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Tales From Country Music
by Gerry WoodFollow Gerry Wood on his journey with country music's biggest stars, featuring Dolly Parton, Willie Nelson, Shania Twain and many more familiar names in the industry. Tales from Country Music will take you backstage and behind the scenes with some of your favorite country music singers.
It's Only Rock 'n' Roll: Thirty Years Married to a Rolling Stone
by Jo WoodIn this wild, behind-the-scenes portrait of one of the biggest rock bands in history, Jo Wood comes clean about her three decades as the girlfriend and eventually the wife of Rolling Stones guitarist Ronnie Wood. This startlingly honest, laugh-out-loud memoir vividly describes life on tour, in the studio, at the legendary parties—and every raucous moment in between. From teenage model to hard-partying rock 'n' roll devotee, through motherhood, marriage, breakdown, and the challenge of starting over again, Jo Wood has had a roller-coaster ride of a life. At the age of sixteen, Jo burst onto the British modeling scene and became a fixture at London's most glamorous parties. A few years later, just twenty-two years old and a single mom, she met Ronnie Wood and her life changed forever. Holding nothing back, Jo paints an astonishing picture of the sex, drugs, booze, groupies, and—above all—the fun that filled her thirty years as a member of the Stones' inner circle. Telling never-before-heard stories about what life on the road with the Stones was really like, she offers intimate portraits of the band's legendary cast of characters, including Mick Jagger, Keith Richards, Jerry Hall, and Patti Hansen. She recalls the excitement of getting to know international A-list celebrities like Kate Moss, Andy Warhol, Johnny Depp, and Slash. Jo also opens up about her family life with Ronnie: their passionate love affair, the demands of being a mother by day and a wild child by night, and eventually coping with Ronnie's increasingly difficult behavior as his addictions consumed him. For the first time, she reveals her heartbreaking account of what happened when Ronnie left her for an eighteen-year-old waitress, explaining how she was able to forgive, live without bitterness or regret, and find new happiness as an entrepreneur and organic beauty expert. Including never-before-seen photographs from Jo's personal collection, It's Only Rock 'n' Roll is a compelling piece of rock 'n' roll history from a woman with a backstage pass and front-row seat. Enchanting, candid, and moving, this page-turning fairy tale of fame and fortune has the best of the era's many euphoric and reckless moments within its pages.
Stoned: Photographs and treasures from life with the Rolling Stones
by Jo Wood"These images are great and have been tucked away for years"RONNIE WOOD "The REAL Rolling Stones... Consider this your AAA pass to touring with Mick 'n' Keith 'n' co."THE SUNDAY TELEGRAPH Take a look inside rock 'n' roll history with over 500 never-before-seen photographs, notes, artworks, diary entries and mementoes from life behind the scenes of the Rolling Stones.Married to legendary Stones guitarist Ronnie Wood for 30 years, Jo Wood lived the rock star life. Her incredible collection of treasures from that time is a once-in-a-lifetime look inside the biggest band in the world.Accompanied by personal memories and behind the scenes anecdotes from Jo, Stoned is a love letter to the rock 'n' roll life and a truly unique window into the eye of the Rolling Stones hurricane.
Stoned: Photographs and treasures from life with the Rolling Stones
by Jo Wood"These images are great and have been tucked away for years"RONNIE WOOD "The REAL Rolling Stones... Consider this your AAA pass to touring with Mick 'n' Keith 'n' co."THE SUNDAY TELEGRAPH Take a look inside rock 'n' roll history with over 500 never-before-seen photographs, notes, artworks, diary entries and mementoes from life behind the scenes of the Rolling Stones.Married to legendary Stones guitarist Ronnie Wood for 30 years, Jo Wood lived the rock star life. Her incredible collection of treasures from that time is a once-in-a-lifetime look inside the biggest band in the world.Accompanied by personal memories and behind the scenes anecdotes from Jo, Stoned is a love letter to the rock 'n' roll life and a truly unique window into the eye of the Rolling Stones hurricane.
I See the Rhythm of Gospel
by Michele Wood Toyomi Igus'We free now, baby,' mama whispers as we bounce and sway with the wagon's twists and turns over roads of clay through the land that oppressed us to a new world, a brand new day. The dynamic author/illustrator team of Toyomi Igus and Michele Wood has come together again to produce I See the Rhythm of Gospel, a sequel to the Coretta Scott King Award-winning I See the Rhythm. Readers of all ages will be captivated by this informative and inspirational blend of poetry, art, and music that relates the history of gospel music as reflected through the journey of African Americans from their arrival as slaves in America to the election of our first black president, Barack Obama.
Scottish Traditional Music (Chambers Mini Guides)
by Nicola WoodScottish Traditional Music is a compact and lively introduction to the folk-music of Scotland. From Border ballads to Shetland reels, the book presents a fascinating account of the nation's popular tunes and traditional instruments. There are chapters on the fiddle and clarsach, bagpipes and song and each contains a wealth of information on writers and composers, regional styles and pieces of note. Increase your enjoyment of the sounds of Scotland in Scottish Traditional Music.
Esquivel! Space-Age Sound Artist: Space-age Sound Artist (Live Oak Media Ereadalong Ser.)
by Susan WoodA playful picture-book biography of the father of space-age bachelor-pad lounge music.Gorgeously illustrated by Duncan Tonatiuh, this lively biography follows Juan Garcia Esquivel from Mexico to New York City. Juan grew up to the sounds of mariachi bands; he loved music and became a musical explorer. Defying convention, he created music that made people laugh and planted images in their minds. His musical dreams brought him from Mexico to America and gained him worldwide renown. Juan&’s space-age lounge music—popular in the fifties and sixties—has found a new generation of listeners. This account honors Esquivel as one of the great composers of the 20th century.
¡Esquivel! Un artista del sonido de la era espacial
by Susan WoodA playful picture-book biography of the father of space-age bachelor-pad lounge music.Gorgeously illustrated by Duncan Tonatiuh, this lively biography follows Juan Garcia Esquivel from Mexico to New York City. Juan grew up to the sounds of mariachi bands; he loved music and became a musical explorer. Defying convention, he created music that made people laugh and planted images in their minds. His musical dreams brought him from Mexico to America and gained him worldwide renown. Juan&’s space-age lounge music—popular in the fifties and sixties—has found a new generation of listeners. This account honors Esquivel as one of the great composers of the 20th century.
A Simple Brazilian Song: Journeys Through The Rio Sound
by James WoodallIn 1992, James Woodall was asked to write an article about a Brazilian musician he'd never heard of, called Chico Buarque. He discovered that Buarque was a national hero in his native country and that interviewing him was a bit like a Latin American interviewing Paul McCartney. Woodall fell under Buarque's spell and began an affair with Brazilian pop music which has lasted to this day. His new passion took him to Brazil and in particular to Rio de Janeiro, world capital of Carnival and samba. Over several visits, he met with Chico Buarque, discovered the city's immodest beach culture and took part in Carnival. He met Chico Buarque's great contemporary, Caetano Veloso and other stars. Picking up Portuguese on the hop, he learnt a great deal about Chico Buarque's life and about the strange and dangerous city where he lives. This book is as much a hymn to Rio de Janeiro as it is to the music that beats at its heart.
For the Sender: Love Letters From Vietnam
by Alex WoodardDear Sergeant Fuller,You won't know me for another two years,but I am your daughter....So begins a letter sent decades into the past, from a daughter searching for answers to a soldier serving in war-torn Vietnam, in this true story of service and sacrifice, love and redemption, and the power of forgiveness.A box with Love Letters from Vietnam etched on the lid waits buried in a closet, holding scrawled thoughts written on Air Force stationery from a passionate yet deeply flawed soldier stationed outside Da Nang to his young wife in east Texas. Years pass before a fateful, deadly winter night leads the soldier's daughter, Jennifer, to open the box, read the letters, and answer her father back in time. She tucks her letters into a package with no address, because she no longer knows where to send them.Until she is sitting in a theater in Austin, Texas, at a performance by singer-songwriter Alex Woodard and hears him talk about writing songs inspired by letters. Her remarkable correspondence with her father takes Woodard on his first steps into the dichotomy between dark and light, as he imagines himself as Sergeant Fuller in Vietnam and begins to write songs sung from Fuller's heart.Woodard's quest to learn more about the man and the war he fights both in Vietnam and back at home evolves into an extraordinary journey, propelled by an album included with the book that features Woodard as Sergeant Fuller and his friend Molly Jenson as Jennifer. Their voices carry the songs inspired by these beautiful, raw, revealing love letters not only sent from Vietnam, but as the story unfolds, beyond.
Performing Operas for Mozart: Impresarios, Singers and Troupes
by Ian WoodfieldThe Italian opera company in Prague managed by Pasquale Bondini and Domenico Guardasoni played a central role in promoting Mozart's operas during the final years of his life. Using a wide range of primary sources which include the superb collections of eighteenth-century opera posters and concert programmes in Leipzig and the Indice de' teatrali spettacoli, an almanac of Italian singers and dancers, this study examines the annual schedules, recruitment networks, casting policies and repertoire selections of this important company. Woodfield shows how Italian-language performances of Figaro, Don Giovanni, Così fan tutte and La clemenza di Tito flourished along the well-known cultural axis linking Prague in Bohemia to Dresden and Leipzig in Saxony. The important part played by concert performances of operatic arias in the early reception of Mozart's works is also discussed and new information is presented about the reception of Josepha Duschek and Mozart in Leipzig.
Performing Operas for Mozart
by Ian WoodfieldThe Italian opera company in Prague managed by Pasquale Bondini and Domenico Guardasoni played a central role in promoting Mozart's operas during the final years of his life. Using a wide range of primary sources which include the superb collections of eighteenth-century opera posters and concert programmes in Leipzig and the Indice de' teatrali spettacoli, an almanac of Italian singers and dancers, this study examines the annual schedules, recruitment networks, casting policies and repertoire selections of this important company. Woodfield shows how Italian-language performances of Figaro, Don Giovanni, Cosi fan tutte and La clemenza di Tito flourished along the well-known cultural axis linking Prague in Bohemia to Dresden and Leipzig in Saxony. The important part played by concert performances of operatic arias in the early reception of Mozart's works is also discussed and new information is presented about the reception of Josepha Duschek and Mozart in Leipzig.
Salomon and the Burneys: Private Patronage and a Public Career
by Ian WoodfieldJohann Peter Salomon, the celebrated violinist and impresario, made his debut in England in March 1781. History has credited Salomon with bringing Haydn to London, yet as Ian Woodfield reveals in this monograph, Salomon's introduction of the composer to the London musical scene owed as much to luck as to skilful planning. Haydn's engagement in London proved to be a much-needed uplift to Salomon's career which, as Woodfield illustrates, had been on the wane for a number of years. In addition to its reassessment of Salomon's uneven career in London during the 1780s, this book throws light on the general relationship between public and private spheres of professional music-making at the time, and on the relationship between the social and professional attributes required of musicians if they were to be successful. Nowhere are these tensions better illustrated than in the letters and journals of the Burney family, especially those of Susan Burney, which are drawn on in the book to provide a vivid picture of the fiercely competitive musical world of eighteenth-century London.
Music Education in an Age of Virtuality and Post-Truth
by Paul G. WoodfordThis is a deliberately provocative book crossing many disciplinary boundaries and locating music and art education within a context of contemporary social and political problems in a time of growing disruption and authoritarianism. Intended firstly for music teacher educators, practicing music teachers, and graduate and undergraduate music education majors, the book also speaks to arts and media studies teachers, parents, or others interested in exploring how composing, performing, improvising, conducting, listening, dancing, teaching, learning, or engaging in music or education criticism are all political acts because fundamentally concerned with social values and thus inseparable from power and politics. Among the book’s central themes are the danger of democratic deconsolidation in the West and how music education can help counter that threat through the fostering of democratic citizens who are aware of music’s ubiquity in their lives and its many roles in shaping public opinion and notions of truth, and for better or for worse! The arts can obviously be used for ill, but as George Orwell demonstrated in his own work, they can also be employed in defense of democracy as modes of political thought and action affording opportunities for the revitalization of society through its re-imagining.
Spider from Mars: My Life with Bowie
by Woody WoodmanseyIn January 2016, the unexpected death of David Bowie rocked the globe. For millions of people, he was an icon celebrated for his music, his film and theatrical roles, and his trendsetting influence on fashion and gender norms. But no one from her inner circle has told the story of how David Jones—a young folksinger, dancer, and aspiring mime—became one of the most influential artists of our time.Drummer Woody Woodmansey is the last surviving member of Bowie’s band The Spiders from Mars which helped launch his Ziggy Stardust persona and made David Bowie a sensation.In this first memoir to follow Bowie’s passing, Spider from Mars reveals what it was like to be at the white-hot center of a star’s self-creation. With never-before-told stories and never-before-seen photographs, Woodmansey offers details of the album sessions for The Man Who Sold the World, Hunky Dory, The Rise and Fall of Ziggy Stardust and the Spiders from Mars, and Aladdin Sane: the four albums that made Bowie a cult figure. And, as fame beckoned by eventually consumed Bowie, Woodmansey recalls the wild tours, eccentric characters, and rock ‘n’ roll excess that eventually drove the band apart.A vivid and unique evocation of a transformative musical era and the enigmatic, visionary musician at the center of it, with a foreword by legendary music producer Tony Visconti and an afterword from Def Leppard's Joe Elliot, Spider from Mars is for everyone who values David Bowie, by one of the people who knew him best." … those interested in rock history won’t want to miss this slice of music history." - Publishers Weekly
After Tupac and D Foster
by Jacqueline WoodsonD Foster showed up a few months before Tupac got shot that first time and left us the summer before he died. <P><P> The day D Foster enters Neeka and her best friend's lives, the world opens up for them. D comes from a world vastly different from their safe Queens neighborhood, and through her, the girls see another side of life that includes loss, foster families and an amount of freedom that makes the girls envious. Although all of them are crazy about Tupac Shakur's rap music, D is the one who truly understands the place where he's coming from, and through knowing D, Tupac's lyrics become more personal for all of them. The girls are thirteen when D's mom swoops in to reclaim D--and as magically as she appeared, she now disappears from their lives. Tupac is gone, too, after another shooting; this time fatal. As the narrator looks back, she sees lives suspended in time, and realizes that even all-too-brief connections can touch deeply. <P> A Discussion Guide to After Tupac and D Foster by Jacqueline Woodson .<P> Newbery Honor book
Labels: Making Independent Music (Criminal Practice Ser.)
by Ian Woodward Dominik BartmanskiThe music industry is dominated today by three companies. Outside of it, thousands of small independent record labels have developed despite the fact that digitalization made record sales barely profitable. How can those outsiders not only survive, but thrive within mass music markets? What makes them meaningful, and to whom? Dominik Bartmanski and Ian Woodward show how labels act as taste-makers and scene-markers that not only curate music, but project cultural values which challenge the mainstream capitalist music industry. Focusing mostly on labels that entered independent electronic music after 2000, the authors reconstruct their aesthetics and ethics. The book draws on multiple interviews with labels such as Ostgut Ton in Berlin, Argot in Chicago, 100% Silk in Los Angeles, Ninja Tune in London, and Goma Gringa in Sao Paulo. Written by the authors of Vinyl, this book is essential reading for anyone with an interest in the contemporary recording industry, independent music, material culture, anthropology, sociology, and cultural studies.
Vinyl: The Analogue Record in the Digital Age
by Ian Woodward Dominik BartmanskiRecent years have seen not just a revival, but a rebirth of the analogue record. More than merely a nostalgic craze, vinyl has become a cultural icon. As music consumption migrated to digital and online, this seemingly obsolete medium became the fastest-growing format in music sales. Whilst vinyl never ceased to be the favorite amongst many music lovers and DJs, from the late 1980s the recording industry regarded it as an outdated relic, consigned to dusty domestic corners and obscure record shops. So why is vinyl now experiencing a ‘rebirth of its cool’?Dominik Bartmanski and Ian Woodward explore this question by combining a cultural sociological approach with insights from material culture studies. Presenting vinyl as a multifaceted cultural object, they investigate the reasons behind its persistence within our technologically accelerated culture. Informed by media analysis, urban ethnography and the authors’ interviews with musicians, DJs, sound engineers, record store owners, collectors and cutting-edge label chiefs from a range of metropolitan centres renowned for thriving music scenes including London, New York, Tokyo, Melbourne, and especially Berlin, what emerges is a story of a modern icon.
Artania: L'urlo del Faraone
by Laurie WoodwardL’undicenne Bartolomeo non può andare a scuola né giocare all’aperto e, cosa peggiore di tutte, non può fare arte; così disegna in segreto. Dopo aver incontrato il pittore-skater Alexander DeVinci, i due ragazzi vengono catapultati in un altro regno grazie ad un dipinto magico. Il loro mondo reale è molto diverso se comparato ad Artania: un mondo in cui le sculture e i dipinti prendono vita. Ben presto i due ragazzi apprenderanno che Artania è sull’orlo della distruzione, e solo l’arte di Bartolomeo potrà salvare questo mondo. Con le divinità egizie dalla sua parte, Bartolomeo affronterà battaglie, duelli e fughe sullo skateboard. Ma sebbene i suoi poteri siano aumentati, riuscirà a sconfiggere l’armata di Malcuore e riportare l’arte nel mondo?
Artania: El grito de los faraones
by Laurie Woodward Pilar Ordaz B.Bartholomew, de once años, no puede ir a la escuela, jugar afuera o, lo peor de todo, hacer arte – así que dibuja en secreto. Después de que conoce a un pintor en patineta, Alexander DeVinci, ambos son transportados a otro reino de pinturas mágicas. Su propio mundo es muy diferente en comparación con Artania: un mundo con pinturas y esculturas vivientes. Pronto aprenden que Artania está al filo de la destrucción, y el arte de Bartholomew es la única cosa que puede salvarle. Tanto con dioses como diosas a su lado, Bartholomew se enfrenta a batallas, duelos y escapes sobre patinetas. Pero incluso con sus poderes creciendo, ¿puede él derrotar el ejército malévolo de Sickhert y traer el arte de vuelta al mundo?
My Life, as I See It
by David F Wooley Dionne WarwickDionne Warwick made her singing debut in church at the request of her grandfather, the Reverend Elzae Warrick, when she was six years old. No one knew then that she would become an international music legend, but what she knew--as words of wisdom passed down from her grandfather--was that "if you can think it, you can do it." And she did it. Dionne released the first of more than fifty-six charted hits in 1962 with "Don't Make Me Over," followed by "Anyone Who Had a Heart," "Walk On By," "I Say a Little Prayer," "Alfie," and "A House Is Not a Home," to name a few. She received her first Grammy in 1968 for "Do You Know the Way to San Jose" and later recorded the classic hit "That's What Friends Are For." She was considered the voice of Burt Bacharach/Hal David compositions, and the rest is here, in her first autobiography. Dionne tells the stories of her life from her childhood in East Orange, New Jersey, in a two-family home with her parents, brother, and sister, to now, as she celebrates her fiftieth year in show business. She came by her musical gifts honestly. Her mother, Lee Drinkard Warrick, was a founding member of the legendary Drinkard Jubilairs, which included her mother's siblings Cissy, Marie, Annie, Nick, and Larry. Cissy went on to become a celebrated recording artist in her own right; she lived in the Warrick household, got married, and later gave birth to one of the most popular singers of our time, Whitney Houston. Dionne went on to start her own gospel group with her sister, Dee Dee, called the Gospelaires. Her father, once a Pullman porter, became an accountant, went on to promote gospel records for Hob Records, and wrote a book on gospel music. She attributes her strong family, who are faithful and industrious Christians, for keeping her grounded and giving her the fortitude, as well as the talent, to earn her place among world-class performing artists without losing herself or her soul.
Studies on Authorship in Historical Keyboard Music (Ashgate Historical Keyboard Series)
by Andrew WoolleyAuthorship is a pertinent issue for historical musicology and musicians more widely, and some controversies concerned with major figures have even reached wider consciousness. Scholars have clarified some of the issues at stake in recent decades, such as the places of borrowing and arranging in the creative process and the wider cultural significance of these practices. The discovery of new sources and methodologies has also opened up opportunities for reassessing specific authorship problems. Drawing upon this wider musicological literature as well as insights from other disciplines, such as intellectual history and book history, this book aims to build on what has already been achieved by focussing on keyboard music. The nine chapters cover case studies of authorship problems, the socioeconomic conditions of music publishing, the contributions of composers, arrangers, copyists and music publishers in creating notated keyboard compositions, the functions of attribution and ascription, and how the contexts in which notated pieces were used affected concepts of authorship at different times and places.
Interpreting Historical Keyboard Music: Sources, Contexts and Performance (Ashgate Historical Keyboard Series)
by Andrew Woolley John KitchenResearch in the field of keyboard studies, especially when intimately connected with issues of performance, is often concerned with the immediate working environments and practices of musicians of the past. An important pedagogical tool, the keyboard has served as the ’workbench’ of countless musicians over the centuries. In the process it has shaped the ways in which many historical musicians achieved their aspirations and went about meeting creative challenges. In recent decades interest has turned towards a contextualized understanding of creative processes in music, and keyboard studies appears well placed to contribute to the exploration of this wider concern. The nineteen essays collected here encompass the range of research in the field, bringing together contributions from performers, organologists and music historians. Questions relevant to issues of creative practice in various historical contexts, and of interpretative issues faced today, form a guiding thread. Its scope is wide-ranging, with contributions covering the mid-sixteenth to early twentieth century. It is also inclusive, encompassing the diverse range of approaches to the field of contemporary keyboard studies. Collectively the essays form a survey of the ways in which the study of keyboard performance can enrich our understanding of musical life in a given period.
Love Songs in Motion: Voicing Intimacy in Somaliland (Chicago Studies in Ethnomusicology)
by Christina J. WoolnerAn intimate account of everyday life in Somaliland, explored through an ever-evolving musical genre of love songs. At first listen, both music and talk about love are conspicuously absent from Somaliland’s public soundscapes. The lingering effects of war, the contested place of music in Islam, and gendered norms of emotional expression limit opportunities for making music and sharing personal feelings. But while Christina J. Woolner was researching peacebuilding in Somaliland’s capital, Hargeysa, she kept hearing snippets of songs. Almost all of these, she learned, were about love. In these songs, poets, musicians, and singers collaborate to give voice to personal love aspirations and often painful experiences of love-suffering. Once in circulation, the intimate and heartfelt voices of love songs provide rare and deeply therapeutic opportunities for dareen-wadaag (feeling-sharing). In a region of political instability, these songs also work to powerfully unite listeners on the basis of shared vulnerability, transcending social and political divisions and opening space for a different kind of politics. Taking us from 1950s recordings preserved on dusty cassettes to new releases on YouTube and live performances at Somaliland’s first postwar music venue—where the author herself eventually takes the stage—Woolner offers an account of love songs in motion that reveals the capacity of music to connect people and feelings across time and space, creating new possibilities for relating to oneself and others.
The Music Lesson: A Spiritual Search for Growth Through Music
by Victor L. WootenFrom Grammy-winning musical icon and legendary bassist Victor L. Wooten comes The Music Lesson, the story of a struggling young musician who wanted music to be his life, and who wanted his life to be great. Then, from nowhere it seemed, a teacher arrived. Part musical genius, part philosopher, part eccentric wise man, the teacher would guide the young musician on a spiritual journey, and teach him that the gifts we get from music mirror those from life, and every movement, phrase, and chord has its own meaning...All you have to do is find the song inside.