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In Black and White: A Young Barrister's Story of Race and Class in a Broken Justice System
by Alexandra Wilson'An absolute triumph; a compelling and courageous memoir forcing the legal profession to confront uncomfortable truths about race and class. Alexandra Wilson is a bold and vital voice. This is a book that urgently needs to be read by everyone inside, and outside, the justice system.' THE SECRET BARRISTER 'A riveting book in the best tradition of courtroom dramas but from the fresh perspective of a young female mixed-race barrister. That Alexandra is "often" mistaken for the defendant shows how important her presence at the bar really is.' MATT RUDD, THE SUNDAY TIMES MAGAZINE'This is the story of a young woman who overcame all the obstacles a very old profession could throw at her, and she survived, with her integrity intact.' BENJAMIN ZEPHANIAHAlexandra Wilson was a teenager when her dear family friend Ayo was stabbed on his way home from football. Ayo's death changed Alexandra. She felt compelled to enter the legal profession in search of answers. As a junior criminal and family law barrister, Alexandra finds herself navigating a world and a set of rules designed by a privileged few. A world in which fellow barristers sigh with relief when a racist judge retires: 'I've got a black kid today and he would have had no hope'. In her debut book, In Black and White, Alexandra re-creates the tense courtroom scenes, the heart-breaking meetings with teenage clients, and the moments of frustration and triumph that make up a young barrister's life. Alexandra shows us how it feels to defend someone who hates the colour of your skin, or someone you suspect is guilty. We see what it is like for children coerced into county line drug deals and the damage that can be caused when we criminalise teenagers. Alexandra's account of what she has witnessed as a young mixed-race barrister is in equal parts shocking, compelling, confounding and powerful. 'An inspirational, clear-eyed account of life as a junior barrister is made all the more exceptional by the determination, passion, humanity and drive of the author. Anyone interested in seeing how the law really works should read it.' SARAH LANGFORD'The personal narrative of a young female lawyer of mixed heritage who is defying the soft bigotry of low expectations by sharing her journey inspires us all to do the same in our own way, and this is a powerful message which needs to be shared.' DR TUNDE OKEWALE MBE, FOUNDER OF URBAN LAWYERS'A refreshingly honest account of the challenges faced by a young female barrister of mixed heritage' JUDY KHAN QC, JOINT HEAD OF GARDEN COURT CHAMBERS
In Black and White: A Young Barrister's Story of Race and Class in a Broken Justice System
by Alexandra Wilson**NOW WITH NEW AFTERWORD AND READING GROUP QUESTIONS**'An absolute triumph; a compelling and courageous memoir forcing the legal profession to confront uncomfortable truths about race and class. Alexandra Wilson is a bold and vital voice. This is a book that urgently needs to be read by everyone inside, and outside, the justice system.' THE SECRET BARRISTER Alexandra Wilson was a teenager when her dear family friend Ayo was stabbed on his way home from football. Ayo's death changed Alexandra. She felt compelled to enter the legal profession in search of answers. As a junior criminal and family law barrister, Alexandra finds herself navigating a world and a set of rules designed by a privileged few. A world in which fellow barristers sigh with relief when a racist judge retires: 'I've got a black kid today and he would have had no hope'. In her debut book, In Black and White, Alexandra re-creates the tense courtroom scenes, the heart-breaking meetings with teenage clients, and the moments of frustration and triumph that make up a young barrister's life. Alexandra shows us how it feels to defend someone who hates the colour of your skin, or someone you suspect is guilty. We see what it is like for children coerced into county line drug deals and the damage that can be caused when we criminalise teenagers. Alexandra's account of what she has witnessed as a young mixed-race barrister is in equal parts shocking, compelling, confounding and powerful. 'An inspirational, clear-eyed account of life as a junior barrister is made all the more exceptional by the determination, passion, humanity and drive of the author. Anyone interested in seeing how the law really works should read it.' SARAH LANGFORD'This is the story of a young woman who overcame all the obstacles a very old profession could throw at her, and she survived, with her integrity intact.' BENJAMIN ZEPHANIAH(P)Octopus Publishing Group 2020
OPEN: An Uncensored Memoir of Love, Liberation and Non-Monogamy
by Rachel Krantz*****'A starkly naked story of a young woman's adventure of self-discovery, told with a striking lack of shame or apology. Highly recommended.' - Dr. Christopher Ryan, author of Sex At Dawn'Smart, original, ambitious, and deeply absorbing memoir... She succeeds by bringing us deftly and irresistibly into her most intimate pains and joys, stretching our understanding of what commitment and autonomy mean.' - Dr. Wednesday Martin, author of Untrue & Primates of Park Avenue'A perfect guide to our new world, the only problem I had picking up this book was putting it back down. Open compels, entertains, and may ultimately transform its readers.' - Dr. Terry Real, internationally recognised Family Therapist, author, and founder of the Relational Life Institute When Rachel Krantz met and fell for Adam, he told her that he was looking for a committed partnership - just one that did not include exclusivity.Excited but a little trepidatious, Rachel set out to see whether love and a serious relationship can coexist beyond the familiar borders of monogamy. This is her open and honest true story.Now, in her debut memoir, she chronicles her dive into non-monogamy. With fly-on-the-wall detail and extraordinary perceptiveness, OPEN takes us inside Brooklyn parties and into the wider swinger and polyamory community. Armed with her journalistic instincts, detailed journal entries and interviews with experts and therapists, Krantz also breaks new ground in confronting the unique ways tacit abuse and gaslighting can manifest when things get so complex.Unflinching and brazen, OPEN asks what liberation really looks like, and whether the pleasure really is worth the pain.
Where Did I Go Right?: How the Left Lost Me
by Geoff Norcott***'Few people walk the line of thought provoking and laugh out loud funny like Geoff Norcott.' - Romesh Ranganathan'Where Did I Go Right? is sharp, considered, insightful, and helped me make sense of "the other side". And because Geoff Norcott is so funny, it unfortunately means I can't dismiss his views entirely. It's so important to have a friend you can disagree with but still admire and Geoff can be that friend to you!' - Katherine Ryan"I've always thought the benefit of having batsh*t parents is it increases the chance of you growing up funny. It's certainly worked for Geoff Norcott." - David Baddiel"Brave... and vividly evoked. [...] 'How the left lost me' is a phrase that should haunt Kier Starmer et al. Looking at the collapse of the 'red wall', at the last election, there do seem to be a lot of disgruntled Geoffs out there." - The Telegraph"While I stand firmly at the other end of the political spectrum, it provided fascinating and well-considered insights into how the half think and, as such, should be read by both Reds and Blues." - Love Reading UK'Voting Conservative is like buying a James Blunt album: loads of people have done it, but weirdly you never meet them ...'Comedian Geoff Norcott should have been Labour through and through. He grew up on a council estate, both of his parents were disabled, and his Dad was a Union man. So, how was it that he grew up to vote Tory?In this courageously honest and provocative memoir, Geoff unpicks his working-class upbringing and his political journey from left to right. Raised by a fierce matriarch and a maverick father on a South London council estate where they filmed scenes for The Bill, Geoff spends his youth attempting to put out kitchen fires with aerosols and leaping in and out of industrial skips. But as he reaches adolescence, his political views begin to be influenced by major events including the early 90s recession, the credit crunch, and a chance encounter with Conservative PM John Major.As an adult, Geoff begins to have the gnawing feeling that the values and traditions he grew up with no longer match Labour's. And, as Brexit appears, he feels even more like a double agent operating behind enemy lines.Written with warmth, wit and often laugh-out-loud humour, Where Did I Go Right? is Geoff's attempt to understand why he ended up voting 'for the bad guys', and why blue-collared conservatism could be here to stay.Praise for Geoff Norcott:'A mature, sharp take on modern politics' - The Sunday Times'Gently abrasive, but that's what makes him so entertaining... with a sharp, self-knowing wit' -The Times'Geoff Norcott genuinely has something original to say' - New European'A refreshingly brilliant new comedic voice' - Spectator'Norcott is an out-and-out rebel' - Express
Where Did I Go Right?: How the Left Lost Me
by Geoff Norcott***'Few people walk the line of thought provoking and laugh out loud funny like Geoff Norcott.' - Romesh Ranganathan'Where Did I Go Right? is sharp, considered, insightful, and helped me make sense of "the other side". And because Geoff Norcott is so funny, it unfortunately means I can't dismiss his views entirely. It's so important to have a friend you can disagree with but still admire and Geoff can be that friend to you!' - Katherine Ryan"I've always thought the benefit of having batsh*t parents is it increases the chance of you growing up funny. It's certainly worked for Geoff Norcott." - David Baddiel"Brave... and vividly evoked. [...] 'How the left lost me' is a phrase that should haunt Kier Starmer et al. Looking at the collapse of the 'red wall', at the last election, there do seem to be a lot of disgruntled Geoffs out there." - The Telegraph"While I stand firmly at the other end of the political spectrum, it provided fascinating and well-considered insights into how the half think and, as such, should be read by both Reds and Blues." - Love Reading UK'Voting Conservative is like buying a James Blunt album: loads of people have done it, but weirdly you never meet them ...'Comedian Geoff Norcott should have been Labour through and through. He grew up on a council estate, both of his parents were disabled, and his Dad was a Union man. So, how was it that he grew up to vote Tory?In this courageously honest and provocative memoir, Geoff unpicks his working-class upbringing and his political journey from left to right. Raised by a fierce matriarch and a maverick father on a South London council estate where they filmed scenes for The Bill, Geoff spends his youth attempting to put out kitchen fires with aerosols and leaping in and out of industrial skips. But as he reaches adolescence, his political views begin to be influenced by major events including the early 90s recession, the credit crunch, and a chance encounter with Conservative PM John Major.As an adult, Geoff begins to have the gnawing feeling that the values and traditions he grew up with no longer match Labour's. And, as Brexit appears, he feels even more like a double agent operating behind enemy lines.Written with warmth, wit and often laugh-out-loud humour, Where Did I Go Right? is Geoff's attempt to understand why he ended up voting 'for the bad guys', and why blue-collared conservatism could be here to stay.Praise for Geoff Norcott:'A mature, sharp take on modern politics' - The Sunday Times'Gently abrasive, but that's what makes him so entertaining... with a sharp, self-knowing wit' -The Times'Geoff Norcott genuinely has something original to say' - New European'A refreshingly brilliant new comedic voice' - Spectator'Norcott is an out-and-out rebel' - Express
In The Shadow of the Mountain
by Silvia Vasquez-Lavado*****'Silvia Vasquez-Lavado is a warrior. I'm in awe of her strength and courage.' - Selena Gomez'powerful' - New York TimesIn the Shadow of the Mountain has all the elements a great memoir requires - a strong voice, cinematic prose, a hero to root for - in essence, an extraordinary story about an extraordinary woman's life.' - San Francisco Chronicle'Silvia Vasquez-Lavado is a woman possessed of uncommon strength, rare compassion, and a ferocious stubbornness to not allow the trauma of her childhood to destroy her life.' - Elizabeth Gilbert, author of Eat, Pray, Love YOU DON'T CONQUER A MOUNTAIN. YOU SURRENDER TO IT ONE STEP AT A TIME. Despite a high-flying career, Silvia Vasquez-Lavado knew she was hanging by a thread. Deep in the throes of alcoholism, and hiding her sexuality from her family, she was repressing the abuse she'd suffered as a child.When her mother called her home to Peru, she knew something finally had to change. It did. Silvia began to climb. Something about the sheer size of the mountains, the vast emptiness and the nearness of death, woke her up. And then, she took her biggest pain to the biggest mountain: Everest. The 'Mother of the World' allows few to reach her summit, but Silvia didn't go alone. Trekking with her to Base Camp, were five troubled young women on an odyssey that helped each confront their personal trauma, and whose strength and community propelled Silvia forward...Beautifully written and deeply moving, In the Shadow of the Mountain is a remarkable story of compassion, humility, and strength, inspiring us all to find have faith in our own heroism and resilience.
In The Shadow of the Mountain
by Silvia Vasquez-Lavado*****"Silvia Vasquez-Lavado is a woman possessed of uncommon strength, rare compassion, and a ferocious stubbornness to not allow the trauma of her childhood to destroy her life." - Elizabeth Gilbert, author of Eat, Pray, Love"Told with searing honesty, this vividly wrought memoir chronicles an almost superhuman journey from the deep vortex of trauma and self-destructive compulsions to the heights of physical endurance and spiritual emergence."- Dr. Gabor Maté, Bestselling Author of In The Realm Of Hungry Ghosts"Silvia Vasquez-Lavado is a warrior. I'm in awe of her strength and courage." - Selena Gomez YOU DON'T CONQUER A MOUNTAIN. YOU SURRENDER TO IT ONE STEP AT A TIME. Despite a high-flying career, Silvia Vasquez-Lavado knew she was hanging by a thread. Deep in the throes of alcoholism, and hiding her sexuality from her family, she was repressing the abuse she'd suffered as a child.When her mother called her home to Peru, she knew something finally had to change. It did. Silvia began to climb.Something about the sheer size of the mountains, the vast emptiness and the nearness of death, woke her up. And then, she took her biggest pain to the biggest mountain: Everest. The 'Mother of the World' allows few to reach her summit, but Silvia didn't go alone. Trekking with her to Base Camp, were five troubled young women on an odyssey that helped each confront their personal trauma, and whose strength and community propelled Silvia forward...Beautifully written and deeply moving, In the Shadow of the Mountain is a remarkable story of compassion, humility, and strength, inspiring us all to find have faith in our own heroism and resilience.(p) Octopus Publishing Group 2022
OPEN: An Uncensored Memoir of Love, Liberation and Non-Monogamy
by Rachel Krantz*****When Rachel Krantz met and fell for Adam, he told her that he was looking for a committed partnership - just one that did not include exclusivity.Excited but a little trepidatious, Rachel set out to see whether love and a serious relationship can coexist beyond the familiar borders of monogamy. This is her open and honest true story.Now, in her debut memoir, she chronicles her dive into non-monogamy. With fly-on-the-wall detail and extraordinary perceptiveness, OPEN takes us inside Brooklyn parties and into the wider swinger and polyamory community. Armed with her journalistic instincts, detailed journal entries and interviews with experts and therapists, Krantz also breaks new ground in confronting the unique ways tacit abuse and gaslighting can manifest when things get so complex.Unflinching and brazen, OPEN asks what liberation really looks like, and whether the pleasure really is worth the pain.(p) Octopus Publishing Group 2022
Culture Warlords: My Journey into the Dark Web of White Supremacy
by Talia Lavin***"One of the marvels of this furious book is how insolent and funny Lavin is; she refuses to soft-pedal the monstrous views she encounters." - The New York Times"Shocking, angry, funny and wise... Talia Lavin takes no prisoners." - Danny Wallace, bestselling author of Yes Man"Lavin writes like her hands are on fire, forcing us to take a hard look at our ugliest truths." - Pamela Collof, The New York Times Magazine & Pro Publica "Shocking, provocative and humorous, taking readers down the path of some of the vilest subcultures on the internet." - E&T MagazineTalia Lavin is every fascist's worst nightmare: a loud and unapologetic young Jewish woman, with the online investigative know-how to expose the tactics and ideologies of online hatemongers. Outspoken and uncompromising, Lavin's debut uncovers the hidden corners of the web where extremists hang out, from white nationalists and incels to national socialists and Proud Boys.In stories crammed with catfishing and gatecrashing, combined with extensive, gut-wrenching research, Lavin goes undercover as a blonde Nazi babe and a forlorn incel to infiltrate extremist communities online, including a whites-only dating site. She also discovers the network of disturbingly young extremists, including a white supremacist YouTube channel run by a 14-year-old girl with nearly one million followers. Ultimately, she turns the lens of anti-Semitism, racism, and white power back on itself in an attempt to dismantle and quash the online hate movement's schisms, recruiting tactics, and the threat it represents to politics and beyond. Shocking, provocative and humorous in equal measure, and with a take-no-prisoners attitude, Culture Warlords explores some of the vilest subcultures on the internet and how they're doing their best to infiltrate the mainstream. And then she shows us how we can fight back."Culture Warlords is a necessary and urgent read that could not have come at a much better time. Thoroughly researched and engaging, this debut demonstrates the work of a fearless reporter." - Morgan Jerkins, New York Times bestselling author of This Will Be My Undoing
Culture Warlords: My Journey into the Dark Web of White Supremacy
by Talia Lavin"Lavin writes like her hands are on fire, forcing us to take a hard look at our ugliest truths." - Pamela Collof, The New York Times Magazine & Pro Publica Talia Lavin is every fascist's worst nightmare: a loud and unapologetic young Jewish woman, with the online investigative know-how to expose the tactics and ideologies of online hatemongers. Outspoken and uncompromising, Lavin's debut uncovers the hidden corners of the web where extremists hang out, from white nationalists and incels to national socialists and Proud Boys.In stories crammed with catfishing and gatecrashing, combined with extensive, gut-wrenching research, Lavin goes undercover as a blonde Nazi babe and a forlorn incel to infiltrate extremist communities online, including a whites-only dating site. She also discovers the network of disturbingly young extremists, including a white supremacist YouTube channel run by a 14-year-old girl with nearly one million followers. Ultimately, she turns the lens of anti-Semitism, racism, and white power back on itself in an attempt to dismantle and quash the online hate movement's schisms, recruiting tactics, and the threat it represents to politics and beyond.Shocking, provocative and humorous in equal measure, and with a take-no-prisoners attitude, Culture Warlords explores some of the vilest subcultures on the internet and how they're doing their best to infiltrate the mainstream. And then she shows us how we can fight back."Culture Warlords is a necessary and urgent read that could not have come at a much better time. Thoroughly researched and engaging, this debut demonstrates the work of a fearless reporter." - Morgan Jerkins, New York Times bestselling author of This Will Be My Undoing(p) 2020 Octopus Publishing Group
Passport to Peckham: Culture and Creativity in a London Village (Spatial Politics)
by Robert HewisonAn entertaining and engaging social and cultural history of the London community of Peckham that offers lessons in urban living.&“Is there life in Peckham?&” asks a pop song of the 1980s. Peckham has been treated as a joke and a place to be avoided. It has been celebrated in television comedies, and denigrated for its levels of crime. It is a center for the arts and the creative industries, yet it also suffers from social deprivation and racial tension. Passport to Peckham is a guide to an unofficial part of London—social and cultural history written from the ground up. In this entertaining and engaging account, Hewison invites readers to explore Peckham&’s streets and presents the portrait of a community experiencing the stresses of modern living. Old and new residents rub against each other as they try to adjust to the challenges created by urban regeneration and the more subtle process of gentrification. Artists have lived and worked in Peckham for more than a century, and now Caribbean and West African communities are adding their own flavors in terms of music, drama, poetry, and film. Focused on a few square miles, Passport to Peckham raises issues of urban policy, planning, culture, and creativity that have a far wider application. As London and other major cities recover from the COVID crisis, are there lessons in urban living to be learned from the pleasures and pains of Peckham? The answer from one of Britain&’s most distinguished cultural critics is an emphatic yes.
Decolonial Imaginings: Intersectional Conversations and Contestations
by Avtar BrahA transdisciplinary study of the ways in which mobilities assume social forms and result in multiple belongings.In Decolonial Imaginings, Avtar Brah offers a transdisciplinary study of the ways in which mobilities assume social forms and result in multiple belongings. Situated within the confluence of decolonial feminist theory, border theory, and diaspora studies, the book explores borders and boundaries and how politics of connectivity are produced in and through struggles over &“difference.&” Brah examines multiple formations of power embedded in the intersections between gender, race, class, ethnicity, and sexuality. She analyzes this intersectionality in relation to diaspora; theorizes the relationship between diaspora, law, and literature; and between affect, memory, and cultural politics. Discussing the crossings of impervious borders, Brah foregrounds the economies of abandonment, particularly the plight of people in boats in the Mediterranean, a number of whom perished because of a catalogue of failures by NATO warships and European coast guards. She revisits Gilles Deleuze and Felix Guattari&’s notion of &“nomad thought&” and Braidotti&’s feminist reworking of it, and it seeks to assess this framework&’s value today. She analyzes the politics of &“Black&” in Britain with a focus on feminism constituted by women of African Caribbean and South Asian background, explores stereotypic representation of Muslim women in the context of Islamophobia and anti-Muslim racism, and considers the complexities of the #MeToo movement and how whiteness is configured in these contestations.
The Future of Media
by Goldsmiths MediaAn investigation of the future of various media industries and technologies that considers how media shape our future.How do we combat post-truth in the news? Are social media influencers the journalists of today? What is it like to live in a smart city? Does AI really change "everything"? The Future of Media investigates the future of media industries and technologies (journalism, TV, film, photography, radio, publishing, social media), while exploring how media shape our future—on a political, economic, cultural and individual level. Issues of diversity, media reform, labour, activism and art take the discussion into a wider social context. Through this, the book celebrates the importance and vitality of media in the modern world. The Future of Media is also an experiment in collaborative modes of thinking and working. Co-authored by theorists and practitioners from one of the world&’s most established media departments, it offers a radical, creative and critical take on media industries—and on world affairs.
Take This Hammer: Work, Song, Crisis (Goldsmiths Press / Sonics Series)
by Paul RekretA study of contemporary music in light of transformations to work and social life.The emergence of the popular music industry in the early twentieth century not only drove a wedge between music production and consumption, it also underscored a wider separation of labor from leisure and of the workplace from the domestic sphere. These were changes characteristic of an industrial society where pleasure was to be sought outside of work, but these categories have grown increasingly porous today. As the working day extends into the home or becomes indistinguishable from leisure time, so the role and meaning of music in everyday life changes too. In arguing that the experience of popular music is partly conditioned by its segregation from work and its restriction to the time and space of leisure—the evening, the weekend, the dancehall—Take This Hammer shows how changes to work as it grows increasingly precarious, part-time, and temporary in recent decades, are related to transformations in popular music. Connecting contemporary changes in work and the economy to tendencies in popular music, Take This Hammer shows how song-form has both reflected developments in contemporary capitalism while also intimating a horizon beyond it. From online streaming and the extension of the working day to gentrification, unemployment and the emergence of trap rap, from ecological crisis and field recording to automation and trends in dance music, by exploring the intersections of work and song in the current era, not only do we gain a new understanding of contemporary musical culture, we also see how music might gesture towards a horizon beyond the alienating experience of work in capitalism itself.
Making the World Clean: Wasted Lives, Wasted Environment, and Racial Capitalism (Goldsmiths Press / Planetarities)
by Francoise VergesAn antiracist theory of cleaning.In Making the World Clean: Wasted Lives, Wasted Environment, and Racial Capitalism, Françoise Vergès examines the racial and gendered politics of wasting lands, bodies, and resources and the organized deprivation of clean water, shelter, and access to health services—in other words, the structural denial, along racial lines, of vital needs. Through 38 short sections, she looks at the social relations that have made cleaning into drudgery and into a racialized, gendered, poorly paid job that is nevertheless necessary for any society to function. She concludes with the proposition of a feminist, decolonial, antiracist, anti-patriarchal, and anti-capitalist politics of cleaning. Or, simply put, of &“decolonial cleaning.&”To Vergès, the structural denial of the elemental needs of women of color (sanitary pads, access to water, and privacy for basic washing), and why these needs are considered insignificant and trivial, shows how racism and class war are gendered. By examining the banal, the trivial, and the elemental, the author addresses cleaning as a necessity rather than the maintenance of a consumerist lifestyle, a condition of basic care of the body and the mind that is considered with indifference by racial capitalism, white environmentalism, and even, too often, by humanitarian organizations. She argues that by building &“life-affirming institutions,&” as Ruth Wilson Gilmore advocates, struggles against the whitening of cleaning create sites of freedom. &“Decolonial cleaning&” imagines cleaning as taking care of land, humans, plants, animals, and rivers, not seeking to discipline them or transform them into commodities or objects of conservation but cleaning as a practice dedicated to sustaining the living world.
How To Do Social Research With (Goldsmiths Press / Methods Lab)
by Rebecca Coleman Nirmal Puwar Kat JungnickelA guide to the doing of critical and creative research with a range of unusual means to apprise places and build ethical relationships.This catalogue of methods draws on the wealth of cutting-edge critical and creative social research from the Goldsmiths Sociology Department to offer an engaged guide to doing research with a range of unexpected relations. The collection focuses on multiple assemblages of objects, media, materials, practices, relations, devices, and atmospheres, spanning methods and topics involving food to activism, knitting to ghosts, theater to documents, collaging to corridors. Through hands-on discussions of the practicalities, ethics, and politics of doing social research, the catalogue showcases a wide range of examples of what methods might mean and do. It builds a case for an understanding of contemporary social research as interdisciplinary, responsive, dynamic, vital, and urgent in studying and shaping social worlds. Goldsmiths Sociology Department is internationally recognized as being at the forefront of some of the most daring, original and unconventional methodological innovation. Their unbounded approach to social research offers textured yet clear paths through the problems and issues before us, as contributors present the methodological puzzles they have become knotted with. The short and imaginative case studies offer new ways of teaching, learning, and doing lively and rigorous research. This is research as close-up observations, infrastructural interventions and imaginative play. How to Do Social Research With … will be essential for anyone interested in expanding their repertoire of social research methods.
Feminism, Young Women, and Cultural Studies: Birmingham Essays from 1975 Onwards
by Angela McrobbieA feminist analysis of young women and popular culture and a forceful critique of male domination in youth culture.Feminism, Young Women and Cultural Studies: Birmingham Essays from 1975 Onwards by Angela McRobbie brings together the Birmingham University Centre for Contemporary Cultural Studies (CCCS) essays of the 1970s and &‘80s with a new introductory chapters and four new chapters of updated analysis on music, magazines, vintage fashion and youth culture. The early work provides both a feminist analysis of young women and popular culture as well as a forceful critique of male domination in youth culture and the ways in which an ideology of adolescent femininity functioned so as to subdue and restrain young women in passive and subordinate gender unequal positions. These chapters also shine a light on the kinds of methodologies being developed at Birmingham University CCCS as cultural studies was emerging as a distinct field of study. These essays when first published found their way onto the university undergraduate curriculum across the world and were translated into many languages. Adopting an intersectional perspective and engaging with questions such as the &“category of the girl,&” the new chapters extend the field of study in a lively and accessible sociological voice. The book will be of keen interest for students in Sociology, Media and Cultural Studies and Literary Studies.
Phone & Spear: A Yuta Anthropology
by Miyarrka MediaA visually striking intercultural exploration of the use of mobile phones in Aboriginal communities in Australia. Yuta is the Yolngu word for new. Phone & Spear: A Yuta Anthropology is a project inspired by the gloriously cheeky and deeply meaningful audiovisual media made with and circulated by mobile phones by an extended Aboriginal family in northern Australia. Building on a ten-year collaboration by the community-based arts collective Miyarrka Media, the project is an experiment in the anthropology of co-creation. It is a multivoiced portrait of an Indigenous society using mobile phones inventively to affirm connections to kin and country amid the difficult and often devastating circumstances of contemporary remote Aboriginal life.But this is not simply a book about Aboriginal art, mobile phones, and social renewal. If old anthropology understood its task as revealing one world to another, yuta anthropology is concerned with bringing different worlds into relationship. Following Yolngu social aesthetics—or what Miyarrka Media translate as “the law of feeling”—the book is a relational technology in its own right: an object that combines color, pattern, and story to bring once distant worlds into new sensuously mediated connections.
Mathematics for Ladies: Poems on Women in Science (Goldsmiths Press / Gold SF)
by Jessy RandallPoems about historical women in STEM fields.Hilarious, heart-breaking, and perfectly pitched, these carefully researched poems about historical women in science, technology, engineering, mathematics, and medicine will bring you to both laughter and outrage in just a few lines. A wickedly funny, feminist take on the lives and work of women who resisted their parents, their governments, the rules and conventions of their times, and sometimes situations as insidious as a lack of a women&’s bathroom in a college science building. Discover seashells by the seashore alongside Mary Anning and learn how Elizabeth Blackwell lost her eye. Read about Bertha Pallan&’s side hustle in the circus, Honor Fell bringing a ferret to her sister&’s wedding, Annie Jump Cannon cataloguing stars, Mary G. Ross stumping the panel on &“What&’s My Line?,&” Alice Ball&’s cure for leprosy, and Roberta Eike stowing away on a research vessel. Some of these poems celebrate women who triumphed spectacularly. Others remember women who barely survived. Explore the stories of women you may have heard of (Marie Curie, Jane Goodall, Émilie du Châtelet) alongside those of others you may not (Virginia Apgar, Maryam Mirzakhani, Ynes Mexia, Susan La Flesche Picotte, Chien-Shiung Wu). If you have come across Randall&’s poems in Scientific American, Analog, or Asimov&’s, you will have already opened the door to these tales, all the more extraordinary because they are true.Illustrated with Kristin DiVona&’s portraits for NASA&’s &“Reaching Across the Stars&” project, this is a book to share with scientists, feminists, and poets, young and old and of any gender.
Truth: Aesthetic Politics
by Sean CubittEcologies of truth in a post-truth era.The problem with Neo-Nazis is not that they don&’t trust the media but that they trust them too much. White supremacists are absolutely convinced by their supremacy. They distrust technologies and climate change as much as the global poor because, as white Europeans, they believe they are exempt from exploitation. This book argues that the only truths possible in the 21st century are mobile, inventive practices involving everything European models of communication exclude: technologies, nature, and leftover humanity. Tracing histories of their separation, Truth analyzes the struggle between the new dominance of information systems and the sensory worlds it excludes, not least the ancestral wisdom that the West has imprisoned in its technologies. The emergent cybernetics of the 1940s has become the dominant ideology of the 21st century. Truth opposes its division of the world between subjects and objects, signals and noise, emphasizing that there can be no return to some primal Eden of unfettered exchange. Instead, these divisions, which have fundamentally reorganized the commodity form that they inherited, are the historical conditions we must confront. Drawing on a wide range of aesthetic practices, from literature, film, art, music, workplace media, scientific instruments, and animal displays, Truth seeks out ways to create a new commons and a new politics grounded in aesthetic properties of creativity, senses and perception that can no longer be restricted to humans alone.
The England No One Cares About: Lyrics from Suburbia (Goldsmiths Press / Sonics Series)
by George MusgraveAn exploration of the much-derided English suburbs through rap music.There are many different Englands. From the much-romanticized rolling countryside, to the cosmopolitanism of the inner cities (embraced by some as progressive, multicultural enlightenment and derided by others as the playground of a self-righteous metropolitan elite), or the disparagingly named "left behind" communities which, post-Brexit, have so interested political parties and pundits, demographers and statisticians.But there is also an England no one cares about. The England of semi-detached houses and clean driveways for multiple cars devotedly washed on Sundays, of "twitching curtains" and Laura Ashley sofas; of cul-de-sacs to nowhere and exaggerated accents; of late night drives to petrol stations on A roads, fake IDs tested in Harvesters, and faded tracksuits and over-gelled hair in Toby Carverys; of questionable hash from a "mate of a mate" and two-litre bottles of White Lightning from Budgens consumed in a kids playground. Much derided. Unglamorous, ordinary; cultural vacuity and small "c" conservatism. A hodgepodge. An—apparently—middling, middle-of-the-road middle-England of middle-class middle-mindedness. Part poetry anthology, part academic study into placemaking, and part autoethnography, The England No One Cares About innovatively brings together academic discussions of the ethnographic potential of lyrics, scholastic representations of suburbia, and thematic analysis to explore how rap music can illuminate the experiences of young men growing up in suburbia. This takes place by exploring the author&’s own annotated lyrics from his career as a musician known as Context where he was referred to by the BBC as "Middle England&’s Poet Laureate."
The Ghost Reader: Recovering Women’s Contributions to Media Studies
by Elena D. Hristova, Aimee-Marie Dorsten, and Carol A. StabileThe scholarship, research, and criticism of women who developed key theories of communication and methods for the study of media.The Ghost Reader: Recovering Women&’s Contributions to Media Studies offers a fresh perspective on the intellectual history of the field of media studies, a broad scholarly field that encompasses the interdisciplinary and overlapping fields of media studies, cultural studies, and communication studies. By recovering the work of the diverse group of women who labored at the margins of media studies as it took shape during the formative years of communication research between the 1930s and the 1950s, and providing scholarly contexts for this work, The Ghost Reader shows that &“intersectional considerations&” were key modes of engagement for intellectuals, academics, and activists who happened to be women. They did so decades before feminist perspectives were reintegrated into histories of the field.
This Is Not a Feminism Textbook (This Is Not a...Textbook)
by Catherine RottenbergFeminist scholars from around the world on key debates and concerns ranging from motherhood, home, and family to media, technology, and medicine.This thought-provoking book is written by prominent feminist scholars from around the world. It is engaging and accessible, distilling the highest level of knowledge into fascinating but concise entries. This Is Not A Feminism Textbook offers a clear, straightforward overview of key feminist debates and concerns ranging from motherhood, home, work and family to media, technology, and medicine. This book is a must-read for everyone who is curious about the sex/gender distinction, and the relation between gender and other aspects of identity; and it tackles plenty more questions along the way. Are smart homes really smart? Will technology save the world? What does class have to do with feminism? And what does &‘intersectionality&’ actually mean? The work of feminism to help create a more just and equal society is not yet done. This book provides a roadmap to inspire each and every reader to continue exploring, thinking about, discussing, and &‘doing&’ feminism. ContributorsCelia Roberts, Amber Jamilla Musser, Simidele Dosekun, Sara R. Farris, Chiara Pellegrini, Cynthia Barounis, Suzanne Leonard, Yolande Strengers, Heather Berg
The Folk Singers and the Bureau: The FBI, the Folk Artists and the Suppression of the Communist Party, USA-1939-1956
by Aaron LeonardThe first book to document the efforts of the FBI against the most famous American folk singers of the mid-twentieth century, including Woody Guthrie, 'Sis Cunningham, Pete Seeger, Lee Hays and Burl Ives.Some of the most prominent folk singers of the twentieth century, including Woody Guthrie, 'Sis Cunningham, Pete Seeger, Lee Hays, Burl Ives, etc., were also political activists with various associations with the American Communist Party. As a consequence, the FBI, along with other governmental and right-wing organizations, were monitoring them, keeping meticulous files running many thousands of pages, and making (and carrying out) plans to purge them from the cultural realm.In The Folk Singers and the Bureau, Aaron J Leonard draws on an unprecedented array of declassified documents and never before released files to shed light on the interplay between left-wing folk artists and their relationship with the American Communist Party, and how it put them in the US government's repressive cross hairs.At a time of increasing state surveillance and repression, The Folk Singers and the Bureau shows how the FBI and other governmental agencies have attempted to shape and repress American culture.
Racquet Magazine: The Book
by David Shaftel and Caitlin ThompsonThe best writing on tennis from the best tennis writers in the business.Racquet was founded in 2016 to be the voice of a new tennis boom. When the popularity of tennis peaked in the late '70s and early '80s, the sport was populated by buccaneering talents with outsize personas, such as Borg, Evert, McEnroe, Navratilova, Gerulaitis, Austin, King, and Connors. The game was played in every park, and tennis clothes became appropriate attire for cocktails as well as for a match. With success, however, came polish, and tennis--if not the game itself, then how it came to be represented in the culture--got boring. Having a big personality was no longer a virtue. Tennis went back to being a bastion of the elite. Racquet is a place for those who knew all along that the spirit of the tennis boom was alive. Tennis has always been present in the arts, in the popular culture, in the skateboarding, hip-hop, and fashion worlds. That side of tennis was--and is--obscured by the tightly controlled messaging of the athletes, the corporate glean of the major tournaments, and the all-white attire of the country-club scene. Racquet was launched to represent the latent, diverse, and large constituency of tennis that has not been embraced by the sport writ large. Featuring the work of some of today's finest writers, the quarterly independent magazine highlights the art, culture, and style that are adjacent to the sport--and just enough of the pro game to keep the diehards satisfied. This collection features some of the best writing from the first four years of Racquet and tackles such immediate topics as: How should tennis smell? What's the deal with Andre Agassi's private jet? What can a professional tennis player learn from Philip Roth? Why is tennis important in Lolita? How was Arthur Ashe like Muhammad Ali? And, crucially, what lessons have we learned from the implosion of that first tennis boom?