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Indecent Detroit: Race, Sex, and Censorship in the Motor City

by Ben Strassfeld

While Detroit has been a major focus in urban history, little has been written on censorship in the very city that—due to shifting legalities, the urban crisis, and racial tensions—profoundly shaped media suppression in the United States. By examining censorship in film and literature, Indecent Detroit recounts the evolution of media control from the end of WWII through the 1970s, when the US saw a major change in the legal mechanisms used to censor media due to court rulings that curtailed censorship laws. Ben Strassfeld reveals how Detroit altered its censorial tactics and rhetoric from an obscenity-based system of censorship centered in the Detroit Police Department to a regulatory model based in zoning law that was then expanded nationwide. This shift was connected to broader social and political trends, including the sexual revolution, that led the public to increasingly turn against censorship. A must-read for film and media scholars, Indecent Detroit highlights how one Midwest city's ordinance was imitated across the country after it was upheld by the US Supreme Court, making this more than a local curiosity but also an influential model for the cultural, political, and moral control of urban space through media regulation.

Indecent: How I Make It and Fake It as a Girl for Hire

by Sarah Catherine Lewis

SARAH KATHERINE LEWIS is aveteran sex worker whose cutting observations and dark humor about the nature of her work reflect the gritty realities of an industry she alternately loves and hates. For more than a decade, Lewis has done it all - from lingerie modeling and striptease shows to porn and illegal work. Indecent is a balls-out, in-your-face account of what really goes down in America's peep shows, adult massage parlors, and strip clubs.

The Incredible True Story of the Making of the Eve of Destruction

by Amy Brashear

Arkansas, 1984: The town of Griffin Flat is known for almost nothing other than its nuclear missile silos. MAD—Mutually Assured Destruction—is a fear every local lives with and tries to ignore. Unfortunately that’s impossible now that film moguls have picked Griffin Flat as the location for a new nuclear holocaust movie, aptly titled The Eve of Destruction. When sixteen-year-old Laura Ratliff wins a walk-on role (with a plus-one!) thanks to a radio call-in contest, she is more relieved than excited. Mingling with Hollywood stars on the set of a phony nuclear war is a perfect distraction from being the only child in her real nuclear family—which has also been annihilated. Her parents are divorced, and her mother has recently remarried. Her father, an officer in the Strategic Air Command, is absent . . . except when he phones at odd hours to hint at an impending catastrophe. But isn’t that his job? Laura’s only real friend is her new stepbrother, Terrence. She picks him as her plus-one for the film shoot, enraging her fair-weather friends. But their anger is nothing compared to what happens on set after the scripted nuclear explosion. Because nobody seems to know if a real nuclear bomb has detonated or not.

The Incredible Talking Machine

by Jenni Spangler

Pull back the curtain and enter a world where mystery and magic take centre stage . . . Twelve-year-old Tig works at the Theatre Royale, cleaning, selling tickets and doing anything else that is asked of her by her tyrannical boss, Mr Snell. But Tig will do whatever it takes to get closer to her dream – to become a Stage Manager and spend her days inventing new ways to imagine and build the intricate machinery and props that bring the exciting productions to life! But when a strange new act – a talking machine – arrives at the Theatre Royale, it moves and behaves in a way that Tig just can&’t work out. It&’s as though it&’s alive somehow . . . And when the machine appears to be hiding a dangerous secret, Tig must race against time to solve the mystery, before everything and everyone she cares about is lost forever. A gloriously gothic adventure from an original new voice in middle-grade. A gloriously gothic adventure with a magical twist from an original new voice in middle-grade. Perfect for fans of Michelle Harrison, Sophie Anderson and Emma Carroll. Praise for Jenni Spangler&’s debut novel, THE VANISHING TRICK: A thrilling, original, evocative and eerie tale - I adored it!&’ Michelle Harrison, author of A Pinch of Magic 'A thrilling page-turner. Madame Pinchbeck is a gloriously Dickensian villain&’ Abi Elphinstone, author of Sky Song 'Ghosts, gadgets, likeable villains and unlikely heroes: The Vanishing Trick is a dark and dazzling adventure&’ Emma Carroll, author of Letters from the Lighthouse 'A completely enthralling tale, oozing with atmosphere and originality&’ Catherine Doyle, author of The Storm Keeper's Island

Incorrigibles and Innocents: Constructing Childhood and Citizenship in Progressive Era Comics

by Lara Saguisag

Histories and criticism of comics note that comic strips published in the Progressive Era were dynamic spaces in which anxieties about race, ethnicity, class, and gender were expressed, perpetuated, and alleviated. The proliferation of comic strip children—white and nonwhite, middle-class and lower class, male and female—suggests that childhood was a subject that fascinated and preoccupied Americans at the turn of the century. Many of these strips, including R.F. Outcault’s Hogan’s Alley and Buster Brown, Rudolph Dirks’s The Katzenjammer Kids and Winsor McCay’s Little Nemo in Slumberland were headlined by child characters. Yet no major study has explored the significance of these verbal-visual representations of childhood. Incorrigibles and Innocents addresses this gap in scholarship, examining the ways childhood was depicted and theorized in late nineteenth- and early twentieth-century comic strips. Drawing from and building on histories and theories of childhood, comics, and Progressive Era conceptualizations of citizenship and nationhood, Lara Saguisag demonstrates that child characters in comic strips expressed and complicated contemporary notions of who had a right to claim membership in a modernizing, expanding nation.

Incongruous Entertainment: Camp, Cultural, and the MGM Musical

by Steven Cohan

With their lavish costumes and sets, ebullient song and dance numbers, and iconic movie stars, the musicals that mgm produced in the 1940s seem today to epitomize camp. Yet they were originally made to appeal to broad, mainstream audiences. In this lively, nuanced, and provocative reassessment of the MGM musical, Steven Cohan argues that this seeming incongruity--between the camp value and popular appreciation of these musicals--is not as contradictory as it seems. He demonstrates that the films' extravagance and queerness were deliberate elements and keys to their popular success. In addition to examining the spectatorship of the MGM musical, Cohan investigates the genre's production and marketing, paying particular attention to the studio's employment of a largely gay workforce of artists and craftspeople. He reflects on the role of the female stars--including Judy Garland, Debbie Reynolds, Esther Williams, and Lena Horne--and he explores the complex relationship between Gene Kelley's dancing and his masculine persona. Cohan looks at how, in the decades since the 1950s, the marketing and reception of the mgm musical have negotiated the more publicly recognized camp value attached to the films. He considers the status of Singin' in the Rain as perhaps the first film to be widely embraced as camp; the repackaging of the musicals as nostalgia and camp in the That's Entertainment! series as well as on home video and cable; and the debates about Garland's legendary gay appeal among her fans on the Internet. By establishing camp as central to the genre, Incongruous Entertainment provides a new way of looking at the musical.

Inconceivable: Heartbreak, bad dates and finding solo motherhood

by Alexandra Collier

Alexandra Collier was a writer living in a light-filled Brooklyn brownstone in New York with the man she loved. But when she woke up to a ravenous hunger to have a baby that her partner didn't share, she had to make a choice between love or a future family. She chose family, which catapulted her life back to Melbourne where, at 37, she found herself single, heartbroken and living with her parents. Ally began dating with dedication with sometimes hilarious and often soul-crushing results. But like many single women approaching 40, she found that her reproductive timeline was rapidly outpacing her romantic life. So she began to explore another controversial option: conceiving a baby with donor sperm. From defying her family's expectations to searching for sperm and navigating pregnancy alone, Ally deftly takes us through the ecstatic, complicated and demanding path to becoming a solo mother by choice. 'An inspiring and necessary book that challenges the narratives we set for our lives and reveals the beauty beyond them' CLEMENTINE FORD'Powerful, singular story I rejoiced in reading. Finally, here is a story about a woman who has created her own happily ever after, without submitting to traditional forms of family-building. Collier writes movingly of the judgement single women face in society. Necessary, immersive read.' JESSIE TU

Incomplete Shakespeare: Macbeth

by John Crace John Sutherland

‘Give me the daggers and I’ll pin the blame/ On Duncan’s grooms who both are also slain. /A little water clears us of this deed /Though a large scotch might also do the trick...’ To celebrate the 400th anniversary of Shakespeare's death, this is the first of a new collection of the Bard's greatest plays, digested to a few thousand words with invaluable side notes from John Sutherland. Funny and incredibly clever, these parodies are a joy for those who know their Shakespeare, perfect for the theatre goer needing a quick recap, and a massive relief for those just desperate to pass their English exam.This ebook has a large amount of footnotes and is best viewed on a device that supports pop-up text.

The Incomplete History of Secret Organizations: An Utterly Unreliable Account of Netflix's A Series of Unfortunate Events

by Neil Patrick Harris Joe Tracz

<P><P><i>Advisory: Bookshare has learned that this book offers only partial accessibility. We have kept it in the collection because it is useful for some of our members. To explore further access options with us, please contact us through the Book Quality link. Benetech is actively working on projects to improve accessibility issues such as these.</i> <P><P>This mysterious illustrated tie-in to Netflix's award-winning A Series of Unfortunate Events--featuring an introduction by Count Olaf's legal representative, Neil Patrick Harris--shares insider secrets about the Baudelaire family and the making of the show. In every library there is a single book that can answer the question that burns like a fire in the mind...In this collector's companion you will discover never-before-seen photographs, never-before-told stories, and never-before, revealed secrets spanning all three seasons of the hilariously twisted, critically acclaimed hit series. You will encounter original concept art, annotated script excerpts, and interviews with the creative team and all-star cast, as well as glossaries, recipes, lyric sheets, hidden Easter eggs, shocking backstories, and suspicious pages from the titular tome, unredacted, and revealed here for the first time.Featuring interviews with: Tony HaleDaniel HandlerAasif MandviSara RueBarry SonnenfeldPatrick WarburtonBo WelchAlfre Woodardand more...Perhaps you are wondering how a noble person such as yourself might become a member of a secret organization. Like so many things in life, it starts by picking up the right book. So go ahead, read at your own risk.

The Incomplete History of Secret Organizations

by Joe Tracz

'LOVING this new coffee table book chronicling the entire Series Of Unfortunate Events production... You can even peel off the label on the cover, but don't 'cuz, you know, my face..!'Neil Patrick HarrisThe perfect companion to Netflix's adaptation of A Series of Unfortunate Events, The Incomplete History of Secret Organizations is a fourth-wall-breaking deep dive into the hilariously twisted saga and the creative team that brought it to life on the screen. Discover a host of insider secrets about the show and the Baudelaire family with interviews from the cast and crew, as well as everything from exclusive looks at storyboards and sketches to the Baudelaire orphans' pasta puttanesca recipe. Foreword by Neil Patrick Harris Profiles of characters and cast Interviews with cast and crew Never-Before-Seen storyboards and sketches Annotated script excerpts Behind-the-Scenes photographs Violet Baudelaire's most intriguing inventions Guide to the show's hidden clues and Easter eggs Lyrics to the opening title songs Glossary of terms defined in the show The Baudelaires' Recipe for pasta puttanesca

Incomplete: The Feminist Possibilities of the Unfinished Film (Feminist Media Histories #5)

by Alix Beeston and Stefan Solomon

This field-defining collection establishes unfinished film projects—abandoned, interrupted, lost, or open-ended—as rich and underappreciated resources for feminist film and media studies. In deeply researched and creatively conceived chapters, scholars join with film practitioners in approaching the unfinished film as an ideal site for revealing the lived experiences, practical conditions, and institutional realities of women's film production across historical periods and national borders. Incomplete recovers projects and practices marginalized in film industries and scholarship alike, while also showing how feminist filmmakers have cultivated incompletion as an aesthetic strategy. Objects of loss and of possibility, incomplete films raise profound historiographical and ethical questions about the always unfinished project of film history, film spectatorship, and film studies.

Incomparable

by Brie Bella Nikki Bella

THE INSTANT NEW YORK TIMES BESTSELLERA raw, honest, and revealing co-memoir by Brie and Nikki Bella: twin sisters, WWE Hall of Fame inductees, and stars of the hit E! shows Total Bellas and Total Divas.As twins, the Bellas have always competed. Legend has it that Nikki drop-kicked Brie in the womb so that she could make her grand entrance first. But the rest of the world often treated them as identical and even interchangeable, so they decided to do something about it.After they made it into WWE, the Bellas accomplished so much together: bringing in young girls and women while building the Bella Army, helping the transition of female performers from Divas to Superstars, starring in Total Divas and Total Bellas, and founding companies like Birdiebee, Nicole + Brizee Beauty, and Bonita Bonita Wine.Though their early journey began with loss, abuse, and plenty of rough times, these challenges &“shined the diamond.&” They resolved to be survivors and the heroes of their own stories, and to take control and responsibility for their lives. Eventually, they would come to show girls everywhere that they can do anything.The Bellas may be identical twins—but as individuals, they have proven themselves Incomparable.

Inclusivity and Equality in Performance Training: Teaching and Learning for Neuro and Physical Diversity

by Petronilla Whitfield

Inclusivity and Equality in Performance Training focuses on neuro and physical difference and dis/ability in the teaching of performance and associated studies. It offers 19 practitioners’ research-based teaching strategies, aimed to enhance equality of opportunity and individual abilities in performance education. Challenging ableist models of teaching, the 16 chapters address the barriers that can undermine those with dis/ability or difference, highlighting how equality of opportunity can increase innovation and enrich the creative work. Key features include: Descriptions of teaching interventions, research, and exploratory practice to identify and support the needs and abilities of the individual with dis/ability or difference Experiences of practitioners working with professional actors with dis/ability or difference, with a dissemination of methods to enable the actors A critical analysis of pedagogy in performance training environments; how neuro and physical diversity are positioned within the cultural contexts and practices Equitable teaching and learning practices for individuals in a variety of areas, such as: dyslexia, dyspraxia, visual or hearing impairment, learning and physical dis/abilities, wheelchair users, aphantasia, attention-deficit/hyperactivity disorder and autistic spectrum. The chapter contents originate from practitioners in the UK, USA and Australia working in actor training conservatoires, drama university courses, youth training groups and professional performance, encompassing a range of specialist fields, such as voice, movement, acting, Shakespeare, digital technology, contemporary live art and creative writing. Inclusivity and Equality in Performance Training is a vital resource for teachers, directors, performers, researchers and students who have an interest in investigatory practice towards developing emancipatory pedagogies within performance education.

Inclusive Shakespeares: Identity, Pedagogy, Performance (Palgrave Shakespeare Studies)

by Sonya Freeman Loftis Mardy Philippian Justin P. Shaw

Inclusive Shakespeares: Identity, Pedagogy, Performance responds to the growing concern to make Shakespeare Studies inclusive of prospective students, teachers, performers, and audiences who have occupied a historically marginalized position in relation to Shakespeare's poetry and plays. This timely collection includes essays by leading and emerging scholarly voices concerned to open interest and participation in Shakespeare to wider appreciation and use. The essays discuss topics ranging from ethically-informed pedagogy to discussions of public partnerships, from accessible theater for people with disabilities to the use of Shakespeare in technical and community colleges. Inclusive Shakespeares contributes to national conversations about the role of literature in the larger project of inclusion, using Shakespeare Studies as the medium to critically examine interactions between personal identity and academia at large.

Inclusive Screenwriting for Film and Television

by Jess King

Breaking down the traditional structures of screenplays in an innovative and progressive way, while also investigating the ways in which screenplays have been traditionally told, this book interrogates how screenplays can be written to reflect the diverse life experiences of real people. Author Jess King explores how existing paradigms of screenplays often exclude the very people watching films and TV today. Taking aspects such as characterization, screenplay structure, and world-building, King offers ways to ensure your screenplays are inclusive and allow for every person’s story to be heard. In addition to examples ranging from Sorry to Bother You to Portrait of a Lady on Fire, four case studies on Killing Eve, Sense8, I May Destroy You, and Vida ground the theoretical work in practical application. The book highlights the ways in which screenplays can authentically represent and uplift the lived experiences of those so often left out of the narrative, such as the LGBTQIA+ community, women, and people of color. The book addresses a current demand for more inclusive and progressive representation in film and TV and equips screenwriters with the tools to ensure their screenplays tell authentic stories, offering innovative ways to reimagine current screenwriting practice towards radical equity and inclusion. This is a timely and necessary book that brings the critical lenses of gender studies, queer theory, and critical race studies to bear on the practice of screenwriting, ideal for students of screenwriting, aspiring screenwriters, and industry professionals alike.

Inclusive Character Analysis: Putting Theory into Practice for the 21st Century Theatre Classroom

by Jennifer Thomas Robert J. Vrtis

Inclusive Character Analysis foregrounds representations of race, gender, class, ability, and sexual orientation by blending script analysis with a variety of critical theories in order to create a more inclusive performance practice for the classroom and the stage. This book merges a traditional Stanislavski-based script analysis with multiple theoretical frameworks, such as gender theory, standpoint theory, and critical race theory, to give students in early level theatre courses foundational skills for analyzing a play, while also introducing them to contemporary thought about race, gender, and identity. Inclusive Character Analysis is a valuable resource for beginning acting courses, script analysis courses, the directing classroom, early design curriculum, dramaturgical explorations, the playwriting classroom, and introduction to performance studies classes. Additionally, the book offers a reader-style background on theoretical frames for performance faculty and practitioners who may need assistance to integrate non-performance centered theory into their classrooms.

Include Me Out: My Life from Goldwyn to Broadway

by Farley Granger Robert Calhoun

In classic Hollywood tradition, Farley Granger, a high school senior, was discovered by Sam Goldwyn's casting director in an off-Hollywood Boulevard play. Granger describes how he learned his craft as he went on to star in a number of films, giving an insider's view of working with Hitchcock on Strangers on a Train and Rope, Luchino Visconti on Senso, and Nick Ray on They Live by Night.He is eloquent about his bisexuality and tells of affairs with Patricia Neal, Arthur Laurents, Shelley Winters, Leonard Bernstein and Ava Gardner and his involvement with Barbara Stanwyck, Joan Crawford, and Tyrone Power.Granger recreates his legendary struggle to break his contract with Goldwyn. He had to buy his way out to work on Broadway. He describes the early days of live television and working with Julie Harris, Christopher Plummer, Helen Hayes, and Claire Bloom. He captures the thrill of acting on the stage with Janice Rule, June Havoc, Larry Hagman, Barbara Cook, and the National Repertory Theatre, where his determination paid off with an OBIE for his work in Tally & Son.Granger's delightful and elegant memoir Include Me Out captures the extravangance of Hollywood's Golden Age-and provides colorful portraits of many of its major players.

Inception (Constellations)

by David Carter

Christopher Nolan's Inception (2010) is a difficult film to categorize. It partakes of various genres, blurring the distinctions between them. Yes, it is science fiction but it does not contain many of the ingredients associated with that genre. It can also be identified as a kind of heist film, and there are shades of film noir as well, not only because of the heist motifs but also due to its character types. It can also be described as psychological thriller, telling the story of one man's attempt to flee his past and regain access to his family, of his coming to terms with the death of his wife. In addition it plays with time, questioning the certainty of consciously experienced real time, and revealing that the personal experience of the passing of time is variable. The film also explores the nature of the mind and how dreams are related to the conscious and unconscious mind. David Carter's contribution to the Constellation series covers all of these facets of a complex yet highly successful film, as well as considering it in the context of the director's other work.

Inception: The Shooting Script

by Christopher Nolan Jonah Nolan

Inception, writer-director Christopher Nolan's seventh feature film, joins the epic scope of The Dark Knight with the narrative sophistication of Memento. The story of a group of thieves who specialize in invading the mind through one's dreams, Inception explores the writer-director's signature psychological themes of memory, paranoia, and self-doubt as his protagonist, Dom Cobb, is pitted against a hostile subconscious spurred on by personal demons and regrets from the past.In a conversational preface, Nolan discusses with brother and frequent collaborator, Jonathan, the genesis of the idea for the film and the decade-long process it took to write it. Detailing the results of Nolan's efforts, Inception: The Shooting Script includes key storyboard sequences, full-color concept art, and an appendix on the workings of the mysterious Pasiv Device that Cobb and his fellow extractors use to initiate the dream-share. An exclusive exploration of a highly original concept, Inception: The Shooting Script is the record of a writer-director at the height of his craft.Includes: Writer-director Christopher Nolan's initial handwritten outline of the Inception plot A preface by brothers and collaborators Christopher Nolan and Jonathan Nolan, in which they delve into the 10-year development process behind Inception An 8-page color insert featuring Inception concept artAn in-world appendix with instructions for operating the mysterious Pasiv Device mechanism

Incendiary (Hollow Crown)

by Zoraida Córdova

An epic tale of love and revenge set in a world inspired by Inquisition-era Spain pits the magical Moria against a terrifying royal authority bent on their destruction.When the royal family of Selvina sets out to destroy magic through a grand and terrible inquisition, magic warrior-thief Renata - trained in the art of stealing memories-seeks to kill the prince, leader of the King's Justice, only to learn through powerful memories that he may be the greatest illusion of them all ... and that the fate of all magic now lies in her hands.With the ferocity of series like Ember in the Ashes and Throne of Glass and loosely based on 15th century Spain, INCENDIARY explores the double-edged sword of memory and the triumph of hope in the midst of fear and oppression.(P) 2020 Hodder & Stoughton Ltd

Incapacity and Theatricality: Politics and Aesthetics in Theatre Involving Actors with Intellectual Disabilities (Routledge Advances in Theatre & Performance Studies)

by Tony McCaffrey

Incapacity and Theatricality acknowledges the distinctive contribution to contemporary theatrical performance made by actors with intellectual disabilities. It presents a close examination of certain key theatrical performances across a variety of different media, including John Cassavetes’ 1963 social issues film A Child Is Waiting; the performance art collaboration between Robert Wilson and Christopher Knowles; and the provocative pranksterism of Christoph Schlingensief’s talent show mockumentary FreakStars 3000. Tracing a global path of performances, Incapacity and Theatricality offers an analysis of how actors with intellectual disabilities have emerged onto the main stage, and how their inclusion calls into question long-held assumptions about both theatre and intellectual disability. For postgraduate students, or anyone interested in the shifting dynamics of twenty-first century theatre, McCaffrey’s work offers a vital consideration of the intersubjective relations between people with and without intellectual disabilities and ultimately addresses urgent questions about the situation and representation of the contemporary subject caught up somewhere between incapacity and theatricality.

The Inbetweeners Scriptbook

by Damon Beesley Iain Morris

Following on from last year’s huge Sunday Times bestseller, The Inbetweeners Yearbook, comes The Inbetweeners Script Book, the perfect gift for all die-hard Inbetweeners fan and lovers of fine award-winning literature. The book features all eighteen scripts of the televised show, each with its own introduction from the writers and creators, Damon Beesley and Iain Morris, sharing behind the scenes stories about filming, the writing process, and the real events that inspired the show’s storylines.

In Wirklichkeit Animation...: Beiträge zur deutschsprachigen Animationsforschung

by Franziska Bruckner Juergen Hagler Holger Lang Maike Sarah Reinerth

Dieser Band stellt das Spannungsfeld von Wirklichkeit und Animation in den Mittelpunkt und lotet aus, inwieweit dieses Verhältnis interdisziplinär begriffen und (medien)theoretisch erfasst werden kann. Wirklichkeit und Animation erscheinen im ersten Moment als Gegensatz: auf der einen Seite das Reale, Nicht-Mediale, Tatsächliche und Ursprüngliche und auf der anderen Seite das Fiktive, In-Bewegung-Gesetzte, Verwandelte und künstlich Gemachte. Doch gerade aus diesem vermeintlichen Kontrast ergibt sich ein produktives Spannungsfeld: So setzen auch ‚realistische‘ und dokumentarische Formen vielfach Animationen ein. Realfotografische und animierte Elemente verbinden sich in Online-Umgebungen und Augmented-Reality-Formaten zu Hybriden. Hinsichtlich virtueller Wirklichkeiten stellt sich außerdem die Frage, wie hyperrealistische Animationen und Effekte in der Postproduktion zu bewerten sind und ob die ausgestellte Künstlichkeit sichtbarer Animation nicht authentischer wirkt. Parallel dazu entwickeln sich die Animation Studies zu einem wachsenden interdisziplinären Forschungsfeld, dessen Stellenwert sich nicht nur im künstlerischen und medien-wissenschaftlichen Bereich, sondern auch in der industriellen Anwendung zeigt.

In Their Lives: Great Writers on Great Beatles Songs

by Andrew Blauner

For readers who loved Tune In and Nick Hornby’s Songbook, an anthology of essays from a chorus of twenty-nine luminaries singing the praises of their favorite Beatles songs. The Beatles’ influence—on their contemporaries, on our cultural consciousness, and on the music industry ever after—is difficult to overstate. We all have a favorite song from the band that made us want to fall in love, tune in, and follow our dreams. Arranged chronologically by the date of the song’s release, these essays highlight both the Beatles’ evolution as well as the span of generations their music affected. From Beatlemaniacs who grew up listening to the iconic albums on vinyl to new fans who download the songs on iTunes, each contributor explores a poignant intersection between Beatles history and personal history. With contributions from twenty-nine authors and musicians—Roz Chast on “She Loves You,” Jane Smiley on “I Want to Hold Your Hand,” Rosanne Cash on “No Reply,” Gerald Early on “I’m a Loser,” Rick Moody on “The End,” Maria Popova on “Yellow Submarine,” David Duchovny on “Dear Prudence,” Chuck Klosterman on “Helter Skelter,” David Hadju on “You Know My Name (Look Up the Number),” and more—the breadth of the band’s impact is clear. From musings on young love and family strife to explorations of racial boundaries and identity, these essays pay tribute to a band that ran the gamut of human experience in a way no musical group has done before or since.Timed for the fiftieth anniversary of the release of Sgt. Pepper’s Lonely Hearts Club Band, this anthology captures the full spectrum of reasons fans still love the Fab Four after all these years.

In the World: From the Big House to Hollywood (Cannabis Americana: Remembrance of the War on Plants, Book 3) (Cannabis Americana: Remembrance of the W #3)

by Richard Stratton

The Hollywood Ending of an Adrenaline-Filled and, By Turns, Harrowing and Funny Odyssey of Crime and Redemption in America's War on DrugsSmuggler's Blues, the first book in Richard Stratton's memoir of his criminal career, detailed his years as a kingpin in the Hippie Mafia. Kingpin, the second book, traced his eight-year journey through the criminal justice system, through two federal trials and myriad jails and prisons, and culminating in his success as a self-taught jailhouse lawyer in winning his own release. In this final volume, Stratton recounts his return to civilian life, as a convicted felon who had been forced to confront his demons and an aspiring writer who yearned to make his mark. From parole to Hollywood to marriage and fatherhood, he found his way in the free world. Working in the New York office of a criminal defense attorney, he somehow adhered to the stringent conditions of his release not to associate with other felons. When his prison novel Smack Goddess was published, his mentor, Norman Mailer, entered his life again. Going to Hollywood to consult on a documentary, he became a writer and producer, and his feature film Slam won major awards at Sundance and Cannes. In the World includes profiles of celebrities such as Mailer, Oliver Stone, Sean Penn, and others.

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