- Table View
- List View
Universal Handwriting 4: Reinforcing Cursive
by Thomas Wasylyk Jennifer SchweighoferNIMAC-sourced textbook
Universal Handwriting 5: Mastering Cursive
by Thomas Wasylyk Jennifer SchweighoferNIMAC-sourced textbook
Universal Handwriting K: Beginning Manuscript
by Thomas Wasylyk Jennifer SchweighoferNIMAC-sourced textbook
The Universal Structure of Categories
by Martina WiltschkoUsing data from a variety of languages such as Blackfoot, Halkomelem, and Upper Austrian German, this book explores a range of grammatical categories and constructions, including tense, aspect, subjunctive, case and demonstratives. It presents a new theory of grammatical categories - the Universal Spine Hypothesis - and reinforces generative notions of Universal Grammar while accommodating insights from linguistic typology. In essence, this new theory shows that language-specific categories are built from a small set of universal categories and language-specific units of language. Throughout the book the Universal Spine Hypothesis is compared to two alternative theories - the Universal Base Hypothesis and the No Base Hypothesis. This valuable addition to the field will be welcomed by graduate students and researchers in linguistics.
The Universe of Things
by Steven ShaviroFrom the rediscovery of Alfred North Whitehead's work to the rise of new materialist thought, including object-oriented ontology, there has been a rapid turn toward speculation in philosophy as a way of moving beyond solely human perceptions of nature and existence. Now Steven Shaviro maps this quickly emerging speculative realism, which is already dramatically influencing how we interpret reality and our place in a universe in which humans are not the measure of all things. The Universe of Things explores the common insistence of speculative realism on a noncorrelationist thought: that things or objects exist apart from how our own human minds relate to and comprehend them. Shaviro focuses on how Whitehead both anticipates and offers challenges to prevailing speculative realist thought, moving between Whitehead's own panpsychism, Harman's object-oriented ontology, and the reductionist eliminativism of Quentin Meillassoux and Ray Brassier.The stakes of this recent speculative realist thought--of the effort to develop new ways of grasping the world--are enormous as it becomes clear that our inherited assumptions are no longer adequate to describe, much less understand, the reality we experience around us. As Shaviro acknowledges, speculative realist thought has its dangers, but it also, like the best speculative fiction, holds the potential to liberate us from confining views of what is outside ourselves and, he believes, to reclaim aesthetics and beauty as a principle of life itself. Bringing together a wide array of contemporary thought, and evenhandedly assessing its current debates, The Universe of Things is an invaluable guide to the evolution of speculative realism and the provocation of Alfred North Whitehead's pathbreaking work.
The Unnameable Monster in Literature and Film (Routledge Interdisciplinary Perspectives on Literature)
by Maria BevilleThis book visits the 'Thing' in its various manifestations as an unnameable monster in literature and film, reinforcing the idea that the very essence of the monster is its excess and its indeterminacy. Tied primarily to the artistic modes of the gothic, science fiction, and horror, the unnameable monster retains a persistent presence in literary forms as a reminder of the sublime object that exceeds our worst fears. Beville examines various representations of this elusive monster and argues that we must looks at the monster, rather than through it, at ourselves. As such, this book responds to the obsessive manner in which the monsters of literature and culture are ‘managed’ in processes of classification and in claims that they serve a social function by embodying all that is horrible in the human imagination. The book primarily considers literature from the Romantic period to the present, and film that leans toward postmodernism. Incorporating disciplines such as cultural theory, film theory, literary criticism, and continental philosophy, it focuses on that most difficult but interesting quality of the monster, its unnameability, in order to transform and accelerate current readings of not only the monsters of literature and film, but also those that are the focus of contemporary theoretical discussion.
Unruly Women
by Margaret BoyleIn the first in-depth study of the interconnected relationships among public theatre, custodial institutions, and women in early modern Spain, Margaret E. Boyle explores the contradictory practices of rehabilitation enacted by women both on and off stage. Pairing historical narratives and archival records with canonical and non-canonical theatrical representations of women's deviance and rehabilitation, Unruly Women argues that women's performances of penitence and punishment should be considered a significant factor in early modern Spanish life.Boyle considers both real-life sites of rehabilitation for women in seventeenth-century Madrid, including a jail and a magdalen house, and women onstage, where she identifies three distinct representations of female deviance: the widow, the vixen, and the murderess. Unruly Women explores these archetypal figures in order to demonstrate the ways a variety of playwrights comment on women's non-normative relationships to the topics of marriage, sex, and violence.
Unsettled States: Nineteenth-Century American Literary Studies (America and the Long 19th Century #13)
by Dana Luciano Ivy WilsonIn Unsettled States, Dana Luciano and Ivy G. Wilson present some of the most exciting emergent scholarship in American literary and cultural studies of the "long" nineteenth century. Featuring eleven essays from senior scholars across the discipline, the book responds to recent critical challenges to the boundaries, both spatial and temporal, that have traditionally organized scholarship within the field. The volume considers these recent challenges to be aftershocks of earlier revolutions in content and method, and it seeks ways of inhabiting and amplifying the ongoing unsettledness of the field. Written by scholars primarily working in the "minor" fields of critical race and ethnic studies, feminist and gender studies, labor studies, and queer/sexuality studies, the essays share a minoritarian critical orientation. Minoritarian criticism, as an aesthetic, political, and ethical project, is dedicated to finding new connections and possibilities within extant frameworks. Unsettled States seeks to demonstrate how the goals of minoritarian critique may be actualized without automatic recourse to a predetermined "minor" location, subject, or critical approach. Its contributors work to develop practices of reading an "American literature" in motion, identifying nodes of inquiry attuned to the rhythms of a field that is always on the move.
Updike
by Adam BegleyUpdike is Adam Begley’s masterful, much-anticipated biography of one of the most celebrated figures in American literature: Pulitzer Prize-winning author John Updike—a candid, intimate, and richly detailed look at his life and work.In this magisterial biography, Adam Begley offers an illuminating portrait of John Updike, the acclaimed novelist, poet, short-story writer, and critic who saw himself as a literary spy in small-town and suburban America, who dedicated himself to the task of transcribing “middleness with all its grits, bumps and anonymities.”Updike explores the stages of the writer’s pilgrim’s progress: his beloved home turf of Berks County, Pennsylvania; his escape to Harvard; his brief, busy working life as the golden boy at The New Yorker; his family years in suburban Ipswich, Massachusetts; his extensive travel abroad; and his retreat to another Massachusetts town, Beverly Farms, where he remained until his death in 2009. Drawing from in-depth research as well as interviews with the writer’s colleagues, friends, and family, Begley explores how Updike’s fiction was shaped by his tumultuous personal life—including his enduring religious faith, his two marriages, and his first-hand experience of the “adulterous society” he was credited with exposing in the bestselling Couples.With a sharp critical sensibility that lends depth and originality to his analysis, Begley probes Updike’s best-loved works—from Pigeon Feathers to The Witches of Eastwick to the Rabbit tetralogy—and reveals a surprising and deeply complex character fraught with contradictions: a kind man with a vicious wit, a gregarious charmer who was ruthlessly competitive, a private person compelled to spill his secrets on the printed page. Updike offers an admiring yet balanced look at this national treasure, a master whose writing continues to resonate like no one else’s.
Upsetting Composition Commonplaces
by Ian BarnardIn Upsetting Composition Commonplaces, Ian Barnard argues that composition still retains the bulk of instructional practices that were used in the decades before poststructuralist theory discredited them. While acknowledging that some of the foundational insights of poststructuralist theory can be difficult to translate to the classroom, Barnard upends several especially intransigent tenets that continue to influence the teaching of writing and how students are encouraged to understand writing. Using six major principles of writing classrooms and textbooks—clarity, intent, voice, ethnography, audience, and objectivity—Barnard looks at the implications of poststructuralist theory for pedagogy. While suggesting some evocative poststructuralist pedagogical practices, the author focuses on diagnosing the fault lines of composition's refusal of poststructuralism rather than on providing "solutions” in the form of teaching templates. Upsetting Composition Commonplaces addresses the need to more effectively engage in poststructuralist concepts in composition in an accessible and engaging voice that will advance the conversation about relations between the theory and teaching of writing.
Upsetting Composition Commonplaces
by Ian BarnardIn Upsetting Composition Commonplaces, Ian Barnard argues that composition still retains the bulk of instructional practices that were used in the decades before poststructuralist theory discredited them. While acknowledging that some of the foundational insights of poststructuralist theory can be difficult to translate to the classroom, Barnard upends several especially intransigent tenets that continue to influence the teaching of writing and how students are encouraged to understand writing.Using six major principles of writing classrooms and textbooks--clarity, intent, voice, ethnography, audience, and objectivity--Barnard looks at the implications of poststructuralist theory for pedagogy. While suggesting some evocative poststructuralist pedagogical practices, the author focuses on diagnosing the fault lines of composition's refusal of poststructuralism rather than on providing "solutions" in the form of teaching templates.Upsetting Composition Commonplaces addresses the need to more effectively engage in poststructuralist concepts in composition in an accessible and engaging voice that will advance the conversation about relations between the theory and teaching of writing.
Urban Enlightenment and the Eighteenth-Century Periodical Essay
by Richard SquibbsUrban Enlightenment offers the first literary history of the British periodical essay spanning the entire eighteenth century, and the first to study the genre's development and cultural impact in a transatlantic context.
Urban Space And Late Twentieth-century New York Literature
by Catalina NeculaiInterdisciplinary in nature, this project draws on fiction, non-fiction and archival material to theorize urban space and literary/cultural production in the context of the United States and New York City. Spanning from the mid-1970s fiscal crisis to the 1987 Market Crash, New York writing becomes akin to geographical fieldwork in this rich study.
US Poetry in the Age of Empire, 1979–2012
by Piotr K. GwiazdaExamining poetry by Robert Pinsky, Adrienne Rich, and Amiri Baraka, among others, this book shows that leading US poets since 1979 have performed the role of public intellectual through their poetic rhetoric. Gwiazda's argument aims to revitalize the role of poetry and its social value within an era of global politics.
Ushering In A New Republic: Theologies Of Arrival At Rome In The First Century Bce
by Trevor S. LukeThe ancient Romans are well known for their love of the pageantry of power. No single ceremony better attests to this characteristic than the triumph, which celebrated the victory of a Roman commander through a grand ceremonial entrance into the city that ended in rites performed to Rome's chief tutelary deity, Jupiter Optimus Maximus, on the Capitoline hill. The triumph, however, was only one form of ceremonial arrival at the city, and Jupiter was not the only god to whom vows were made and subsequently fulfilled at the end of a successful assignment. Ushering in a New Republic expands our view beyond a narrow focus on the triumph to look at the creative ways in which the great figures of Rome in the first century BCE (men such as Sulla, Caesar, Augustus, and others) crafted theological performances and narratives both in and around their departures from Rome and then returned to cast themselves in the role of divinely supported saviors of a faltering Republic. Trevor S. Luke tackles some of the major issues of the history of the Late Republic and the transition to the empire in a novel way. Taking the perspective that Roman elites, even at this late date, took their own religion seriously as a way to communicate meaning to their fellow Romans, the volume reinterprets some of the most famous events of that period in order to highlight what Sulla, Caesar, and figures of similar stature did to make a religious argument or defense for their actions. This exploration will be of interest to scholars of religion, political science, sociology, classics, and ancient history and to the general history enthusiast. While many people are aware of the important battles and major thinkers of this period of Roman history, the story of its theological discourse and competition is unfolded here for the first time.
Utopian Geographies and the Early English Novel
by Jason H. PearlHistorians of the Enlightenment have studied the period's substantial advances in world cartography, as well as the decline of utopia imagined in geographic terms. Literary critics, meanwhile, have assessed the emerging novel's realism and in particular the genre's awareness of the wider world beyond Europe. Jason Pearl unites these lines of inquiry in Utopian Geographies and the Early English Novel, arguing that prose fiction from 1660 to 1740 helped demystify blank spaces on the map and make utopia available anywhere. This literature incorporated, debunked, and reformulated utopian conceptions of geography. Reports of ideal societies have always prompted skepticism, and it is now common to imagine them in the future, rather than on some undiscovered island or continent. At precisely the time when novels began turning from the fabulous settings of romance to the actual locations described in contemporaneous travel accounts, a number of writers nevertheless tried to preserve and reconfigure utopia by giving it new coordinates and parameters. Margaret Cavendish, Aphra Behn, Daniel Defoe, Jonathan Swift, and others told of adventurous voyages and extraordinary worlds. They engaged critically and creatively with the idea of utopia. If these writers ultimately concede that utopian geographies were nowhere to be found, they also reimagine the essential ideals as new forms of interiority and sociability that could be brought back to England. Questions about geography and utopia drove many of the formal innovations of the early novel. As this book shows, what resulted were new ways of representing both world geography and utopian possibility.
The Utopian Human Right to Science and Culture: Toward the Philosophy of Excendence in the Postmodern Society (Law, Language and Communication)
by Anna Maria NawrotThis book explores the question of whether the ideal right to science and culture exists. It proposes that the human right to science and culture is of a utopian character and argues for the necessity of the existence of such a right by developing a philosophical project situated in postmodernity, based on the assumption of ’thinking in terms of excendence’. The book brings a novel and critical approach to human rights in general and to the human right to science and culture in particular. It offers a new way of thinking about access to knowledge in the postanalogue, postmodern society. Inspired by twentieth-century critical theorists such as Levinas, Gadamer, Bauman and Habermas, the book begins by using excendence as a way of thinking about the individual, speech and text. It considers paradigms arising from postanalogue society, revealing the neglected normative content of the human right to science and culture and proposes a morality, dignity and solidarity situated in a postmodern context. Finally the book concludes by responding to questions on happiness, dignity and that which is social. Including an Annex which presents the author’s private project related to thinking in the context of the journey from ’myth to reason’, this book is of interest to researchers in the fields of philosophy and the theory of law, human rights, intellectual property and social theory.
The Vampire in Contemporary Popular Literature (Routledge Studies in Contemporary Literature)
by Lorna Piatti-FarnellProminent examples from contemporary vampire literature expose a desire to re-evaluate and re-work the long-standing, folkloristic interpretation of the vampire as the immortal undead. This book explores the "new vampire" as a literary trope, offering a comprehensive critical analysis of vampires in contemporary popular literature and demonstrating how they engage with essential cultural preoccupations, anxieties, and desires. Drawing from cultural materialism, anthropology, psychoanalysis, literary criticism, gender studies, and postmodern thought, Piatti-Farnell re-frames the concept of the vampire in relation to a distinctly twenty-first century brand of Gothic imagination, highlighting important aesthetic, conceptual, and cultural changes that have affected the literary genre in the post-2000 era. She places the contemporary literary vampire within the wider popular culture scope, also building critical connections with issues of fandom and readership. In reworking the formulaic elements of the vampiric tradition — and experimenting with genre-bending techniques — this book shows how authors such as J.R. Ward, Stephanie Meyers, Charlaine Harris, and Anne Rice have allowed vampires to be moulded into enigmatic figures who sustain a vivid conceptual debt to contemporary consumer and popular culture. This book highlights the changes — conceptual, political and aesthetic — that vampires have undergone in the past decade, simultaneously addressing how these changes in "vampire identity" impact on the definition of the Gothic as a whole.
Vampires Are Us: Understanding Our Love Affair with the Immortal Dark Side
by Margot AdlerThe author of Drawing Down the Moon offers a "literate, imaginative, and just plain fascinating&” exploration of the enduring allure of vampires (Whitley Strieber, author of The Hunger). Author and NPR correspondent Margot Adler found herself newly drawn to vampire novels while sitting vigil at her dying husband&’s bedside. Intrigued by the way this ever-evolving myth lets us contemplate mortality, she embarked on a years-long journey of reading hundreds vampire novels—from teen to adult, from gothic to modern, from detective to comic. She began to see just how each era creates the vampires it needs. Dracula, an Eastern European monster, was the perfect vehicle for 19th-century England&’s fear of outsiders and of disease seeping in through its large ports. In 1960s America, the television show Dark Shadows gave us the morally conflicted vampire struggling against his own predatory nature, who still enthralls us today. From Bram Stoker to Ann Rice; from vampire detective thrillers to lesbian vampire fiction; and from Buffy the Vampire Slayer to Twilight and True Blood, Vampires Are Us explores the issues of power, politics, morality, identity, and even the fate of the planet that show up in vampire novels today. Perhaps, Adler suggests, our blood is oil, perhaps our prey is the planet. Perhaps vampires are us.
The Varieties of Metaphysical Poetry
by T. S. EliotThe famed series of Trinity College and Johns Hopkins lectures in which the Nobel Prize winner explored history, poetry, and philosophy. While a student at Harvard in the early years of the twentieth century, T. S. Eliot immersed himself in the verse of Dante, Donne, and the nineteenth-century French poet Jules Laforgue. His study of the relation of thought and feeling in these poets led Eliot, as a poet and critic living in London, to formulate an original theory of the poetry generally termed &“metaphysical&”—philosophical and intellectual poetry that revels in startlingly unconventional imagery. Eliot came to perceive a gradual &“disintegration of the intellect&” following three &“metaphysical moments&” of European civilization—the thirteenth, seventeenth, and nineteenth centuries. The theory is at once a provocative prism through which to view Western intellectual and literary history and an exceptional insight into Eliot&’s own intellectual development. This annotated edition includes the eight Clark Lectures on metaphysical poetry that Eliot delivered at Trinity College in Cambridge in 1926, and their revision and extension for his three Turnbull Lectures at Johns Hopkins University in Baltimore in 1933. They reveal in great depth the historical currents of poetry and philosophy that shaped Eliot&’s own metaphysical moment in the twentieth century.
Ventures 3 Workbook (2nd Edition)
by Gretchen Bitterlin Dennis Johnson Donna Price Sylvia Ramirez K. Lynn Savage Ingrid WisniewskaVentures 2nd Edition is a six-level, standards-based ESL series for adult-education ESL. The Ventures 2nd Edition Level 3 Workbook provides reinforcement exercises for each lesson in the Student's Book, an answer key for self-study, grammar charts, and examples of a variety of forms and documents.
Ventures Basic Student's Book (Ventures)
by Gretchen BitterlinVentures 2nd Edition is a six-level, standards-based ESL series for adult-education ESL. Ventures 2nd Edition Basic Student's Book contains 10 units composed of six lessons each on relevant adult-learner themes. The two-page lessons are designed for an hour of classroom instruction. Culture notes and speaking, reading, and writing tips enrich and support exercises. Review units include sections focusing on pronunciation.
Verbände zwischen Öffentlichkeit, Medien und Politik (essentials)
by Sigrid Koch-BaumgartenDer Titel befasst sich mit dem Wandel der politischen Kommunikation von Verbänden in der Bundesrepublik Deutschland unter den Herausforderungen der Politikbeobachtung durch allgegenwärtige Massenmedien. Nach einer Einführung in die Funktionen und Bedeutung von Verbänden und Medien in der Politikvermittlung zwischen Staat und Gesellschaft werden die neuen Verflechtungen von öffentlichen, medialen und nichtöffentlichen, institutionellen Politikarenen in der Mediengesellschaft sowie deren Rückwirkungen auf die verbandliche Interessenpolitik, Organisation und Binnen- wie Außenkommunikation behandelt. Vorgestellt und diskutiert werden unterschiedliche wissenschaftliche Interpretationsansätze zum Verhältnis von Verbänden und Massenmedien.
Verbandskommunikation und Kommunikationsmanagement: Eine systemtheoretische Perspektive (essentials)
by Olaf HoffjannIn diesem Band wird auf einer systemtheoretischen Grundlage eine Theorie der Verbandskommunikation entwickelt. In Verbänden stellen sich drei zentrale Probleme: das Problem der Legitimation gegenüber dem politisch-administrativen System, das Problem zurückgehender Mitgliederbindungen sowie die Widersprüche, die sich aus der Bearbeitung dieser Probleme ergeben. Zur Lösung dieser drei Probleme haben sich mit der Legitimationskommunikation, der Mitgliederbindungskommunikation und dem integrierten Kommunikationsmanagement drei Disziplinen ausdifferenziert, die der klassischen Verbandskommunikation zugeordnet werden können. Damit wird eine Spezialisierungs- und Integrationsperspektive gleichermaßen eingenommen: Zunächst wird zu untersuchen sein, wie die Probleme fehlender Unterstützung und der Legitimation bearbeitet werden, um anschließend zu fragen, wie die daraus entstehenden Widersprüche bearbeitet werden.
Verdades como puños: La mirada diaria de Noticias Cuatro
by Iñaki GabilondoUna contundente visión de la realidad política y social que nos revela la verdadera cara de la actualidad. Iñaki Gabilondo es sin lugar a dudas uno de los profesionales del periodismo más reputados del momento. Su ironía y su magistral manera de ver la actualidad se reflejan a diario en los editoriales de cada uno de los informativos que presenta en Cuatro. La calidad y maestría de los mismos, el juego y la genialidad ofrecen entre líneas la verdadera opinión de un maestro, y mueven al espectador al otro lado de la pantalla, lo hacen reflexionar. En definitiva, nunca dejan indiferentes. Verdades como puños reúne estos magistrales editoriales en uno de los mejores análisis de nuestra realidad política y social, que golpean al lector y le revelan la verdadera cara de la actualidad; la mayoría de las veces, la menos grata. -La verdad sin miedo-Políticos sin máscara-La deriva del terrorismo-Las pretensiones de la Iglesia-La crisis que pagamos todos-Las incógnitas del nacionalismo-La corrupción rampante-La debacle financiera-El nuevo equilibrio mundial-La polémica Educación para la Ciudadanía-Sin papeles: el drama de la inmigración-Pánico en el parquet-Los juzgados desbordados-La crisis en el PP