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Imagined Theatres: Writing for a Theoretical Stage
by Daniel SackImagined Theatres collects theoretical dramas written by some of the leading scholars and artists of the contemporary stage. These dialogues, prose poems, and microfictions describe imaginary performance events that explore what might be possible and impossible in the theatre. Each scenario is mirrored by a brief accompanying reflection, asking what they might mean for our thinking about the theatre. These many possible worlds circle around questions that include: In what way is writing itself a performance? How do we understand the relationship between real performances that engender imaginary reflections and imaginary conceptions that form the basis for real theatrical productions? Are we not always imagining theatres when we read or even when we sit in the theatre, watching whatever event we imagine we are seeing?
Imagine Being More Afraid of Freedom than Slavery
by Pamela SneedAn incendiary literary work more relevant now than ever.“if anger were an ax/it would split me open/and if this is a sermon/let it be my granddaddy’s sermon/my grandmother’s foottapping/steady rocking/choir singing” —from “This Is Not a New Age”First published in 1998, Imagine Being More Afraid of Freedom than Slavery is the debut collection by acclaimed poet and performer Pamela Sneed. Provocative and potent, it tackles the political and personal issues of enslavement, sexuality, emotional trauma, and abuse. These poems chart the journey of an artist trying to escape cycles of dependency and reclaim lost self and identity. Drawing parallels to Harriet Tubman’s journey on the Underground Railroad, Sneed’s explorations of the woods are a metaphor and emotional path one must explore to attain self-ownership. Sneed’s poems are bound by the search for love, freedom, and justice—from images of lesbian love to Emmet Till’s bloated body, they offer a raging cry and a roadmap for those interested in transforming the personal into social justice and abolitionist practices.
IMAGINE
by Lázaro Droznes Moisés Moreno CostillaJohn Lennon was a musician, singer, songwriter, member of The Beatles, and Knight of the British Empire. He also is one of the maximum music icons of the 20th century. His rejection to the established values and his innovative capability in the musical and personal level are a source of inspiration to every generation that finds within his life a role model in the search of the rupture of the old patterns and in the construction of a new future. In this book John tells stories and situations of his life along with songs written by him which describe his life even better than his stories.
IMAGINE: Vita, opere e canzoni di John Ono Lennon
by Lázaro Droznes Maria Elena VaiasusoMusicista, cantante, compositore, fondatore dei Beatles e Cavaliere dell'Ordine Britannico, John Lennon è una delle icone più importanti della musica e della cultura del XX secolo. Il suo rifiuto dei valori prestabiliti e la sua capacità di innovazione, tanto a livello personale quanto artistico, sono fonte di ispirazione per qualsiasi generazione alla ricerca di un modello di vita che rompa gli schemi imposti e che aspiri alla creazione di un futuro migliore. In quest'opera Lennon ci confida storie e vicende personali, arricchendo il racconto con alcune delle sue canzoni, eloquenti almeno quanto gli stessi aneddoti.
Imaginary Performances in Shakespeare
by Aureliu ManeaIn Imaginary Performances in Shakespeare, visionary modernist theatre director Aureliu Manea analyses the theatrical possibilities of Shakespeare. Through nineteen Shakespeare plays, Manea sketches the intellectual parameters, the visual languages, and the emotional worlds of imagined stage interpretations of each; these nineteen short essays are appended by his essay ‘Confessions,’ an autobiographical meditation on the nature of theatre and the role of the director. This captivating book which will be attractive to anyone interested in Shakespeare and modern theatre.
Imaginary Invalid (Stone)
by MoliereComedy / 8m, 4f / Interior / Monsieur Ardin, the imaginary invalid, is a thoroughgoing hypochondriac. His daughter, Angelique, is in love with Cleante. But Ardin insists that she shall marry the son of a doctor and a doctor himself, Thomas Defois. Toinette, the maid and Beralde, Ardin's brother, do everything possible to dissuade Ardin in his determination to marry Angelique to the stupid Thomas. Beline, Ardin's shrewish wife, is determined that Angelique shall become a nun so that there will be no one but she, Beline, to inherit Ardin's estate. By many tricks, Toinette and Beralde show up Beline as the mercenary she is and the doctors as the fools they are.
The Imaginary Invalid
by Molière Henri Van LaunThe greatest writer of French classic comedy, the 17th-century playwright Molière was one of the most brilliant satirists in the history of literature. His keen observations and barbed wit deflated the pretensions of society in his day and focused a brilliant light on the universal frailties of humanity.The Imaginary Invalid, one of Molière's funniest and most incisive satires, is also among the most performed worldwide and perennially studied in world literature courses. In this entertaining gem, a hypochondriac, victimized by two pompous doctors, tests his daughter's loyalty and discovers the greed and contempt of his scheming wife.
Imaginary Friends: A Play With Music
by Nora EphronAlthough Lillian Hellman and Mary McCarthy probably only met once in their lives, their names will be linked forever in the history of American literary feuds: they were legendary enemies, especially after McCarthy famously announced to the world that every word Hellman wrote was a lie, “including ‘and’ and ‘the. ’” The public battle, and the legal squabbling, that ensued ended, unsatisfactorily for all, with Hellman’s death. InImaginary Friends,Nora Ephron brilliantly and hilariously resuscitates these two bigger-than-life women to give them a post-mortem second act, and the chance to really air their differences. From the Trade Paperback edition.
Images Libraries Museums/Arch
by Amy MccollFirst Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Image Ethics in Shakespeare and Spenser
by Victoria Katherine BurbankFocusing on works by Shakespeare and Spenser, this study shows the connection between visuality and ethical action in early modern English literature. The book places early modern debates about the value of visual experience into dialogue with subsequent philosophical and ethical efforts.
Image and Concept: Mythopoetic Roots of Literature
by Olga FreidenbergFirst published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
I'm Gonna Pray for You So Hard: A Play
by Halley Feiffer“Feiffer’s is a unique, refreshing voice to which attention should be paid.” —TheaterMania Ella is a precocious and fiercely competitive actress whose aims in life are making her famous playwright father proud—and becoming famous herself. In the aftermath of a boozy, drug-fueled evening when Ella’s father is particularly hurtful, she flings herself into the arms of a young director with whom she begins to collaborate on a one-woman show . . . about her father. Halley Feiffer’s dark, probing, and much-anticipated new play is a fierce, funny, and gloves-off take on the eternal struggles of parents and children to find common ground.
I'm Black When I'm Singing, I'm Blue When I Ain't: And Other Plays
by Sonia SanchezSonia Sanchez is a prolific, award-winning poet and one of the most prominent writers in the Black Arts movement. This collection brings her plays together in one volume for the first time. Like her poetry, Sanchez's plays voice her critique of the racism and sexism that she encountered as a young female writer in the black militant community in the late 1960s and early 1970s, her ongoing concern with the well-being of the black community, and her commitment to social justice. In addition to The Bronx Is Next (1968), Sister Son/ji (1969), Dirty Hearts (1971), Malcolm/Man Don't Live Here No Mo (1972), and Uh, Uh; But How Do It Free Us? (1974), this collection includes the never-before-published dramas I'm Black When I'm Singing, I'm Blue When I Ain't (1982) and 2 X 2 (2009), as well as three essays in which Sanchez reflects on her art and activism. Jacqueline Wood's introduction illuminates Sanchez's stagecraft in relation to her poetry and advocacy for social change, and the feminist dramatic voice in black revolutionary art.
Illyria
by Elizabeth HandMadeleine and Rogan are first cousins, best friends, twinned souls, each other’s first love. Even within their large, disorderly family-all descendants of a famous actress-their intensity and passion for theater sets them apart. It makes them a little dangerous. When they are cast in their school’s production of Twelfth Night, they are forced to face their separate talents and futures, and their future together. This masterful short novel, winner of the World Fantasy Award, is magic on paper. .
Illustrated Theatre Production Guide
by John HollowayThis new and fully updated edition of the Illustrated Theatre Production Guide takes a step-by-step approach to the most common and popular theatre production practices, covering important issues related to the construction of wooden, fabric, plastic, and metal scenery used on the stage. This book examines theatres and their equipment, tools and materials, and scenery construction, as well as the principles of electricity and implementation of a lighting design. New additions include: * Hundreds of unique hand-drawings that illustrate lessons, giving detailed, dimensional instruction * New chapters on stage management and electrical theory as it relates specifically to stage lighting * Completely revamped chapters on metal frame construction and the practice of entertainment lighting covering DMX signals, dimmer mechanics, power distribution, digital lighting * Eco-friendly tips on how to reuse and recycle props and set material * Multiple do-it-yourself projects and practice problems *Companion website with a solutions manual and how-to videos that give an exclusive visual on crucial backstage tasks such as properly tying knots, building a chandelier, and constructing an outdoor stage Illustrated Theatre Production Guide, Second Edition offers techniques and best-practice methods from an experienced industry expert, creating a foundation on which to build a successful and resourceful career behind the scenes in theatre production.
Illustrated Theatre Production Guide
by John Ramsey Holloway Zachary StriblingNow in its fourth edition, Illustrated Theatre Production Guide delivers a step-by-step approach to the most prevalent and established theatre production practices, focusing on essential issues related to the construction of wooden, fabric, plastic, and metal scenery used on the stage. Offering techniques and best-practice methods from experienced industry experts, this book allows readers to create a foundation on which to build a successful and resourceful career behind the scenes in theatre production. The new edition has been fully updated to include the latest technology and current practices, with four new chapters on Safety, Automation, Digital Fabrication, and the Production Process, and an emphasis on inclusivity and gender-neutral language. A must-have resource for both the community theatre worker who must be a jack of all trades and the student who needs to learn the fundamentals on his or her own, Illustrated Theatre Production Guide covers all the necessities of theatre production through detailed lessons and hundreds of drawings. The book also includes access to a companion website featuring instruction videos, tips for an eco-friendly production, and additional images and resources.
Illustrated Theatre Production Guide
by Zachary StriblingIllustrated Theatre Production Guide delivers a step-by-step approach to the most prevalent and established theatreproduction practices, focusing on essential issues related to the construction of wooden, fabric, plastic, and metal scenery used on the stage. A must-have resource for both the community theatre worker who must be a jack of all trades and the student who needs to learn the fundamentals on his or her own, it covers the necessities in great detail, without bogging you down. Offering techniques and best-practice methods from an experienced industry expert, it will allow you to create a foundation on which to build a successful and resourceful career behind the scenes in theatre production. This third edition has been completely restructured to more effectively lead you through the basics of stagecraft. Through detailed lessons and hundreds of drawings, author John Holloway offers you solutions to the problems that you’ll face every day in a production, from rigging to knot tying. New to this edition are guides to jobs in theatre, construction documentation, and video projection methods, with expanded information on Thrust Theatres, lighting, audio and video practices.
The Illustrated Shakespeare, 1709-1875
by Stuart SillarsIllustrations have been an important element of many of the most extensively read editions of Shakespeare's plays, from the frontispieces to Nicholas Rowe's 1709 edition to the multiple images placed within the text of Victorian editions. Through symbols the illustrations have explored language and character; by allusion to earlier paintings they have offered critical readings; and by gesture, setting and costume they have redesigned the plays within the visual vocabulary of their own times. In all these ways they offer important exchanges with contemporary social, aesthetic and critical concerns, and, despite being largely ignored by scholars, are central to the plays' reception. Highly illustrated, including many images not previously reproduced, the book allows the reader to share the experience of early readers of the plays. Building on the author's earlier work in Painting Shakespeare it offers a fresh address to the tradition of visual criticism and assimilation of Shakespeare's plays.
An Illustrated History of British Theatre and Performance: Volume Two - From the Industrial Revolution to the Digital Age
by Robert LeachAn Illustrated History of British Theatre and Performance chronicles the history and development of theatre from the Roman era to the present day. As the most public of arts, theatre constantly interacted with changing social, political and intellectual movements and ideas, and Robert Leach’s masterful work restores to the foreground of this evolution the contributions of women, gay people and ethnic minorities, as well as the theatres of the English regions, and of Wales and Scotland. Highly illustrated chapters trace the development of theatre through major plays from each period; evaluations of playwrights; contemporary dramatic theory; acting and acting companies; dance and music; the theatre buildings themselves; and the audience, while also highlighting enduring features of British theatre, from comic gags to the use of props. Continuing on from the Enlightenment, Volume Two of An Illustrated History of British Theatre and Performance leads its readers from the drama and performances of the Industrial Revolution to the latest digital theatre. Moving from Punch and Judy, castle spectres and penny showmen to Modernism and Postdramatic Theatre, Leach’s second volume triumphantly completes a collated account of all the British Theatre History knowledge anyone could ever need.
Illusive Utopia
by Suk-Young KimNo nation stages massive parades and collective performances on the scale of North Korea. Even amid a series of intense political/economic crises and international conflicts, the financially troubled country continues to invest massive amounts of resources to sponsor unflinching displays of patriotism, glorifying its leaders and revolutionary history through state rituals that can involve hundreds of thousands of performers. Author Suk-Young Kim explores how sixty years of state-sponsored propaganda performances---including public spectacles, theater, film, and other visual media such as posters---shape everyday practice such as education, the mobilization of labor, the gendering of social interactions, the organization of national space, tourism, and transnational human rights. Equal parts fascinating and disturbing, Illusive Utopia shows how the country's visual culture and performing arts set the course for the illusionary formation of a distinctive national identity and state legitimacy, illuminating deep-rooted cultural explanations as to why socialism has survived in North Korea despite the fall of the Berlin Wall, the collapse of the Soviet Union, and China's continuing march toward economic prosperity. With over fifty striking color illustrations, Illusive Utopia captures the spectacular illusion within a country where the arts are not only a means of entertainment but also a forceful institution used to regulate, educate, and mobilize the population.
The Illusion
by Pierre Corneille Tony KushnerAlready a favorite of theatres throughout the country, Tony Kushner's free adaptation of Pierre Corneille's most original, theatrical comedy, L'Illusion Comique, blends magic and truth, obsession and caprice, romance and murder, into an enticing exploration of the greatest illusion--love.
The Illuminated Theatre: Studies on the Suffering of Images
by Joe KelleherWhat sort of thing is a theatre image? How is it produced and consumed? Who is responsible for the images? Why do the images stay with us when the performance is over? How do we learn to speak of what we see and imagine? And how do we relate what we experience in the theatre to what we share with each other of the world? The Illuminated Theatre is a book about theatricality and spectatorship in the early twenty-first century. In a wide-ranging analysis that draws upon theatrical, visual and philosophical approaches, it asks how spectators and audiences negotiate the complexities and challenges of contemporary experimental performance arts. It is also a book about how European practitioners working across a range of forms, from theatre and performance to dance, opera, film and visual arts, use images to address the complexities of the times in which their work takes place. Through detailed and impassioned accounts of works by artists such as Dickie Beau, Wendy Houstoun, Alvis Hermanis and Romeo Castellucci, along with close readings of experimental theoretical and art writing from Gillian Rose to T.J. Clark and Marie-José Mondzain, the book outlines the historical, aesthetic and political dimensions of a contemporary ‘suffering of images.’
Illegible Will: Coercive Spectacles of Labor in South Africa and the Diaspora
by Hershini Bhana YoungIn Illegible Will Hershini Bhana Young engages with the archive of South African and black diasporic performance to examine the absence of black women's will from that archive. Young argues for that will's illegibility, given the paucity of materials outlining the agency of black historical subjects. Drawing on court documents, novels, photographs, historical records, websites, and descriptions of music and dance, Young shows how black will can be conjured through critical imaginings done in concert with historical research. She critically imagines the will of familiar subjects such as Sarah Baartman and that of obscure figures such as the eighteenth-century slave Tryntjie of Madagascar, who was executed in 1713 for attempting to poison her mistress. She also investigates the presence of will in contemporary expressive culture, such as the Miss Landmine Angola beauty pageant, placing it in the long genealogy of the freak show. In these capacious case studies Young situates South African performance within African diasporic circuits of meaning throughout Africa, North America, and South Asia, demonstrating how performative engagement with archival absence can locate that which was never recorded.
I'll Drink to That!: Broadway's Legendary Stars, Classic Shows, and the Cocktails They Inspired
by Laurence MaslonBroadway has always raised a glass to celebrate itself—what&’s an opening night without popping the cork of a bottle of Champagne? I&’ll Drink to That! Broadway&’s Legendary Stars, Classic Shows, and the Cocktails They Inspired is a celebration of theatrical tradition, a souvenir of magic moments on stage, and a practical guide to concocting one-of-a-kind craft cocktail recipes inspired by the classics of the American stage. I&’ll Drink to That! expertly mixes clever cocktails that pay homage to unforgettable Broadway shows--such as the Rainbow High from Evita and the Sidecar Named Desire--with authentic recipes for drinks that played supporting roles in beloved shows--like the legendary Vodka Stinger from Company--and shakes it up with a history of the cocktail on Broadway, detailed by one of the leading musical theater historians, Laurence Maslon. Featured throughout are fantastic images—from intoxicating images of classic shows to portraits of effervescent stage celebrities to vintage liquor ads featuring Broadway stars. Of course, the drinks themselves get their own spotlight, photographed by the legendary Broadway photographer Joan Marcus at the iconic Sardi&’s restaurant, home to hundreds of opening nights over the past century. With drinks ranging from the South Pacific-inspired Bali Ha&’i Ma&’i Ta&’i to Mame&’s Cornhusker mint julep to the Hamilton My Shot, and illustrated with a wide range of rare drawings, posters, and advertisements,, I'll Drink to That! is the perfect gift for anyone who loves the theater, enjoys an elegant bend of the elbow, and wants to be part of a long and bubbly theatrical history. 30 DRINK RECIPES: Dozens of delicious drink recipes from pre-theater cocktails to cozy after-theater toddies to celebratory toasts guaranteed to earn a standing ovation! COCKTAILS WITH A TWIST: Clever takes on Broadways shows and show tunes, including the Toast of Mayfair (Cabaret), the Bloody Sweeney (Sweeney Todd), and the Dead Thing (Beetlejuice). STARS OF THE SHOW: Classic recipes for drinks that feature center stage in famous plays and musicals, such as the Vodka Stinger from Company and the Sazerac from State of the Union. BROADWAY&’S BUBBLY HISTORY: Dive deep into dozens of stories and anecdotes about how cocktails and drinking played a role in creating some of Broadway&’s greatest hits. PHOTOS BY A LEGEND IN A LEGENDARY PLACE: Drinks photographed by the legendary Broadway photographer Joan Marcus in Broadway&’s most famous theater restaurant, Sardi&’s.
I'll Be Seein' Ya: with The Insolvencies
by Jon Robin BaitzTwo searing, incisive plays from Jon Robin Baitz, Tony Award nominee and two-time Pulitzer Prize finalist. Allie Murchow, a retired Hollywood makeup artist, is stuck inside her apartment, stuck in her daydreams of bygone celebrity and glamour, and stuck on hold with her pharmacist. She tries to make sense of the Los Angeles outside her windows, the LA of 2020, but she can’t hear herself think over the echo of sirens and her chatty brother’s interjections. I’ll Be Seein’ Ya, written by Jon Robin Baitz, the author of Other Desert Cities and Vicuña, is an unflinchingly funny new play that takes on our anxieties and delusions and reveals new truths about our strange reality.In The Insolvencies, two men—one younger, one older, one a professor, one a former student—recall their relationship and the time they felt “the piercing sting of simply being seen.” A study of sex and pleasure, of justice and shame, this short, stirring play completes the affecting pair of new works from Baitz, “the American theatre’s most fascinating playwright of conscience” (Michael Kuchwara, Associated Press).