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Debut

by Christina Rosenvinge

Christina Rosenvinge recoge en su Debut más de veinticinco años de canciones y recorre los lugares, los relatos y las reflexiones que subyacen a sus letras. Una canción nos evoca la época en que la descubrimos. Al que la ha escrito, le devuelve al momento preciso en que la creó. Christina Rosenvinge recoge en este libro las letras de toda una carrera junto con la recreación de los cuadernos que la acompañaron en cada momento. En ellos retrata la intimidad de esos días tranquilos entre gira y gira en los que aparentemente no pasa nada, y en realidad está pasando todo. Sus textos son también testimonios de una carrera musical que ha cruzado décadas, fronteras y estilos con una lucidez insobornable. Son testimonios de la siembra, el empeño y la incertidumbre ante cada proyecto; son también reflexiones sobre el amor, la libertad y el poder femenino; son, en definitiva, reflejo de los momentos que cruzan una vida yque la memoria se empeñaría en borrar si no estuvieran pegados a la chispa eléctrica de una canción. Cruzan este libro las referencias literarias, musicales y artísticas que han influenciado la obra de la cantautora y cierra el volumen «La palabra exacta», un ensayo en el que indaga en el arte de escribir canciones, una reflexión sobre los secretos de hilvanar palabra y melodía en el verso cantado. Críticas:«También recomendamos el libro de Christina, Debut, que ahora tendréis más tiempo libre para empaparos de buenas historias.»Mikel Erentxun, Los 40 «Debut es la manera que ha tenido esta mujer de explicarse a sí misma lo que hay de asombroso en todo si se sabe observar. Basta con unas gotas claras de inteligencia, con una sed que no desaloja el agua. Esa sed que cuando es cierta se llama coraje. Se llama asombro.»Antonio Lucas y José Aymá, El Mundo «Es un libro tan bello y tan intenso como la propia Christina Rosenvinge. No les digo más.»Marta Robles, La Razón «Su libro [...]está lleno de humor, de amor , de emoción, de canciones y de buena literatura. Y es un "Debut" tan brillante que augura nuevos y deslumbrantes textos. Yo, desde aquí, los reclamo y los espero.»Marta Robles, La Gaceta de Salamanca «Es una minuta de preguntas, de certezas, de incertidumbres, de existencia bien vivida, de apetitos musicales y literarios. Aquí dentro hay un despliegue de autenticidad.»Antonio Lucas, El Mundo «Si hasta ahora sabíamos que Christina Rosenvinge podía hacer excelentes canciones, 'Debut' la destapa como narradora diestra, manejando materiales trascendentes sin ser pretenciosa, con sentido del humor y dejando un rastro del perfume de épocas y lugares en esos textos que cubren desde 1992 en adelante.»Jordi Bianciotto, El Periódico

Sweet Child o' Mine

by Guns N' Roses

Celebrate music, family, and childhood with this sweet illustrated adaptation of the classic Guns N' Roses song.She's got a smile that it seems to meReminds me of childhood memories . . .Iconic band Guns N' Roses gives new meaning to the beloved lyrics from "Sweet Child O' Mine" in this vivid, heartfelt picture book. Follow a child's wondrous discovery that music is everywhere around us -- from the gentle wind blowing through the bluest skies, to the fearful crash of the thunder and the rain.With Jennifer Zivoin's evocative, sweeping paintings, Sweet Child O' Mine celebrates love and music, and how they bring us together in the sweetest ways.

Directory of Choral-Orchestral Music

by Michael Rosewall

First published in 2007. Routledge is an imprint of Taylor & Francis, an informa company.

Wagnerism: Art And Politics In The Shadow Of Music

by Alex Ross

For better or worse, Richard Wagner is the most widely influential figure in the history of music. Around 1900, the phenomenon known as Wagnerism saturated European and American culture. Such colossal creations as The Ring of the Nibelung, Tristan und Isolde, and Parsifal were models of formal daring, mythmaking, erotic freedom, and mystical speculation. A mighty procession of artists, including Virginia Woolf, Thomas Mann, Paul Cézanne, Isadora Duncan, and Luis Buñuel, felt the composer's impact. Anarchists, occultists, feminists, and gay-rights pioneers saw him as a kindred spirit. Then Adolf Hitler incorporated Wagner into the soundtrack of Nazi Germany, and the composer came to be defined by his ferocious antisemitism. For many, his name is now almost synonymous with artistic evil. In Wagnerism, Alex Ross restores the magnificent confusion of what it means to be a Wagnerian. A pandemonium of geniuses, charlatans, and prophets does battle over Wagner's many-sided legacy. As readers of his brilliant articles for The New Yorker have come to expect, Ross ranges thrillingly across artistic disciplines, from the architecture of Louis Sullivan to the novels of Philip K. Dick, from the Zionist writings of Theodor Herzl to the civil-rights essays of W. E. B. Du Bois, from O Pioneers! to Apocalypse Now. In many ways, Wagnerism tells a tragic tale. An artist who might have rivaled Shakespeare in universal reach is undone by an ideology of hate. Still, his shadow lingers over twenty-first-century culture, his mythic motifs coursing through superhero films and fantasy fiction. Neither apologia nor condemnation, Wagnerism is a work of passionate discovery, urging us toward a more honest idea of how art acts in the world. ALEX ROSS has been the music critic of The New Yorker since 1996. His first book, the international bestseller The Rest Is Noise: Listening to the Twentieth Century, was a finalist for the Pulitzer Prize and won a National Book Critics Circle Award. His second book, the essay collection Listen to This, received an ASCAP Deems Taylor Award. He was named a MacArthur Fellow in 2008 and a Guggenheim Fellow in 2015.

The Place Where You Go to Listen: In Search of an Ecology of Music

by Alex Ross John Luther Adams

Did Alaska create the music of John Luther Adams, or did the music create his Alaska? For the past thirty years, the vastness of Alaska has swept through the distant reaches of the composer's imagination and every corner of his compositions. In this new book Adams proposes an ideal of musical ecology, the philosophical foundation on which his largest, most complex musical work is based. This installation, also called The Place Where You Go to Listen, is a sound and light environment that gives voice to the cycles of sunlight and darkness, the phases of the moon, the seismic rhythms of the earth, and the dance of the aurora borealis. Adams describes this work as "a place for hearing the unheard music of the world around us." The book includes two seminal essays, the composer's journal telling the story of the day-to-day emergence of The Place, as well as musical notations, graphs and illustrations of geophysical phenomena.

Best Music Writing 2011

by Alex Ross Daphne Carr

Twelfth in the acclaimed series of annual collections celebrating the best writing on every style of music, from rock to hip-hop, R&B to jazz, pop to blues, and more

The Rest Is Noise: Listening to the Twentieth Century

by Alexander Ross

Ross (music critic for The New Yorker) tells the story of 20th century classical composition, which for him is an "untamed art, and unassimilated underground." While composers from Richard Strauss to John Adams lie at the heart of the narrative, Ross also places them within a social and political world, describing the politicians, dictators, corporate officers, art patrons, intellectuals, and critics who have attempted to adjudicate and control musical expression and the social upheavals that impacted the lives of composers and the music they produced. He also goes beyond the genre confines of classical to discuss connections to such artists as Duke Ellington, Miles Davis, the Beatles, and the Velvet Underground.

Returning to A

by Dorien Ross

With one suitcase and a map drawn on a bar napkin as her only guide, sixteen-year old Loren travels to Moron del la Frontera in Andalusia to learn to play flamenco guitar from the Gypsies. Here she joins an extended family of flamenco artists and foreign aficionados whose adventures over a twenty-year period are interwoven with Loren's own odyssey. Her life with the Gypsies is haunted by the mysterious circumstances of her brother Aaron's death. Although they shared the same New York Jewish upbringing, he went to California during the expansive optimism of the sixties, while she went back in time to explore a rich music and culture. Their relationship is a dark love story that casts disquieting shadows over their years apart.As Loren struggles to master an instrument traditionally off-limits to women, she finds her own path, inspired by the earthy wisdom of her Gypsy companions."This stunning first novel is the story of a journey from America to Andalusia, where a community of Gypsies has inhabited a musical and poetic tradition so intensely and for so long that the nature of reality is transformed for all those they encounter. In this landscape even the buildings are capable of passion."-The Nation". . . fascinating insights into Gypsy culture." - Los Angeles TimesDorien Ross studied flamenco guitar with Andalusian Gypsies. Her work has appeared in Best American Essays and in Tikkun.

At Ease (Orca Limelights)

by Jeff Ross

At fifteen, Will already knows he wants to spend his life playing classical violin. And when he is invited to take part in a summer program for young musicians, he realizes it is a chance to make his dream a reality. But years of playing only for Mr. Jorgensen, his elderly neighbor and mentor, haven't prepared Will for what will happen when he steps onto the stage. He never expected the self-doubt that takes over his thoughts, or the fear of failure that makes his hands shake and his heart race. What happens when the one thing you need to achieve your dreams is something you find utterly terrifying?

High Note (Orca Limelights)

by Jeff Ross

Hailey McEwan has many interests--soccer, field hockey, animation. She'd probably never have started singing if her best friend, Crissy, hadn't persuaded her to take singing lessons and join her choir. No one had any idea that Hailey would be such a natural, least of all Hailey herself. A shared love of music--from pop to opera--has been a big part of the girls' friendship, but when the two face off in a competition for a role in a production of The Marriage of Figaro, their closeness turns into a bitter rivalry. Hailey will have to make a tough decision. Is opera as important to her as it is to Crissy? And is landing a role worth losing her best friend?

Sinatra and Me: In the Wee Small Hours (A Gift for Frank Sinatra Fans)

by Mary Jane Ross Tony Oppedisano

This intimate, revealing portrait of Frank Sinatra—from the man closest to the famous singer during the last decade of his life—features never-before-seen photos and new revelations about some of the most famous people of the past fifty years, including Jackie Kennedy, Marilyn Monroe, Sam Giancana, Madonna, and Bono. &“If you are a Frank fan, buy this book&” (Jimmy Kimmel).More than a hundred books have been written about legendary crooner and actor Frank Sinatra. Every detail of his life seems to captivate: his career, his romantic relationships, his personality, his businesses, his style. But a hard-to-pin-down quality has always clung to him—a certain elusiveness that emerges again and again in retrospective depictions. Until now. From Sinatra&’s closest confidant and an eventual member of his management team, Tony Oppedisano, comes an extraordinarily intimate look at the singing idol that offers &“new information on almost every page&” (The Wall Street Journal). Deep into the night, for more than two thousand nights, Frank and Tony would converse—about music, family, friends, great loves, achievements and successes, failures and disappointments, the lives they&’d led, the lives they wished they&’d led. In these full-disclosure conversations, Sinatra spoke of his close yet complex relationship with his father, his conflicts with record companies, his carousing in Vegas, his love affairs with some of the most beautiful women of his era, his triumphs on some of the world&’s biggest stages, his complicated relationships with his talented children, and, most important, his dedication to his craft. Toward the end, no one was closer to the singer than Oppedisano, who kept his own rooms at the Sinatra residences for many years, often brokered difficult conversations between family members, and held the superstar entertainer&’s hand when he drew his last breath. &“Frank Sinatra fans, pull up a chair and let longtime confidante and road manager Tony Oppedisano regale you with tales from the entertainer&’s inner circle&” (Parade magazine)—Sinatra and Me pulls back the curtain on a man whom history has, in many ways, gotten wrong.

The Perfect Day to Boss Up: A Hustler's Guide To Building Your Empire

by Rick Ross

A captivating and inspiring guide to building an untouchable empire from mud to marble, no matter what obstacles stand in the wayRick Ross is a hip-hop icon and a towering figure in the business world, but his path to success was not always easy. Despite adversity and setbacks, Ross held tight to his vision and never settled for anything less than greatness. Now, for the first time, he shares his secrets to success, offering his own life as a road map to readers looking to build their own empire. Along the way he reveals: How to turn your ambition into action Tips for managing and investing your money Inside stories from his business and music ventures Why failure is central to success Secrets to handling stressful situations How to build the perfect team As Ross explains, &“It doesn&’t matter what&’s going on. Even the most dire situation is just another opportunity to boss up.&”Intimate, insightful and brimming with no-nonsense advice, The Perfect Time to Boss Up is the ideal book for hustlers everywhere.

Walking Back Home

by Ricky Ross

The first memoir by Deacon Blue singer and music icon Ricky Ross.In 1986, Ricky Ross started a full-time career in music, which has lasted for over 35 years. His earlier working life was spent in youth work and teaching in his home city of Dundee, and his adopted home of Glasgow. It was in these two cities where he spent his formative years learning how to write and play songs. Having always written about the people and places who've made an impact on his life, it's no surprise that this is how he has approached Walking Back Home, his first ever memoir, which takes the reader on a journey from Ricky's childhood to the rollercoaster of leading his band Deacon Blue to top of the charts and the band's eventual break-up and his solo career. 'I started to write about the years I spent putting the band together, on the first time we ever played in America, and about some of the musical characters I've met along the way. I gave some thought to growing up in suburban Dundee in a family with no record player and no sense that someone like me could, one day, make a record. That's one part of the story. However, I still want to talk about the smell of Born To Run when I first got it home and how I saw the Buzzcocks looking at a Cliff Richard album sleeve in a Dundee Record Shop window. I still want to tell the stories of my Grandparents and parents and the woman whose voice was so vulnerable when she got up to sing at our church.For all these years I've told stories. Sometimes these days I also tell them on the radio. I've met some amazing people and their stories need told too. The first time Deacon Blue ever played Wembley Arena I started to introduce a song only to hear, 'Get on with it' shouted from Row Z. We proceeded with the song, but I often thought I'd quite like to finish that story.'(P) 2022 Headline Publishing Group Ltd

Walking Back Home

by Ricky Ross

'For all these years I've told stories. Sometimes these days I also tell them on the radio. I've met some amazing people and their stories need told too. The first time Deacon Blue ever played Wembley Arena I started to introduce a song only to hear, "Get on with it" shouted from Row Z. We proceeded with the song, but I often thought I'd quite like to finish that story.'In 1986, Ricky Ross started a full-time career in music, which has lasted for over 35 years. His earlier working life was spent in youth work and teaching in his home city of Dundee, and his adopted home of Glasgow. It was in these two cities where he spent his formative years learning how to write and play songs. Having always written about the people and places who've made an impact on his life, it's no surprise that this is how he has approached Walking Back Home, his first ever memoir, which takes the reader on a journey from Ricky's childhood to the rollercoaster of leading his band to top of the charts and their break-up, his solo career and Deacon Blue's recent renaissance.

Walking Back Home

by Ricky Ross

'For all these years I've told stories. Sometimes these days I also tell them on the radio. I've met some amazing people and their stories need told too. The first time Deacon Blue ever played Wembley Arena I started to introduce a song only to hear, "Get on with it" shouted from Row Z. We proceeded with the song, but I often thought I'd quite like to finish that story.'In 1986, Ricky Ross started a full-time career in music, which has lasted for over 35 years. His earlier working life was spent in youth work and teaching in his home city of Dundee, and his adopted home of Glasgow. It was in these two cities where he spent his formative years learning how to write and play songs. Having always written about the people and places who've made an impact on his life, it's no surprise that this is how he has approached Walking Back Home, his first ever memoir, which takes the reader on a journey from Ricky's childhood to the rollercoaster of leading his band to top of the charts and their break-up, his solo career and Deacon Blue's recent renaissance.

Ralph Vaughan Williams: A Research and Information Guide (Routledge Music Bibliographies)

by Ryan Ross

Ralph Vaughan Williams: A Research and Information Guide presents the most extensive annotated bibliography of its subject yet produced. It offers comprehensive coverage of the English composer's prose works and accounts for over 1,000 secondary sources from all critical and scholarly eras. A single-numbering format and substantial indexes facilitate efficient searches of what is the most complete bibliography of Ralph Vaughan Williams since Neil Butterworth's guide to research was published by Garland in 1990.

I Love You Through and Through at Christmas, Too! / ¡En Navidad también te quiero! (Bilingual)

by Bernadette Rossetti-Shustak

A joyful and loving holiday bilingual board book from the creators of the bestselling I Love You Through and Through!We love our little ones through and through and especially at Christmas, too!Join our bestselling toddler and bear as we huggle and snuggle and wiggle and giggle during this loving holiday.Share some love with your little one with I Love You Through and Through at Christmas, Too!In English and Spanish!Te quiero, yo te quiero... ¡y en Navidad también te quiero!Únete a este pequeñín y a su osito de peluche mientras comparte momentos de ternura con sus hijos. Un libro sobre el amor, en inglés y español, para leer mientras se acurrucan, se abrazan y se ríen juntos durante todo el año... ¡y en Navidad también!

I Talk Too Much: My Autobiography

by Francis Rossi

THE SUNDAY TIMES BESTSELLER'THE ROCK 'N' ROLL AUTOBIOGRAPHY OF THE YEAR' MAIL ON SUNDAY'Essential for fans and great reading for anyone else' Classic RockBreak-ups, make-ups, groupies, band politics, court battles, the tragic death of Rick Parfitt . . . This is Francis Rossi as you have never seen him before.Status Quo have sold over 100 million records worldwide, including 65 hit singles and 32 hit albums. The legendary band's career has mirrored the evolution of rock music. From the struggles of the flower-power '60s, the highs of the denim-clad '70s, the coke- and tequila-induced blur of the '80s, to fighting for musical integrity in the '90s and '00s and a fresh lease of life from new band members in recent years, Rossi has been there for the entirety of Quo's turbulent history.In I Talk Too Much, Rossi will reveal the truth behind one of the biggest rock bands of all time, as well as the personal highs and lows of a career spanning over 50 years. He lifts the lid on the man behind the music - from humble beginnings in Forest Hill and being labelled a has-been by the press in his twenties to opening Live Aid in 1985 - and why he's still going strong at seventy. Along the way he has fathered eight children with three mothers and beaten both alcoholism and cocaine addiction. Rossi comes clean about the time he almost left the band, what he really thinks about the music industry today and the complexities of his fifty-year friendship with Rick Parfitt.Painfully honest, riotously funny and frequently outrageous, I Talk Too Much covers the glory years, the dark days and the real stories behind the creation of some of the greatest rock music of all time.

I Talk Too Much: My Autobiography

by Francis Rossi

THE SUNDAY TIMES BESTSELLER'THE ROCK 'N' ROLL AUTOBIOGRAPHY OF THE YEAR' MAIL ON SUNDAY'Essential for fans and great reading for anyone else' Classic RockBreak-ups, make-ups, groupies, band politics, court battles, the tragic death of Rick Parfitt . . . This is Francis Rossi as you have never seen him before.Status Quo have sold over 100 million records worldwide, including 65 hit singles and 32 hit albums. The legendary band's career has mirrored the evolution of rock music. From the struggles of the flower-power '60s, the highs of the denim-clad '70s, the coke- and tequila-induced blur of the '80s, to fighting for musical integrity in the '90s and '00s and a fresh lease of life from new band members in recent years, Rossi has been there for the entirety of Quo's turbulent history.In I Talk Too Much, Rossi will reveal the truth behind one of the biggest rock bands of all time, as well as the personal highs and lows of a career spanning over 50 years. He lifts the lid on the man behind the music - from humble beginnings in Forest Hill and being labelled a has-been by the press in his twenties to opening Live Aid in 1985 - and why he's still going strong at seventy. Along the way he has fathered eight children with three mothers and beaten both alcoholism and cocaine addiction. Rossi comes clean about the time he almost left the band, what he really thinks about the music industry today and the complexities of his fifty-year friendship with Rick Parfitt.Painfully honest, riotously funny and frequently outrageous, I Talk Too Much covers the glory years, the dark days and the real stories behind the creation of some of the greatest rock music of all time.

The Science of String Instruments

by Thomas D. Rossing

This book will be a non-technical book on string instruments that includes some technical information as well. The emphasis will be on the practical understanding of string instruments, with the interests of performers and instrument builders in the forefront. Authors of the chapters will be musicians, scientists, and instrument designers and builders with practical experience. The mathematics will be kept as simple as possible by translating ideas from the language of physics (mathematics) to non-mathematical language. Considerable emphasis will be placed on the design and construction of string instruments. Following the structure of the author's successful Science of Percussion Instruments (World Scientific, 2000), technical ideas will be presented as "interludes." Readers who wish to go beyond the simple ideas in this book can easily follow the references to more scientific books and to the original scientific literature.

Climbing the Charts: What Radio Airplay Tells Us about the Diffusion of Innovation

by Gabriel Rossman

How songs achieve commercial success on the radioDespite the growth of digital media, traditional FM radio airplay still remains the essential way for musicians to achieve commercial success. Climbing the Charts examines how songs rise, or fail to rise, up the radio airplay charts. Looking at the relationships between record labels, tastemakers, and the public, Gabriel Rossman develops a clear picture of the roles of key players and the gatekeeping mechanisms in the commercial music industry. Along the way, he explores its massive inequalities, debunks many popular misconceptions about radio stations' abilities to dictate hits, and shows how a song diffuses throughout the nation to become a massive success.Contrary to the common belief that Clear Channel sees every sparrow that falls, Rossman demonstrates that corporate radio chains neither micromanage the routine decision of when to start playing a new single nor make top-down decisions to blacklist such politically inconvenient artists as the Dixie Chicks. Neither do stations imitate either ordinary peers or the so-called kingmaker radio stations who are wrongly believed to be able to make or break a single. Instead, Rossman shows that hits spread rapidly across radio because they clearly conform to an identifiable style or genre. Radio stations respond to these songs, and major labels put their money behind them through extensive marketing and promotion efforts, including the illegal yet time-honored practice of payoffs known within the industry as payola.Climbing the Charts provides a fresh take on the music industry and a model for understanding the diffusion of innovation.

Van Halen

by David Lee Roth Neil Zlozower

From their eponymous 1978 debut through their colossal 1984 album (they've sold over 75 million albums worldwide), Van Halen rewrote all the rules. Nobody rockedor partiedharder. Photographer Neil Zlozower first met the band in 1978, worked with them again on Van Halen II, and soon became their friend, hanging out in L.A. and hitting the road on tour with them. Van Halen collects more than 250 backstage, candid, and full rock-out photos of the all-powerful, spandexed, high-kicking, guitar blazing, stadium-shaking, original Van Halen lineup. Accompanying Zlozower's amazing photos are an introduction about his wild ride with VH, a foreword by David Lee Roth, and testimony from the rock pantheon paying homage to the band, including members of Led Zeppelin, Guns N' Roses, Def Leppard, Judas Priest, KISS, Motley Cre, and more. Turn it up!

Do Re Mi: If You Can Read Music, Thank Guido d'Arezzo

by Susan L. Roth

If you can read musical notes, you can sing any song or play any piece. But musical notes have not always been here. Long ago, songs were memorized. If songs were forgotten, they were lost forever. Thanks to one man, Guido d’Arezzo, music now can last forever.

Music for a City Music for the World

by Larry Rothe

In Music for a City, Music for the World, Larry Rothe shares how the San Francisco Bay Area's love of music, rooted in the Gold Rush, gave birth to a Grammy-winning and internationally acclaimed orchestra. Released in time for the San Francisco Symphony's celebration of its 100th anniversary, this definitive history replete with hundreds of archival photos and images gives readers a behind-the-scenes glimpse into one of the world's foremost orchestras and, in so doing, illuminates the cultural life of a city.

Nightingales in Berlin: Searching for the Perfect Sound

by David Rothenberg

A celebrated figure in myth, song, and story, the nightingale has captivated the imagination for millennia, its complex song evoking a prism of human emotions,—from melancholy to joy, from the fear of death to the immortality of art. But have you ever listened closely to a nightingale’s song? It’s a strange and unsettling sort of composition—an eclectic assortment of chirps, whirs, trills, clicks, whistles, twitters, and gurgles. At times it is mellifluous, at others downright guttural. It is a rhythmic assault, always eluding capture. What happens if you decide to join in? As philosopher and musician David Rothenberg shows in this searching and personal new book, the nightingale’s song is so peculiar in part because it reflects our own cacophony back at us. As vocal learners, nightingales acquire their music through the world around them, singing amidst the sounds of humanity in all its contradictions of noise and beauty, hard machinery and soft melody. Rather than try to capture a sound not made for us to understand, Rothenberg seeks these musical creatures out, clarinet in tow, and makes a new sound with them. He takes us to the urban landscape of Berlin—longtime home to nightingale colonies where the birds sing ever louder in order to be heard—and invites us to listen in on their remarkable collaboration as birds and instruments riff off of each other’s sounds. Through dialogue, travel records, sonograms, tours of Berlin’s city parks, and musings on the place animal music occupies in our collective imagination, Rothenberg takes us on a quest for a new sonic alchemy, a music impossible for any one species to make alone. In the tradition of The Hidden Life of Trees and The Invention of Nature, Rothenberg has written a provocative and accessible book to attune us ever closer to the natural environment around us.

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