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Hello, I Must Be Going

by Charlotte Chandler

When Charlotte Chandler called Groucho Marx for an interview, he answered the phone himself. Declining to be interviewed, he invited her over to his house so he could tell her no in person. After talking with her for hours, Groucho asked, "Why aren't you writing?" Hello, I Must Be Going is the story of Groucho and the Marx Brothers, told through Groucho's everyday conversations with Charlotte Chandler and his friends. And what a group of friends they were! Woody Allen, Jack Nicholson, Elliott Gould, Bill Cosby, Marvin Hamlisch, Betty Comden, Adolph Green, Sidney Sheldon, and dozens of others walk through the pages of this fascinating book. Anyone interested in Groucho or the Marx Brothers, or who wants to spend a few hours in fabulous company, will find this book irresistible.

Hello, I Must Be Going

by Charlotte Chandler

When Charlotte Chandler called Groucho Marx for an interview, he answered the phone himself. Declining to be interviewed, he invited her over to his house so he could tell her no in person. After talking with her for hours, Groucho asked, "Why aren't you writing?" Hello, I Must Be Going is the story of Groucho and the Marx Brothers, told through Groucho's everyday conversations with Charlotte Chandler and his friends. And what a group of friends they were! Woody Allen, Jack Nicholson, Elliott Gould, Bill Cosby, Marvin Hamlisch, Betty Comden, Adolph Green, Sidney Sheldon, and dozens of others walk through the pages of this fascinating book. Anyone interested in Groucho or the Marx Brothers, or who wants to spend a few hours in fabulous company, will find this book irresistible.

I Know Where I’m Going: Katharine Hepburn, a Personal Biography

by Charlotte Chandler

A revealing portrait of the famously private Katharine Hepburn, based on interviews Charlotte Chandler conducted with her in the 1970s and '80s.

Ingrid: Ingrid Bergman, a Personal Biography (Applause Bks.)

by Charlotte Chandler

Ingrid Bergman was one of the biggest and most glamorous stars in Hollywood -- until she became one of the most controversial, when an international scandal threatened to end her career. She had starred in several now-classic films: Casablanca, Spellbound, Notorious, Gaslight, and her co-stars included such Hollywood icons as Humphrey Bogart, Cary Grant, and Gregory Peck. In this insightful new biography, Charlotte Chandler draws on her extensive conversations with Bergman herself to describe what happened from Bergman's point of view, revealing a complex and fascinating woman who lived life intensely. Already a movie star in her native Sweden, Ingrid Bergman became an instant sensation for David O. Selznick in Hollywood and the number-one box-office star in the world. But the most dramatic event in her life took place off the screen when she made a film in Italy and began a passionate romance with her director, Roberto Rossellini. The scandal that followed left her exiled from America, ostracized by Hollywood, vilified in the press, denounced by clergy, censured in the U. S. Senate -- and separated from her young daughter. She was able to make films only with Rossellini. In the words of those who were involved, Chandler describes Bergman's life before, during, and after the scandal. Among those Chandler spoke with were Alfred Hitchcock, George Cukor, Sidney Lumet, Cary Grant, Gregory Peck, Greta Garbo, and Liv Ullmann. She spoke with Roberto Rossellini; their twin daughters, Isabella and Isotta Ingrid; Rossellini's son, Renzo; Ingrid's daughter Pia Lindstrom; and others who knew Ingrid well. This extraordinary access makes Ingrid: Ingrid Bergman, a Personal Biography the most perceptive and revealing book ever written about the charismatic Hollywood legend.

It's Only a Movie: Alfred Hitchcock, a Personal Biography

by Charlotte Chandler

In his films, Alfred Hitchcock found the perfect expression for his fantasies, and he shared those fantasies with the world in such classics asThe 39 Steps, The Lady Vanishes, Rebecca, Shadow of a Doubt, Notorious, Strangers on a Train, Rear Window, Long Synopsis: In his films, Alfred Hitchcock found the perfect expression for his fantasies, and he shared those fantasies with the world in such classics asThe 39 Steps, The Lady Vanishes, Rebecca, Shadow of a Doubt, Notorious, Strangers on a Train, Rear Window, The Man Who Knew Too Much, To Catch a Thief, North by Northwest, Vertigo, Psycho,andThe Birds. In It's Only a Movie, Charlotte Chandler draws from her extensive conversations with Hitchcock, frequently revealing unknown facts and unexpected insights into the man, the director, and his films. Author of acclaimed biographies of Groucho Marx, Federico Fellini, and Billy Wilder, Charlotte Chandler spent several years with Hitchcock discussing his life and his amazing career. She also talked with his wife, Alma, and daughter, Pat, as well as many of the screen legends who appeared in his films, including Cary Grant, Ingrid Bergman, James Stewart, Grace Kelly, Joan Fontaine, Laurence Olivier, Michael Redgrave, John Gielgud, Gregory Peck, Henry Fonda, Tippi Hedren, James Mason, Eva Marie Saint, Kim Novak, Anthony Perkins, Janet Leigh, and others. The result is an intimate yet expansive portrait of a unique artist who, from the 1920s through the 1970s, created many of history's most memorable films. A quarter-century after his death, Hitchcock's distinctive profile remains an instantly recognizable icon to millions, while his films continue to grow in popular appeal and critical esteem. Chandler introduces us to the real Hitchcock: a devoted family man, practical joker, and Englishman of Edwardian sensibilities who was one of the great masters of cinematic art.

Marlene: Marlene Dietrich, a Personal Biography

by Charlotte Chandler

In Marlene, the legendary Hollywood icon is vividly brought to life, based on a series of conversations with the star herself and with others who knew her well. In the mid-1970s Charlotte Chandler spoke with Marlene Dietrich in Dietrich's Paris apartment. The star's career was all but over, but she agreed to meet because Chandler hadn't known Dietrich earlier, "when I was young and very beautiful." Dietrich may have been retired, but her appearance and her celebrity--her famous mystique--were as important to her as ever. Marlene Dietrich's life is one of the most fabulous in Hollywood history. She began her career in her native Berlin as a model, then a stage and screen actress during the silent era, becoming a star with the international success The Blue Angel. Then, under the watchful eye of the director of that film, her mentor Josef von Sternberg, she came to America and became one of the brightest stars in Hollywood. She made a series of acclaimed pictures--Morocco, Shanghai Express, Blonde Venus, Destry Rides Again, among many others--that propelled her to international stardom. With the outbreak of World War II, the fiercely anti-Nazi Dietrich became an American citizen and entertained Allied troops on the front lines. After the war she embarked on a new career as a stage performer, and with her young music director, the gifted Burt Bacharach--whom Chandler interviewed for the book--Dietrich had an outstanding second career. Dietrich spoke candidly with Chandler about her unconventional private life: although she never divorced her husband, Rudi Sieber, she had numerous well-publicized affairs with his knowledge (and he had a longtime mistress with her approval). By the late 1970s, plagued by accidents, Dietrich had become a virtual recluse in her Paris apartment, communicating with the outside world almost entirely by telephone Marlene Dietrich lived an extraordinary life, and Marlene relies extensively on the star's own words to reveal how intriguing and fascinating that life really was.

Not the Girl Next Door: Joan Crawford, a Personal Biography (Applause Bks.)

by Charlotte Chandler

In this fascinating new biography of screen legend Joan Crawford, Charlotte Chandler draws on exclusive and remarkably candid interviews with Crawford herself and with others who knew her, including first husband Douglas Fairbanks, Jr., and Crawford's daughter Cathy. As a result, this biography is fresh and revealing, a brand-new look at one of Hollywood's most acclaimed stars. Joan Crawford was born Lucille LeSueur in San Antonio, Texas, in 1908 (as she always insisted, though other sources disagreed). Her father abandoned the family, and her mother soon remarried; Lucille was now known as Billie Cassin. Young Billie loved to dance and achieved her early success in silent films playing a dancer. Her breakthrough role came in Our Dancing Daughters. Soon married to Hollywood royalty, Douglas Fairbanks, Jr. (who called her "Billie"), she was a star in her own right, playing opposite John Barrymore and a stellar cast in M-G-M's Grand Hotel. Crawford was cast opposite another young star, Clark Gable, in several films. They would sometimes play lovers on screen -- and off as well. After her marriage to Fairbanks broke up, Crawford married actor Franchot Tone. That marriage soon began to show strains, and Crawford was sometimes seen riding with Spencer Tracy, who gave her a horse she named Secret. Crawford left M-G-M for Warners, and around the time she married her third husband, Phillip Terry, she won her Oscar for best actress (one of three times she was nominated) in Mildred Pierce. But by the 1950s the film roles dried up. Crawford and Terry had divorced, and Crawford married her fourth husband, Pepsi-Cola executive Alfred Steele. In 1962, she and longtime cinematic rival Bette Davis staged a brief comeback in the macabre but commercial What Ever Happened to Baby Jane? Following Steele's death, Crawford became a director of Pepsi- Cola while she continued raising her four adopted children. Although her daughter Christina would publish the scathing memoir Mommie Dearest after Crawford's death, Chandler offers a contrasting portrait of Crawford, drawing in part on reminiscences of younger daughter Cathy among others. Not the Girl Next Door is perhaps Charlotte Chandler's finest Hollywood biography yet, an intimate portrait of a great star who was beautiful, talented, glamorous, and surprisingly vulnerable.

She Always Knew How: Mae West, a Personal Biography

by Charlotte Chandler

In She Always Knew How, her wonderful new biography of legendary actress Mae West, acclaimed biographer Charlotte Chandler draws on a series of interviews she conducted with the star just months before her death in 1980. From their first meeting, where West held out a diamond-covered hand in greeting and lamented her interviewer's lack of jewels, to their farewell, where the star was still gamely offering advice on how to attract men, Mae West and Charlotte Chandler developed a warm rapport that glows on every page of this biography. Actress, playwright, screenwriter, and iconic sex symbol Mae West was born in New York in 1893. She created a scandal -- and a sensation -- on Broadway with her play Sex in 1926. Convicted of obscenity, she was sentenced to ten days in prison. She went to jail a convict and emerged a star. Her next play, Diamond Lil, was a smash, and she would play the role of Diamond Lil in different variations for virtually her entire film career. In Hollywood she played opposite George Raft, Cary Grant (in one of his first starring roles), and W. C. Fields, among others. She was the number one box-office attraction during the 1930s and saved Paramount Studios from bankruptcy. Her films included some notorious one-liners -- which she wrote herself -- that have become part of Hollywood lore: from "too much of a good thing can be wonderful" to "When I'm good, I'm very good. When I'm bad, I'm better." Her risqué remarks got her banned from radio for a dozen years, but behind the clever quips was Mae's deep desire, decades before the word "feminism" was in the news, to see women treated equally with men. She saw through the double standard of the time that permitted men to do things that women would be ruined for doing. Her cause was sexual equality, and she was shrewd enough to know that it was perhaps the ultimate battleground, the most difficult cause of all. In addition to her extensive interviews of Mae West, Chandler also spoke with actors and directors who worked with and knew the star, the man with whom she lived for the last twenty-seven years of her life, as well as her closest assistant at the end of her life. Their comments and insights enrich this fascinating book. She Always Knew How captures the voice and spirit of this unique actress as no other biography ever has.

The Annotated Big Sleep

by Raymond Chandler

The first fully annotated edition of Raymond Chandler&’s 1939 classic The Big Sleep features hundreds of illuminating notes and images alongside the full text of the novel and is an essential addition to any crime fiction fan&’s library. A masterpiece of noir, Raymond Chandler's The Big Sleep helped to define a genre. Today it remains one of the most celebrated and stylish novels of the twentieth century. This comprehensive, annotated edition offers a fascinating look behind the scenes of the novel, bringing the gritty and seductive world of Chandler's iconic private eye Philip Marlowe to life. The Annotated Big Sleep solidifies the novel&’s position as one of the great works of American fiction and will surprise and enthrall Chandler&’s biggest fans. Including: -Personal letters and source texts -The historical context of Chandler&’s Los Angeles, including maps and images -Film stills and art from the early pulps -An analysis of class, gender, sexuality, and ethnicity in the novel

Raymond Chandler Speaking

by Raymond Chandler

Tough-minded and typically idiosyncratic, here is Chandler on Chandler, the mystery novel, writing, Hollywood, TV, publishing, cats, and famous crimes. This skillfully edited selection of letters, articles, and notes also includes the short story "A Couple of Writers" and the first chapters of Chandler's last Philip Marlowe novel, The Poodle Springs Story, left unfinished at his death. Paul Skenazy has provided a new introduction for this edition as well as a new selected bibliography.

Mustache Shenanigans: Making Super Troopers and Other Adventures in Comedy

by Jay Chandrasekhar

Director, writer, and actor Jay Chandrasekhar tells the hilarious history of his comedy group, Broken Lizard, and the making of the cult film Super Troopers, as well as the currently filming Super Troopers 2.Jay Chandrasekhar has spent the past two decades writing, directing, and acting in film and TV. With his comedy group, Broken Lizard, he has produced and directed beloved movies such as Super Troopers, Beer­fest, and Club Dread. Now, with the upcoming release of the long-awaited Super Troopers 2, Jay is ready to tell the ridiculous, madcap, dead-honest story of how he built his career, how he formed Broken Lizard, and, ultimately, how he made Super Troopers. Jay grew up Indian American in the lily-white sub­urbs of Chicago, and he had an outsider’s perspective from the beginning. Instead of taking the traditional acting path, he formed his own troupe, wrote his own scripts, and made movies his own way. And he had an incredibly good time doing so as readers will learn in this hilarious story about making it in Hollywood and directing, cowriting, and costarring in one of the best-loved and most-watched comedies of all time. Part humorous memoir, part film study, this book will inform, entertain, and tell readers what drinking mul­tiple bottles of maple syrup is really like.

As If!

by Jen Chaney

Acclaimed pop culture journalist Jen Chaney shares an oral history of the cult classic film Clueless in the ultimate written resource about one of the most influential, revered, and enduring movies of the 1990s--in celebration of its twentieth anniversary.Will we ever get tired of watching Cher navigate Beverly Hills high school and discover true love in the movie Clueless? As if! Written by Amy Heckerling and starring Alicia Silverstone, Clueless is an enduring comedy classic that remains one of the most streamed movies on Netflix, Amazon, and iTunes even twenty years after its release. Inspired by Jane Austen's Emma, Clueless is an everlasting pop culture staple. In the first book of its kind, Jen Chaney has compiled an oral history of the making of this iconic film using recollections and insights collected from key cast and crew members involved in the making of this endlessly quotable, ahead-of-its-time production. Get a behind-the-scenes look at how Emma influenced Heckerling to write the script, how the stars were cast into each of their roles, what was involved in creating the costumes, sets, and soundtrack, and much more. This wonderful twentieth anniversary commemoration includes never-before-seen photos, original call sheets, casting notes, and production diary extracts. With supplemental critical insights by the author and other notable movie experts about why Clueless continues to impact pop culture, As If! will leave fans new and old totally buggin' as they understand why this beloved film is timeless.

(Drag) Queen of Scots: The hilarious and heartwarming memoir from the UK’s favourite drag queen

by Lawrence Chaney

'It's no mystery or secret how much I enjoy Lawrence Chaney.' - RuPaul'Tackles everything from gender identity, the thrill of a wig and why Scottish talent is often overlooked.' - i NewsLawrence Chaney has wowed audiences across the globe as the winner of RuPaul's Drag Race UK. In Lawrence (Drag) Queen of Scots, Lawrence shares heartfelt and candid moments from their past. From being bullied as a child to what it's like to date as a drag queen, they give us an insight to their journey towards acceptance and better mental health.The loch ness legend themself takes us through the struggles faced to get to where they are now. From their childhood, growing up as a queer kid in Glasgow, feeling self-conscious and turning to humour to avoid being bullied, Lawrence shares their painfully relatable coming out story, and how finding drag was a vehicle towards confidence and self-love.__________'Gorgeous, hugely talented, funny, charismatic, adorable, Chaney is a goddess and brings us joy.' - Lorraine'Lawrence shares some of [their] most intricate and personal stories...such as concocting a drag name, mental health and dating.' - Gay Times'Lawrence Chaney is the funniest queen by a country mile. She has delivered the laughs a locked down nation needed in abundance. But there's much more to Chaney than her quick wit. Her vulnerability is also part of her natural gift.' - Vogue

My Life as a Filmmaker

by Chia-Ning Chang Satsuo Yamamoto

In his posthumous autobiography, Watakushi no eiga jinsei (1984), Yamamoto reflects on his career and legacy: beginning in the prewar days as an assistant director in a well-established film company under the master Naruse Mikio, to his wide-ranging experiences as a filmmaker, including his participation in the tumultuous Toho Labor Upheaval soon after Japan’s defeat in World War II and his struggles as an independent filmmaker in the 1950s and 1960s before returning to work within the mainstream industry. In the process, he established himself as one of the most prominent and socially engaged film artists in postwar Japan. Imbued with vibrant social realism and astute political commentary, his filmic genres ranged widely from melodramas, period films from the Tokugawa era, samurai action jidaigeki, social satires, and antiwar films. Providing serious insights into and trenchant critique of the moral corruption in Japanese politics, academe, industry, and society, Yamamoto at the same time produced highly successful films that offered drama and entertainment for Japanese and international moviegoers. His considerable artistic distinction, strong social and political consciousness, and filmic versatility have earned him a unique and distinguished position among Japan’s world-class film directors. In addition to detailed annotations of the autobiography, translator Chia-ning Chang offers a comprehensive introduction to the career and the significance of Yamamoto and his works in the context of Japanese film history. It contextualizes Yamamoto’s life and works in the historical and cultural zeitgeist of prewar, wartime, and postwar Japan before scrutinizing the unique qualities of his narrative voice and social conscience as a film artist.

Representing China on the Historical London Stage: From Orientalism to Intercultural Performance (Routledge Advances in Theatre & Performance Studies)

by Dongshin Chang

This book provides a critical study of how China was represented on the historical London stage in selected examples from the late seventeenth century to the early twentieth century—which corresponds with the Qing Dynasty (1644-1911), China’s last monarchy. The examples show that during this historical period, the stage representations of the country were influenced in turn by Jesuit writings on China, Britain’s expanding material interest in China, the presence of British imperial power in Asia, and the establishment of diasporic Chinese communities abroad. While finding that many of these works may be read as gendered and feminized, Chang emphasizes that the Jesuits’ depiction of China as a country of high culture and in perennial conflict with the Tartars gradually lost prominence in dramatic imaginations to depictions of China’s material and visual attractions. Central to the book’s argument is that the stage representations of China were inherently intercultural and open to new influences, manifested by the evolving combinations of Chinese and English (British) traits. Through the dramatization of the Chinese Other, the representations questioned, satirized, and put in sharp relief the ontological and epistemological bases of the English (British) Self.

Lust, Caution

by Eileen Chang Wang Hui Ling

Now a major motion picture from Oscar-winning director Ang Lee (Crouching Tiger, Hidden Dragon, Brokeback Mountain): an intensely passionate story of love and espionage, set in Shanghai during World War II.In the midst of the Japanese occupation of China and Hong Kong, two lives become intertwined: Wong Chia Chi, a young student active in the resistance, and Mr. Yee, a powerful political figure who works for the Japanese occupational government. As these two move deftly between Shanghai's tea parties and secret interrogations, they become embroiled in the complicated politics of wartime -- and in a mutual attraction that may be more than what they expected. Written in lush, lavish prose, and with the tension of a political thriller, Lust, Caution brings 1940s Shanghai artfully to life even as it limns the erotic pulse of a doomed love affair.From the Trade Paperback edition.

Reel Asian: Asian Canada on Screen

by Elaine Chang

Founded in 1997 by producer Anita Lee and journalist Andrew Sun, the Toronto Reel Asian International Film Festival is a unique showcase of contemporary Asian cinema and work from the Asian diaspora. The festival fosters the exchange of cultural and artistic ideals between East and West, provides a public forum for homegrown Asian media artists and their work and fuels the growing appreciation for Asian cinema in Canada.In Reel Asian: Asian Canada on Screen, contributors, many of them filmmakers, examine East and Southeast Asian Canadian contributions to independent film and video. This collection highlights the screen as a site for the reflection, projection and reimagination of identities and communities, and explores the idea that Asian Canada is less a demographic category than it is a term of art. Distinguished film- and video-makers, artists and cultural critics address a wide array of topics, genres, regional concerns and historical contexts in provocative, original essays and one-on-one conversations. The first anthology of its kind, the volume also includes a substantial selection of images and stills, and a resources section providing detailed artist and distribution information.

Team Piano Repertoire: A Manual of Music for Multiple Players at One or More Pianos

by Frederic Ming Chang Albert Faurot

Listing of classical musical pieces written for 2 or more piano players

FilmCraft: Editing

by Justin Chang

The value of the editor's craft to a finished film cannot be underestimated, and it's no surprise that directors rely heavily on the same editor again and again. This book employs stills and screenshots to show how an editor created a scene with the filmmaker and explores the complex relationship between a director who has just shot a movie and the editor who must complete the director's vision. Includes perspectives from Dylan Tichenor who has worked on Boogie Nights, Brokeback Mountain, There Will Be Blood and many others and Pietro Scalia, the great editor whose partners include Bertolucci, Van San, and Ridley Scott. Each book in the FilmCraft Series focuses on a specific aspect of the filmmaking process, presenting a visually strunning look at the subject through the eyes of notable professionals in each field. Each book offers deep insight into the working practices of the world's most distinguished professionals, covering their inspiration, collaboration, and work on set. Each professional has been interviewed exclusively, and goes into detail on specific scenes in their films to give concrete examples of their craft. The result is to provide readers with a fascinating inside look at the filmmaking art, and a wealth of knowledge that they can apply to their own work.

FilmCraft: Editing

by Justin Chang

The value of the editor's craft to a finished film cannot be underestimated, and it's no surprise that directors rely heavily on the same editor over and over again. Seventeen exclusive interviews with some of the world's top film editors, including Walter Murch, Virginia Katz, Joel Cox, Tim Squyres and Richard Marks, explore the art of film editing; its complex processes, the relationship with other film practitioners, and the impact of modern editing techniques.The Filmcraft series is a ground-breaking study of the art of filmmaking-the most collaborative and multidisciplinary of all the arts. Each volume covers a different aspect of moviemaking, offering in-depth interviews with a host of the most distinguished practitioners in the field. Forthcoming titles include Cinematography, Directing, Costume Design, Production Design, Producing, Screenwriting, and Acting.

Filmcraft: Editing

by Justin Chang

Part of the Filmcraft series, this book focuses on editing-- uniquely difficult discipline, where editors interviewed here have themselves expressed difficulty articulating the precise nature of their work.

The Picture of Abjection: Film, Fetish, and the Nature of Difference

by Tina Chanter

“A timely and important project that changes our understanding of the role of abjection both in cultural politics and in the structure of film.” —Ewa Ziarek, State University of New York at BuffaloTina Chanter resolves a fundamental problem in film theory by negotiating a middle path between “gaze theory” approaches to film and spectator studies or cultural theory approaches that emphasize the position of the viewer and thereby take account of race, class, gender, and sexuality. Chanter argues that abjection is the unthought ground of fetishistic theories. If the feminine has been the privileged excluded other of psychoanalytic theory, fueled by the myth of castration and the logic of disavowal, when fetishism is taken up by race theory, or cultural theory, the multiple and fluid registers of abjection are obscured. By mobilizing a theory of abjection, the book shows how the appeal to phallic, fetishistic theories continues to reify the hegemonic categories of race, class, sexuality, and gender, as if they stood as self-evident categories.“An intriguing read, especially for those who favor psychological models of criticism in film theory . . . Recommended.” —Choice

Chinese Traditional Theatre and Male Dan: Social Power, Cultural Change and Gender Relations (Routledge Advances in Theatre & Performance Studies)

by Guo Chao

This book examines male dan, a male actor who performs female roles in Chinese theatre. Through the rise, fall and tenuous survival of male dan in Chinese history, Guo Chao reflects the transformations in the social zeitgeist in China, especially the politics of gender and sexuality. The breadth of this study reflects a diversified set of sources, ranging from classical to contemporary texts (texts of jingju plays, memoirs, collections of notation books) and other commentaries and critical evaluations of dan actors (in both English and Chinese languages), to video and audio materials, films, and personal interviews. This book will be of great interest to students and scholars of East Asian/Chinese studies across the fields of theatre, history, culture, and literature.

Mr. Tanner

by Harry Chapin

Mr. Tanner runs a dry cleaning shop in Dayton, Ohio, where he spends his days greeting his customers with his beautiful baritone voice. His friends and neighbors encourage him to sing professionally instead of cleaning clothes. He eventually takes a chance and travels to New York City to be heard by a concert agent and critics, only to find they weren't hearing what he was feeling. The song Mr. Tanner was released in 1973 off Harry Chapin's Short Stories album. The song was inspired by a mediocre review about a baritone singer in The New York Times. A portion of the proceeds from the sale of this book will go to help support WhyHunger, a charity championed by Harry Chapin himself.

My Autobiography

by Charlie Chaplin

"The best autobiography ever written by an actor. An astonishing work." --Chicago Tribune Chaplin's heartfelt and hilarious autobiography tells the story of his childhood, the challenge of identifying and perfecting his talent, his subsequent film career and worldwide celebrity. In this, one of the very first celebrity memoirs, Chaplin displays all the charms, peculiarities and deeply-held beliefs that made him such an endearing and lasting character. Re-issued as part of Melville House's Neversink Library, My Autobiography offers dedicated Chaplin fans and casual admirers alike an astonishing glimpse into the the heart and the mind of Hollywood's original genius maverick. Take this unforgettable journey with the man George Bernard Shaw called "the only genius to come out of the movie industry" as he moves from his impoverished South London childhood to the heights of Hollywood wealth and fame; from the McCarthy-era investigations to his founding of United Artists to his "reverse migration" back to Europe, My Autobiography is a reading experience not to be missed.

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