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The Tree That Sang To Me
by Serena MolloySome feelings are so big, they're hard to express ... A dyslexia-friendly verse story of friendship, family and self-discovery, perfect for readers aged 9+, beautifully illustrated in black and white."A beautifully told story of resilience ..." Irish Times"With an uplifting ending, Kai's story will remain in your mind for a long time ... a fantastic read for a class group" Editor's Choice, Children's Books Ireland, Inis Magazine When Kai's big sister Jen leaves the family home, Kai knows it's all his fault. His secret burns, but he tells no one, just keeps pulling at tufts of his hair. But in the broad branches of a wasteland sycamore tree, Kai feels safe and free from his worries. Up there he feels he can be whoever he wants to be. And when a girl called Sky starts climbing Kai's tree, a friendship blossoms ... a friendship with the power to heal. Up hereit's likeI'm part of something elsethe windthe leavesthe airfree to bewhoever I want to be.
Two Minds: Poems
by Callie SiskelIn a piercing and beautiful elegy for the poet’s father, this debut volume investigates the enduring pain and transformative potential of grief. Does loss define us, or do we define loss? Tracing the duality of grief as it reverberates through a family, Callie Siskel wrestles with questions of identity and inheritance in precise, lucid poetry. Two Minds indulges and therefore exposes the vanity of turning private pain into art and the pursuit of self-revelation. Drawing on ekphrasis, ars poetica, and the prose poem, Siskel expands the elegiac genre as she oscillates between childhood and adulthood, art and mythology, as well as the natural and domestic world. At once cerebral and emotional, Two Minds is an essential meditation on the ways that loss cleaves and doubles our perceptive power.
twofold (Hugh MacLennan Poetry Series)
by Edward CarsonThe poet Charles Simic wrote, “Short poems: be brief and tell us everything.”Edward Carson’s extraordinary new work gathers concise diptych – or twofold – poems exploring themes of love, relationships, myth, art, language, math, physics, geometry, and artificial intelligence. Within the two sections of twofold, “dialogues” and “binaries,” the form of the diptych shapes language and meaning as paired poems engage each other across the margins of facing pages. Caroline Bem, author of A Moveable Form, writes: “The diptych, you see, is beautiful. It is symmetry and difference, doubling and mirroring, binarism and seriality. It is the form of paradox, both open and closed, free and contained.”Negotiating surprising twinning combinations, comparisons, and outcomes, the poems in twofold are lively, thought-provoking, and playful interchanges that are also mischievously literate, questioning, and intuitive.
Up Late: Poems
by Nick LairdAcclaimed poet Nick Laird reflects on the strange and chaotic times we live in with singular precision, clarity, and daring. Reeling in the face of collapsing systems, of politics, identity, and the banalities and distortions of modern living, Nick Laird confronts age-old anxieties, questions of aloneness, friendship, the push and pull of daily life. These poems transport us from a clifftop in Ireland’s County Cork to a bench in New York’s Washington Square, from a face-off between Freud and Michelangelo’s Moses to one between the poet and a squirrel in a London garden. At the book’s heart lies the Forward Prize–winning title sequence, a profound meditation on a father’s dying at the height of the Covid-19 pandemic. The reverberations of this knockout poem echo through the volume in its interrogations of inheritance and legacy, illness and justice, accounts of what is lost and what, if anything, can be retained. Amid rage, grief, and the conflagration of reality, Laird finds tenderness in the moments of connection that grow between the cracks and offers glimpses into the unadulterated world of childhood, where everything is still at stake and infinite. Astonishing in its emotional range and intellect, Up Late is a powerful volume from an “exceptionally gifted poet” (Paul Muldoon, Times Literary Supplement).
What Will People Say: Poems
by Taniya GuptaI had to fight for my existence before I was even out of my mother&’s womb. If I didn&’t stop fighting then, why would I stop now?What Will People Say follows a South Asian woman&’s journey through being a daughter, and later a daughter-in-law, within the strict confines of her patriarchal family. Readers watch as the narrator navigates life, trying to find a safe place for herself, until she finally becomes her own hero. Grappling with the subjects of sexual and psychological trauma, as well as mental health, this collection of poetry carves a path beyond the guilt of wondering: &“What will people say?&”
When I Fall: Poems
by Sabina LauraWhen I fall,you are a soft landing,like raindropson branches,like autumn leavesto the forest floor.But it is so easyto fall for youwithout caringwhere I might land.—Sabina LauraWhen I Fall is a book about love when it’s falling, crash landing, and learning to soar again.
Where Do Ocean Creatures Sleep at Night?
by Steven J. Simmons Clifford R. SimmonsOcean animals sleep, just like you! This informative, rhyming picture book dives deep to look at where and how ocean animals sleep in the sea.Many ocean animals are active during the day, but where and how do they sleep at night? From sharks to dolphins and sea turtles to octopuses, plus parrotfish and whales and more, discover what these ocean creatures do when it&’s time to go to sleep and the day is through.Where Do Ocean Creatures Sleep at Night? is newest addition to a three-book series, which includes Where Do Creatures Sleep at Night? and Where Do Big Creatures Sleep at Night? "Where Do Ocean Creatures Sleep at Night showcases wondrous watercolor illustrations that capture the allure of the sea. The rhyming rhythm dances through captivating animal facts about water-dwelling creatures before concluding in a cozy child's bedroom. Crafted to be a favorite bedtime read, this book is a must-have for the bookshelves of ocean lovers.&”– Bethany Stahl, Bestselling Author of Save the Ocean&“All mammals and most other animals need sleep, including those living in marine environments. This picture book&’s palette of soft colors and informative rhyme will introduce children to various facts about specific ocean animals and how they rest. Perfect for a bedtime read-aloud, this book will help young listeners and readers cuddle up together in their nice dry bed and sleep as tight as otters.&”– Sara T. Behrman, former librarian and author, The Sea Hides A Seahorse&“A delightful bedtime book! This jaunt into the ocean to learn about how our marine friends sleep will easily become part of your family bedtime routine. The charming illustrations are sure to captivate the imagination of children and inspire a love for the wonders of the sea, while sending them on a happy trip to dreamland.&” – Anne Richardson, Author of Octopuses Have Zero Bones and Chief Experience Officer at The Exploratorium "Scientific, sweet, and salty!"- Karen Romano Young, Deep Sea Diver and Award-winning Author of Whale Quest "This book is an absolute delight- the Dr. Seuss Sleep Book reimagined for the ocean. A beautiful way to unwind while learning a little more about our mysterious watery world. Where Do Ocean Creatures Sleep at Night? will surely inspire a future marine biologist or two!"- Paige Hoel, Ph.D. candidate, Oceanography, UCLA Atmospheric and Oceanic Sciences"A gorgeously illustrated children&’s book that will inspire the next generation of marine biologists, conservationists, and animal lovers. The accurate animal facts were a breath of fresh air to find in this genre and will make learning fun for children and adults alike!&”- Kristyn Plancarte, Marine Biologist and animal trainer&“Dive into an underwater world of wonder and imagination. This delightful read features stunning artwork that brings the ocean to life for bedtime. From playful dolphins to sleepy sea turtles, families will climb aboard an informative journey through the sea." - Kendra Nelson, Marine Conservationist
Whiny Baby (Hugh MacLennan Poetry Series)
by Julie PaulChomping / champing / championing / churlish / … / There’s a wolf at the door / that looks exactly like meWho is the “whiny baby” in this book? Rather than calling names or hurling insults, the candid poems in this collection most often implicate the poet herself.Expansive in form and voice, the poems in Julie Paul’s second collection offer both love letters and laments. They take us to construction sites, meadows, waiting rooms, beaches, alleys, gardens, and frozen rivers, from Montreal to Hornby Island. They ask us to live in the moment, despite the moment. Including a spirited long poem that riffs on the fairy tale “Three Billy Goats Gruff,” these poems are like old friends that at once console and confess. They blow kisses, they remember, and they celebrate the broken and the lost alongside the beautiful.At turns frank, peevish, introspective, and mischievous, the poems share sincere and intimate perspectives on the changing female body, our natural and built landscapes, and the idiosyncrasies of modern life. Whiny Baby calls on us to simultaneously examine and exult in our brief time on earth.
William Blake's Manuscripts: Praxis, Puzzles, and Palimpsests
by Mark Crosby Josephine A. McQuailThis collection of essays examines how close analysis of William Blake’s manuscripts can yield new discoveries about his techniques, his working habits, and his influences. With the introduction of facsimile editions and more particularly, the William Blake Archive, the largest digital repository of Blake materials online, scholars have been able to access Blake’s work in as close its original medium, leading to important insights into Blake’s creative process and mythopoetic system. Recent advancements in digital editing and reproduction has further increased interest in Blake’s manuscripts. This volume brings together both established Blake scholars, including G.E. Bentley Jnr’s final essay on Blake, and upcoming scholars whose research is at the intersection of digital humanities, critical theory, textual scholarship, queer theory, transgender studies, reception history, and bibliographical studies. The chapters seek to cover the breadth of Blake’s manuscripts: poetry, letters, notebook entries, and annotations. Together, these chapters offer an overview of the current state of research in Blake studies on manuscripts at a point when his manuscripts have become increasingly available in digital environments, and gesture to a possible future of Blake scholarship in general.
With My Back to the World
by Victoria Chang'Chang has liberated the Ekphrastic form to new lyric heights and depths. Inventive, meditative, audacious, strange and soulful. A marvel of a collection that engages the eye and mind as much as the ear and heart' Raymond AntrobusYesterday I slung my depression on my back and went to the museum. I only asked four attendants where the Agnes painting was and the fifth one knew. I walked into the room and saw it right away. From afar, it was a large white square.WITH MY BACK TO THE WORLD engages with the paintings and writings of Agnes Martin, the celebrated abstract modern artist, in ways that open up new modes of expression, expanding the scope of what art, poetry, and the human mind can do. Filled with surprise and insight, wit and profundity, the book explores the nature of the self, of existence, life and death, grief and depression, time and space. Strikingly original, fluidly strange, Victoria Chang's new collection is a book that speaks to how we see and are seen.
With My Back to the World: Poems
by Victoria ChangA new collection of poetry inspired by the work of Agnes Martin, exploring topics of feminism, art, depression, and grief, by the author of the prizewinning collection Obit. Yesterday I slung my depression on my back and went to the museum. I only asked four attendants where the Agnes painting was and the fifth one knew. I walked into the room and saw it right away. From afar, it was a large white square.With My Back to the World engages with the paintings and writings of Agnes Martin, the celebrated abstract artist, in ways that open up new modes of expression, expanding the scope of what art, poetry, and the human mind can do. Filled with surprise and insight, wit and profundity, the book explores the nature of the self, of existence, life and death, grief and depression, time and space. Strikingly original, fluidly strange, Victoria Chang’s new collection is a book that speaks to how we see and are seen.
woke up no light: poems
by Leila MottleyA poignant, rousing debut book of poetry, full of life, from the former Youth Poet Laureate of Oakland, Californiawoke up no light is a Black girl&’s saunter turned to a woman&’s defiant strut. These are the hymns of a new generation of poetry. Young, alive, yearning. A mouth swung open and ready to devour. A quest for home in a world that knows only wasteland and wanting.Moving in sections from &“girlhood&” to &“neighborhood&” to &“falsehood&” to, finally, &“womanhood,&” these poems reckon with themes of reparations, restitution, and desire. The collection is sharp and raw, wise and rhythmic, a combination that lights up each page. From unearthing histories to searching for ways to dream of a future in a world constantly on the brink of disaster, this young poet sets forth personal and political revelation with piercing detail.woke up no light confirms Leila Mottley&’s arrival and demonstrates the enduring power of her voice—brave and distinctive and thoroughly her own.
Words
by Arnold MatthewsThe author, Arnold Matthews, hopes you will find in this package of his written works of poetry, much pleasure. The poetry is addressed to all faiths and none, to all gender orientations and to Humanitarians. Of course, not all poetry appeals to everyone but as stated in the Doctor’s Magazine ‘The Lancet’, it says that the right sort of poetry can be very therapeutic. It is for the reader to judge if this is the ‘right sort of poetry’. The author invites the recipients of his work to select the material to which they can personally relate, and perhaps re-read from time to time, so that like a song, the impact of new concepts will be revealed and will bring growing joy and understanding, even revelation to the reader.
Wrong Norma
by Anne CarsonAnne Carson’s first original work since Float (Knopf, 2016) Published here in a stunning edition with images created by Carson, several of the twenty-five startling poetic prose pieces have appeared in magazines and journals like The New Yorker and The Paris Review. As Carson writes: “Wrong Norma is a collection of writings about different things, like Joseph Conrad, Guantánamo, Flaubert, snow, poverty, Roget's Thesaurus, my Dad, Saturday night. The pieces are not linked. That's why I've called them ‘wrong.’"
X in the Tickseed: Poems
by Ed FalcoFrom discursive essay-poems to tightly constructed lyrics, Ed Falco’s X in the Tickseed examines a world that reveals itself through its mysteries, reflecting upon the ephemeral nature of all things. In the series of poems that bookend the collection, a speaker identified only as X reviews personal history and relationships, speculating, pondering, and questioning in the face of a baffling universe. Peppered between the X poems, artists as varied as Artemisia Gentileschi, Frank O’Connor, and Nick Cave surface, usually in poems posing as essays about their art. Other poems range from explorations of cultural perspective, as in “A Few Words to a Young American Killed in the Tet Offensive,” where a war resister addresses a young man of his generation who died in Vietnam, to the often playful “An Alphabet of Things.” Throughout, Falco’s poems speculate on matters of life and faith, intensified by an awareness of death.
A Year in Story and Song: A Celebration of the Seasons
by Lia LeendertzA Year in Story and Song is a captivating collection of stories and songs that celebrates the seasons. We humans love stories. We love to hear them and to tell them, around fires and by bedsides, and we love to use them to make sense of the world around us. The seasons, in all their ever-changing variety, give us many opportunities for storytelling: the full moons and their names, Epiphany in January, St Patrick's Day in March, May Day, Midsummer, Halloween and more. They feature mischievous boggarts and fairies, saints and sailors, leprechauns and dragons, pilgrimages and charms, milk maids and rose queens, Robin Hood and the green man. The songs range from shanties and love songs, to bawdy ballads and wassails, to carols and rounds, and have been sung for hundreds of years, often at particular moments in the calendar.This is a book to treasure all year, every year.
A Year in Story and Song: A Celebration of the Seasons
by Lia LeendertzA Year in Story and Song is a captivating collection of stories and songs that celebrates the seasons. We humans love stories. We love to hear them and to tell them, around fires and by bedsides, and we love to use them to make sense of the world around us. The seasons, in all their ever-changing variety, give us many opportunities for storytelling: the full moons and their names, Epiphany in January, St Patrick's Day in March, May Day, Midsummer, Halloween and more. They feature mischievous boggarts and fairies, saints and sailors, leprechauns and dragons, pilgrimages and charms, milk maids and rose queens, Robin Hood and the green man. The songs range from shanties and love songs, to bawdy ballads and wassails, to carols and rounds, and have been sung for hundreds of years, often at particular moments in the calendar.This is a book to treasure all year, every year.
A Year of Last Things: Poems
by Michael OndaatjeFrom one of the most influential writers of his generation, a gorgeously surprising poetry collection about memory, history, and the act of looking backFollowing several of his internationally acclaimed novels, A Year of Last Things is Michael Ondaatje&’s long-awaited return to poetry. In pieces that are sometimes witty, sometimes moving, and always wise, we journey back through time by way of alchemical leaps, unearthing writings by revered masters, moments of shared tenderness, and the abandoned landscapes we hold on to to rediscover the influence of every border crossed.Moving from a Sri Lankan boarding school to Molière&’s chair during his last stage performance, to Bulgarian churches and their icons, to the California coast and his beloved Canadian rivers, Michael Ondaatje casts a brilliant eye that merges memory with the present, in the way memory as the distant shores of art and lost friends continue to influence everything that surrounds him.From his poem "His chair, a narrow bed, a motel room, the fox": At the Hacienda Motel in Los Angeles Sam Cooke was shot dead. &‘See that shadow on the wall . . .&’ All those motels and hotels in literature and song, where X wrote this, where Y got drunk, where Z overdosed. The one Hank Williams was driven past, dead already in his car. The Slavianski Bazaar Hotel in "The Lady with a Dog," where Dmitri imagines their dark but hopeful future. The Hôtel de ville de Courtrai, where Verlaine shot Rimbaud. The Casa Verdi in Milan, where retired opera singers were welcomed along with various heteronyms of Fernando Pessoa in their afterlife.
A Year of Last Things: Poems
by Michael OndaatjeOne of the Globe and Mail's most anticipated books of 2024With A Year of Last Things, acclaimed novelist Michael Ondaatje returns to poetry, where he began his career over fifty years ago, and what a return it is.Born in Sri Lanka during the Second World War, Ondaatje was sent as a child to school in London, and later moved to Canada. While he has lived here since, these poems reflect the life of a writer, traveller and watcher of the world – describing himself as a &“mongrel,&” someone born out of diverse cultures. Here, rediscovering the influence of every border crossed, he moves back and forth in time, from a childhood in Sri Lanka to Moliere&’s chair during his last stage performance, from icons in Bulgarian churches to the California coast and loved Canadian rivers, merging memory with the present, looking back on a life of displacement and discovery, love and loss. At first sight it is a glittering collection of fragments and memories – but small, intricate pieces of a life are precisely what matter most to Ondaatje. They make an emotional history. As he writes in the opening poem: &“Reading the lines he loves / he slips them into a pocket, / wishes to die with his clothes / full of torn free stanzas / and the telephone numbers / of his children in far cities&”. Poetry – where language is made to work hardest and burns with a gem-like flame – is what Ondaatje has returned to in this intimate history.
you (Literature in Translation Series)
by Chantal Neveu Erín MoureFrom poet Chantal Neveu, author of the award-winning collection This Radiant Life, comes a book-length poem that plunges us more deeply into the notion of the idyll and into the polyhedric structure of love.you demonstrates with exceptional beauty how in the interval between words or verses, language can glimmer, absorb, and refract the changing realities and attractions of an all too human relationship. Personal autonomy and the formation of “ self” are nourished here by multiples— I, you, s/he. The voice in you reclaims life from change and time and affirms it anew.
The Zen of Ecopoetics: Cosmological Imaginations in Modernist American Poetry (Routledge Environmental Literature, Culture and Media)
by Enaiê Mairê AzambujaThis book is the first comprehensive study investigating the cultural affinities and resonances of Zen in early twentieth-century American poetry and its contribution to current definitions of ecopoetics, focusing on four key poets: William Carlos Williams, Marianne Moore, Wallace Stevens, and E.E. Cummings. Bringing together a range of texts and perspectives and using an interdisciplinary approach that draws on Eastern and Western philosophies, including Zen and Taoism, posthumanism and new materialism, this book adds to and extends the field of ecocriticism into new debates. Its broad approach, informed by literary studies, ecocriticism, and religious studies, proposes the expansion of ecopoetics to include the relationship between poetic materiality and spirituality. It develops ‘cosmopoetics’ as a new literary-theoretical concept of the poetic imagination as a contemplative means to achieving a deeper understanding of the human interdependence with the non-human. Addressing the critical gap between materialism and spirituality in modernist American poetry, The Zen of Ecopoetics promotes new forms of awareness and understanding about our relationship with non-human beings and environments. It will be of interest to scholars, researchers, and students in ecocriticism, literary theory, poetry, and religious studies.
Sunset Gun: Light Verse (Vintage Classics)
by Dorothy ParkerNow available as a stand-alone edition, the famous humorist&’s second collection of poetry ranges from lighthearted self-deprecation to gleefully acid-tongued satire and dark comedy.One of the Jazz Age&’s most beloved poets, Dorothy Parker earned her reputation as the wittiest woman in America with her popular light verse, which was regularly published in Vanity Fair, Life, and The New Yorker. Her debut poetry collection, Enough Rope, was a runaway bestseller, and she followed it up in 1928 with the equally delightful collection Sunset Gun. The poems gathered here range from barbed satires to light-hearted laments, all laced with Parker&’s unmistakable sense of humor, one that manages to be both cynical and sparkling.Thought for a Sunshiny MorningIt costs me never a stab nor squirm To tread by chance upon a worm.&“Aha, my little dear,&” I say,&“Your clan will pay me back some day.&”
Celtic Woman: A Memoir of Life's Poetic Journey
by Treasa O'DriscollCeltic Woman explores with open honesty and engaging irony how cycles of personal discovery have connected international performing artist Treasa O’Driscoll to heaven and earthbut not the way you’d expect. This surprising memoir of an Irish woman attuned to poetic updrafts and spiritual downloads in the lives of real people, many of them celebrities in Ireland and North America she counts as personal friends, exudes her Celtic heritage on every page. Her encounters in life have been testing, tragic, romantic, and highly comic. O’Driscoll’s life entwines with musicians, poets, teachers, artists, actors, farmers, unexpected strangers and familiar drunkards. Their lives all become a single interwoven tapestry of common meaning connected at the level of the soul.