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The First Collection of Criticism by a Living Female Rock Critic
by Jessica HopperJessica Hopper's music criticism has earned her a reputation as a firebrand, a keen observer and fearless critic not just of music but the culture around it. With this volume spanning from her punk fanzine roots to her landmark piece on R. Kelly's past, The First Collection leaves no doubt why The New York Times has called Hopper's work "influential." Not merely a selection of two decades of Hopper's most engaging, thoughtful, and humorous writing, this book documents the last 20 years of American music making and the shifting landscape of music consumption. The book journeys through the truths of Riot Grrrl's empowering insurgence, decamps to Gary, IN, on the eve of Michael Jackson's death, explodes the grunge-era mythologies of Nirvana and Courtney Love, and examines emo's rise. Through this vast range of album reviews, essays, columns, interviews, and oral histories, Hopper chronicles what it is to be truly obsessed with music. The pieces in The First Collection send us digging deep into our record collections, searching to re-hear what we loved and hated, makes us reconsider the art, trash, and politics Hopper illuminates, helping us to make sense of what matters to us most.
Flute, Accordion or Clarinet?: Using the Characteristics of Our Instruments in Music Therapy
by Rivka Gottlieb George Murray Philip Hughes Mike Gilroy Steve Lyons Esther Mitchell Nathan Bettany Anna Lockett Anita Vaz Catherine Warner Joseph Piccinnini Veronica Austin Concetta Tomaino Mary-Clare Fearn Catrin Piears-Banton Stella Compton-Dickinson Helen Mottram Colette Salkeld Caroline Long Alex Street Dawn Loombe Trisha Montague Sarah Rodgers Spela Loti Knoll Grace Watts Emily Corke Paolo Pizziolo Susanna Crociani Penelope Birnstingl Shlomi Hason Joanna Burley Sharon Warnes Caroline Anderson Jonathan Poole Oonagh Jones Nicky Haire John Preston Katy Bell Angela Harrison Prodromos Stylianou Lisa Margetts Susan Greenhalgh Henry Dunn Trygve Aasgaard Billy Davidson Philippa Derrington Jo Tomlinson Holly Mentzer Annie Tyhurst Luke Annesley Tessa Watson Amelia OldfieldMusic therapists are trained to use their first study instrument in clinical practice, yet existing literature focuses almost exclusively on the use of piano, basic percussion and voice. This illuminating book brings together international music therapists who use a diverse range of musical instruments in their clinical work: the clarinet, the piano accordion, the flute, the cello, the trumpet and flugelhorn, the bassoon, the violin, the viola, the harp, the guitar, lower brass instruments (the trombone and the euphonium), the oboe, the saxophone and bass instruments (double bass and bass guitar). Each therapist reflects on their relationship with their instrument and the ways in which they use it in therapeutic settings, discussing its advantages and disadvantages in a variety of clinical populations: children and adolescents, adults with learning disabilities, adults with mental health problems and older people. This will be essential reading for any music therapist or student music therapist who uses or is interested in using a musical instrument in their work, and will be of interest to other caring and healthcare professionals, teachers, musicians and carers wanting to learn more about instrumental music therapy.
Flute, Accordion or Clarinet?: Using the Characteristics of Our Instruments in Music Therapy
by Amelia Oldfield Jo Tomlinson Dawn LoombeMusic therapists are trained to use their first study instrument in clinical practice, yet existing literature focuses almost exclusively on the use of piano, basic percussion and voice.This illuminating book brings together international music therapists who use a diverse range of musical instruments in their clinical work: the clarinet, the piano accordion, the flute, the cello, the trumpet and flugelhorn, the bassoon, the violin, the viola, the harp, the guitar, lower brass instruments (the trombone and the euphonium), the oboe, the saxophone and bass instruments (double bass and bass guitar). Each therapist reflects on their relationship with their instrument and the ways in which they use it in therapeutic settings, discussing its advantages and disadvantages in a variety of clinical populations: children and adolescents, adults with learning disabilities, adults with mental health problems and older people.This will be essential reading for any music therapist or student music therapist who uses or is interested in using a musical instrument in their work, and will be of interest to other caring and healthcare professionals, teachers, musicians and carers wanting to learn more about instrumental music therapy.
Foo Fighters: Learning to Fly
by Mick WallThere’s a reason why Dave Grohl is known, however naively, as “the nicest man in rock.” A reason why millions have bought his Foo Fighters albums and DVDs, his concert and festival tickets. A reason why generations have bought into his story, his dream, his self-fulfilling prophecies. Dave may not have the savant glamour of Nirvana’s Kurt Cobain, but whereas Kurt dwelled in darkness, Dave was a lover, not a loner, a bringer of light.Foo Fighters: Learning to Fly is his story, and therefore the true story of the Foo Fighters—like it’s never been told before. From Grohl’s days as the new kid in Nirvana, to becoming the Grunge Ringo of the Foo Fighters, to where he is now: one of the biggest, most popular male rock stars in the world. Internationally acclaimed rock writer Mick Wall tells us how and why none of this happened by accident in a style that pulses with rock’s own rhythms.With testimony from true insiders, including former band mates, like Nirvana bass player Krist Novoselic, producers, record company executives, and those closest to Grohl and the Foos, this is the first full, explosive, no-holds-barred biography of the band and their otherwise critically bulletproof leader.
Foo Fighters
by Mick WallEveryone from Sir Paul McCartney and Jimmy Page to Queens of the Stone Age now relishes the chance to share a stage with Dave Grohl and his legendary Foo Fighters. The question is: why? Musical depth? Not really. Major success? Well, yes. Despite no longer shifting albums in the same quantity as they did twenty years ago, this band can still fill stadiums the world over (when Dave's not breaking his leg, of course).Long before Kurt Cobain blew his brains out in 1994, Dave Grohl was planning for a life after Nirvana. The unflinching bright sunlight to Cobain's permanent midnight darkness, Grohl had come from a similar broken home to his erstwhile band leader, but came out of the experience differently - brimming with positivity and a shrewd grasp of opportunities in the music industry.Did Grohl merely take the sonic blueprint of Nirvana and embellish it with a more life-affirming pop sheen? Of course he did. Every band in America that sold over a million records in the post-grunge 90s did the same. The difference was that Grohl had real credibility. And he knew it.With exclusive testimony from true insiders (including Krist Novoselic, Grohl's bass-playing partner in Nirvana, ex-girlfirends, record company executives, tour photographers and confidantes), this book is an exploration of the real story behind Grohl and the Foo Fighters - the only serious literary biography of the group and its leader, one of the most famous and critically bulletproof rock figures of the 21st century.
For the Love of Classical Music: A Companion
by Caroline HighHave you ever wondered…how the orchestra got its name?who wrote the longest-ever symphony?just how do we know when to clap – and when not to?From Bach to Beethoven, Vivaldi to Vaughan Williams, the world of classical music has something to enchant every listener. Whether you’re an armchair connoisseur, a regular concert-goer or an ardent musician, For the Love of Classical Music will take you on a tour encompassing landmark pieces and performances, key artists and composers, and surprising facts about the world’s most beautiful music.
For the Record
by Charlotte Huang"Welcome to your new obsession," says Becky Albertalli, author of Simon vs. the Homo Sapiens Agenda, about this raw, honest YA debut celebrating music, friendship, romance, and life on the road.Chelsea thought she knew what being a rock star was like . . . until she became one. After losing a TV talent show, she slid back into small-town anonymity. But one phone call changed everything Now she's the lead singer of the band Melbourne, performing in sold-out clubs every night and living on a bus with three gorgeous and talented guys. The bummer is that the band barely tolerates her. And when teen hearthrob Lucas Rivers take an interest in her, Chelsea is suddenly famous, bringing Melbourne to the next level--not that they're happy about that. Her feelings for Beckett, Melbourne's bassist, are making life even more complicated. Chelsea only has the summer tour to make the band--and their fans--love her. If she doesn't, she'll be back in Michigan for senior year, dying a slow death. The paparazzi, the haters, the grueling schedule . . . Chelsea believed she could handle it. But what if she can't? ***"Going on tour with Chelsea and the Melbourne guys made me feel like I was on the best summer break of my life. Once you start reading For the Record, you won't want to stop!" --Leila Sales, author of This Song Will Save Your Life"A fresh look at teenage stardom and the music industry that avoids gimmicks and clichéd plotlines in favor of realistic characters and a heartfelt love of the subject. I adored hanging out with Chelsea and the boys of Melbourne--when they felt the music, I felt it, and when they were off their game, so was I. Fun, fast, and colorful, this book isn't just for music lovers, it's for anyone who ever looked at a band onstage and thought, 'I wonder what that would be like.'" --Francesca Zappia, author of Made You Up"A pitch-perfect and utterly addictive debut. Pure escapist fun!" --Michelle Krys, author of Hexed "Charlotte Huang is an author to watch! This fast-paced and funny debut had me hooked from page one. Like your new favorite song, this is a story that stays with you!"--Morgan Matson, author of Since You've Been Gone"Whip-smart, romantic, and so perfectly cool. I can't get enough of this girl, this band, these friendships, and this showstopper of a book. Welcome to your new obsession." --Becky Albertalli, author of Simon vs. the Homo Sapiens AgendaFrom the Hardcover edition.
For the Right Reasons: America's Favorite Bachelor on Faith, Love, Marriage, and Why Nice Guys Finish First
by Sean Lowe Nancy FrenchThe &“virgin Bachelor&” Sean Lowe reveals the challenges of finding love while championing his Christian convictions in the morally complex world of reality TV.After The Bachelorette broke his heart, Sean Lowe suspected his &“nice guy&” image hurt him. The show never emphasized it, but Sean committed to living according to biblical standards of sexuality, even as producers emphasized the risqué and promiscuous. A Texas boy from a Baptist home, Sean tells the story of how he went from a Division I college football player to a fan favorite on reality television, taking readers behind the scenes of The Bachelor and The Bachelorette to see the challenges of living out his values and faith—and ultimately winning his true love&’s heart.For the Right Reasons is about the journeys we all have to take in the real world, where being &“good&” is the right thing to do but sometimes doesn&’t seem to be enough; where betrayal is commonplace; and where that thing called perfection is actually just a cruel myth. Sean learned a few things from his two seasons on the hottest romance shows on television, and he wants others to benefit from those lessons: good does eventually win, lies will be discovered, and &“nice guys&” do ultimately finish first.
For the Sender: Love Letters From Vietnam
by Alex WoodardDear Sergeant Fuller,You won't know me for another two years,but I am your daughter....So begins a letter sent decades into the past, from a daughter searching for answers to a soldier serving in war-torn Vietnam, in this true story of service and sacrifice, love and redemption, and the power of forgiveness.A box with Love Letters from Vietnam etched on the lid waits buried in a closet, holding scrawled thoughts written on Air Force stationery from a passionate yet deeply flawed soldier stationed outside Da Nang to his young wife in east Texas. Years pass before a fateful, deadly winter night leads the soldier's daughter, Jennifer, to open the box, read the letters, and answer her father back in time. She tucks her letters into a package with no address, because she no longer knows where to send them.Until she is sitting in a theater in Austin, Texas, at a performance by singer-songwriter Alex Woodard and hears him talk about writing songs inspired by letters. Her remarkable correspondence with her father takes Woodard on his first steps into the dichotomy between dark and light, as he imagines himself as Sergeant Fuller in Vietnam and begins to write songs sung from Fuller's heart.Woodard's quest to learn more about the man and the war he fights both in Vietnam and back at home evolves into an extraordinary journey, propelled by an album included with the book that features Woodard as Sergeant Fuller and his friend Molly Jenson as Jennifer. Their voices carry the songs inspired by these beautiful, raw, revealing love letters not only sent from Vietnam, but as the story unfolds, beyond.
Fortunate Son: My Life, My Music
by John FogertyThe long-awaited memoir from John Fogerty, the legendary singer-songwriter and creative force behind Creedence Clearwater Revival.Creedence Clearwater Revival is one of the most important and beloved bands in the history of rock, and John Fogerty wrote, sang, and produced their instantly recognizable classics: "Proud Mary," "Bad Moon Rising," "Born on the Bayou," and more. Now he reveals how he brought CCR to number one in the world, eclipsing even the Beatles in 1969. By the next year, though, Creedence was falling apart; their amazing, enduring success exploded and faded in just a few short years. FORTUNATE SON takes readers from Fogerty's Northern California roots, through Creedence's success and the retreat from music and public life, to his hard-won revival as a solo artist who finally found love.
Four Last Songs: Aging and Creativity in Verdi, Strauss, Messiaen, and Britten
by Linda Hutcheon Michael HutcheonAging and creativity can seem a particularly fraught relationship for artists, who often face age-related difficulties as their audience s expectations are at a peak. In"Four Last Songs," Linda and Michael Hutcheon explore this issue via the late works of some of the world s greatest composers. Giuseppe Verdi (1813 1901), Richard Strauss (1864 1949), Olivier Messiaen (1908 92), and Benjamin Britten (1913 76) all wrote operas late in life, pieces that reveal unique responses to the challenges of growing older. Verdi s"Falstaff," his only comedic success, combated Richard Wagner s influence by introducing young Italian composers to a new model of national music. Strauss, on the other hand, struggling with personal and political problems in Nazi Germany, composed the self-reflexive"Capriccio," a life review of opera and his own legacy. Though it exhausted him physically and emotionally, Messiaen at the age of seventy-five finishedhis only opera, "Saint Francois d Assise," which marked the pinnacle of his career. Britten, meanwhile, suffering from heart problems, refused surgery until he had completed his masterpiece, "Death in Venice. " For all four composers, age, far from sapping their creative power, provided impetus for some of their best accomplishments. With its deft treatment of these composers final years and works, "Four Last Songs" provides a valuable look at the challenges and opportunities that present themselves as artists grow older. "
The Frail Days (Orca Limelights)
by Gabrielle PrendergastSixteen-year-old drummer Stella, guitarist Jacob and bassist Miles need a wild singer for their old-school rock band. When they discover nerdy Tamara Donnelly, who nails the national anthem at a baseball game, Stella is not convinced Tamara’s sound is right for the band. Stella wants to turn Tamara into a rock goddess, but Tamara proves to be a confident performer who has her own ideas about music and what it means to be epic cool. When their band, the Frail Days, starts to build a local following, Stella and Tamara clash over the direction the band should take, forcing them to consider what true musical collaboration means.
Frédéric Chopin: A Research and Information Guide (Routledge Music Bibliographies)
by William Smialek Maja TrochimczykFrédéric Chopin: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer. The second edition includes research published since the publication of the first edition and provides electronic resources.
Free Jazz/Black Power (American Made Music Series)
by Philippe Carles Jean-Louis ComolliIn 1971, French jazz critics Philippe Carles and Jean-Louis Comolli cowrote Free Jazz/Black Power, a treatise on the racial and political implications of jazz and jazz criticism. It remains a testimony to the long-ignored encounter of radical African American music and French left-wing criticism. Carles and Comolli set out to defend a genre vilified by jazz critics on both sides of the Atlantic by exposing the new sound’s ties to African American culture, history, and the political struggle that was raging in the early 1970s. The two offered a political and cultural history of Black presence in the United States to shed more light on the dubious role played by jazz criticism in racial oppression. This analysis of jazz criticism and its production is astutely self-aware. It critiques the critics, building a work of cultural studies in a time and place where the practice was virtually unknown. The authors reached radical conclusions—free jazz was a revolutionary reaction against white domination, was the musical counterpart to the Black Power movement, and was a musical style that demanded a similar political commitment. The impact of this book is difficult to overstate, as it made readers reconsider their response to African American music. In some cases, it changed the way musicians thought about and played jazz. Free Jazz/Black Power remains indispensable to the study of the relation of American free jazz to European audiences, critics, and artists. This monumental critique caught the spirit of its time and realigned that zeitgeist.
From Mud to Music: Making and Enjoying Ceramic Musical Instruments
by Barry HallThis book is about a truly remarkable transformation: how the simplest of materials clay or mud can be used to make tools for producing one of the most complex human expressions of music. With a history reaching back to ancient times, creating ceramic musical instruments is a vibrant pursuit for many innovative artists today. From Mud to Music explores the vast array of ceramic musical instruments, from their historical traditions in world cultures to modern variations and innovations. All instrument families are represented: percussion, winds, strings, and even unique hybrids. For each type of instrument, special construction techniques specific to clay are explained. In addition, there's a chapter providing detailed, step-by-step instructions showing how to build several ceramic instruments. A companion audio CD contains 43 diverse tracks of ceramic instrumental music ranging from the refined melodic strains of Vivaldi and Tchaikovsky to the earthy, primal wailings of bizarre pre-Columbian wind instruments. Hundreds of color photos present the work of artists from around the world spanning the last 3000 years, from ancient Peruvian water whistles and Mesopotamian rattles to contemporary seven-chambered ocarinas and ceramic bagpipes. In-depth profiles explore a number of today's artists, their work, and their inspirations. Whether you are a musician, ceramist, or just a fan of art and music, you are invited to embark on an incredible journey...from mud to music!
From Scratch: Writings in Music Theory
by Lauren Pratt Robert Wannamaker Michael Winter James Tenney Larry PolanskyOne of the twentieth century's most important musical thinkers, James Tenney did pioneering work in multiple fields, including computer music, tuning theory, and algorithmic and computer-assisted composition. From Scratch is a collection of Tenney's hard-to-find writings arranged, edited, and revised by the self-described "composer/theorist." Selections focus on his fundamental concerns--"what the ear hears"--and include thoughts and ideas on perception and form, tuning systems and especially just intonation, information theory, theories of harmonic space, and stochastic (chance) procedures of composition.
From the chanson française to the canzone d'autore in the 1960s and 1970s: Authenticity, Authority, Influence (Ashgate Popular and Folk Music Series)
by Rachel HaworthThe similarities between the chanson française and the canzone d'autore have been often noted but never fully explored. Both genres are national forms which involve the figure of the singer-songwriter, both experienced their golden age of production in the post-World War II period and both are enduringly popular, still accounting for a large proportion of record sales in their respective countries. Rachel Haworth looks beyond these superficial similarities, and investigates the nature of the relationship between the two genres. Taking a multidisciplinary approach, encompassing textual analysis of song lyrics, cultural history and popular music studies, Haworth considers the different ways in which French and Italian song is thought about, written about and constructed. Through an in-depth study of the discourse surrounding chanson and the canzone d'autore, the volume analyses the development of the genres' rules and rhetoric, identifying the key themes of Authority, Authenticity and Influence. The book finally considers the legacy of major artists, looking at modern perspectives on Georges Brassens, Jacques Brel, Léo Ferré, Fabrizio De André and Giorgio Gaber, ultimately affording a deeper understanding of the notions of quality and value in the context of chanson française and the canzone d'autore.
Fun Home
by Jeanine Tesori Lisa Kron Alison BechdelWhen her father dies unexpectedly, graphic novelist Alison dives deep into her past to tell the story of the volatile, brilliant, one-of-a-kind man whose temperament and secrets defined her family and her life. Moving between past and present, Alison relives her unique childhood playing at the family's Bechdel Funeral Home, her growing understanding of her own sexuality, and the looming, unanswerable questions about her father's hidden desires. Fun Home is a refreshingly honest, wholly original musical about seeing your parents through grown-up eyes.
Gender, Age and Musical Creativity
by Lisa Colton Catherine HaworthFrom the perennially young, precocious figure of 'little orphan Annie' to the physical and vocal ageing of the eighteenth-century castrato, interlinked cultural constructions of age and gender are central to the historical and contemporary depiction of creative activity and its audiences. Gender, Age and Musical Creativity takes an interdisciplinary approach to issues of identity and its representation, examining intersections of age and gender in relation to music and musicians across a wide range of periods, places, and genres, including female patronage in Renaissance Italy, the working-class brass band tradition of northern England, twentieth-century jazz and popular music cultures, and the contemporary 'New Music' scene. Drawing together the work of musicologists and practitioners, the collection offers new ways in which to conceptualise the complex links between age and gender in both individual and collective practice and their reception: essays explore juvenilia and 'late' style in composition and performance, the role of public and private institutions in fostering and sustaining creative activity throughout the course of musical careers, and the ways in which genres and scenes themselves age over time.
Geographies of Cubanidad: Place, Race, and Musical Performance in Contemporary Cuba (Caribbean Studies Series)
by Rebecca M. BodenheimerDerived from the nationalist writings of José Martí, the concept of Cubanidad (Cubanness) has always imagined a unified hybrid nation where racial difference is nonexistent and nationality trumps all other axes identities. Scholars have critiqued this celebration of racial mixture, highlighting a gap between the claim of racial harmony and the realities of inequality faced by Afro-Cubans since independence in 1898. In this book, Rebecca M. Bodenheimer argues that it is not only the recognition of racial difference that threatens to divide the nation, but that popular regional sentiment further contests the hegemonic national discourse. Given that the music is a prominent symbol of Cubanidad, musical practices play an important role in constructing regional, local, and national identities. This book suggests that regional identity exerts a significant influence on the aesthetic choices made by Cuban musicians. Through the examination of several genres, Bodenheimer explores the various ways that race and place are entangled in contemporary Cuban music. She argues that racialized notions which circulate about different cities affect both the formation of local identity and musical performance. Thus, the musical practices discussed in the book—including rumba, timba, eastern Cuban folklore, and son—are examples of the intersections between regional identity formation, racialized notions of place, and music-making.
The German Symphony between Beethoven and Brahms: The Fall and Rise of a Genre
by Christopher FifieldIt was Carl Dahlhaus who coined the phrase ’dead time’ to describe the state of the symphony between Schumann and Brahms. Christopher Fifield argues that many of the symphonies dismissed by Dahlhaus made worthy contributions to the genre. He traces the root of the problem further back to Beethoven’s ninth symphony, a work which then proceeded to intimidate symphonists who followed in its composer's footsteps, including Schubert, Mendelssohn and Schumann. In 1824 Beethoven set a standard that then had to rise in response to more demanding expectations from both audiences and the musical press. Christopher Fifield, who has a conductor’s intimacy with the repertory, looks in turn at the five decades between the mid-1820s and mid-1870s. He deals only with non-programmatic works, leaving the programme symphony to travel its own route to the symphonic poem. Composers who lead to Brahms (himself a reluctant symphonist until the age of 43 in 1876) are frequently dismissed as epigones of Beethoven, Mendelssohn and Schumann but by investigating their symphonies, Fifield reveals their respective brands of originality, even their own possible influence upon Brahms himself and in so doing, shines a light into a half-century of neglected nineteenth century German symphonic music.
Getcha Rocks Off: Sex & Excess. Bust-Ups & Binges. Life & Death on the Rock ‘N' Roll Road
by Mick WallHanging out with rock stars, trying to steal their chicks, or throwing up over their guitars after launching into the hospitality a little too enthusiastically, Mick Wall spent much of the 1980s sprawled in limos and five-star hotels with the biggest rock bands in the world, including Led Zeppelin, Guns N' Roses, Metallica, Black Sabbath, Mötley Crüe, Thin Lizzy, Deep Purple, Alice Cooper, Van Halen, Motörhead and more. He was Kerrang! magazine's star writer and the presenter of Monsters of Rock, his own weekly show on Sky TV, and the decade passed in a blur of hard drugs, hot women, and some of the heaviest people your mother definitely would not like. Depicting a world where vague concepts like 'the future' are disdained in favour of nights that last a week and weeks that last forever, Getcha Rocks Off is a rock apocalypse Cider With Roadies, and a more frank and disturbing Apathy for the Devil. It is the kind of book you need to put on your leather jacket to read, open that bottle of Jack and reach for the Charlie. And let the good times roll...
Getcha Rocks Off: Sex & Excess. Bust-Ups & Binges. Life & Death on the Rock ‘N’ Roll Road
by Mick Wall'Packed with war stories from a golden age of rock, and insights into the stars that made that music' CLASSIC ROCK MAGAZINE'On reading Getcha Rocks Off you realise just how drastically things have changed in the rock industry but books like this perfectly evoke what they were like. Good times...' RECORD COLLECTORHanging out with rock stars, trying to steal their chicks, or throwing up over their guitars after launching into the hospitality a little too enthusiastically, Mick Wall spent much of the 1980s sprawled in limos and five-star hotels with the biggest rock bands in the world, including Led Zeppelin, Guns N' Roses, Metallica, Black Sabbath, Mötley Crüe, Thin Lizzy, Deep Purple, Alice Cooper, Van Halen, Motörhead and more. He was Kerrang! magazine's star writer and the presenter of Monsters of Rock, his own weekly show on Sky TV, and the decade passed in a blur of hard drugs, hot women, and some of the heaviest people your mother definitely would not like. Depicting a world where vague concepts like 'the future' are disdained in favour of nights that last a week and weeks that last forever, Getcha Rocks Off is a rock apocalypse Cider With Roadies, and a more frank and disturbing Apathy for the Devil. It is the kind of book you need to put on your leather jacket to read, open that bottle of Jack and reach for the Charlie. And let the good times roll...
The Gingerbread Man Loose at Christmas (The Gingerbread Man Is Loose #3)
by Laura MurrayThe holidays are for giving thanks and nothing can stop this Gingerbread Man from delivering his to his favorite member of the community! Everyone in class is busy practicing songs and making goodies for their trip to town to thank community helpers, and the Gingerbread Man has made a card for someone extra sweet. But before he can deliver his gift, whipping wind and swirling snow come to town, too. Slushy sidewalks are no place for a cookie, but this Gingerbread Man won&’t let a little bad weather stop him! &“I&’ll search on my own, as fast as I can! I&’ll dash through this snow. I&’m the Gingerbread Man!&” With all the flavors of the season and generous dashes of kindness and gratitude, the Gingerbread Man&’s newest adventure makes for a perfect read-aloud throughout the holidays.
Girl in a Band
by Kim GordonFor many, Kim Gordon, vocalist, bassist and founding member of Sonic Youth, has always been the epitome of cool. Sonic Youth is one of the most influential and successful bands to emerge from the post-punk New York scene, and their legacy continues to loom large over the landscape of indie rock and American pop culture. Almost as celebrated as the band's defiantly dissonant sound was the marriage between Gordon and her husband, fellow Sonic Youth founder and lead guitarist Thurston Moore. So when Matador Records released a statement in the fall of 2011 announcing that--after twenty-seven years--the two were splitting, fans were devastated. In the middle of a crazy world, they'd seemed so solid. What did this mean? What comes next? What came before?In Girl in a Band, the famously reserved superstar speaks candidly about her past and the future. From her childhood in the sunbaked suburbs of Southern California, growing up with a mentally ill sibling who often sapped her family of emotional capital, to New York's downtown art and music scene in the eighties and nineties and the birth of a band that would pave the way for acts like Nirvana, as well as help inspire the Riot Grrl generation, here is an edgy and evocative portrait of a life in art. Exploring the artists, musicians, and writers who influenced Gordon, and the relationship that defined her life for so long, Girl in a Band is filled with the sights and sounds of a pre-Internet world and is a deeply personal portrait of a woman who has become an icon.