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Launching LBJ: How a Kennedy Insider Helped Define Johnson's Presidency
by O'Donnell HelenKenneth O'Donnell was JFK's Chief of Staff, among the group known as Kennedy's "Irish Mafia." O’Donnell was with Jack Kennedy through his entire time in office… and he was on Air Force One in Dallas, at Jacqueline Kennedy’s side, as Lyndon Johnson got sworn in. When John F. Kennedy was assassinated, LBJ asked Ken O’Donnell to stay on and work with him through the first nine months of his administration, to help the country transition and heal, and to help Johnson set his own agenda for his presidency. Although they were political adversaries, they developed a mutually respectful rapport, and Ken helped LBJ find his voice, starting with his work in voting rights and developing the civil rights agenda. Ken O’Donnell was a prolific diarist and note taker, and in Launching LBJ, his daughter Helen, a respected historian and journalist in her own right, takes her father's journals and fills in the gaps to create an unprecedented, inside look at the early days of President Lyndon Johnson's regime.
Launching The Grand Coalition: The 2005 Bundestag Election and the Future of German Politics
by Eric LangenbacherThis edited volume, which brings together the leading experts in German politics from around the US and Germany, combines rich descriptive data with insightful analyses regarding one of the most dramatic and important election years in postwar Germany. A variety of more specialized issues and perspectives is addressed, including the transatlantic relationship, EU policy, voting behavior and far Right parties. This book will be essential reading for students of German, European and comparative politics.
Launching Europe: An Ethnography of European Cooperation in Space Science
by Stacia E. ZabuskyIn this first ethnographic study of the European Space Agency, Stacia Zabusky explores the complex processes involved in cooperation on space science missions in the contemporary context of European integration. Zabusky argues that the practice of cooperation does not depend on a homogenizing of interests in a bland unity. Instead, it consists of ongoing negotiation of and conflict over often irreconcilable differences. In this case, those differences are put into play by both technical and political divisions of labor (in particular, those of big science and of European integration). Zabusky shows how participants on space science missions make use of these differences, particularly those manifest in identities of work and of nationality, as they struggle together not only to produce space satellites but also to create European integration. She argues that the dialectical processes of production include and depend on conflict and contradiction to maintain energy and excitement and thus to be successful. Participants in these processes are not, however, working only to produce tangible success. In her epilogue, Zabusky argues that European space science missions can be interpreted as sacred journeys undertaken collectively, and that these journeys are part of a fundamental cultural project of modernity: the legitimation of and aspiration for purity. She suggests, finally, that this project characterizes not only the institution of technoscience but those of bureaucracy and nationalism as well.
Launch Pad UK: Britain and the Cuban Missile Crisis
by Jim WilsonFor most British people the weekend of 27/28 October 1962 could so very easily have been their last weekend on earth, yet astonishingly the fact that Britain's nuclear deterrent forces went to an unprecedented level of readiness was kept secret from the public. Thor nuclear-tipped ballistic missiles stood on a round-the-clock wartime state of alert ready to be fired, these were the 'other' missiles of the Cuban Missile Crisis, which made Britain, in effect, America's launch pad. During the height of the crisis both RAF Bomber Command and the US Strategic Air Command were poised at the highest states of readiness. Both were ordered to a level of war readiness unparalleled throughout the whole of the forty years of Cold War.There is evidence to suggest that had the US needed to launch an air strike against Russian missiles in Cuba, President Kennedy might have been willing to absorb a Soviet nuclear assault on a NATO ally without retaliation, if it would have avoided escalation to World War Three.It is sobering to those who lived through that period that, the British Ambassador to Cuba commented: 'If it was a nuclear war we were headed for, Cuba was perhaps a better place to be than Britain!'
Laughter-Silvered Wings: Remembering the Air Force II
by J. Douglas HarveyLaughter-Silvered Wings: Remembering the Air Force II
The Laughter of the Saints
by Ryan D. GilesBetween the fourteenth and seventeenth centuries in Spain, a large number of parodic works were produced that featured depictions of humourous, satirical, and comical saints. The Laughter of the Saints examines this rich carnivalesque tradition of parodied holy men and women and traces their influence to the anti-heroes and picaresque roots of early modern novels such as Don Quixote. The first full-length treatment of the ways in which Spanish writers imitated religious depictions of saints' lives for comic purposes, Ryan D. Giles' erudite study explores the inversion of oaths, invocations, pious legends, and liturgical devotions. Analyzing a variety of texts from Libro de buen amor, to later works such as the Celestina, Carajicomedia, Lozana andaluza, and Lazarillo de Tormes, Giles not only sheds light on Golden Age Spanish literature, but also on the origins of the comic novel. A well-argued and convincing work, The Laughter of the Saints reveals the uproarious results of the collision of official and unofficial methods of storytelling.
The Laughter of My Father
by Carlos BulosanThe rich man’s children ate their good food and grew thinner and more peaked. The Bulosans, next door, went on eating their poor and meagre food, laughed, and grew fat. So the rich man sued Father Bulosan for stealing the spirit of his food. And Father paid him in his own coin, while the laughter of the Bulosans and the judge drove the rich man’s family out of the courtroom.The Bulosans lived in Binalonan, in the Philippine province of Pangasinan. But the episodes of Father’s history that his son Carlos retells belong to universal and timeless comedy. No one can remain unmoved by Father’s excursions into politics, cock-fighting, violin-playing, or the concoction of love-potions. Twenty-four such stories make up the rich and funny collection called The Laughter of My Father.“In the winter of 1939, when I was out of work, I went to San Pedro, California, and stood in the rain for hours with hundreds of men and women hoping to get a place at the fish canneries. To forget the monotony of waiting, I started to write the title story. It was finished when I reached the gate, but the cold hours that followed made me forget many things.“In November, 1942, when there was too much pain and tragedy in the world, I found the story in my hat. I sent it to The New Yorker, a magazine I had not read before, and in three weeks a letter came. ‘Tell us some more about the Filipinos,’ it said. I said, ‘Yes, sir.’“I wrote about everything that I could remember about my town Binalonan, in the province of Pangasinan. I received letters from my countrymen telling me that I wrote about them and their towns. It came to me that in writing the story of my town, I was actually depicting the life of the peasantry in the Philippines.“These stories and 18 others are now gathered in this volume. For the first time the Filipino people are depicted as human beings. I hope you will enjoy reading about them.”—Carlos Bulosan
Laughter, Literature, Violence, 1840–1930
by Jonathan TaylorLaughter, Literature, Violence, 1840-1930 investigates the strange, complex, even paradoxical relationship between laughter, on the one hand, and violence, war, horror, death, on the other. It does so in relation to philosophy, politics, and key nineteenth- and twentieth-century literary texts, by Edgar Allan Poe, Edmund Gosse, Wyndham Lewis and Katherine Mansfield – texts which explore the far reaches of Schadenfreude, and so-called ‘superiority theories’ of laughter, pushing these theories to breaking point. In these literary texts, the violent superiority often ascribed to laughter is seen as radically unstable, co-existing with its opposite: an anarchic sense of equality. Laughter, humour and comedy are slippery, duplicitous, ambivalent, self-contradictory hybrids, fusing apparently discordant elements. Now and then, though, literary and philosophical texts also dream of a different kind of laughter, one which reaches beyond its alloys – a transcendent, ‘perfect’ laughter which exists only in and for itself.
Laughter in the Shadows
by Stuart E. MethvenThis memoir of a CIA operations officer captures the spirit of the early years of the Agency, a period sometimes described as its 'finest hours.' Using the alias 'St. Martin,' Stuart Methven served in the CIA from the 1950s through the 1970s. The book opens by describing the author's training in the clandestine arts and subsequent assignment to Asia in a country he calls 'Bushido.' There he is involved in numerous operations, including one that takes him under the ocean, and earns his case officer's 'brevet.' A nation-building program in 'Cham' follows, which begins well enough and includes his gaining a tribal leader's confidence by parachuting badly needed supplies to his mountain village. It ends abruptly, however, with a coup d'etat and civil war that forces Methven's evacuation, the first of several during his career.His next assignment is in South Vietnam working to counter another budding insurgency. Methven spends four years in the mountain and delta provinces of Vietnam before being given a sabbatical for graduate work in international studies back in the states. After completing his studies, he returns to Southeast Asia as a deputy station chief with a focus on a large Soviet mission in Samudra and the recruitment of Soviet military officers. Promoted to station chief, his final assignment is in central Africa, where his station becomes center stage for a large covert operation that eventually involves the Soviets and Cubans. Glimpses of the CIA from the inside are rare, and Methven's recollections of his experiences during a formative period in the Agency's history will be of particular value to those with an interest in the CIA and international affairs and in spy stories.
Laughter in Ancient Rome
by Mary BeardWhat made the Romans laugh? Was ancient Rome a carnival, filled with practical jokes and hearty chuckles? Or was it a carefully regulated culture in which the uncontrollable excess of laughter was a force to fear--a world of wit, irony, and knowing smiles? How did Romans make sense of laughter? What role did it play in the world of the law courts, the imperial palace, or the spectacles of the arena? Laughter in Ancient Rome explores one of the most intriguing, but also trickiest, of historical subjects. Drawing on a wide range of Roman writing--from essays on rhetoric to a surviving Roman joke book--Mary Beard tracks down the giggles, smirks, and guffaws of the ancient Romans themselves. From ancient "monkey business" to the role of a chuckle in a culture of tyranny, she explores Roman humor from the hilarious, to the momentous, to the surprising. But she also reflects on even bigger historical questions. What kind of history of laughter can we possibly tell? Can we ever really "get" the Romans' jokes?
Laughter at the Foot of the Cross
by Michael A. Screech“Christian laughter is a maze: you could easily get snarled up within it.” So says Michael A. Screech in his note to readers preceding this collection of fifty-three elegant and pithy essays. As Screech reveals, the question of whether laughter is acceptable to the god of the Old and New Testaments is a dangerous one. But we are fortunate in our guide: drawing on his immense knowledge of the classics and of humanists like Erasmus and Rabelais—who used Plato and Aristotle to interpret the Gospels—and incorporating the thoughts of Aesop, Calvin, Lucian of Samosata, Luther, Socrates, and others, Screech shows that Renaissance thinkers revived ancient ideas about what inspires laughter and whether it could ever truly be innocent. As Screech argues, in the minds of Renaissance scholars, laughter was to be taken very seriously. Indeed, in an era obsessed with heresy and reform, this most human of abilities was no laughing matter.
Laughter After: Humor and the Holocaust
by Avinoam Patt David Slucki Gabriel N. Finder Anna Shternshis David Shneer Jan Schwarz Marc Caplan Steve Whitfield Jennifer Caplan Jarrod Tanny Ilan Stavans Liat Steir Livny Jordana Silverstein Ferne PearlsteinLaughter After: Humor and the Holocaust argues that humor performs political, cultural, and social functions in the wake of horror. Co-editors David Slucki, Gabriel N. Finder, and Avinoam Patt have assembled an impressive list of contributors who examine what is at stake in deploying humor in representing the Holocaust. Namely, what are the boundaries? Clearly, there have been comedy and laughter in the decades since. However, the extent to which humor can be ethically deployed in representing and discussing the Holocaust is not as clear. This book comes at an important moment in the trajectory of Holocaust memory. As the generation of survivors continues to dwindle, there is great concern among scholars and community leaders about how memories and lessons of the Holocaust will be passed to future generations. Without survivors to tell their stories, to serve as constant reminders of what they experienced, how will future generations understand and relate to the Shoah? Laughter After is divided into two sections: "Aftermath" and "Breaking Taboos." The contributors to this volume examine case studies from World War II to the present day in considering and reconsidering what role humor can play in the rehabilitation of survivors, of Jews and of the world more broadly. More recently, humor has been used to investigate the role that Holocaust memory plays in contemporary societies, while challenging memorial conventions around the Holocaust and helping shape the way we think about the past. In a world in which Holocaust memory is ubiquitous, even if the Holocaust itself is inadequately understood, it is perhaps not surprising that humor that invokes the Holocaust has become part of the memorial landscape. This book seeks to uncover how and why such humor is deployed, and what the factors are that shape its production and reception. Laughter After will appeal to a number of audiences—from students and scholars of Jewish and Holocaust studies to academics and general readers with an interest in media and performance studies.
Laughing Wolf
by Nicholas MaesShort-listed for the 2010 Saskatchewan Young Reader’s Choice Award - Snow Willow and for the 2010 Manitoba Young Reader’s Choice Award It is the year 2213. Fifteen-year-old Felix Taylor is the last person on Earth who can speak and read Latin. In a world where technology has defeated war, crime, poverty, and famine, and time travel exists as a distinct possibility, Felix’s language skills and knowledge seem out of place and irrelevant. But are they? A mysterious plague has broken out. Scientists can’t stop its advance, and humanity is suddenly poised on the brink of eradication. The only possible cure is Lupus Ridens, or Laughing Wolf, a flower once common in ancient Rome but extinct for more than 2,000 years. Felix must project back to Roman times circa 71 B.C. and retrieve the flower. But can he navigate through the dangers and challenges of the world of Spartacus, Pompey, and Cicero? And will he find the Laughing Wolf in time to save his family and everyone else from the Plague of Plagues?
The Laughing Soldier: The British Armed Forces Jokebook
by Al Murray Mark OrmrodA witty collection that celebrates the strength to find humor even in the most challenging circumstances—with proceeds benefiting veterans.Britain’s armed forces have a legendary sense of humor, dating back over generations of servicemen and women. The Laughing Soldier, aiding the veterans’ charity Project 65, is a collection of jokes, along with messages of support for the troops, sent in by people all over the world. Contributors include serving personnel, veterans and their families, the general public, celebrities such as Alan Titchmarsh, comedian Milton Jones, and public officials including George Osborne, all inspired by the Armed Forces’ strength and capacity for finding humor in the toughest of situations.With forewords by satirist Al Murray, a.k.a. the Pub Landlord, and ex-marine Mark Ormrod, the Afghanistan hero who lost three limbs to a landmine and bestselling author of Man Down, and illustrated with cartoons by The Comic Stripper, The Laughing Soldier’s collection of jokes will lift the spirits of servicemembers and their families—and those who care about them.A donation is made to Project 65 from the sale of every book.
Laughing Histories: From the Renaissance Man to the Woman of Wit
by Joy WiltenburgLaughing Histories breaks new ground by exploring moments of laughter in early modern Europe, showing how laughter was inflected by gender and social power. "I dearly love a laugh," declared Jane Austen's heroine Elizabeth Bennet, and her wit won the heart of the aristocratic Mr. Darcy. Yet the widely read Earl of Chesterfield asserted that only "the mob" would laugh out loud; the gentleman should merely smile. This literary contrast raises important historical questions: how did social rules constrain laughter? Did the highest elites really laugh less than others? How did laughter play out in relations between the sexes? Through fascinating case studies of individuals such as the Renaissance artist Benvenuto Cellini, the French aristocrat Madame de Sévigné, and the rising civil servant and diarist Samuel Pepys, Laughing Histories reveals the multiple meanings of laughter, from the court to the tavern and street, in a complex history that paved the way for modern laughter. With its study of laughter in relation to power, aggression, gender, sex, class, and social bonding, Laughing Histories is perfect for readers interested in the history of emotions, cultural history, gender history, and literature.
The Laughing Hangman
by Edward MarstonJonas Applegarth is a brilliant but belligerent playwright. When his play, The Misfortunes of Marriage, is performed by Lord Westfield's Men, it causes an uproar. All of Applegarth's enemies attack the company. Nicholas Bracewell defends the playwright loyally, but alas, Applegarth is soon found hanged by the neck. It is only the first of many mysteries that Nicholas has to solve. Lord Westfield's Men are furious when they are satirized by a rival children's theater company at the Blackfriars playhouse. A second attack by the killer-laughing hangman-throws the actors in further disarray. Nicholas is under enormous pressure, not least because he is trying to rekindle his romance with Anne Hendrik by helping her to fend off an aggressive suitor. His beloved company is under threat as never before, and he has to call on all of his resources to rescue them. "Marston's wit and vivid evocation of Elizabethan London's sights and smells provide a delightfully ribald backdrop for this clever series." -Publishers Weekly "A delightfully dazzling period piece suffused with humor, wit and atmospheric drama." -Booklist
Laughing Gods, Weeping Virgins: Laughter in the History of Religion
by Ingvild Saelid GilhusLaughing Gods, Weeping Virgins analyses how laughter has been used as a symbol in myths, rituals and festivals of Western religions, and has thus been inscribed in religious discourse. The Mesopotamian Anu, the Israelite Jahweh, the Greek Dionysos, the Gnostic Christ and the late modern Jesus were all laughing gods. Through their laughter, gods prove both their superiority and their proximity to humans.In this comprehensive study, Professor Gilhus examines the relationship between corporeal human laughter and spiritual divine laughter from c`ussical antiquity, to the Christian West and the modern era. She combines the study of the history of religion with social-scientific approaches, to provide an original and pertinent exploration of a universal human phenomenon, and its significance for the development of religions.
The Laughing Cavalier
by Emmauska OrczyBaroness Emma Magdolna Rozália Mária Jozefa Borbála "Emmuska" Orczy de Orczi (23 September 1865 - 12 November 1947) was a Hungarian-born British novelist, playwright and artist of noble origin. She is most known for her series of novels featuring the Scarlet Pimpernel. This is one of her novels.
Laughing Back at Empire: The Grassroots Activism of The Asianadian Magazine, 1978–1985 (Human Rights and Social Justice Series #3)
by Angie WongAsian Canadian activism, resistance, and art of the 1970s and 80s Laughing Back at Empire is a ground-breaking examination of The Asianadian, one of Canada’s first anti-racist, anti- sexist, and anti-homophobic magazines. Over the course of its seven-year run, the small but mighty magazine led a nation-wide dialogue for all Canadians on the struggles and social issues that concerned Asians in Canada. The Asianadian established a national platform for then-emerging Asian Canadian writers, artists, musicians, activists, and scholars like Sky Lee, Jim Wong-Chu, Joy Kogawa, Himani Bannerji, and Paul Yee. Columns like “On the Firing Line” and the “Dubious Achievement Awards” provided space to laugh back at the embarrassing concoction of Orientalist stereotypes in the media and to critique inconsistencies and superficialities within Canada’s newfound multicultural image. Situating the story of The Asianadian within the history of Canada, Angie Wong celebrates and builds on the work of its creators from the Asianadian Resource Workshop. Extensive interview material with the co-founding members, editors, volunteers, readers, and contributors captures their dedication and spirit of anti-racist collectivism. Wong’s analysis helps to dismantle cultural assumptions that have relegated Asian Canadian history, contributions, and injustices to the periphery of Canadian experience and identity. On the heels of the COVID-19 pandemic and a resurgence of anti-Asian racism, Laughing Back at Empire amplifies the voices that speak, shout, and laugh together at empire’s self-congratulatory and exclusionary narratives.
Laughing Atoms, Laughing Matter: Lucretius’ De Rerum Natura and Satire
by T.H.M. Gellar-GoadLaughing Atoms, Laughing Matter: Lucretius' De Rerum Natura and Satire offers the first comprehensive examination of Roman epic poet Lucretius’ engagement with satire. Author T. H. M. Gellar-Goad argues that what has often been understood as an artfully persuasive exposition of Epicurean philosophy designed to convert the uninitiated is actually a mimesis of the narrator’s attempt to effect such a conversion on his internal narrative audience—a performance for the true audience of the poem, whose members take pleasure from uncovering the literary games and the intertextual engagement that the performance entails. <p><p>Gellar-Goad aims to track De Rerum Natura along two paths of satire: first, the broad boulevard of satiric literature from the beginnings of Greek poetry to the plays, essays, and broadcast media of the modern world; and second, the narrower lane of Roman verse satire, satura, beginning with early authors Ennius and Lucilius and closing with Flavian poet Juvenal. Lucilius is revealed as a major, yet overlooked, influence on Lucretius. <p><p> By examining how Lucretius’ poem employs the tools of satire, we gain a richer understanding of how it interacts with its purported philosophical program.
Laughing At Myself: My Education in Congress, on the Farm, and at the Movies
by Dan GlickmanIn this book, the author tells his story of a classical family background, religious heritage, and 'Midwestern-nice' roots, and how it led to a long and successful career in public service. He combines a steady sense of humor with serious reflection on his rise from the middle of nowhere to becoming a successful US politician and the first Jewish secretary of agriculture since Joseph served pharaoh in biblical times. The author defines success as a willingness to listen, an ability to communicate ideas, and a yen for compromise. He has successfully navigated the worlds of congressional politics, cabinet-level administration, and the entertainment industry and offers readers the many tricks of the trade he has learned over the years, which will inform the understanding of citizens and help aspiring politicians seeking alternatives to the current crisis of partisanship. He is convinced that the toxicity seen in our current political culture and public discourse can be mitigated by the principles that have guided his life-a strong sense of humor (specifically an ability to laugh at himself), respect and civility for those who have different points of view, a belief system founded on values based on the Golden Rule, and a steadfast commitment to solve problems rather than create irreconcilable conflicts. While these values form the backbone of his personal life and professional career, the real key to his success has been resiliency-learning from adversity and creating opportunities where none may have originally existed. Even though you never know what's around the corner, in this book, the author offers a bold affirmation that America is still a nation built on opportunity and optimism. The book affirms readers in their desire to move beyond just surviving to living life with purpose, passion, and optimism.
Laughing at Leviathan: Sovereignty and Audience in West Papua
by Danilyn RutherfordFor West Papua and its people, the promise of sovereignty has never been realized, despite a long and fraught struggle for independence from Indonesia. In Laughing at Leviathan, Danilyn Rutherford examines this struggle through a series of interlocking essays that drive at the core meaning of sovereignty itself--how it is fueled, formed, and even thwarted by pivotal but often overlooked players: those that make up an audience. Whether these players are citizens, missionaries, competing governmental powers, nongovernmental organizations, or the international community at large, Rutherford shows how a complex interplay of various observers is key to the establishment and understanding of the sovereign nation-state. Drawing on a wide array of sources, from YouTube videos to Dutch propaganda to her own fieldwork observations, Rutherford draws the history of Indonesia, empire, and postcolonial nation-building into a powerful examination of performance and power. Ultimately she revises Thomas Hobbes, painting a picture of the Leviathan not as a coherent body but a fragmented one distributed across a wide range of both real and imagined spectators. In doing so, she offers an important new approach to the understanding of political struggle.
Laughing at Leviathan: Sovereignty and Audience in West Papua (Chicago Studies in Practices of Meaning)
by Danilyn RutherfordFor West Papua and its people, the promise of sovereignty has never been realized, despite a long and fraught struggle for independence from Indonesia. In Laughing at Leviathan, Danilyn Rutherford examines this struggle through a series of interlocking essays that drive at the core meaning of sovereignty itself—how it is fueled, formed, and even thwarted by pivotal but often overlooked players: those that make up an audience. Whether these players are citizens, missionaries, competing governmental powers, nongovernmental organizations, or the international community at large, Rutherford shows how a complex interplay of various observers is key to the establishment and understanding of the sovereign nation-state. Drawing on a wide array of sources, from YouTube videos to Dutch propaganda to her own fieldwork observations, Rutherford draws the history of Indonesia, empire, and postcolonial nation-building into a powerful examination of performance and power. Ultimately she revises Thomas Hobbes, painting a picture of the Leviathan not as a coherent body but a fragmented one distributed across a wide range of both real and imagined spectators. In doing so, she offers an important new approach to the understanding of political struggle.
Laugh or Cry: The British Soldier on the Western Front, 1914–1918
by Peter Hart Gary BainAwakened by great shouted oaths below. Peeped over the side of the manger and saw a Belgian lass milking and addressing a cow with a comprehensive luridness that left no doubt in my mind that British soldiers had been billeted here before.' - Private Norman Ellison, 1/6th King’s Liverpool Regiment Humor helped the British soldier survive the terrible experiences they faced in the trenches of the Western Front during the Great War. Human beings are complicated, and there is no set pattern as to how they react to the outrageous stresses of war. But humor, often dark and representative of the horrors around them could and often did help. They may have been up to their knees in mud and blood, soaking wet and shot at from all sides, but many were still determined to see the ‘funny side’, rather than surrender to utter misery. Peter Hart and Gary Bain have delved deep into the archives to find examples of the soldier’s wit. The results are at times hilarious but rooted in tragedy. You have to laugh or cry.