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I Bet Your Life

by Fred Carmichael

Comedy / 4m, 4f / Interior / Hilarious situations, clever dialogue, intriguing romance and surprise twists make this breezy comedy a delight. Soap opera author Matthew Stoddard has written a screenplay about a terminally ill man who hires a hitman to kill him and then finds out he was misdiagnosed. Matt's agent and best friend, Greg, thinks the plot is not feasible so Matt contacts a gangster and arranges for an incognito hitman to join them at a dinner party in the country to prove his point. Circumstances place a real hitman among the guests and the action accelerates as they try to find out who it is before the deadline. Stacy, secretary and love interest to both men, does her best to help them solve the identity question as surprise after surprise thwarts them. Is the whole scheme really a con game? And who cons the con man? And who is conning them all? Excellent parts make this play fun to produce and view.

I, Animal

by Daniel Macivor

"Man in Scrubs" follows the story of a queer black nurse who is getting awfully tired of being put in a box. He's queer, not gay, and he'll tell you the difference. He's always been an outcast, and constantly finds himself at the bottom of any and every hierarchy. With his patience waning, he confronts what it means to be an outsider, and, more importantly, what it means to take charge of one's own identity. "Boy in Hoodie" is the story of the "Dead Cat Kid," as he’s known by his classmates. He's fascinated by death—curious about it in a philosophical sense—but he's not morbid, and he didn't kill a cat. But which is more important, the truth or perception? "Woman in Prada" centres on an attractive, middle-aged woman who enjoys the finer things in life. And now that she's no longer a suburban housewife, she's finally free to explore her own desires. But what if they are leading her to be with a much younger man? Can she choose to put social optics to the side and do what makes her happy for once?

I Am My Own Wife (Acting Edition for Theater Productions)

by Doug Wright

Winner of the 2004 Pulitzer Prize for Drama; From the Obie Award-winning author of Quills comes this acclaimed one-man show, which explores the astonishing true story of Charlotte von Mahlsdorf. <p><p>A transvestite and celebrated antiques dealer who successfully navigated the two most oppressive regimes of the past century—the Nazis and the Communists.

I Am For You

by Mieko Ouchi

Fighting words . . . Lainie and Mariam have it out for each other, so it’s no surprise when they finally come to violent blows in the middle of their high school’s drama room. That’s when Caddell Morris, an ex-professional actor and newly minted student teacher, steps in. By teaching the girls the art of stage combat, he hopes to help them understand more about the roots and costs of violence. But when he convinces the drama teacher to let them play Mercutio and Tybalt in their school production of Romeo and Juliet, swords, words, and egos battle and clash. Can they find a way to work together?

Hypertheatre: Contemporary Radical Adaptation of Greek Tragedy (Routledge Advances in Theatre & Performance Studies)

by Olga Kekis

Hypertheatre: Contemporary Radical Adaptation of Greek Tragedy investigates the adaptation of classical drama for the contemporary stage and explores its role as an active, polemical form of theatre which addresses present-day issues. The book’s premise is that by breaking drama into constituent parts, revising, reinterpreting and rewriting to create a new, culturally and politically relevant construct, the process of adaptation creates a 'hyperplay', newly repurposed for the contemporary world. This process is explored through a diverse collection of postmodern adaptations of Antigone, Medea, and The Trojan Women, analysing their adaptive strategies and the evidence of how these remakings reflect the cultures of which they are a part. Central to this study is the idea that each of these adaptations becomes an entirely new play, redefining its central female figures and invoking reconfigurations of femininity which emphasise individual women’s strengths and female solidarity. Written for scholars of Theatre, Adaptation, Performance Studies, and Literature, Hypertheatre places the Greek classics firmly within a contemporary feminist discourse.

The Hutchinson Dictionary of Ancient and Medieval Warfare

by Hutchinson

First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

The Hutchinson Atlas of World War II Battle Plans: Before And After

by Stephen Badsey

This text contrasts 21 World War II battle plans with their actual outcome. Each in-depth battle essay is complemented by original maps, producing fresh insight into the technical aspects of warfare that drove the last worldwide conflict of the 20th century. An overall introduction gives a strategic overview of the whole of the war, and places the individual battles into context. The battles are presented in seven groups of three, and each group is introduced by a short essay on the common theme for the group.

Hurlyburly and Those the River Keeps: Two Plays (Books That Changed the World)

by David Rabe

The landmark American play—and its prequel—from the Tony Award–winning author of Sticks and Bones and In the Boom Boom Room. Nominated for the Tony Award when it was first produced in 1984, Hurlyburly was immediately hailed as a classic American drama. This edition is the definitive version of David Rabe&’s most celebrated work, reflecting his continued exploration of the play through several productions—in particular the one he directed in 1988 at the Westwood Playhouse in Los Angeles—and his latest thoughts regarding the text. With Those the River Keeps, the prize-winning playwright embarks on an intense psychological exploration of Hurlyburly&’s most dangerous and enigmatic character. This edition contains the definitive versions of these works, a foreword in which Rabe examines the interwoven relationship of the plays, and an afterword in which he discusses the process of their construction. &“Fresh, glittering, entertaining, full of wit and blisteringly funny. A stunning comic drama of contemporary life in the Hollywood hills and beyond.&” —USA Today &“Powerfully written . . . dazzling.&” —The New Republic &“Offers some of Rabe&’s most inventive writing.&” —The New York Times &“Compelling . . . Those the River Keeps&’ strength is its dialogue, which ranges from staccato nonsense to amorphous bursts of palooka philosophy and raw anguish . . . masterfully rendered.&” —The Boston Phoenix Praise for David Rabe &“Few contemporary dramatists have dealt with violence, physical and psychological, more impressively than Rabe.&” —Kirkus Reviews &“A remarkable storyteller.&” —Chicago Tribune &“Rabe&’s mastery of dialogue is the equal of Pinter and Mamet put together.&” —The Boston Globe

Hunters of the White Sheep: A collection of Dall Sheep Hunts, and an assortment of Dall Sheep Hunters

by Lynn Soiseth

The experience of an alpine hunt for the golden-crowned King of the Alaska Alpine, can be a life-changing event for both the hunter and the hunted. It is part of the mystique of sheep hunting-that the ‘sport' learns as much about himself and his capabilities, as he learns about the hunt. In Hunters of the White Sheep you will encounter an eclectic collection of hunters and their backstories as they hunt for the golden-horned rams. Read along and you will be transported to base camps in the sheep mountains by foot, airplane, ATV, jet boat, and bicycle. Once at the base camp, the hunters forgo mechanized transportation and revert to shoe leather as they pursue the white rams over wind-swept ridges, frightening chasms, chilly-blue glaciers, and sometimes, surprisingly gentle hills. Although much hunting information, such as techniques and locations can be gleaned by reading the stories carefully, this is not intended to be a how-to-hunt sheep book.

The Hunchback of Notre Dame (Adapted)

by Victor Hugo Malvina G. Vogel

This novel has been adapted into 10 short chapters that will excite the reluctant reader as well as the enthusiastic one. Key words are defined and used in context. Multiple-choice questions require the student to recall specific details, sequence the events, draw inferences from story context, develop another name for the chapter, and choose the main idea. Let the Classics introduce Kipling, Stevenson, and H. G. Wells. Your students will embrace the notion of Crusoe's lonely reflections, the psychological reactions of a Civil War soldier at Chancellorsville, and the tragedy of the Jacobite Cause in 18th Century Scotland. In our society, knowledge of these Classics is a cultural necessity. Improves fluency, vocabulary and comprehension.

Humpty Dumpty's Fall: An Adaptation of a Nursery Rhyme

by Carrie Smith Jessica Wolk-Stanley

12 copies of Script plus Teacher's Guide

Humpty Dumpty and Other Plays

by Eric Bogosian

Eric Bogosian is one of our most singular and exhilarating commentators on American life. His award-winning solo performance works have been performed with acclaim all over the world. As the New York Times has pointed out, "Bogosian is a born storyteller with perfect pitch." That is never more evident than in his newest book, which collects his three most recent plays. In Humpty Dumpty, five friends gather for a holiday at a mountain getaway where unforeseen events bring them to the brink of the end of the world; Griller, set in a New Jersey backyard, where a barbecue gathering turns sinister and deadly; and Red Angel, Bogosian's riff on Von Sternberg's The Blue Angel, reset on a college campus in 1990s New England."I want theater to wake me up, not lull me to sleep. My theater is not about fantasy, it's not about seduction. My theater is not an outline for a film. It is not a TV sitcom onstage. I want my theater to be an event. I want it to push limits, bite the hand that feeds it and bang heads. It's about my fears, my ideas, my blind spots, my isolation."--Eric BogosianEric Bogosian is the author of five plays including Talk Radio and subUrbia, as well as three Obie Award-winning solos: Drinking in America; Sex, Drugs, Rock & Roll; Pounding Nails in the Floor with My Forehead and his most recent, Wake Up and Smell the Coffee, which was nominated for a Drama Desk Award. He wrote the screenplay adaptations of his first two plays, receiving the Berlin Film Festival's "Silver Bear" for his work in Talk Radio. Simon and Schuster will publish his second novel in 2005.

Humour in British First World War Literature: Taming the Great War

by Emily Anderson

This book explores how humorous depictions of the Great War helped to familiarise, domesticate and tame the conflict. In contrast to the well-known First World War literature that focuses on extraordinary emotional disruption and the extremes of war, this study shows other writers used humour to create a gentle, mild amusement, drawing on familiar, popular genres and forms used before 1914. Emily Anderson argues that this humorous literature helped to transform the war into quotidian experience. Based on little-known primary material uncovered through detailed archival research, the book focuses on works that, while written by celebrated authors, tend not to be placed in the canon of Great War literature. Each chapter examines key examples of literary texts, ranging from short stories and poetry, to theatre and periodicals. In doing so, the book investigates the complex political and social significance of this tame style of humour.

Humorality in Early Modern Art, Material Culture, and Performance (Palgrave Studies in Literature, Science and Medicine)

by Amy Kenny Kaara L. Peterson

Humorality in Early Modern Art, Material Culture, and Performance seeks to address the representation of the humors from non-traditional, abstract, and materialist perspectives, considering the humorality of everyday objects, activities, and performance within the early modern period. To uncover how humoralism shapes textual, material, and aesthetic encounters for contemporary subjects in a broader sense than previous studies have pursued, the project brings together three principal areas of investigation: how the humoral body was evoked and embodied within the space of the early modern stage; how the materiality of an object can be understood as constructed within humoral discourse; and how individuals’ activities and pursuits can connote specific practices informed by humoralism. Across the book, contributors explore how diverse media and cultural practices are informed by humoralism. As a whole, the collection investigates alternative humoralities in order to illuminate both early modern works of art as well as the cultural moments of their production.

The Humans

by Stephen Karam

"A kind, warm, beautifully observed and deeply moving new play, a celebration of working-class familial imperfection and affection and a game-changing work for this gifted young playwright."-Chicago Tribune"Karam is in rare form here, showing a remarkable ear for the way families converse... For all the characters' woes, this is a warm, funny, sharply observed portrait of their abiding connections with one another." -Time Out ChicagoBreaking with tradition, Erik Blake has brought his Pennsylvania family to celebrate Thanksgiving at his daughter's apartment in lower Manhattan. Unfolding over a single scene, this "delirious tragicomedy" (Chicago Sun-Times) by acclaimed young playwright Stephen Karam "infuses the traditional kitchen-sink family drama with qualities of horror in his portentous and penetrating work of psychological unease" (Variety), creating an indelible family portrait.Stephen Karam's plays include Speech & Debate and Sons of the Prophet, a finalist for the 2012 Pulitzer Prize and the winner of the 2012 Drama Critics Circle, Outer Critics Circle, Lucille Lortel and Hull-Warriner awards for Best Play. Born and raised in Scranton, PA, he lives in New York City.

Humanizing Education with Dramatic Inquiry: In Dialogue with Dorothy Heathcote’s Transformative Pedagogy

by Brian Edmiston Iona Towler-Evans

Humanizing Education with Dramatic Inquiry provides a comprehensive rationale for why and how dramatic inquiry can be used by any teacher to humanize classroom communities and the subject areas being explored with students. Written by teacher educators Brian Edmiston and Iona Towler-Evans, the book re-evaluates the radical humanizing dramatic enquiry pedagogy of British educator Dorothy Heathcote, as developed by the authors in their own teaching using her three approaches: Process Drama, Mantle of the Expert, and the Commission Model. Through scholarly yet practical analysis of extended examples drawn from their own classroom teaching, the volume demonstrates how teachers can collaborate with students of all ages, dispositions, presumed abilities, and cultural backgrounds to transform classroom life into a richly humanizing, curious, inquiring, imaginative community. This book will appeal to educators and teacher educators not only those open to using drama pedagogies in classrooms and in therapy but also to those engaged in applied theatre. Additionally, it will interest those in literacy and education in general who are committed to inclusive, critical, antiracist, anti-oppressive, and artistic practices.

Human Resources

by Matt J. Mckinnon Margaret Hart

Edoardo Massini is an Italian executive, Head of Personnel at the most important oil company in Italy, who gains the world but suffers the loss of his own soul along the way. It shows the plight of the modern male executive who defines his life by his career and his work rather than by more solid values of relationships, love, loyalty and friendship. The novel shows the tragedy of human life where people live their life in the future and understand it in retrospect. The author plays neatly with the perspective of past and present to show the reader that time is not necessarily on their side.

Human Conflict in Shakespeare (Routledge Library Editions: Study of Shakespeare)

by S. C. Boorman

Conflict is at the heart of much of Shakespeare’s drama. Frequently there is an overt setting of violence, as in Macbeth, but, more significantly there is often ‘interior’ conflict. Many of Shakespeare’s most striking and important characters – Hamlet and Othello are good examples – are at war with themselves. Originally published in 1987, S. C. Boorman makes this ‘warfare of our nature’ the central theme of his stimulating approach to Shakespeare. He points to the moral context within which Shakespeare wrote, in part comprising earlier notions of human nature, in part the new tentative perceptions of his own age. Boorman shows Shakespeare’s great skill in developing the traditional ideas of proper conduct to show the tensions these ideas produce in real life. In consequence, Shakespeare’s characters are not the clear-cut figures of earlier drama, rehearsing the set speeches of their moral types – they are so often complex and doubting, deeply disturbed by their discordant natures. The great merit of this fine book is that it displays the ways in which Shakespeare conjured up living beings of flesh and blood, making his plays as full of dramatic power and appeal for modern audiences as for those of his own day. In short, this book presents a human approach to Shakespeare, one which stresses that truth of mankind’s inner conflict which links virtually all his plays.

Human Catastrophe

by Luiz Cláudio Avallone Belo

A huge human being. A mysterious research and its side effects. Which chain reaction could it cause in the lives of scientists, in the victim of this research, and in the invisible humanity to eyes of a giant? Creative and lively this novel brings together drama, catastrophe and science. The main character, which has no idea how he ended up in a strange and apparently uninhabited world, became innocently a personified catastrophe. Francisco Moraes, a scientist anguished because the greatest tragedy lived by humanity, because of his secret project. Armado Bastos, a ambitious and prejudiced military and scientist which involves his youth friend in a project to the development of a powerful weapon. Sandro, Alda, Fábio and Estela: four scientists who barely know that their project is being used for a parallel purpose.

Huff & Stitch

by Cliff Cardinal

In huff, brothers Wind, Huff, and Charles are trying to cope with their father’s abusive whims and their mother’s recent suicide. In a brutal reality of death and addiction, they huff gas and pull destructive pranks. Preyed upon by Trickster and his own fragile psyche, Wind looks for a way out, one that might lead him into his mother’s shadow. In Stitch, Kylie Grandview is a single mom struggling to make a living as a porn star while dreaming of being on the big screen. She’s painfully aware that she is among the many nameless faces on the Internet, the ones that blip across cyberspace, as her yeast infection, Itchia, reminds her at every turn. But when Kylie is offered the chance at a big break, a series of twisted events lead her down a destructive path, revealing a face no one will forget.

Huck & Holden

by Rajiv Joseph

Full Length, Comedy \ 3m, 2f \ Unit set \ Receiving rave reviews for both its New York and Los Angeles productions, Rajiv Joseph's Huck & Holden tells the story of Navin, an Indian college student who's fresh off the boat and trying to remain focused on his studies while the temptations of America and college life start beating down his door. When Navin falls for Michelle, a young African-American woman, he finds that his perceptions of the world begin to expand-- and crumble. Called "...a comingof-age story with comedy, pathos, and a distinct emotional core," by offoffline.com, Huck & Holden is a romantic comedy that wrestles with cultural stereotypes, racism, The Kama Sutra, The Catcher in the Rye, and how losing our innocence doesn't always make us wiser. \ "Joseph's writing has the smarts and sophistication to rip away stereotypes while revealing his characters' raw humanity. With simple storytelling, he deftly constructs Navin's coming-of-age story with comedy, pathos, and a distinct emotional core. This is theater at its finest, and theater that maters.... Everything in this highly polished production cries out for mention, but at the heart of it all is Joseph's taut, masterful script." --offoffonline.com

How You Get Famous: Ten Years of Drag Madness in Brooklyn

by Nicole Pasulka

A madcap adventure through a tight-knit world of drag performers making art and mayhem in the greatest city on earth.Ten years ago, an aimless coat check girl better known today as Merrie Cherry sweet-talked her boss into giving her $100 to host a drag show at a Brooklyn dive bar. Soon, kids like Aja were kicking their way into the scene, sneaking into clubs, pocketing their tips to help mom pay the mortgage, and sharing the stage with electric performers like Thorgy Thor and Sasha Velour. Because suddenly, in the biggest, brightest city in America, drag was offering young, broke, creative queer people a chance at real money—and for thousands or even millions of people to learn their names. In How You Get Famous, journalist Nicole Pasulka joyfully documents the rebirth of the New York drag scene, following a group of iconoclastic performers with undeniable charisma, talent, and a hell of a lot to prove. The result is a sweeping portrait of the 21st-century search for celebrity and community, as well as a chronicle of all the struggles, fights, and disappointments along the way. A rollicking account of the quest to make a living through an art form on the cusp of becoming a cultural phenomenon, How You Get Famous offers an unmissable romp through the gritty and glamorous world of Brooklyn drag.

How to Write a Sentence: And How to Read One

by Stanley Fish

New York Times Bestseller“Both deeper and more democratic than The Elements of Style” —Adam Haslett, Financial Times“A guided tour through some of the most beautiful, arresting sentences in the English language.” —SlateIn this entertaining and erudite gem, world-class professor and New York Times columnist Stanley Fish offers both sentence craft and sentence pleasure, skills invaluable to any writer (or reader). Like a seasoned sportscaster, Fish marvels at the adeptness of finely crafted sentences and breaks them down into digestible morsels, giving readers an instant play-by-play. Drawing on a wide range of great writers, from Philip Roth to Antonin Scalia to Jane Austen, How to Write a Sentence is much more than a writing manual—it is a spirited love letter to the written word, and a key to understanding how great writing works. It is a book that will stand the test of time.

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