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Ten Sly Piranhas: A Counting Story In Reverse (a Tale Of Wickedness - And Worse!)

by William Wise

A school of ten sly piranhas gradually dwindles as they waylay and eat each other.

There Was an Old Lady Who Gobbled a Skink

by Tamera Wissinger Ana Bermejo

There was an old lady who gobbled a skink. And a worm and a pail and a line and an oar and much more in this hilarious book about a crazy fisherwoman who swallows all the essentials for a successful fishing trip. With the ever looming threat of "perhaps she’ll sink,” readers will hold their breath in anticipation as she gobbles her way through the tackle box and then the boat! With an already impressively full stomach, she reaches for just one last bite . . . but to find out how the story ends, you have to read the book! A wonderfully humorous take on a classic nursery rhyme by Tamera Will Wissinger, accompanied by Ana Bermejo’s fun-filled illustrations, this story will delight children, adults, and all those who like fishing. It’s perfect for reading aloud and sure to be read (and perhaps even sung) again and again. Intended for preschool-aged children, this silly story is sure to be a fun read-aloud both at home or at school/daycare. It's also the ideal gift for kids whose parents or grandparents love to fish or to explore the outdoors and might even inspire a few to try fishing at some point (hopefully without gobbling any of the tackle!).

Gone Fishing: A Novel in Verse

by Tamera Will Wissinger

Nine-year-old Sam loves fishing with his dad. So when his pesky little sister, Lucy, horns in on their fishing trip, he’s none too pleased: “Where’s my stringer? / Something’s wrong! / The princess doll does not belong!” All ends well in this winsome book of poems—each labeled with its proper poetic form, from quatrain to tercet. Together the poems build a dawn-to-dusk story of a father-son bond, of sibling harmony lost and found—and most of all, of delicious anticipation. Charming line drawings animate the poetry with humor and drama, and the extensive Poet’s Tackle Box at the end makes this the perfect primer to hook aspiring poets of all ages.

Defining Pre-Raphaelite Poetics

by Heather Bozant Witcher Amy Kahrmann Huseby

Defining Pre-Raphaelite Poetics offers a range of Pre-Raphaelite literary scholarship, provoking innovative discussions into the poetic form, gender dynamics, political engagement, and networked communities of Pre-Raphaelitism. The authors in this collection position Pre-Raphaelite poetics broadly in the sense of poiesis, or acts of making, aiming to identify and explore the Pre-Raphaelites’ diverse forms of making: social, aesthetic, gendered, and sacred. Each chapter examines how Pre-Raphaelitism takes up and explores modes of making and re-making identity, relationality, moral transformations, and even, time and space. Essays explore themes of formalist or prosodic approaches, expanded networks of literary and artistic influence within Pre-Raphaelitism, and critical legacies and responses to Pre-Raphaelite poetry and arts, codifying the methods, forms, and commonalties that constitute literary Pre-Raphaelitism.

The Poetry of Piety: An Annotated Anthology of Christian Poetry

by Ben Witherington Christopher Mead Armitage

Poetry has always been an elegant, effective means of expression and reflection. With this in mind, Witherington and Armitage have produced this innovative annotated anthology of Christian poetry from the 16th century to the present.

The Choice of Achilles

by Susanne Lindgren Wofford

This book examines the ways that Classical and Renaissance epic poems often work against their expressed moral and political values. It combines a formal and tropological analysis that stresses difference and disjunction with a political analysis of the epic's figurative economy. It offers an interpretation of three epic poems - Homer's Iliad, Virgil's Aeneid, and Spencer's Faerie Queene - that focuses on the way these texts make apparent the aesthetic, moral, and political difference that constitutes them, and sketches, in conclusion, two alternative resolutions of such division in Milton's Paradise Lost and Cervantes' Don Quixote, an 'epic' in prose. The book outlines a theory of how and why epic narrative may be said to subvert certain of its constitutive claims while articulating a cultural argument of which it becomes the contradictory paradigm. The author focuses on the aesthetic and ideological work accomplished by poetic figure in these narratives, and understands ideology as a figurative, substitutive system that resembles and uses the system of tropes. She defines the ideological function of tropes in narrative and the often contradictory way in which narratives acknowledge and seek to efface the transformative functions of ideology. Beginning with what it describes as a dual tendency within the epic simile (toward metaphor in the transformations of ideology; toward metonymy as it maintains a structure of difference), the book defines the politics of the simile in epic narrative and identifies metalepsis as the defining trope of ideology. It demonstrates the political and poetic costs of the structural reliance of allegorical narrative on catachresis and shows how the narrator's use of prosopopoeia to assert political authority reshapes the figurative economy of the epic. The book is particularly innovative in being the first to apply to the epic the set of questions posed by the linking of the theory of rhetoric and the theory of ideology. It argues that historical pressures on a text are often best seen as a dialectic in which ideology shapes poetic process while poetry counters, resists, figures, or generates the tropes of ideology itself.

Bright Scythe: Selected Poems By Thomas Tranströmer

by David Wojahn Patty Crane Tomas Tranströmer

Tomas Tranströmer (1931-2015), winner of the Nobel Prize for Literature, is Sweden's most acclaimed poet. Known for sharp imagery, startling metaphors and deceptively simple diction, his luminous poems offer mysterious glimpses into the deepest facets of humanity, often through the lens of the natural world. These new translations by Patty Crane, presented side by side with the original Swedish, are tautly rendered and elegantly cadenced. They are also deeply informed by Crane's personal relationship with the poet and his wife during the years she lived in Sweden, where she was afforded greater insight into the nuances of his poetics and the man himself.

Zane's Trace

by Allan Wolf

Zane Guesswind has just killed his grandfather--or so he believes. Stealing a car, Zane takes off on a manic trip to his mother's grave, intent on killing himself. Along the way, Zane gets farther from the life he knows--but closer to figuring out who he is.

Ecological Poetics; or, Wallace Stevens’s Birds

by Cary Wolfe

The poems of Wallace Stevens teem with birds: grackles, warblers, doves, swans, nightingales, owls, peacocks, and one famous blackbird who summons thirteen ways of looking. What do Stevens’s evocations of birds, and his poems more generally, tell us about the relationship between human and nonhuman? In this book, the noted theorist of posthumanism Cary Wolfe argues for a philosophical and theoretical reinvention of ecological poetics, using Stevens as a test case. Stevens, Wolfe argues, is an ecological poet in the sense that his places, worlds, and environments are co-created by the life forms that inhabit them. Wolfe argues for a “nonrepresentational” conception of ecopoetics, showing how Stevens’s poems reward study alongside theories of system, environment, and observation derived from a multitude of sources, from Ralph Waldo Emerson and Niklas Luhmann to Jacques Derrida and Stuart Kauffman. Ecological Poetics is an ambitious interdisciplinary undertaking involving literary criticism, contemporary philosophy, and theoretical biology.

La poesía es un revólver apuntando al corazón

by Roger Wolfe

El maestro del realismo sucio en español llega con una antología poética que dispara versos como balazos, que revela la fuerza del negro sobre blanco en su literatura. «Escribo para gente que no tieneotro sitio en que caerse muertaque la superficie de un poema.» Si alguien te pregunta alguna vez por Roger Wolfe, di que es el poeta llamado «maestro del realismo sucio en español» aunque sus versos sean más realistas que sucios y él ni siquiera sea español. Di que sus poemas son cínicos, descarnados, disciplinadamente incorrectos y socialmente inaceptables para cualquiera que no entienda que la poesía existe para remover los instintos, que la poesía es un revólver apuntando al corazón. Esta selección de textos es una pequeña muestra de su poesía de suelo sin asfaltar, de sus versos, que juegan con la experiencia y lo cotidiano, desmaquillándolo de las convenciones y lo políticamente amable. Del ser humano, como dice el propio Wolfe, «solo ante el espejo, desnudo y tiritando».

The King: Poems

by Rebecca Wolff

"Wolff keeps company with Sylvia Plath, Sharon Olds, and Beth Ann Fennelly."--Publishers Weekly, starred review A bold, lyrical invention by an award-winning poet whose "gift for the gorgeous" won praise from Robert Pinsky. The King is a groundbreaking collection following a Self--a mother, lover, wife, thinker--in her fractured approach to the absolutes of pregnancy, postpartum depression, childrearing, belief, love, and epistemology. Here is a potent exploration of one woman's coming together with the Other--her hard-won attachment to "the King." from "Deeply Psychological" And then I surfaced a whole matrix or rubric magical thinking other kinds of thinking but in layers, you understand, with supremacy a honeycomb.

Manderley: POEMS

by Rebecca Wolff

Selected by Robert Pinsky as one of five volumes published in 2001 in the National Poetry Series In the Manderley of Rebecca, Daphne du Maurier's forbidding haven of mocking ghosts and secrets that refuse to remain buried, nothing is as it seems. So in this stunning debut collection by Rebecca Wolff, cities, partners, mothers, sisters, friends, and perfect strangers all disguise their true faces, while they who seek connection are "transported from one great gaping / hole in the fabric / of our knowledge to another." No passage is too dark, no garden too tangled for the troubled dreamer of Manderley. Wolff turns a quicksilver gaze on a fluid world where both the real and the imaginary are transfigured. Tempering steely candor with a sophisticated delight in wordplay, these poems turn on a dime from the sensual to the eerie, the resigned to the hopeful, the comforting to the shocking. Each poem weaves together layers of dream, remembrance, and fantasy, distilling from romantic excess a gritty, spare language of truth-telling and surprise

This Full House

by Virginia Euwer Wolff

High-school-senior LaVaughn's perceptions and expectations of her life begin to change as she learns about the many unexpected connections between the people she loves best.

The Poetry and Essays of Uri Zvi Grinberg: Politics and Zionism (ISSN)

by Tamar Wolf-Monzon

This book focuses on the complex network of relationships between the poet Uri Zvi Grinberg and the Labor Movement in Mandate Palestine from 1923 to 1937.Making use of letters found in the Uri Zvi Grinberg Archive at the National Library of Israel (NLI), the author reconstructs the characteristics of Grinberg’s pioneer readership, attesting to their special relationship with his poetry. In the 1920s, it is argued, they considered Grinberg’s poetry an authentic expression of their complex spiritual world and especially of the reality of their lives. On his side, Grinberg accepted the pioneering ethos as the ideological basis of his works, becoming an outstanding poet of the Labor Movement. The chapters of this book track the various phases of Grinberg’s life and poetry, from his emigration to Palestine through to the 1930s, when he joined the Revisionist Movement and became increasingly ostracized from the Labor Movement. The story of Grinberg’s relations with the pioneers was emotionally charged—a mixture of enchantment and rejection, spiritual closeness and repulsion. Ultimately, this book analyzes the intensity of this connection and its many contradictory layers.This book will interest researchers in a range of fields, including Hebrew poetry and reception theory, as well as anyone interested in Israeli studies and the history of the Labor Movement in Palestine.

The Wanting Way: Poems

by Adam Wolfond

In The Wanting Way, the second book in Multiverse—a literary series written and curated by the neurodivergent­—Adam Wolfondproves more than willing to “extend the choreography.”In fact, his entire thrust is out and toward. Each poem moves out along its own underutilized pathway, awakening unseen dimensions for the reader like a wooded night walk suddenly lit by fireflies. And as each path elaborates itself, Wolfond’s guiding hand seems always to stay held out to the reader, inviting them further into a shared and unprecedented unfolding. The Wanting Way is actually a confluence of diverse ways—rallies, paths, waves, jams, streams, desire lines—that converge wherever the dry verbiage of the talking world requires hydration. Each poem is an invitation to bathe in the play of languaging. And each poem is an invitation to a dance that’s already happening, called into motion by the objects and atmospheres of a more-than-human world. Wolfond makes space for new poetics, new choreographies, and new possibilities toward forging a consensual—felt and feeling—world where we might find free disassembly and assembly together. There is a neurodivergent universe within this one, and Wolfond’s poems continuously pull back the unnecessary veil between human and nature.

Felicia Hemans: Selected Poems, Letters, Reception Materials

by Susan J. Wolfson

The first standard edition of the writings of Felicia Hemans (1793-1835), this volume marks a revival of interest in, and a new critical appreciation of, one of the most important literary figures of the early nineteenth century. A best-selling poet in England and America, Felicia Hemans was regarded as leading female poet in her day, celebrated as the epitome of national "feminine" values. However, this same narrow perception of her work eventually relegated Hemans to an obscurity lightened occasionally by parody and a sentimental enthusiasm for poems such as "The Landing of the Pilgrim Fathers" and "Casabianca." Only now is Hemans's work being rediscovered and reconsidered--for the complexity of its social and political vision, but also for its sounding of dissonances in nineteenth-century cultural ideals, and for its recasting of the traditional canon of male "Romantics."Offering readers a firsthand acquaintance with the remarkable range of Hemans's writing, this volume includes five major works in their entirety, along with a much-admired aggregate, Records of Woman. Hemans's letters, many published here for the first time, reflect her views of her contemporaries, her work, her negotiations with publishers, and her emerging celebrity, while reviews and letters from others--including Lord Byron, Walter Scott, and the Wordsworths--tell the story of Hemans's reception in her time. An introduction by editor Susan Wolfson puts these writings, as well as Hemans's life and work, into much-needed perspective for the contemporary reader.

A Greeting of the Spirit: Selected Poetry of John Keats with Commentaries

by Susan J. Wolfson

A renowned Keats scholar illuminates the poet’s extraordinary career, in a new edition featuring seventy-eight verse selections with commentary.John Keats’s career as a published poet spanned scarcely more than four years, cut short by his death early in 1821 at age twenty-five. Yet in this time, he produced a remarkable—and remarkably wide-ranging—body of work that has secured his place as one of the most influential poets in the British literary tradition. Celebrated Keats scholar Susan J. Wolfson presents seventy-eight selections from his work, each accompanied by a commentary on its form, style, meanings, and relevant contexts.In this edition, readers will rediscover a virtuoso poet, by turns lively, experimental, self-ironizing, outrageous, and philosophical. Wolfson includes such well-known favorites as Ode to a Nightingale, Ode on a Grecian Urn, To Autumn, La Belle Dame sans Merci, and The Eve of St. Agnes, as well as less familiar poems, several in letters to family and friends never meant for publication. Her selections redefine the breadth and depth of Keats’s poetic imagination, from intellectual jests and satires to erotic bandying, passionate confessions, and reflections on mortality.The selections, presented in their order of composition, convey a chronicle of Keats’s artistic and personal evolution. Wolfson’s revealing commentaries unfold the lively complexities of his verbal arts and stylistic experiments, his earnest goals and nervous apprehensions, and the pressures of politics and literary criticism in his day. In critically attentive and conversational prose, Wolfson encourages us to experience Keats in the way that he himself imagined the language of poetry: as a living event, a cooperative experience shared between author and reader.

Reading John Keats

by Susan J. Wolfson

John Keats (1795–1821), one of the best-loved poets of the Romantic period, is ever alive to words, discovering his purposes as he reads - not only books but also the world around him. Leading Keats scholar Susan J. Wolfson explores the breadth of his works, including his longest ever poem Endymion; subsequent romances, Isabella (a Boccaccio tale with a proto-Marxian edge admired by George Bernard Shaw), the passionate Eve of St Agnes and knotty Lamia; intricate sonnets and innovative odes; the unfinished Hyperion project (Keats's existential rethinking of epic agony); and late lyrics involved with Fanny Brawne, the bright (sometimes dark) star of his last years. Illustrated with manuscript pages, title-pages, and two portraits, Reading John Keats investigates the brilliant complexities of Keats's imagination and his genius in wordplay, uncovering surprises and new delights, and encouraging renewed respect for the power of Keats's thinking and the subtle turns of his writing.

Inanna: Queen of Heaven and Earth

by Diane Wolkstein Samuel Noah Kramer

Stories and hymns to Inanna and some history of the land which is now part of Iraq.

Carpathia (American Poets Continuum)

by Cecilia Woloch

Her traveling poetrics are striking in the way that she defies the borders of "narrative" and "lyric"; she combines the two seamlessly, an enviable gift.--Sacramento News & ReviewThese poems move through love and death, sadness and euphoria, and across European and American landscapes, encountering lovers, strangers, and beloved ghosts. They arrive, finally, in a place of beauty, mystery, grief, and joy. Poems from this collection were selected by Marie Howe as winner of the 2006 Tupelo Press Snowbound Chapbook Award.Cecilia Woloch was named 2004 Georgia Author of the Year in Poetry for her last collection, Late (BOA Editions, Ltd., 2003). She is founding director of the Summer Poetry Workshop in Idyllwild, California. She lives in Atlanta, Georgia, and Los Angeles, California, and travels extensively in Europe.From Devils Lake Journal:"Celia Woloch’s collection Carpathia is about distance, both physical and emotional. Her poems occupy a lush landscape where the natural world succombs to loss, where "fat bees [fall] into the wine” and the ghost swans have "wings of death.” The highlights of this collection are her numerous postcard poems which feel balanced in their attempts to be both strange and authentic without becoming burdened with ironic oddity that I’ve seen so much in recent poetry. Her postcards move, making leaps with each new sentence, and their prose-poem form opens these poems up to be more peculiar in a way that’s all-together successful.”From The Cosmopolitan Review:"One of the joys of Cecilia Woloch’s poetry is that it so beautifully and skilfully intermingles humour with emotional intensity, sensuality, and existential profoundness...Underneath it all, there lies a clear conviction that each of us could have been somebody else, could have been born and lived somewhere else, and yet "We all dwell in one country, O stranger, the world.”

The Bible in American Poetic Culture: Community, Conflict, War (Modern and Contemporary Poetry and Poetics)

by Shira Wolosky

Although the Bible is the foundation of American poetic tradition, there is no study of the Bible as an ongoing force in American poetry. Not only a source of imagery, allusion, rhythm and style, the Bible is central to how poetry has both shaped and been shaped by American civic, political, and social history, including issues of ethnicity, race and gender. Through poetry core issues of the Bible in American culture emerge in a new light. What defines America as a nation? What are its historical, political and religious meanings and direction? Vitally, how is it that the Bible is at once a shared common text, binding community, and yet was throughout American culture also contested, disputed, and politicized as a weapon of war? This study begins with the Puritans, and goes on to examine poetry of the Revolutionary and Civil Wars, as well as claims and counterclaims in abolition, slavery, and women’s rights. In doing so it treats both popular and major writers, including Edward Taylor, Frances Harper, Emerson, Whitman, Dickinson, Moore and Gwendoln Brooks, concluding with Amanda Gorman.

Poetry and Public Discourse in Nineteenth-Century America

by Shira Wolosky

Arguing against the perception of poetry as an elite discourse, Shira Wolosky explores the ways that Dickinson, Whitman, Melville, and others shaped nineteenth-century American cultural debate.

Your Inner Road to Recovery through Poetry

by Alesia Christina Wong

This book of Poetry has been written because of some of the most unfortunate circumstances that occur in the life of the writer. In this book of poetry you will experience encouragement, restoration and a push to keep dreaming no matter what the circumstances offer in life. Alesia Christina Wong is no ordinary seventeen-year-old young lady. She was born in 1999. She is young in age but old in maturity and knowledge. She is 'blessed 'to be the only child of her parents and believes in her dreams and passions. A firm believer in Jesus Christ, she is a proud spiritual daughter of Bishop Robin and Lady Veronica Dinnanauth. She credits her spiritual father, Bishop Robin, for pushing her to her full potential in putting together this book and more to come.

Turning to Wallpaper: Poems and Art

by Heidi Wong

"Wear poetry as both perfume and armor." In Turning to Wallpaper, lush, elegant language contrasts with the disturbing and at times gruesome imagery to create a collection that knows exactly how to haunt the reader. Wong&’s words and artistry are vibrant with color, richly textured, defiant, and unapologetic in their boldness. Her speaker undertakes a spiritual journey of remembrance that transcends body, tradition, and even nation in the pursuit of authentic art—art that is constructed using radical acceptance of the past as a means to leave it all behind. This is a story where no wounds are softened or left unconfronted. Unconcerned with conventional beauty, it is undeniably beautiful.

Behind the Wheel: Poems about Driving

by Janet S. Wong

Thirty-five poems look at various aspects of driving, including passing the written driver's test, being pulled over by a cop, and having an accident, and treat them as a metaphor for life.

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