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Rock Tree Bird
by Twyla M. Hansen2018 Nebraska Book Award This collection of poems by the State Poet of Nebraska covers significant emotional territory while remaining firmly grounded in the landscape. From memories of the isolation and beauty of growing up on a farm, to a burgeoning awareness as a teenager of the economic and cultural forces waged against family farming, to coming to terms with the legacies of her parents after their passing, and, finally, arriving at an appreciation of nature and the environment wherever and whenever she finds it, Twyla M. Hansen offers poems that are alternately sad, sweet, funny, moving, human, and humane.
Rocket Fantastic: Poems
by Gabrielle CalvocoressiFrom the author of The Last Time I Saw Amelia Earhart, a spellbinding reinvention of self, family, and gender. <P><P>Like nothing before it, Rocket Fantastic reinvents the landscape and language of the body in interconnected poems that entwine a fabular past with an iridescent future by blurring, with disarming vulnerability, the real and the imaginary. Sorcerous, jazz-tinged, erotic, and wide-eyed, this is a pioneering work by a space-age balladeer.
Romancero gitano | Poema del cante jondo (Poesía completa #2)
by Federico García LorcaRomancero gitano | Poema del cante jondo es el segundo volumen de la Biblioteca Federico García Lorca que reúne su obra completa, y el segundo que compila su «Poesía completa». En este libro, se ofrecen al lector clásicos lorquianos como el Romancero gitano o el Poema del cante jondo, junto con las dos conferencias pronunciadas por el poeta en la presentación de los mismos, además de las Odas y su primera colección de Poemas sueltos. La edición y los prólogos, a cargo de Miguel García Posada, permiten al lector acercarse a la complejidad de su obra y disfrutar, a lo largo de los siete volúmenes que componen esta Biblioteca Federico García Lorca, de uno de los autores españoles más relevantes del siglo XX. Pablo Neruda dijo...«Desde ese tiempo en que los españoles del pueblo besaban el hábito de Lope de Vega no se ha conocido en lengua española una seducción tan inmensa dirigida a un poeta.» --------------------------------------------------------------------------BIBLIOTECA FEDERICO GARCÍA LORCA Poesía competa:1. Libro de poemas | Primeras canciones | Canciones2. Romancero gitano | Poema del cante jondo3. Poeta en Nueva York | Sonetos Teatro completo:4. La zapatera prodigiosa | Mariana Pineda5. El público | Así que pasen cinco años6. Bodas de sangre | Yerma7. La casa de Bernarda Alba | Doña Rosita la soltera--------------------------------------------------------------------------
Romanticism and Methodism: The problem of religious enthusiasm
by Helen BoylesExploring the intense relationship between Romantic literature and Methodism, Helen Boyles argues that writers from both movements display an ambivalent attitude towards the expression of deep emotional and spiritual experience. Boyles takes up the disparaging characterization of William Wordsworth and other Romantic poets as 'Methodistical,' showing how this criticism was rooted in a suspicion of the 'enthusiasm' with which the Methodist movement was negatively identified. Historically, enthusiasm has generated hostility and embarrassment, a legacy that Boyles suggests provoked concerted efforts by Romantic poets such as Wordsworth and the Methodist leaders John and Charles Wesley to cleanse it of its derogatory associations. While they distanced themselves from enthusiasm's dangerous and hysterical manifestations, writers and religious leaders also identified with the precepts and inspiration of a language and religion of the heart. Boyles's analysis encompasses a range of literary genres from the Methodist sermon and hymn, to literary biography, critical review, lyric and epic poem. Balancing analysis of creative content with a consideration of its critical reception, she offers readers a detailed analysis of Wordsworth's relationship to popular evangelism within a analytical framework that incorporates Samuel Taylor Coleridge, Robert Southey, and William Hazlitt.
Rough Fugue: Poems (Southern Messenger Poets)
by Betty AdcockBetty Adcock brings fierce insight to her seventh poetry collection, Rough Fugue. Her elegant stanzas evoke bygone moments of beauty, reflection, and rage. “Let things be spare,” she writes, “and words for things be thin / as the slice of moon / the loon’s cry snips.” Adcock’s poems are often spare but never thin, shifting effortlessly from the eerie red of brake lights on a Texas highway to the fluorescents of an office building where a tired worker imagines a holiday in Spain.Adcock reflects upon her poetic forebears, chronicling the desire to write that led them to create cuneiform tablets, scrolls of papyrus, and ultimately vellum and parchment. She also recounts memories about the life with her late husband and tries to define herself in the bewildering new role of “widow.” In poems ranging in tone from playful to reverential, Rough Fugue showcases the work of a veteran poet at her masterful best.
The Routledge Research Companion to John Gower
by Ana Saez-Hidalgo Brian Gastle R. F. YeagerThe Routledge Research Companion to John Gower reviews the most current scholarship on the late medieval poet and opens doors purposefully to research areas of the future. It is divided into three parts. The first part, "Working theories: medieval and modern," is devoted to the main theoretical aspects that frame Gower’s work, ranging from his use of medieval law, rhetoric, theology, and religious attitudes, to approaches incorporating gender and queer studies. The second part, "Things and places: material cultures," examines the cultural locations of the author, not only from geographical and political perspectives, or in scientific and economic context, but also in the transmission of his poetry through the materiality of the text and its reception. "Polyvocality: text and language," the third part, focuses on Gower’s trilingualism, his approach to history, and narratological and intertextual aspects of his works. The Routledge Research Companion to John Gower is an essential resource for scholars and students of Gower and of Middle English literature, history, and culture generally.
Rowing Inland (Made in Michigan Writers Series)
by Jim DanielsRowing Inland, Jim Daniels’s fifteenth book of poetry is a time machine that takes the reader back to the Metro Detroit of his youth and then accelerates toward the future. With humor and empathy, the author looks at his own family’s challenges and those of the surrounding community where the legacy handed down from generation to generation is one of survival. The economic hits that this community has to endure create both an uncertainty about its future and a determined tenacity. Divided into four sections, Rowing Inland calls out key moments from the author’s life. The events that inspire many of these poems took place a long time ago and often it has taken the poet his entire life to write about those experiences and write about them with the necessary emotional distance. For example, some of the poems in the section “Late Invocation for Magic” reference the first girl he ever kissed and her accidental death by fire. In the last section of the book, Daniels approaches the current political and social standings in Detroit with lines like, “The distance to Baghdad or Kandahar / is measured in rowboat coffins / while here in the fatty palm of The Mitten / minor skirmishes electrify tedium.” Although it focuses on Detroit’s metropolitan area, the book can be considered a snapshot of working-class life anywhere across the country. Daniels casts his lens on a way of life that is often distorted or ignored by the powers that be. He zooms in on street level where all the houses may look alike but each holds its own secrets and dreams. To paraphrase novelist and screenwriter Richard Price, Detroit is the “zip code for [Daniels’s] heart”—a place that his writing will always come back to. Readers of contemporary poetry with a regional persuasion will enjoy this collection.
Rules of the Kingdom
by Julie PaulA lapsed religion still emits / faint signals; God, / in his satellite dish, / groans / moving on. To seek belonging, to strain against the familiar – these are the polarities many of us live between, feeling the pull of each desire. Offering a particular history, an intimate vantage point from within the various kingdoms we inhabit, Julie Paul’s The Rules of the Kingdom is an exploration of this struggle on a personal level and a universal one. Broken into five sections, the book examines the human struggle to find meaning, comfort, and a sense of home. In “Settlers’ Descendant Reclaims the Past,” the poems consider rural life, both the specific and the collective, including a village’s destruction by fire. In “Weight of the Word” the focus turns to family of origin, religion, and rites of passage. Poems take a familial tack again in “Cleavage,” wherein Paul dives into the waters of motherhood, and they drift into further intimacy in “The World’s Smallest Republic,” a series of poems about sex, love, and marriage. Finally, the poems in the fifth section, “Next Time the World Will Burn,” explore our place in the twenty-first century and offer some idiosyncratic suggestions on how to live. At turns humorous, playful, contemplative, and coy, the poems in The Rules of the Kingdom question the vagaries of faith and family but ultimately celebrate life and love.
Rules of the Kingdom (Hugh MacLennan Poetry Series #39)
by Julie PaulA lapsed religion still emits / faint signals; God, / in his satellite dish, / groans / moving on. To seek belonging, to strain against the familiar – these are the polarities many of us live between, feeling the pull of each desire. Offering a particular history, an intimate vantage point from within the various kingdoms we inhabit, Julie Paul’s The Rules of the Kingdom is an exploration of this struggle on a personal level and a universal one. Broken into five sections, the book examines the human struggle to find meaning, comfort, and a sense of home. In “Settlers’ Descendant Reclaims the Past,” the poems consider rural life, both the specific and the collective, including a village’s destruction by fire. In “Weight of the Word” the focus turns to family of origin, religion, and rites of passage. Poems take a familial tack again in “Cleavage,” wherein Paul dives into the waters of motherhood, and they drift into further intimacy in “The World’s Smallest Republic,” a series of poems about sex, love, and marriage. Finally, the poems in the fifth section, “Next Time the World Will Burn,” explore our place in the twenty-first century and offer some idiosyncratic suggestions on how to live. At turns humorous, playful, contemplative, and coy, the poems in The Rules of the Kingdom question the vagaries of faith and family but ultimately celebrate life and love.
Rus In Urbe
by James Lawless Max Gonçalves Leite FerreiraNesta coletânea de poemas, Rus in Urbe, James Lawless explora o mundo à sua volta, em sua paisagem rural e urbana. Às vezes seus vívidos vislumbres são apresentados em inglês e outras vezes em irlandês. Essa facilidade com ambas as línguas enriquece a coleção. Em A outra metade / Leath Eile – Ouço você somando /na língua antiga … Éistim leat ag comhaireamh / sa tsean teanga .. as palavras levam o leitor à magia do verso – a suave luz …‘le gile séimh trathnóna. Os poemas oferecem um bem-vindo acesso às várias camadas de significado, música e magia. Essa dualidade fornece o imediatismo e a dispersão da língua inglesa em uma página e a melodia e o ritmo da língua irlandesa na página oposta. Há uma riqueza de imagens nos poemas. Em Vinhetas parisienses – marcas da idade no rosto,/ mapeando a rota de sua vida. contrasta com... – Os jovens de skate desviam-se do vento,/ surfando nas ondas da cidade. Aqui há ecos de Yeats. James Lawless apresenta breves e imediatos olhares sobre o dia-a-dia e os transforma em uma vívida memória, com correntes de tensão subjacentes tão bem capturadas em – Como posso dizer.../ Fico/ ou vou? A presença frequente dos pássaros é um símbolo da movimentação entre os cenários rural e urbano. Rus in Urbe é uma coletânea de poemas com um forte trabalho artesanal, de poucas palavras e rica em camadas de significados.
Said Not Said: Poems
by Fred Marchant“Fred Marchant teaches and awakens the soul.” —Maxine Hong Kingstonsomeone in Benghazi with a hose in one handuses his free one to wipe down the corpsewater flows over the body and downa tilted steel tray toward the drain what washes off washes off—“Below the Fold”In this important and formally inventive new poetry collection, Fred Marchant brings us into realms of the intractable and the unacceptable, those places where words seem to fail us and yet are all we have. In the process he affirms lyric poetry’s central role in the contemporary moral imagination. As the National Book Award winner David Ferry writes, “The poems in this beautiful new book by Fred Marchant are autobiographical, but, as is always the case with his poems, autobiographical of how he has witnessed, with faithfully exact and pitying observation, the sufferings in the lives of other people, for example the heartbreaking series of poems about the fatal mental suffering of his sister, and the poems about other peoples, in Vietnam, in the Middle East, written about with the noble generosity of feeling that has always characterized his work, here more impressively even than before.”Said Not Said is a poet’s taking stock of conscience, his country’s and his own, and of poetry’s capacity to speak to what matters most.
Sallies, Romps, Portraits, and Send-Offs: Selected Prose, 2000-2016
by August KleinzahlerSixteen years’ worth of incisive essays by the great poet and memoirist“Witty, gritty poet and memoirist Kleinzahler” (Publishers Weekly) has gathered the best of sixteen years’ worth of essays, remembrances, and reviews in this scabrous and essential collection, setting down his thoughts about great poets and bad poets, about kvetching fiction writers and homicidal musicians, about eccentric critics and discerning nobodies, always with insight and humor, and never suffering fools gladly.Here, in Sallies, Romps, Portraits, and Send-Offs, August Kleinzahler eulogizes famous friends, warts and all (Thom Gunn, Christopher Middleton, Leonard Michaels); leads the charge in carving up a few bloated reputations (E. E. Cummings, Richard Brautigan); and sings the praises of unjustly neglected masters (Lucia Berlin, Kenneth Cox). He also turns the spotlight on himself in several short, delightful memoirs, covering such subjects as his obsessive CD collecting, the eerie effects of San Francisco fog, and the terrible duty of selling of his childhood home.
Scaffolding: Poems
by Eléna RiveraScaffolding is a sequence of eighty-two sonnets written over the course of a year, dated and arranged in roughly chronological order, and vividly reflecting life in New York City. In this, her third book of poetry, Eléna Rivera uses the English sonnet as a scaffold to explore daily events, observations, conversations, thoughts, words, and memories--and to reflect on the work of earlier poets and the relationship between life and literature.Guided by formal and syllabic constraints, the poems become in part an exploration of how form affects content and how other poets have approached the sonnet. The poems, which are very attentive to rhythm and sound, are often in conversation with historical, philosophical, artistic, and literary sources. But at the same time they engage directly with the present moment. Like the construction scaffolding that year after year goes up around buildings all over New York, these poems build on one another and change the way we see what was there before.
A Scattering and Anniversary: Poems
by Christopher ReidAn exploration of love and loss by the renowned Costa Award–winning poetYou lived at such speed that the ballpoint script running aslant and fadingacross the faded bluecan scarcely keep up. Many words are illegible. I missimportant steps. Your movements blur. I want to follow, but can’t.A Scattering is a book of lamentation and remembrance, its subject being Christopher Reid’s wife, the actress Lucinda Gane, who died of cancer at the age of fifty-five. First published in the UK in 2009 to wide acclaim, winning the Costa Book of the Year, this moving and fiercely self-reflective collection is divided into four poetic sequences. The first was written during a holiday a few months before Gane’s death with the knowledge that the end was approaching; the second recalls her last courageous weeks, spent in a hospice in London; the third continues the exploration of bereavement from a variety of perspectives; and the fourth addresses her directly, celebrating her life, personality, and achievements. Paired for the first time with Anniversary, which was written to commemorate the tenth anniversary of Gane’s death, A Scattering and Anniversary brings the poet into dialogue, again, with the wife he loved. A moving exploration of the stages of grief and how the “weighty emptinesses” that remain after bereavement change us, A Scattering and Anniversary shows us what it means to love, lose, and—forever changed—continue on.
Scribbled in the Dark
by Charles SimicFrom the Pulitzer Prize–winning former poet laureate, a collection of elegiac, irreverent new poems—an American master at the height of his talentThe latest volume of poetry from Charles Simic hums with the liveliness of the writer’s pen. Scribbled in the Dark brings the poet’s signature sardonic sense of humor, piercing social insight, and haunting lyricism to diverse and richly imagined landscapes. Peopled by policemen, presidents, kids in Halloween masks, a fortune-teller, and a fly on the wall of the poet’s kitchen; set on crowded New York streets, on park benches, and under darkened skies; the pages within toy with the end of the world and its infinity. Simic continues to be an inimitable voice in modern American poetry and one of its finest chroniclers of the human condition.
Se abre la Casa Rosa
by Rosa Montolío CatalánAntología personal de micropoesías, poesías, microrrelatos y relatos de Rosa Montolío Catalán. Este libro es una antología personal que recopila las micropoesías, poesías, microrrelatos y relatos que, durante un año, han sido seleccionados en quince concursos literarios. <P><P>Sin embargo, la autora, Rosa Montolío Catalán, no solo nos muestra lo que escribe sino también la motivación y las percepciones que ha sentido en los momentos creativos, dando a conocer, a nosotros los lectores, susíntimos secretos literarios. <P><P> En Se abre la Casa Rosa late la vida literaria, subyace especialmente un gran homenaje al mundo que conlleva: editoriales, asociaciones, escritores, escritoras, editores, librerías, libreros, ferias de libros o ámbitos culturales, en definitiva, personas y lugares que hacen posible que la literatura no se detenga.
The Seabird's Cry: The Lives and Loves of the Planet's Great Ocean Voyagers
by Adam NicolsonLife itself could never have been sustainable without seabirds. As Adam Nicolson writes: "They are bringers of fertility, the deliverers of life from ocean to land."A global tragedy is unfolding. Even as we are coming to understand them, the number of seabirds on our planet is in freefall, dropping by nearly 70% in the last sixty years, a billion fewer now than there were in 1950. Of the ten birds in this book, seven are in decline, at least in part of their range. Extinction stalks the ocean and there is a danger that the grand cry of the seabird colony, rolling around the bays and headlands of high latitudes, will this century become little but a memory.Seabirds have always entranced the human imagination and NYT best-selling author Adam Nicolson has been in love with them all his life: for their mastery of wind and ocean, their aerial beauty and the unmatched wildness of the coasts and islands where every summer they return to breed. The seabird’s cry comes from an elemental layer in the story of the world.Over the last couple of decades, modern science has begun to understand their epic voyages, their astonishing abilities to navigate for tens of thousands of miles on featureless seas, their ability to smell their way towards fish and home. Only the poets in the past would have thought of seabirds as creatures riding the ripples and currents of the entire planet, but that is what the scientists are seeing now today.
The Secret Destiny of Pixie Piper (Pixie Piper Ser. #1)
by Annabelle FisherPixie Piper, an ordinary fifth grader, discovers she is a direct descendant of Mother Goose—and she has the magical ability and poetry power to prove it! A lively and funny twist on a classic character for fans of the Clementine books, Wendy Mass, and Lisa Graff. This is the first of two books about Pixie Piper, and it features black-and-white spot art throughout.Fifth grader Pixie Piper has always known that she was a little different. She has a wild mop of hair that won’t stay put, her best friend is a boy, and to top it all off, she’s constantly coming up with rhymes and poems that just seem to pop out of her. Then, when Pixie thinks it can’t get any worse, she finds out that she actually is different—she’s a descendant of Mother Goose! This surprising and clever novel features family, friendship, poetry, a toilet museum, and just the right amount of magic, as well as a goose, a fox, and a beautiful golden retriever puppy. Rich, multigenerational characters and the real and powerful portrayal of grade-school friendships, with all their ups and downs, distinguish this terrific elementary school story that will appeal to fans of Judy Moody, Clementine, and novels by Wendy Mass and Lisa Graff.
The Selected Writings of Andrew Lang: Volume II: Folklore, Mythology, Anthropology; Case Studies (The Pickering Masters)
by Tom HubbardA novelist, poet, literary critic and anthropologist, Andrew Lang is best known for his publications on folklore, mythology and religion; many have grown up with the ‘colour’ Fairy Books which he compiled between 1889 and 1910. This three volume set presents a selection of his work in these areas. As a companion to the first volume, the second is comprised of various case studies made by Lang, ranging from ‘The Aryan Races of Peru’ and ‘The Folk-lore of France’ to ‘Irish Fairies’ and ‘The Ballads, Scottish and English’. Collectively, the General Introduction to the set and the Introductions to the individual volumes offer a thorough overview of Lang’s work in an astonishing variety of fields, including his translation work on Homer and his contributions to historiography (particularly Scottish). Headnotes to the individual items are of varying length and provide more detail on specific topics, and explanatory notes supply unique intellectual comment rather than merely factual information.
The Selected Writings of Andrew Lang: Volume III: Literary Criticism (Routledge Historical Resources)
by Tom HubbardA novelist, poet, literary critic and anthropologist, Andrew Lang is best known for his publications on folklore, mythology and religion; many have grown up with the ‘colour’ Fairy Books which he compiled between 1889 and 1910. This three volume set presents a selection of his work in these areas. The third volume arranges his literary criticism, first by geo-cultural context and then chronologically. It begins with Lang’s views on the nature and purpose of fiction, then presents samples of his work on some of the most important authors in the respective canons of French, American, Scottish and English literature including Victor Hugo, Edgar Allan Poe, Robert Burns and Charles Dickens among many others, mainly of the nineteenth century. Collectively, the General Introduction to the set and the Introductions to the individual volumes offer a thorough overview of Lang’s work in an astonishing variety of fields, including his translation work on Homer and his contributions to historiography (particularly Scottish). The Introduction to Volume III sets Lang within the context of the literature of his times, comparing and contrasting him with significant contemporaries. Headnotes to the individual items are of varying length and provide more detail on specific topics, and explanatory notes supply unique intellectual comment rather than merely factual information.
The Selected Writings of Andrew Lang: Volume I: Folklore, Mythology, Anthropology; General and Theoretical (The Pickering Masters)
by Tom HubbardA novelist, poet, literary critic and anthropologist, Andrew Lang is best known for his publications on folklore, mythology and religion; many have grown up with the ‘colour’ Fairy Books which he compiled between 1889 and 1910. This three volume set presents a selection of his work in these areas. The first volume covers the general and theoretical aspects of Lang’s work on folklore, mythology and anthropology along with the tools and concepts which he used in his often combative contributions to these inter-related disciplines. Collectively, the General Introduction to the set and the Introductions to the individual volumes offer a thorough overview of Lang’s work in an astonishing variety of fields, including his translation work on Homer and his contributions to historiography (particularly Scottish). Headnotes to the individual items are of varying length and provide more detail on specific topics, and explanatory notes supply unique intellectual comment rather than merely factual information.
The Selected Writings of Andrew Lang (The Pickering Masters)
by Tom HubbardA novelist, poet, literary critic and anthropologist, Andrew Lang is best known for his publications on folklore, mythology and religion; many have grown up with the ‘colour’ Fairy Books which he compiled between 1889 and 1910. This three volume set presents a selection of his work in these areas. The first volume covers the general and theoretical aspects of Lang’s work on folklore, mythology and anthropology along with the tools and concepts which he used in his often combative contributions to these inter-related disciplines. As a companion to the first volume, the second is comprised of various case studies made by Lang, ranging from ‘The Aryan Races of Peru’ and ‘The Folk-lore of France’ to ‘Irish Fairies’ and ‘The Ballads, Scottish and English’. The third volume arranges his literary criticism, first by geo-cultural context and then chronologically. It begins with Lang’s views on the nature and purpose of fiction, then presents samples of his work on some of the most important authors in the respective canons of French, American, Scottish and English literature including Victor Hugo, Edgar Allan Poe, Robert Burns and Charles Dickens among many others, mainly of the nineteenth century. Collectively, the General Introduction to the set and the Introductions to the individual volumes offer a thorough overview of Lang’s work in an astonishing variety of fields, including his translation work on Homer and his contributions to historiography (particularly Scottish). The Introduction to Volume III sets Lang within the context of the literature of his times, comparing and contrasting him with significant contemporaries. Headnotes to the individual items are of varying length and provide more detail on specific topics, and explanatory notes supply unique intellectual comment rather than merely factual information.
semiautomatic (Wesleyan Poetry Series)
by Evie ShockleyArt can’t shield our bodies or stabilize the earth’s climate, but Evie Shockley’s semiautomatic insists that it can feed the spirit and reawaken the imagination. The volume responds primarily to the twenty-first century’s inescapable evidence of the terms of black life—not so much new as newly visible. The poems trace a whole web of connections between the kinds of violence that affect people across the racial, ethnic, gender, class, sexual, national, and linguistic boundaries that do and do not divide us. <P><P> How do we protect our humanity, our ability to feel deeply and think freely, in the face of a seemingly endless onslaught of physical, social, and environmental abuses? <P><P>Where do we find language to describe, process, and check the attacks and injuries we see and suffer? <P><P>What actions can break us out of the soul-numbing cycle of emotions, moving through outrage, mourning, and despair, again and again? <P><P>In poems that span fragment to narrative and quiz to constraint, from procedure to prose and sequence to song, semiautomatic culls past and present for guides to a hoped-for future.
Senses of Style: Poetry before Interpretation
by Jeff DolvenIn an age of interpretation, style eludes criticism. Yet it does so much tacit work: telling time, telling us apart, telling us who we are. What does style have to do with form, history, meaning, our moment’s favored categories? What do we miss when we look right through it? Senses of Style essays an answer. An experiment in criticism, crossing four hundred years and composed of nearly four hundred brief, aphoristic remarks, it is a book of theory steeped in examples, drawn from the works and lives of two men: Sir Thomas Wyatt, poet and diplomat in the court of Henry VIII, and his admirer Frank O’Hara, the midcentury American poet, curator, and boulevardier. Starting with puzzle of why Wyatt’s work spoke so powerfully to O’Hara across the centuries, Jeff Dolven ultimately explains what we talk about when we talk about style, whether in the sixteenth century, the twentieth, or the twenty-first.
Sentimenti Su Carta - poesie d'amore
by Guido Galeano Vega Francesca Ruscelloè una serie di poesie sentimentali, nate dalla mia esperienza personale, in una tappa sentimentalmente complicata della mia gioventù. Questo libro è ispirato a sentimenti malinconici ma autentici, in una fase della mia giovinezza, dove ero ispirato da tempi e luoghi diversi, per trascrivere su carta i sentimenti nati o ispirati da belle donne che mi sono piaciute. Sono poesie scritte circa 20 anni prima di essere state pubblicate, in questo momento. Spero sia di gradimento ai lettori.