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The Botanic Garden by Erasmus Darwin: Volume I (The Pickering Masters)
by Adam KomisarukThe career of Erasmus Darwin (1731-1802) affords an extraordinary glimpse into the intellectual ferment of late-eighteenth- and early-nineteenth-century Britain. As a popular poet, practicing physician, inventor of speaking machines and mechanical birds, essayer of natural history from geology to meteorology, and proponent of an evolutionary theory that inspired his famous grandson Charles, he left a lasting impression on almost every branch of knowledge. His magnum opus, and the synthesis of his myriad interests, is The Botanic Garden (1792) — an epic poem that aims to "enlist the Imagination under the banner of Science." Part I, The Economy of Vegetation, sings the praises of British industry as a dance of supernatural creatures while part II, The Loves of the Plants, wittily employs metaphors of human courtship to describe the reproductive cycles of hundreds of flowers. Darwin supplements his accomplished verses with (often much longer) "philosophical notes" that offer his idiosyncratic perspective on the scholarly controversies of the day. Despite a recent surge of academic interest in Darwin, however, no authoritative critical edition of The Botanic Garden exists, presenting a barrier to further scholarship. This two volume set comprises a complete, meticulously transcribed, reading text — including all the poetry, prose apparatus, and illustrations — along with extensive commentary that situates Darwin within contemporary debates about the natural sciences. This set will be of interest to readers as the definitive reference edition of The Botanic Garden and due to its efforts to make the work more practically and intellectually accessible to seasoned and novice readers alike. The first volume presents a wide ranging and authoritative introduction to The Botanic Garden, detailing the background to the work and the various contexts in which it should be understood. These include: aesthetic theory and practice, the science of the mind, love and sexuality, politics, spirituality, the natural sciences, and evolutionary theory and the two Darwins. The full text of Part I of the The Botanic Garden, The Economy of Vegetation, then follows accompanied by the editors’ annotations, discussion of illustrations and textual notes.
The Botanic Garden by Erasmus Darwin: Volume II (The Pickering Masters)
by Adam KomisarukThe career of Erasmus Darwin (1731-1802) affords an extraordinary glimpse into the intellectual ferment of late-eighteenth- and early-nineteenth-century Britain. As a popular poet, practicing physician, inventor of speaking machines and mechanical birds, essayer of natural history from geology to meteorology, and proponent of an evolutionary theory that inspired his famous grandson Charles, he left a lasting impression on almost every branch of knowledge. His magnum opus, and the synthesis of his myriad interests, is The Botanic Garden (1792) — an epic poem that aims to "enlist the Imagination under the banner of Science." Part I, The Economy of Vegetation, sings the praises of British industry as a dance of supernatural creatures while part II, The Loves of the Plants, wittily employs metaphors of human courtship to describe the reproductive cycles of hundreds of flowers. Darwin supplements his accomplished verses with (often much longer) "philosophical notes" that offer his idiosyncratic perspective on the scholarly controversies of the day. Despite a recent surge of academic interest in Darwin, however, no authoritative critical edition of The Botanic Garden exists, presenting a barrier to further scholarship. This two volume set comprises a complete, meticulously transcribed, reading text — including all the poetry, prose apparatus, and illustrations — along with extensive commentary that situates Darwin within contemporary debates about the natural sciences. This set will be of interest to readers as the definitive reference edition of The Botanic Garden and due to its efforts to make the work more practically and intellectually accessible to seasoned and novice readers alike This second volume includes the full version of the second part of The Botanic Garden, The Lives of Plants along with the related textual apparatus consisting of the editors’ annotations, discussion of the illustrations, textual notes, and a taxonomic table of the flowers mentioned.
Box
by Robert WrigleyA powerful new collection from an acclaimed, award-winning poetWith nine previously published collections of poetry, Robert Wrigley has become one of his generation's most accomplished poets, renowned for his irony, power, and lucid style and for his ability to fuse narrative and lyrical impulses.Wrigley's tenth collection, Box, is a book of poems obsessed with human containment, with the way people are contained or confined—by time, mortality, technology, identity, culture, and history—in almost everything they are and everything they do. Even the body, even the poem itself, is in this regard a kind of self-containing crate, in which the human being, perhaps the human spirit, is shipped into the world at large. But Box is also a book obsessed with escape from containment, and escape comes from dreams, from deep awareness, from contemplation, from love, and above all, as Wallace Stevens insisted, from "the imagination pressing back against the pressure of reality." The poems in Box aim to do nothing less than "help people live their lives," as Stevens put it.From the Trade Paperback edition.
Brama di Luce
by Aimar Rollan Valeria BragantePer i Sufiti non c’è castigo peggiore che provare nostalgia, sapendo di essere separati dalla fonte, né maggiore ricompensa che sentirsi uniti ad essa. Così, l’emozione che predomina in quest’opera è la nostalgia, ed il conseguente desiderio di liberarsi da essa e fondersi con l’Unità. Questa è la storia di una caduta, di una perdita, di un recupero e di una ascensione. È la storia di una ricerca della luce dall’oscurità più profonda. È scritta in prosa poetica, con breve frammenti indipendenti tra loro, che si possono leggere in modo isolato ma che mantengono una certa coesione, dato che ogni frammento porta con sé, o brama, un po’più di luce del precedente. Parla di un uomo che ha perduto la propria luce, ma che conserva dentro di sé un lieve scintillio del ricordo di essa. Questa fugacità tortura la sua mente e gli fa intraprendere un cammino di ascensione per recuperare un tesoro tanto prezioso. Passa attraverso tutte le fasi di depressione, tristezza e malinconia, crogiolandosi nella propria perdita. Nelle fasi iniziali identifica questa luce perduta con l’amore di una donna, con l’amore di molte donne che per lui sono una, e l’origine della sua malinconia è la perdita di questo amore. Man mano che il suo tormento avanza, riconosce che questa luce desiderata appartiene a qualcosa di più sottile e profondo, al regno della sua anima … Riconosce che questo dolore emozionale proviene dal sentirsi separato dalla fonte primordiale. Questa opera è scritta con un linguaggio malinconico, ma sullo sfondo vuole trasmettere bellezza, speranza ed allegria.
Brazil, Lyric, and the Americas
by Charles A. Perrone"This is Perrone at his most brilliant. Erudite but accessible, thorough but playful: Brazil, Lyric, and the Americas is the latest contribution by the most knowledgeable U.S.-based scholar of the Brazilian lyric."--Severino Joao Albuquerque, University of Wisconsin "Perrone retraces the dialogue of the Brazilian lyric with the poetry of the Americas in the generous spirit that the poets' utopia of solidarity will serve as a counterpoint to the harsher side of globalization."--Luiza Moreira, Binghamton University In this highly original volume, Charles Perrone explores how recent Brazilian lyric engages with its counterparts throughout the Western Hemisphere in an increasingly globalized world. This pioneering, tour-de-force study focuses on the years from 1985 to the present and examines poetic output--from song and visual poetry to discursive verse--across a range of media. At the core of Perrone's work are in-depth examinations of five phenomena: the use of the English language and the reception of American poetry in Brazil; representations and engagements with U.S. culture, especially with respect to film and popular music; epic poems of hemispheric solidarity; contemporary dialogues between Brazilian and Spanish American poets; and the innovative musical, lyrical, and commercially successful work that evolved from the 1960s movement Tropicalia.
Breathe and Be: A Book of Mindfulness Poems
by Kate Coombs Anna Emilia LaitinenHear thunder crash, feel your toes touch sand, and watch leaves drift softly away on a quiet stream. The simple poems in Breathe and Be help children learn mindfulness as they connect to the beauty of the natural world. Mindfulness teaches us how to stay calm, soothe our emotions, and appreciate the world around us. Whether we’re watching tiny colored fish darting in the water or exploring the leaves, branches, and roots of a towering tree, the thoughtful words and the lovely art of Breathe and Be remind us how much joy we can find by simply living with awareness and inner peace.
Breviario de nostalgia
by Nicolás MuñozUn poemario de madurez que se demora con acierto en la melancolía de una vida revisada. Breviario de nostalgia es el primer libro de Nicolás Muñoz, un poemario de madurez que se demora con acierto en la melancolía de una vida revisada. <P><P> Siendo esa su idea vertebradora, no deja de surgir, al tiempo, una variedad temática producto de una mirada vuelta hacia el pasado. En sus páginas, el lector se encontrará invadido por una atmósfera que le hará partícipe y cómplice del universo del protagonista-poeta. <P>Cada texto va desvelando parte de su identidad: los recuerdos de la infancia, los éxitos y los fracasos, la búsqueda del interlocutor, la vida, quizá un poco más canalla, la escritura misma... <P>Hay intensidad y también calma, un juego de contrapesos entre la cara amarga y el amor en su faceta más amable, salvífica. Muñoz apresa la nostalgia y se ocupa de los motores emocionales de su vida en un canto de reconciliación. Comoreza uno de los versos, «¡Qué placer haber nacido!».
Bullets into Bells: Poets & Citizens Respond to Gun Violence
by Colum McCann Brian Clements Alexandra Teague Dean RaderA powerful call to end American gun violence from celebrated poets and those most impactedFocused intensively on the crisis of gun violence in America, this volume brings together poems by dozens of our best-known poets, including Billy Collins, Patricia Smith, Natalie Diaz, Ocean Vuong, Danez Smith, Brenda Hillman, Natasha Threthewey, Robert Hass, Naomi Shihab Nye, Juan Felipe Herrera, Mark Doty, Rita Dove, and Yusef Komunyakaa.Each poem is followed by a response from a gun violence prevention activist, political figure, survivor, or concerned individual, including Nobel Peace Prize laureate Jody Williams; Senator Christopher Murphy; Moms Demand Action founder Shannon Watts; survivors of the Columbine, Sandy Hook, Charleston Emmanuel AME, and Virginia Tech shootings; and Samaria Rice, mother of Tamir, and Lucy McBath, mother of Jordan Davis.The result is a stunning collection of poems and prose that speaks directly to the heart and a persuasive and moving testament to the urgent need for gun control.
Bye-Bye Land (American Poets Continuum)
by Christian BarterWinner of the Isabella Gardner Award, this book-length poem is a collection of voices-in-dialogue-overheard, remembered, internal-that represents the mind at work as it considers the destructiveness of humanity, the hypocrisy bred in the bones of American venture. Voices from personal conversations, political speeches, Guantanamo detainees, news, and poets fill these pages, capturing a world of disrupted beauty and unrealized potential.
Calling A Wolf A Wolf
by Kaveh AkbarThis award-winning debut boldly confronts addiction and courses the strenuous path of recovery, beginning in the wilds of the mind. Poems confront craving, control, the constant battle of alcoholism and sobriety, and the questioning of the self and its instincts within the context of this never-ending fight. <P><P>From "Stop Me If You've Heard This One Before": Sometimes you just have to leavewhatever's real to you, you have to clompthrough fields and kick the caps offall the toadstools. Sometimesyou have to march all the way to Galileeor the literal foot of God himself before you realizeyou've already passed the place whereyou were supposed to die. I can no longer rememberthe being afraid, only that it came to an end.
The Cambridge Companion to Postcolonial Poetry
by Jahan RamazaniThe Cambridge Companion to Postcolonial Poetry is the first collection of essays to explore postcolonial poetry through regional, historical, political, formal, textual, gender, and comparative approaches. The essays encompass a broad range of English-speakers from the Caribbean, Africa, South Asia, and the Pacific Islands; the former settler colonies, such as Canada, Australia, and New Zealand, especially non-Europeans; Ireland, Britain's oldest colony; and postcolonial Britain itself, particularly black and Asian immigrants and their descendants. The comparative essays analyze poetry from across the postcolonial anglophone world in relation to postcolonialism and modernism, fixed and free forms, experimentation, oral performance and creole languages, protest poetry, the poetic mapping of urban and rural spaces, poetic embodiments of sexuality and gender, poetry and publishing history, and poetry's response to, and reimagining of, globalization. Strengthening the place of poetry in postcolonial studies, this Companion also contributes to the globalization of poetry studies.
Cambridge Greek and Latin Classics: Horace (Cambridge Greek and Latin Classics)
by Stephen HarrisonHorace's Odes remain among the most widely read works of classical literature. This volume constitutes the first substantial commentary for a generation on this book, and presents Horace's poems for a new cohort of modern students and scholars. The introduction focusses on the particular features of this poetic book and its place in Horace's poetic career and in the literary environment of its particular time in the 20s BCE. The text and commentary both look back to the long and distinguished tradition of Horatian scholarship and incorporate the many advances of recent research and thinking about Latin literature. The volume proposes some new solutions to established problems of text and interpretation, and in general improves modern understanding of a widely read ancient text which has a firm place in college and university courses as well as in classical research.
Cambridge Studies in Medieval Literature: The Evolution of Verse Structure in Old and Middle English Poetry
by Geoffrey RussomIn this fascinating study, Geoffrey Russom traces the evolution of the major English poetic traditions by reference to the evolution of the English language, and considers how verse forms are born, how they evolve, and why they die. Using a general theory of poetic form employing universal principles rooted in the human language faculty, Russom argues that certain kinds of poetry tend to arise spontaneously in languages with identifiable characteristics. Language changes may require modification of metrical rules and may eventually lead to extinction of a meter. Russom's theory is applied to explain the development of English meters from the earliest alliterative poems in Old and Middle English and the transition to iambic meter in the Modern English period. This thorough yet accessible study provides detailed analyses of form in key poems, including Beowulf and Sir Gawain and the Green Knight, and a glossary of technical terms.
Cambridge Studies in Nineteenth-Century Literature and Culture: Gerard Manley Hopkins and the Poetry of Religious Experience (Cambridge Studies in Nineteenth-Century Literature and Culture #108)
by Martin DuboisThis nuanced yet accessible study is the first to examine the range of religious experience imagined in Hopkins's writing. By exploring the shifting way in which Hopkins imagines religious belief in individual history, Martin Dubois contests established views of his poetry as a unified project. Combining detailed close readings with extensive historical research, Dubois argues that the spiritual awareness manifest in Hopkins's poetry is varied and fluctuating, and that this is less a failure of his intellectual system than a sign of the experiential character of much of his poetry's thought. Individual chapters focus on biblical language and prayer, as well as on the spiritual ideal seen in the figures of the soldier and the martyr, and on Hopkins's ideas of death, judgement, heaven and hell. Offering fresh interpretations of the major poems, this volume reveals a more diverse and exploratory poet than has been recognised.
Cardinal in the Eastern White Cedar
by Roo BorsonA captivating and poignant new collection of poetry from Griffin Poetry Prize winner Roo Borson that probes some of our most important questions.After Roo Borson's two previous collections -- Short Journey Upriver Toward Oishida and Rain; road; an open boat -- set the seasons in motion, focusing the poet's mind on time, mortality, transience, and absence, Cardinal in the Eastern White Cedar arrives to complete the triptych. From the glittering, classically rendered image to a freighted, lucid, narrative line, Borson's voice can shift and refract while holding true to the momentary facts of the shifting, given world. Her meditations are a kind of fidelity to inquiry, to attachment, to what can't be fully known. Here the distant past collides with the near future, the present opens suddenly into another age, and friendship becomes the measure of time's salience. These poems depict what vanishes, the various modest homes where half-remembered lives all flow toward their common end. Roo Borson has crowned a sustained achievement with a work of startling intimacy and vividness.
Casey at the Bat
by Ernest Lawrence ThayerThe Outlook wasn't brilliant for the Mudville baseball team that day, but Casey was up to bat. Will Casey help them win the game?
Cavalos & Outras Dúvidas
by Mois Benarroch Ezio CardozoMois Benarroch é talvez o mais surpreendente poeta e escritor Israelense em atividade. Esta é a primeira antologia a reunir todos os seus poemas, publicados ou inéditos, e sua primeira obra contendo este trabalho em português. Da descrição à imagem, recheado de realidade e subjetividade, faz vir à tona a imaginação indescritível de um homem exilado que fez de si sua morada.
Charm
by Christine McNairA charm can protect, inflict or influence.Charm, the second collection by poet Christine McNair, considers the craftwork of conception from a variety of viewpoints—from pregnancy and motherhood, to how an orchid is pollinated, to overcoming abusive relationships, to the manual artistry of carving a violin bow or marbling endpapers.Through these works, McNair's poetic line evolves as if moving in a spellbound kaleidoscope, etched with omens, fairytales, intimacy's stickiness, and the mothering body.
Cheer Up, Jay Ritchie
by Jay Ritchie Jay RitchieWith an alternating sense of wonder and detachment, Jay Ritchie's first full-length collection of poetry grapples with death, disappointment, love, emails – the large and small subjects of daily life. His unflagging sense of humour and aphoristic delivery create a work that is personable yet elevated, witty, and honest.
Children with Enemies
by Stuart DischellThere is a gentleness in the midst of savagery in Stuart Dischell’s fifth full-length collection of poetry. These poems are ever aware of the momentary grace of the present and the fleeting histories that precede the instants of time. Part elegist, part fabulist, part absurdist, Dischell writes at the edges of imagination, memory, and experience. By turns outwardly social and inwardly reflective, comic and remorseful, the beautifully crafted poems of Children with Enemies transfigure dread with a reluctant wisdom and come alive to the confusions and implications of what it means to be human.
Cielo bajo
by Federico García LorcaUn volumen inédito que presenta el proyecto inacabado del más grande poeta del siglo XX español: Federico García Lorca. En lenguaje musical se entiende por «suite» una composición integrada por movimientos variados que, no obstante, encuentran su apoyo en la misma tonalidad. Las suites de Federico García Lorca parten de la misma idea, aplicada esta vez a la lírica: establecer series de poemas formalmente heterogéneos que giren alrededor de un tema común. Sin embargo, su temprana muerte truncó el que había de ser un ambicioso proyecto en el que se recogían obras inéditas o ya publicadas, escritas todas ellas entre 1920 y 1923, bajo el signo de una nueva armonía. El presente volumen supone la fiel y ajustada edición a cargo del hispanista Eutimio Martín de un poemario abocetado que ilumina los primeros versos del más brillante poeta de la literatura española del siglo XX. Una perla extraordinaria que muestra una vez más que el universo de Lorca no tiene fin ni parangón. Reseñas:«Hablaba Federico, requebrando a la muerte. Ella escuchaba.»Antonio Machado «Su mundo era un mundo prácticamente de palabras. Un mundo de metáforas chocantes.»Jorge Luis Borges
Cinder: New and Selected Poems
by Susan Stewart“One of the finest poets of the last fifty years.” —Saltto the Nth, like the truth of an endingunskeined across the crust of the white field.Though it happened only once, Iam sending the thoughtof the thoughtcontinuing. To return tothe field before the mowing.When a goldfinch swayedon a blue stem stalk,and the wind and the sunstirred the hay. —from “After the Mowing”Cinder: New and Selected Poems gathers for the first time poetry from across Susan Stewart’s thirty-five-year career, including many extraordinary new poems. From brief songs to longer meditative sequences, and always with formal innovation and exquisite precision, Stewart evokes the innocence of childhood, the endangered mysteries of the natural world, and deeply felt perceptions, both acute and shared.“Stewart explores our insatiable desire to remember and make meaning out of this remembering,” Ange Mlinko writes in The Nation. “Stewart’s elegiac bent has broadened, over time, from the personal lyric . . . to what might be called the cultural lyric. Fewer and fewer of her poems reference what she alone remembers; they are about what you and I remember.”Reading across this retrospective collection is a singular experience of seeing the unfolding development of one of the most ingenious and moving lyric writers in contemporary poetry.
City Under Siege: Sonnets and Other Verse
by Mark AmoroseIn City under Siege, poet Mark Amorose ranges widely across Western history. In poem after poem of elegant formality, the reader is taken on a journey from the pre-Christian world through biblical times, on to the high noon of medieval Christendom, and finally, through a flawed Reformation, Enlightenment, and Romanticism, to the spiritual wastelands of modernity. Amorose praises creation, the Catholic Church, Mary, angels, saints, and martyrs; he condemns reductive scientism, soulless commercialism, and self-serving relativism. City under Siege is an heroic defense of the City of God, a city now under siege, yet against which, in the end, no force can ever prevail.
Civil Twilight: Poems
by Jeffrey SchultzFrom a two-time winner of the National Poetry Series competition, a bold new collection of poems lamenting the state of the world—and offering poetry that might save it“Civil twilight” occurs just before dawn and just after dusk, when there is still light enough to distinguish the shapes and contours of objects but not the richness of their detail.Beginning with the idea that nothing can be seen clearly in the light of the present, the poems in Civil Twilight attempt to resuscitate lyric’s revelatory impulse by taking nothing for granted, forming their materials under the light of a critical gaze. If there is any chance left for a humane world, a world in which poetry might become as transparent and evocative as it has always longed to be, these poems desire nothing but to find hints of that chance, and to follow them as far as they might lead.Jeffrey Schultz brings his distinct voice to bear on the stuff of twenty-first-century America—languishing FOIA requests, graffiti-covered city walls, the violent machinery of the state—without abandoning hope that the language of poetry might transport us to some better and as-yet-unimaginable world. Turning a call to be “civil” on its head, this collection nudges the reader toward revolution.