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The Rule of Three
by Agatha ChristieMelodrama / 5m, 4f / Unit Set. The Rule of Three is a collection of the three short plays: Afternoon At The Seaside, The Rats, and The Patient. Afternoon at the Seaside: The scene is a seashore resort. Among the characters: a siren in a bikini, ogling men and envious women. The undercurrents are perfect for theft. At the very end the wanton siren emerges as a policewoman who solves the otherwise perfect crime. The Rats: nvited to a party in a London flat, Sandra Grey and David Forrester find themselves alone. Somebody knows about their affair and somebody has locked them in. The Patient: Paralysed and unable to speak after she was pushed from her balcony, Mrs Wingfield must find a way to reveal her would-be murderer before they strike again.
Seidman & Son
by Elick MollComedy \ 9 m., 10 f. \ 5 Ints. \ Morris Seidman is a lovable guy who has come up the hard way. His daughter is boy crazy and his son is a militant idealist. Morris has problems at work, too, due to hiring his son. Morris not only loses one of his biggest buyers, but loses some of his most valuable workers. But he did not get to his present position without resources, and in his genial way he concludes about his son that every generation has to learn from its own experiences.
Shakespeare's Tragic Justice (Routledge Library Editions: Renaissance Drama)
by C. J. SissonThe problem of justice seems to have haunted Shakespeare as it haunted Renaissance Christendom. In this book, first published in 1963, four aspects of the problems of justice in action in Shakespeare’s great tragedies are explored. This study is based on the lifetime’s research of Elizabethan habits of mind by one of the most distinguished Shakespearean scholars, and will be of interest to students of English Literature, Drama and Performance.
Anger and After: A Guide to the New British Drama (Routledge Revivals)
by John Russell TaylorWhen it was first published in 1962, Anger and After was the first comprehensive study of the dramatic movement which began in 1956 with the staging of John Osborne’s Look Back in Anger and has since brought forward such dramatists as Brendan Behan, Harold Pinter, N. F. Simpson, John Arden and Arnold Wesker. Thoroughly revised in 1969, this book remains important reading for theatre students in need of a comprehensive and authoritative guide to post-Osborne drama in Britain.
Antigone
by Sophocles Michael Townsend Eugene H. FalkCreon, in the Antigone of Sophocles, seems to offer a rather striking example of the theory of tragedy as it is formulated in S. H. Butcher's Aristotle's Theory of Poetry and Fine Arts. Creon is truly engaged in an unequal struggle with destiny; through his ruin the disturbed order of the world is restored and the moral forces reassert their sway.
Avant-Garde: The Experimental Theater in France
by Leonard C. PronkoThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1962.
Caligula and Three Other Plays
by Albert Camus Stuart Gilbert'One word to tell the reader what he will not find in this book. Although I have the most passionate attachment for the theater, I have the misfortune of liking only one kind of play, whether comic or tragic.
Enchanted Journey
by Cristina L. WhiteTYA, Children's Theatre \ 4m, 4f \ Simple Set \ A prediction warning Prince Gustav of giants, witches, and danger does not prevent him from traveling to the faraway Kingdom of Lira when he learns his help is needed. He begins a journey which is indeed enchanted, for in the midst of danger he finds unexpected friendship and laughter. Before he reaches Lira, Gustav meets two witches, whose charm makes them unlike any ever encountered, and befriends a coward named Alakazam who travels with him to the dark garden of Gothar the Giant. The journey ends when the surprising and secret ambition of Gothar is learned, and Alakazam achieves his deepest wish through an act of courage.
Essays on Shakespeare and Elizabethan Drama: In Honour of Hardin Craig (Routledge Library Editions: Renaissance Drama #Vol. 5)
by Richard HosleyThe twenty-eight essays of this collection, first published in 1962, are the work of distinguished British, Canadian, and American scholars. The essays range widely over the field of Elizabethan drama, concentrating attention on Shakespeare and Marlowe but not neglecting earlier dramatists such as Kyd and Greene or later ones such as Heywood and Massinger. Among the general topics treated are the staging of the interludes, intrigue in Elizabethan tragedy, and Jacobean stage pastoralism. This title will be of interest to students of English literature.
Exit The Body
by Fred CarmichaelA mystery writer rents a New England house that is the rendezvous point for some jewel thieves. The focal point of the set is the closet which opens into a living room and a library. A body found in the closet promptly disappears only to be succeeded by another. The hunt for the jewels reaches a climax at two A.M. when four couples unknown to each other turn up to search. Not since the days of Mack Sennett has there been such an hilarious series of entrances and exits.
A Gift of Time
by Garson KaninDrama / 5m, 5f, extras / 4 sets / An American editor resigns his post and moves to France with his wife and two children to spend his time in writing important books. But all too shortly he learns that he is dying of an inoperable cancer, and forthwith determines to live every day, hour, and minute to the fullest: life is a gift of time. Gradually he begins to feel the pain and physical consequences of his affliction. Unfortunately, he even becomes immunized to morphine. He decides, therefore, to bear the pain and the debilities so long as his faculties remain. At that point, with his wife holding him tightly and murmuring, "I love you. Please die," he cuts his wrists and ends the agony. In the Broadway roles, Henry Fonda played the dying husband, and Olivia de Havilland, his wife. / The "affirmation of the dignity of man in the face of the remorseless enemy - mortality. Will shake you and move you. Shining tenderness. Celebrates with tenderness and humor the gifts of love and understanding that make life worth living." - N. Y. Times.
Jacobean Tragedy: The Quest for Moral Order (Routledge Library Editions: Renaissance Drama)
by Irving RibnerThe work of dramatists such as George Chapman, Thomas Heywood, Cyril Tourneur, John Webster, Thomas Middleton and John Ford can profitably be studied as attempts to construct a new moral order in response to the absence or weakening of the religious sanction. In this study, first published in 1962, the author examines these texts in detail, and throws a great deal of light on the plays as plays. This title will be of interest to students of English Literature, Drama and Performance.
King John
by William Shakespeare A. R. Braunmuller Stephen Orgel"I feel that I have spent half my career with one or another Pelican Shakespeare in my back pocket. Convenience, however, is the least important aspect of the new Pelican Shakespeare series. Here is an elegant and clear text for either the study or the rehearsal room, notes where you need them and the distinguished scholarship of the general editors, Stephen Orgel and A. R. Braunmuller who understand that these are plays for performance as well as great texts for contemplation." (Patrick Stewart) The distinguished Pelican Shakespeare series, which has sold more than four million copies, is now completely revised and repackaged. Each volume features: * Authoritative, reliable texts * High quality introductions and notes * New, more readable trade trim size * An essay on the theatrical world of Shakespeare and essays on Shakespeare's life and the selection of texts
The Lilies of the Field
by William BarrettAn African American Baptist, German nuns and God can do anything.
Teatro
by Albert CamusLa cuatro grandes obras de teatro originales de Albert Camus reunidas en un solo volumen, con un prólogo inédito del autor El presente volumen reúne las cuatro obras de teatro originales de Albert Camus: El malentendido (1944), Calígula (1945), El estado de sitio (1948) y Los justos (1949). Todas pertenecen a lo que podría llamarse el teatro moral o de ideas, relacionado formal y temáticamente con la tragedia clásica, a la que el autor era muy afecto. Sus temas y ambientes abarcan desde el sino trágico de una familia en plena Segunda Guerra Mundial hasta los ataques terroristas de un grupo de revolucionarios rusos, pasando por un brote de peste en una Cádiz imaginaria, o una recreación histórica de los excesos del tirano romano Calígula. Pero Camus sabía que al reflejar momentos históricos todo artista acaba hablando del presente. Así pues, en estas obras escritas a caballo de la Segunda Guerra Mundial encontramos sus preocupaciones habituales sobre el absurdo, la rebeldía, la sociedad y el individuo modernos. El autor ha dicho:«¿Por qué hago teatro? Pues bien, a menudo me lo he preguntado. Y la única respuesta que he podido dar hasta ahora parecerá de una trivilidad descorazonadora: simplemente porque el escenario de un teatro es uno de los lugares del mundo donde soy feliz. El teatro me ofrece la comunidad que necesito [...] Aquí todos estamos vinculados los unos a los otros sin que nadie deje de ser libre o casi: ¿no es una buena fórmula para la sociedad futura?»
Creating A Role (Bloomsbury Revelations Ser.)
by Constantin StanislavskiCreating a Roleis the culmination of Stanislavski's masterful trilogy on the art of acting. An Actor Prepares focused on the inner training of an actor's imagination. Building a Characterdetailed how the actor's body and voice could be tuned for the great roles he might fill. This third volume examines the development of a character from the viewpoint of three widely contrasting plays: Griboyedov's Woe from Wit, Shakespeare's Othello, and Gogol's The Inspector General. Building on the first two books, Stanislavski demonstrates how a fully realized character is born in three stages: "studying it; establishing the life of the role; putting it into physical form."Tracing the actor's process from the first reading to production, he explores how to approach roles from inside and outside simultaneously. He shows how to recount the story in actor's terms, how to create an inner life that will give substance to the author's words, and how to search into one's own experiences to connect with the character's situation. Finally, he speaks of the physical expression of the character in gestures, sounds, intonation, and speech. Throughout, a picture of a real artist at work emerges, sometimes failing, but always seeking truthful answers.
English Tragedy before Shakespeare: The Development of Dramatic Speech (Routledge Revivals)
by Wolfgang ClemenFirst published in English in 1961, this reissue relates the problems of form and style to the development of dramatic speech in pre-Shakespearean tragedy. The work offers positive standards by which to assess the development of pre-Shakespearean drama and, by tracing certain characteristics in Elizabethan tragedy which were to have a bearing on Shakespeare’s dramatic technique, helps to illuminate the foundations on which Shakespeare built his dramatic oeuvre.
Goethe's Faust: Part One and Sections from Part Two
by Walter KaufmannThe best translation of Faust available, this volume provides the original German text and its English counterpart on facing pages. Walter Kaufmann's translation conveys the poetic beauty and rhythm as well as the complex depth of Goethe's language. Includes Part One and selections from Part Two.
The Inspector General (Dover Thrift Editions: Plays)
by Nikolai GogolConsidered the high point of Gogol's writing for the stage and a masterpiece of dramatic satire, The Inspector General skewers the stupidity, greed, and venality of Russian provincial officials. When it is announced that the Inspector General is coming to visit incognito, Anton, the chief of police, hastens to clean up the town before his arrival. Local officials scurry to hide evidence of bribe-taking and other misdeeds, setting the stage for the arrival from St. Petersburg of Ivan, a penurious gambler and rake who is promptly taken by the townspeople to be the dreaded Inspector General. Ivan, and his servant, Osip, soon take advantage of the situation with hilarious results. First performed in 1836, the play transcends regional and national boundaries to offer a biting, highly entertaining glimpse of universal human foibles and failings.
Mother Courage and Her Children
by Bertolt Brecht Eric BentleyDrama / 18m, 5f, extras / Interior, 5 Exteriors This German play was written in 1939 and was first produced in Zurich in 1941. In America, it was published in English right away (1941, by New Directions) but did not reach Broadway till 1963 - in a memorable production directed by Jerome Robbins and starring Anne Bancroft. It had, of course, by that time been produced to much acclaim all over the world. When Bertolt Brecht directed the play in Munich (1950), Eric Bentley, Assistant Director, at his bidding started to translate the play into English. He was eventually to make several different English versions of it. The most interesting of these is published here. It was a collaboration with the eminent French composer Darius Milhaud. Together they made this remarkable contribution to musical theatre.
Salvation of Lonnie McCain
by Richard S. DunlopThe Salvation of Lonnie McCain is a truly funny play, and a meaningful exploration of a vital part of the modern high school: the grade counselor, his problems, his successes, and his failures. Lonny, a bright senior, has earned a D average and is best known for his frequent misbehavior. His counselor tries to find out why so the boy can be helped. Other office problems involving numerous students make this fast-moving play both a delight and education for student and adult audiences alike. Lonny McCain's first tournament experience brought it three big trophies: Best Actor, Best Comedy, and Sweepstakes.
The Theater of the Bauhaus
by Farkas Molnar Lazlo Moholy-Nagy Walter Gropius Arthur S. Wensinger Oskar SchlemmerFew creative movements have been more influential than the Bauhaus, under the leadership of Walter Gropius. The art of the theater commanded special attention. The text in this volume is a loose collection of essays by Oskar Schlemmer, Laszlo Moholy-Nagy, and Farkas Molnár (who in an illustrated essay shares his vision of a total theatre space), with an introduction by Bauhaus leader Walter Gropius. Originally published in German in 1924, Die Bühne im Bauhaus was translated by A. S. Wensinger and published by Wesleyan in 1961. It was prepared with the full cooperation of Walter Gropius and his introduction was written specially for this edition.From Bauhaus experiments there emerged a new aesthetic of stage design and presentation, a new concept of "total theater." Its principles and practices, revolutionary in their time and far in advance of all but the most experimental stagecraft today, were largely the work of Oskar Schlemmer, Laszlo Moholy-Nagy, and their students. Profusely illustrated and startling in its typography (the work of Moholy-Nagy), the 1924 volume quickly became a collector's item and is now virtually unobtainable. Those interested in the stage, the modern visual arts, or in the bold steps of the men of genius who broadened the horizons of aesthetic experience will appreciate that this translation is available again.
The Wakefield Mystery Plays
by Martial RoseThis collection of thirteen dramatic works is translated from the famous manuscript of fifteenth-century Biblical enactments found near the English town of Wakefield. The cycle is notable for the "The Second Shepherd's Play," one of the great treasures of medieval literature.
The Anatomy of Drama (Routledge Revivals)
by Marjorie BoultonThis title, first published in 1960, is intended primarily to increase the understanding of drama among those who do not have easy access to the live theatre and who, therefore, study plays mainly in print. The author’s emphasis is on Shakespeare, but most forms of drama receive some attention. A lucid and lively study of the techniques of plot, dialogue and characterization will help the reader to a deeper appreciated of the problems and successes of the dramatist.
The Blacks: A Clown Show (Genet, Jean Ser.)
by Jean GenetGenet has strong claims to be considered the greatest living playwright. His plays constitute a body of work unmatched for poetic and theatrical power which reaches, in at least two of the plays The Balcony and The Blacks a pitch of inspiration and mastery.” Jack Kroll, Newsweek In form, it flows as freely as an improvisation, with fantasy, allegory and intimations of reality mingled into a weird, stirring unity. . . . Genet’s investigation of the color black begins where most plays of this burning theme leave off. . . . This vastly gifted Frenchman uses shocking words and images to cry out at the pretensions and injustices of our world. . . . One of the most original and stimulating evenings Broadway or Off Broadway has to offer.” Howard Taubman, The New York Times