular, pivotal time - the moment when the 1980s gave way to the 1990s, the alternative became the mainstream, and Gen X took over the reins of power in the fashion industry - through the lives of three people who would become both fashion icons and cautionary tales of the era. Callahan interviews insiders and reveals exclusive insights into the biggest dramas surrounding the most celebrated personalities of the decade: why Kate Moss and Johnny Depp broke up, how Marc Jacobs came through the crucible of the AIDS crisis, and what really drove Alexander McQueen to suicide. Champagne Supernovas is the story of that singular time, as exemplified the lives of the three luminaries who forever changed the way we think about fashion and culture.

Reclaiming the Archive: Feminism and Film History

by Vicki Callahan

Reclaiming the Archive: Feminism and Film History brings together a diverse group of international feminist scholars to examine the intersections of feminism, history, and feminist theory in film. Editor Vicki Callahan has assembled essays that reflect a range of methodological approaches--including archival work, visual culture, reception studies, biography, ethno-historical studies, historiography, and textual analysis--by a diverse group of film and media studies scholars to prove that feminist theory, film history, and social practice are inevitably and productively intertwined. Essays in Reclaiming the Archive investigate the different models available in feminist film history and how those feminist strategies might serve as paradigmatic for other sites of feminist intervention. Chapters have an international focus and range chronologically from early cinema to post-feminist texts, organized around the key areas of reception, stars, and authorship. A final section examines the very definitions of feminism (post-feminism), cinema (transmedia), and archives (virtual and online) in place today. The essays in Reclaiming the Archive prove that a significant heritage of film studies lies in the study of feminism in film and feminist film theory. Scholars of film history and feminist studies will appreciate the breadth of work in this volume.

Zones of Anxiety: Movement, Musidora, and the Crime Serials of Louis Feuillade

by Vicki Callahan

A feminist analysis of the "cinema of uncertainty" through an examination of the crime serials of Louis Feuillade and the work of actress Musidora.

Robert Redford: The Biography

by Michael Feeney Callan

The long-anticipated biography of Robert Redford.Among the most widely admired Hollywood stars of his generation, Redford has appeared onstage and on-screen, in front of and behind the camera, earning Academy, Golden Globe, and a multitude of other awards and nominations for acting, directing, and producing, and for his contributions to the arts. His Sundance Film Festival transformed the world of filmmaking; his films defined a generation. America has come to know him as the Sundance Kid, Bob Woodward, Johnny Hooker, Jay Gatsby, and Roy Hobbs. But only now, with this revelatory biography, do we see the surprising and complex man beneath the Hollywood façade.From Redford's personal papers--journals, script notes, correspondence--and hundreds of hours of taped interviews, Michael Feeney Callan brings the legendary star into focus. Here is his scattered family background and restless childhood, his rocky start in acting, the death of his son, his star-making relationship with director Sydney Pollack, the creation of Sundance, his political activism, his artistic successes and failures, his friendships and romances. This is a candid, surprising portrait of a man whose iconic roles on-screen (Butch Cassidy and the Sundance Kid, All the President's Men, The Natural) and directorial brilliance (Ordinary People, Quiz Show) have both defined and obscured one of the most celebrated, and, until now, least understood, public figures of our time.From the Hardcover edition.

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