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Mammoth Books presents Mami Wata (Mammoth Books #463)
by Simon Kurt UnsworthWhen I was first asked to contribute to Exotic Gothic 3 (which was to feature Gothic-influenced stories in non-Gothic environments), I agreed without really thinking about it," Unsworth explains, "and then spent a long time struggling, trying to work out how, precisely, I was going to manage it or quite how to make a start. "I knew what I wanted to do, sort of, but not exactly how to do it, so one day alarmingly close to the deadline I did a fun thing: I freewheeled through Google. Using a small document about Zambian myths and cultures I found online (I set the story in Zambia for no reason other than an old family friend lives there and it seemed exotic in Gothic terms), I used one Zambian word from it as a search term and read what came up, took one intriguing Zambian term from the search results and searched for that, etc, and disappeared into Google's merry depths. "I ended up with an academic paper about a particular myth, a travel blog about a sort of beer made from corn and a weird little 'my God's better than your God' blog by a kid in Africa, and somewhere in the middle of that, the story appeared.
Mammoth Books presents Lethal Legends: Four short stories by Michael Kelly, Simon Kurt Unsworth, Mark Valentine and Terry Dowling
by Michael Kelly Simon Kurt Unsworth Mark ValentineTHE WOODS - Michael KellyMichael Kelly reveals "The Woods' was written for an anthology seeking regional horror and ghost stories. I'd just read Hemingway's 'Hills Like White Elephant's'. Now, in no way am I comparing myself to Hemingway but I wanted to write a similarly brief tale, with only two main characters, and where the horror was off-stage. As well, the setting had to be distinctly Canadian. What, I thought, could be more Canadian than the frozen north and allusions to mythical beasts?" MAMI WATA - Simon Kurt UnsworthUnsworth reveals, "When I was first asked to contribute to Exotic Gothic 3 (which was to feature Gothic-influenced stories in non-Gothic environments), I agreed without really thinking about it, and then spent a long time struggling, trying to work out how, precisely, I was going to manage it or quite how to make a start."I knew what I wanted to do, sort of, but not exactly how to do it, so one day alarmingly close to the deadline I did a fun thing: I freewheeled through Google. Using a small document about Zambian myths and cultures I found online (I set the story in Zambia for no reason other than an old family friend lives there and it seemed exotic in Gothic terms), I used one Zambian word from it as a search term and read what came up, took one intriguing Zambian term from the search results and searched for that, etc, and disappeared into Google's merry depths."I ended up with an academic paper about a particular myth, a travel blog about a sort of beer made from corn and a weird little 'my God's better than your God' blog by a kid in Africa, and somewhere in the middle of that, the story appeared."THE AXHOLME TOLL - Mark Valentine"In the following story, the book called The MS. in a Red Box really exists," the author reveals. "All of the legends about the Isle, and about Beckett's assassins, are also genuine, except (so far) that of the Toll, and their final place of rest - or unrest."TWO STEPS ALONG THE ROAD - Terry Dowling"Two Steps Along the Road' came out of a conversation with US editor Danel Olson," Dowling explains, "where we discussed me doing a ghost story set in Vietnam for Exotic Gothic 3, and the interesting possibilities it might provide for delivering atmosphere and an interesting perspective on familiar things."Before I knew it, I was blending two separate elements that were demanding attention: the notion of a root-form behind all hauntings, regardless of what form they took, and the unnerving realization that the eyes of a quite attractive teaching colleague would be truly terrifying to behold if they were set just a tad closer together."The ideas were intended for very different stories but, as so often happens, they decided they were meant for each other."
Mammoth Books presents Lethal Legends: Four short stories by Michael Kelly, Simon Kurt Unsworth, Mark Valentine and Terry Dowling (Mammoth Books #229)
by Mark Valentine Michael Kelly Simon Kurt Unsworth Terry DowlingTHE WOODS - Michael KellyMichael Kelly reveals "The Woods' was written for an anthology seeking regional horror and ghost stories. I'd just read Hemingway's 'Hills Like White Elephant's'. Now, in no way am I comparing myself to Hemingway but I wanted to write a similarly brief tale, with only two main characters, and where the horror was off-stage. As well, the setting had to be distinctly Canadian. What, I thought, could be more Canadian than the frozen north and allusions to mythical beasts?" MAMI WATA - Simon Kurt UnsworthUnsworth reveals, "When I was first asked to contribute to Exotic Gothic 3 (which was to feature Gothic-influenced stories in non-Gothic environments), I agreed without really thinking about it, and then spent a long time struggling, trying to work out how, precisely, I was going to manage it or quite how to make a start."I knew what I wanted to do, sort of, but not exactly how to do it, so one day alarmingly close to the deadline I did a fun thing: I freewheeled through Google. Using a small document about Zambian myths and cultures I found online (I set the story in Zambia for no reason other than an old family friend lives there and it seemed exotic in Gothic terms), I used one Zambian word from it as a search term and read what came up, took one intriguing Zambian term from the search results and searched for that, etc, and disappeared into Google's merry depths."I ended up with an academic paper about a particular myth, a travel blog about a sort of beer made from corn and a weird little 'my God's better than your God' blog by a kid in Africa, and somewhere in the middle of that, the story appeared."THE AXHOLME TOLL - Mark Valentine"In the following story, the book called The MS. in a Red Box really exists," the author reveals. "All of the legends about the Isle, and about Beckett's assassins, are also genuine, except (so far) that of the Toll, and their final place of rest - or unrest."TWO STEPS ALONG THE ROAD - Terry Dowling"Two Steps Along the Road' came out of a conversation with US editor Danel Olson," Dowling explains, "where we discussed me doing a ghost story set in Vietnam for Exotic Gothic 3, and the interesting possibilities it might provide for delivering atmosphere and an interesting perspective on familiar things."Before I knew it, I was blending two separate elements that were demanding attention: the notion of a root-form behind all hauntings, regardless of what form they took, and the unnerving realization that the eyes of a quite attractive teaching colleague would be truly terrifying to behold if they were set just a tad closer together."The ideas were intended for very different stories but, as so often happens, they decided they were meant for each other."
Mammoth Books presents A Ghostly Gathering: Four Stories by Thana Niveau, Mark Morris, Angela Slatter and Ramsey Campbell
by Ramsey Campbell Mark Morris Angela SlatterThe Pier - Thana Niveau"The pier exists," explains Thana Niveau, "and yes, it is decorated with strange plaques and cryptic memorials, although none are quite as morbid as I've invented."It's mostly Clevedon Pier, which is where the story was born. I was reading the plaques one day and a couple of the quirkier ones made me wonder. What if they weren't written by the living to remember the dead at all, but were instead a channel for voices from somewhere else?"Somerset is the original Wicker Man country, after all. It's a place rich in pagan tradition and many of its strange rituals are lost to time. Or are they?"Fallen Boys - Mark Morris"Porthellion Quay, which features in this story, is a real place - only the name is different," says Morris. "My family and I spent a lovely, sunny day there one summer a few years ago during a Cornish holiday."I love Cornwall not only because it's breathtakingly beautiful, but also because it is wild and rugged and desolate, and because past echoes and ancient legends seem to seep out of the very rock. It's a landscape which lends itself perfectly to the kinds of ghost stories I love, of which it seems there are far too few these days - stories which are not cosy and comforting and familiar, but which are dark and insidious, and evoke a crawling sense of dread."Lavender and Lychgates - Angela Slatter"'Lavender and Lychgates' is the second last story in Sourdough and Other Stories," recalls Slatter. "I had ideas I wanted to continue to explore - consequences of actions in an earlier story in the collection - and I had a picture in my head of a young girl in a graveyard."Many years ago, a friend had told me a garbled tale of lilacs and lychgates, the details of which I cannot remember. I managed to garble it even more, and I couldn't get the words 'lavender and lychgates' out of my head, nor the image of shadows swirling in the apex of a lychgate roof above the heads of people passing out underneath. I also wondered what happens when you hang onto a memory too tightly."With the Angels - Ramsey Campbell"My fellow clansman Paul Campbell will remember the birth of this tale," he reveals. "At the Dead Dog party after the 2010 World Horror Convention in Brighton, someone was throwing a delighted toddler into the air. I was ambushed by an idea and had to apologise to Paul for rushing away to my room to scribble notes. The result is here."
Mammoth Books presents A Ghostly Gathering: Four Stories by Thana Niveau, Mark Morris, Angela Slatter and Ramsey Campbell (Mammoth Books #203)
by Angela Slatter Mark Morris Ramsey Campbell Thana NiveauThe Pier - Thana Niveau"The pier exists," explains Thana Niveau, "and yes, it is decorated with strange plaques and cryptic memorials, although none are quite as morbid as I've invented."It's mostly Clevedon Pier, which is where the story was born. I was reading the plaques one day and a couple of the quirkier ones made me wonder. What if they weren't written by the living to remember the dead at all, but were instead a channel for voices from somewhere else?"Somerset is the original Wicker Man country, after all. It's a place rich in pagan tradition and many of its strange rituals are lost to time. Or are they?"Fallen Boys - Mark Morris"Porthellion Quay, which features in this story, is a real place - only the name is different," says Morris. "My family and I spent a lovely, sunny day there one summer a few years ago during a Cornish holiday."I love Cornwall not only because it's breathtakingly beautiful, but also because it is wild and rugged and desolate, and because past echoes and ancient legends seem to seep out of the very rock. It's a landscape which lends itself perfectly to the kinds of ghost stories I love, of which it seems there are far too few these days - stories which are not cosy and comforting and familiar, but which are dark and insidious, and evoke a crawling sense of dread."Lavender and Lychgates - Angela Slatter"'Lavender and Lychgates' is the second last story in Sourdough and Other Stories," recalls Slatter. "I had ideas I wanted to continue to explore - consequences of actions in an earlier story in the collection - and I had a picture in my head of a young girl in a graveyard."Many years ago, a friend had told me a garbled tale of lilacs and lychgates, the details of which I cannot remember. I managed to garble it even more, and I couldn't get the words 'lavender and lychgates' out of my head, nor the image of shadows swirling in the apex of a lychgate roof above the heads of people passing out underneath. I also wondered what happens when you hang onto a memory too tightly."With the Angels - Ramsey Campbell"My fellow clansman Paul Campbell will remember the birth of this tale," he reveals. "At the Dead Dog party after the 2010 World Horror Convention in Brighton, someone was throwing a delighted toddler into the air. I was ambushed by an idea and had to apologise to Paul for rushing away to my room to scribble notes. The result is here."
Mammoth Books presents Featherweight
by Robert ShearmanI don't like writing at home much," admits Shearman. "Home is a place for sleeping and eating and watching afternoon game shows on TV. There are too many distractions. So, years ago, I decided I'd only write first drafts in art galleries."And the best of them all is the National Gallery, in London, a pigeon's throw from Nelson's Column. I can walk around there with my notebook, thinking up stories - and if I get bored, there are lots of expensive pictures to look at. Perfect."A lot of those paintings, however, have angels in them. They're all over the place, wings raised, halos gleaming - perching on clouds, blowing trumpets, hovering around the Virgin Mary as if they're her strange naked childlike bodyguards. And I began to notice. That, whenever the writing is going well, the angels seemed happy, and would smile at me. And whenever the words weren't coming out right, when I felt sluggish, when I thought I'd rather take off and get myself a beer, they'd start to glare."I wrote this story in the National Gallery. Accompanied by a lot of glaring angels. Enjoy.
Mammoth Books presents Featherweight (Mammoth Books #427)
by Robert ShearmanI don't like writing at home much," admits Shearman. "Home is a place for sleeping and eating and watching afternoon game shows on TV. There are too many distractions. So, years ago, I decided I'd only write first drafts in art galleries."And the best of them all is the National Gallery, in London, a pigeon's throw from Nelson's Column. I can walk around there with my notebook, thinking up stories - and if I get bored, there are lots of expensive pictures to look at. Perfect."A lot of those paintings, however, have angels in them. They're all over the place, wings raised, halos gleaming - perching on clouds, blowing trumpets, hovering around the Virgin Mary as if they're her strange naked childlike bodyguards. And I began to notice. That, whenever the writing is going well, the angels seemed happy, and would smile at me. And whenever the words weren't coming out right, when I felt sluggish, when I thought I'd rather take off and get myself a beer, they'd start to glare."I wrote this story in the National Gallery. Accompanied by a lot of glaring angels. Enjoy.
Mammoth Books presents Demonic Dreams: Three Stories by Christopher Fowler, Robert Shearman and Norman Partridge
by Christopher Fowler Norman Partridge Robert ShearmanOh I Do Like to Be Beside the Seaside - Christopher FowlerChristopher Fowler explains "'. . . Seaside' came about firstly because I was commissioned to write a story for the World Horror Convention souvenir book and, as the event was to take place in Brighton, it seemed logical to set a tale on the South coast of England."I had written a fantasy novel, Calabash, some years earlier, hinting at the dark madness of such seaside towns, which are the antithesis of their Mediterranean counterparts. I thought of the depressing Morrissey song "Every Day is Like Sunday", which captures the awfulness of English resorts."Coincidentally, Kim Newman and I were discussing the inherent creepiness of pantomime dames, and I decided it was time to give vent to my horror of these coastal pleasure domes. I wish I'd thought to include screaming gangs of hen-nighters as well. And I thought it was a nice touch to have everyone in the story telling the hero to 'fuck off' until he finally does."Featherweight - Robert Shearman"I don't like writing at home much," admits the author. "Home is a place for sleeping and eating and watching afternoon game shows on TV. There are too many distractions. So, years ago, I decided I'd only write first drafts in art galleries."And the best of them all is the National Gallery, in London, a pigeon's throw from Nelson's Column. I can walk around there with my notebook, thinking up stories - and if I get bored, there are lots of expensive pictures to look at. Perfect."A lot of those paintings, however, have angels in them. They're all over the place, wings raised, halos gleaming - perching on clouds, blowing trumpets, hovering around the Virgin Mary as if they're her strange naked childlike bodyguards. And I began to notice. That, whenever the writing is going well, the angels seemed happy, and would smile at me. And whenever the words weren't coming out right, when I felt sluggish, when I thought I'd rather take off and get myself a beer, they'd start to glare."I wrote this story in the National Gallery. Accompanied by a lot of glaring angels. Enjoy."Lesser Demons - Norman Partridge"I was surprised to receive an invitation for S.T. Joshi's Black Wings," reveals Partridge, "an anthology of Lovecraftian fiction. Although I knew S.T. admired my work, I've never quite seen myself as a Mythos writer."While I respect H.P. Lovecraft and his contribution to horror, I've never felt that his worldview (or maybe I should say universeview) meshed with mine."In the end, that's what made the story work . . . at least for me. I concentrated on my differences with Lovecraft, and approached the material from a place where Jim Thompson would be more comfortable than HPL. And I'm delighted that so many people have enjoyed the tale - it was a lot of fun to write."
Mammoth Books presents Demonic Dreams: Three Stories by Christopher Fowler, Robert Shearman and Norman Partridge (Mammoth Books #261)
by Christopher Fowler Norman Partridge Robert ShearmanOh I Do Like to Be Beside the Seaside - Christopher FowlerChristopher Fowler explains "'. . . Seaside' came about firstly because I was commissioned to write a story for the World Horror Convention souvenir book and, as the event was to take place in Brighton, it seemed logical to set a tale on the South coast of England."I had written a fantasy novel, Calabash, some years earlier, hinting at the dark madness of such seaside towns, which are the antithesis of their Mediterranean counterparts. I thought of the depressing Morrissey song "Every Day is Like Sunday", which captures the awfulness of English resorts."Coincidentally, Kim Newman and I were discussing the inherent creepiness of pantomime dames, and I decided it was time to give vent to my horror of these coastal pleasure domes. I wish I'd thought to include screaming gangs of hen-nighters as well. And I thought it was a nice touch to have everyone in the story telling the hero to 'fuck off' until he finally does."Featherweight - Robert Shearman"I don't like writing at home much," admits the author. "Home is a place for sleeping and eating and watching afternoon game shows on TV. There are too many distractions. So, years ago, I decided I'd only write first drafts in art galleries."And the best of them all is the National Gallery, in London, a pigeon's throw from Nelson's Column. I can walk around there with my notebook, thinking up stories - and if I get bored, there are lots of expensive pictures to look at. Perfect."A lot of those paintings, however, have angels in them. They're all over the place, wings raised, halos gleaming - perching on clouds, blowing trumpets, hovering around the Virgin Mary as if they're her strange naked childlike bodyguards. And I began to notice. That, whenever the writing is going well, the angels seemed happy, and would smile at me. And whenever the words weren't coming out right, when I felt sluggish, when I thought I'd rather take off and get myself a beer, they'd start to glare."I wrote this story in the National Gallery. Accompanied by a lot of glaring angels. Enjoy."Lesser Demons - Norman Partridge"I was surprised to receive an invitation for S.T. Joshi's Black Wings," reveals Partridge, "an anthology of Lovecraftian fiction. Although I knew S.T. admired my work, I've never quite seen myself as a Mythos writer."While I respect H.P. Lovecraft and his contribution to horror, I've never felt that his worldview (or maybe I should say universeview) meshed with mine."In the end, that's what made the story work . . . at least for me. I concentrated on my differences with Lovecraft, and approached the material from a place where Jim Thompson would be more comfortable than HPL. And I'm delighted that so many people have enjoyed the tale - it was a lot of fun to write."
Mammoth Books presents Cold to the Touch
by Simon Strantzas"Stories often find their origins in unexpected ways," Strantzas reveals. "I was inspired in this case by a photograph of a Zen garden I once used as my computer's desktop background. After staring at it day-in and day-out while I worked, I began to wonder about that dark circle of rocks and just what its true purpose might be. "There was something there in the coldness of the photograph, something that brought to mind the barren vistas of the Canadian Arctic, which ended up being the perfect setting for my tale of tested faith."
Mammoth Books presents Cold to the Touch (Mammoth Books #436)
by Simon StrantzasStories often find their origins in unexpected ways," Strantzas reveals. "I was inspired in this case by a photograph of a Zen garden I once used as my computer's desktop background. After staring at it day-in and day-out while I worked, I began to wonder about that dark circle of rocks and just what its true purpose might be. "There was something there in the coldness of the photograph, something that brought to mind the barren vistas of the Canadian Arctic, which ended up being the perfect setting for my tale of tested faith.
Mammoth Books presents A Clutch of Zombies: Four Stories by Scott Edelman, Joe R. Lansdale, Albert E. Cowdrey and Karina Sumner Smith (Mammoth Books #226)
by Albert E. Cowdrey Joe R. Lansdale Karina Sumner Smith Scott EldermanIn this grizzly anthology of the undead, four fascinatingly horrid dystopian universes are described, with zombies taking centre stage.Included are:What Will Come After - Scott EdelmanIn this most personal of zombie stories, the author imagines himself as the protagonist, looking ahead to what would happen after his own death . . . and rebirth. Christmas with the Dead - Joe R. LansdaleThe ultimate in holiday horror stories.Fort Clay, Louisiana: A Tragical History - Albert E. CowdreyWhen a young photographer welcomes an elderly man to her house to see the book she has published about a long-deserted 19th century military fort on the Mississippi, watery southern horrors emerge from the past.When the Zombies Win - Karina Sumner-SmithThe ultimate in dystopian what-ifs, Karina Sumner-Smith's story is set after the zombie apocalypse has reached its zenith. When there's no one left to infect, where do the zombies turn?
Mammoth Books presents A Clutch of Zombies: Four Stories by Scott Edelman, Joe R. Lansdale, Albert E. Cowdrey and Karina Sumner Smith
by Joe R. Lansdale Albert E. Cowdrey Karina Sumner SmithIn this grizzly anthology of the undead, four fascinatingly horrid dystopian universes are described, with zombies taking centre stage.Included are:What Will Come After - Scott EdelmanIn this most personal of zombie stories, the author imagines himself as the protagonist, looking ahead to what would happen after his own death . . . and rebirth. Christmas with the Dead - Joe R. LansdaleThe ultimate in holiday horror stories.Fort Clay, Louisiana: A Tragical History - Albert E. CowdreyWhen a young photographer welcomes an elderly man to her house to see the book she has published about a long-deserted 19th century military fort on the Mississippi, watery southern horrors emerge from the past.When the Zombies Win - Karina Sumner-SmithThe ultimate in dystopian what-ifs, Karina Sumner-Smith's story is set after the zombie apocalypse has reached its zenith. When there's no one left to infect, where do the zombies turn?
Mammoth Books presents Christmas with the Dead
by Joe R. Lansdale"I wrote 'Christmas with the Dead' simply because I wanted to write a holiday horror story," Lansdale admits. "This was the result."
Mammoth Books presents Christmas with the Dead (Mammoth Books #415)
by Joe R. LansdaleI wrote 'Christmas with the Dead' simply because I wanted to write a holiday horror story," Lansdale admits. "This was the result.
The Mammoth Book of Zombies: 20th Anniversary Edition
by Stephen JonesThe zombie - a soulless corpse raised from the grave to do its master's bidding - may have had its factual basis in the voodoo ceremonies of the West Indies, but it is in fiction, movies, video games and comics that the walking dead have flourished. What makes a zombie? This Twentieth Anniversary Edition of one of the first and most influential zombie anthologies answers that question with 26 tales of rot and resurrection from classic authors such as Edgar Allan Poe, H. P. Lovecraft, M. R. James and J. Sheridan Le Fanu, along with modern masters of the macabre Clive Barker, Robert Bloch, Ramsey Campbell, Hugh B. Cave, Joe R. Lansdale, Brian Lumley, Graham Masterton, Kim Newman, Michael Marshall Smith, Lisa Tuttle, Karl Edward Wagner and many more.From Caribbean rituals to ancient magic, mesmerism to modern science, these terrifying tales depict a wide range of nefarious methods and questionable reasons for bringing the dead back to life again.
The Mammoth Book of Zombies: 20th Anniversary Edition (Mammoth Books #342)
by Stephen JonesThe zombie - a soulless corpse raised from the grave to do its master's bidding - may have had its factual basis in the voodoo ceremonies of the West Indies, but it is in fiction, movies, video games and comics that the walking dead have flourished. What makes a zombie? This Twentieth Anniversary Edition of one of the first and most influential zombie anthologies answers that question with 26 tales of rot and resurrection from classic authors such as Edgar Allan Poe, H. P. Lovecraft, M. R. James and J. Sheridan Le Fanu, along with modern masters of the macabre Clive Barker, Robert Bloch, Ramsey Campbell, Hugh B. Cave, Joe R. Lansdale, Brian Lumley, Graham Masterton, Kim Newman, Michael Marshall Smith, Lisa Tuttle, Karl Edward Wagner and many more.From Caribbean rituals to ancient magic, mesmerism to modern science, these terrifying tales depict a wide range of nefarious methods and questionable reasons for bringing the dead back to life again.
The Mammoth Book of Vampires: New edition
by Stephen JonesModern masters of the macabre bring the dead to life in this specially re-vamped edition of the classic compilation every horror fan will want to sink their teeth into. From an award-winning editor who knows the genre backwards, here is the very best in vampire fiction: from tales of tempting sirens to contemporary serial killers; from the dark origins of fairy tales to a modern reinterpretation of the King of the Undead himself, Count Dracula. This revised edition features over a dozen new stories, including Tina Rath's A Trick of the Dark and Kim Newman's Andy Warhol's Dracula, as well as classic novellas such as Hugh B. Cave's Stragella and Chelsea Quinn Yarbro's Investigating Jericho. There are contributions by Nancy Kilpatrick, Christopher Fowler, Paul Mcauley, Chelsea Quinn Yarbro, Tina Rath, Neil Gaiman, Harlan Ellison and Kim Newman.
The Mammoth Book of Vampires: New edition (Mammoth Books #340)
by Stephen JonesModern masters of the macabre bring the dead to life in this specially re-vamped edition of the classic compilation every horror fan will want to sink their teeth into. From an award-winning editor who knows the genre backwards, here is the very best in vampire fiction: from tales of tempting sirens to contemporary serial killers; from the dark origins of fairy tales to a modern reinterpretation of the King of the Undead himself, Count Dracula. This revised edition features over a dozen new stories, including Tina Rath's A Trick of the Dark and Kim Newman's Andy Warhol's Dracula, as well as classic novellas such as Hugh B. Cave's Stragella and Chelsea Quinn Yarbro's Investigating Jericho. There are contributions by Nancy Kilpatrick, Christopher Fowler, Paul Mcauley, Chelsea Quinn Yarbro, Tina Rath, Neil Gaiman, Harlan Ellison and Kim Newman.
The Mammoth Book of Vampire Stories by Women (Mammoth Books)
by Stephen Jones Ingrid PittThirty-five uncanny and erotic tales of vampires written by supernatural fiction’s greatest mistresses of the macabre."Fashions change, and the urbane vampire created by Byron and cemented in place by Stoker has had to move on . . . Are you, like me, ready for the new dusk?" —Ingrid Pitt, from her Introduction Prepare to arm yourself with garlic, silver bullets, and a stake. Featuring the only vampire short story written by Anne Rice, the undisputed queen of vampire literature, and boasting an autobiographical introduction and original tale by Ingrid Pitt, the star of Hammer Films' The Vampire Lovers and Countess Dracula, this is one anthology that every vampire fan—vampiric feminist or not—will want to drink deep from.From the classic stories of Edith Wharton, Edith Nesbit, Mary E. Wilkins-Freeman, and Mary Elizabeth Braddon to modern incarnations by such acclaimed writers as Poppy Z. Brite, Nancy Kilpatrick, Tanith Lee, Caitlín R. Kiernan, and Angela Slatter, these blood-drinkers and soul-stealers range from the sexual to the sanguinary, from the tormented Good to the unspeakably Evil. Among those memorable Children of the Night you will encounter are Chelsea Quinn Yarbro's Byronic vampire Saint-Germain, Nancy A. Collins' undead heroine Sonja Blue, Tanya Huff's vampiric detective Vicki Nelson, and Freda Warrington’s age-old lovers Karl and Charlotte. Nominated for the World Fantasy Award and the International Horror Guild Award, and now revised and updated, The Mammoth Book of Vampire Stories by Women fulfils the bloodlust of the somnambulist horror fan, delivering the ultimate bite.
The Mammoth Book Of the Mummy: 19 tales of the immortal dead by Kage Baker, Gail Carriger, Karen Joy Fowler, Joe R. Lansdale, Kim Newman and many more (Mammoth Books #482)
by Paula GuranHuman mummies, preserved by both accident and intent, have been found on every continent except Antarctica. These enigmatic remains of humanity have fascinated people for centuries. Shrouded in history they have acquired meaning and symbolism quite separate from their value as a source of historic knowledge, inspiring tales of reanimation, reincarnation, loves that outlive death, and curses that bring vengeance from the past.As a figure of horror and the supernatural the mummy has attained iconic status in the popular imagination. The Mammoth Book of the Mummy presents a collection of tales written for the twenty-first century - including some brand-new stories - that explore, subvert and reinvent the mummy mythos; some delve into the past, others explore alternative histories, and some bring mummies into our own world.Here you will find stories of revenge, romance, monsters and mayhem, ranging freely across time periods, genres and styles, by Kage Baker, Gail Carriger, Paul Cornell, Carole Nelson Douglas, Terry Dowling, Noreen Doyle, Steve Duffy, Karen Joy Fowler, Will Hill, Stephen Graham Jones, John Langan, Joe R. Lansdale, Helen Marshall, Kim Newman, Norman Partridge, Adam Roberts, Robert Sharp, Angela Slatter, Keith Taylor and Lois Tilton.
The Mammoth Book of the Best of Best New Horror (Mammoth Book Of Best New Horror Ser. #Vol. 11)
by Stephen JonesFor twenty years The Mammoth Book of Best New Horror has been recognized as the world's foremost annual showcase of horror and dark fantasy fiction. Now, with one story from each year in which it has been published, from 1989 to 2008, representing the work of dozens of authors, many of them acknowledged as the foremost practitioners of the genre, multi-award-winning editor Stephen Jones looks back on two decades of superb writing to bring readers the ultimate horror fiction anthology. With names such as Ramsey Campbell, Christopher Fowler, Neil Gaiman, Michael Marshall Smith, Paul J. McAuley and Lisa Tuttle, this collection represents a true landmark in horror fiction publishing. Praise for Stephen Jones:'Horror's last maverick.' - Christopher Fowler 'Stephen Jones . . . has a better sense of the genre than almost anyone in this country.'- Lisa Tuttle, The Times Books 'The best horror anthologist in the business is, of course, Stephen Jones.' - Roz Kavaney, Time Out 'Edited by Stephen Jones, a member of that tiny band of anthologists whose work is so reliably good that you automatically reach out and grab hold of any new volume spotted if you are wise.'- Gahan Wilson, Realms of Fantasy 'One of the genre's most enthusiastic cheerleaders.' - Publishers Weekly 'Horror readers owe Stephen Jones a lot.' - Rue Morgue 'Edited by the prolific and reliable Stephen Jones.' - SFX Magazine 'Jones performs his usual exemplary job.' - Starlog (UK) 'A new horror anthology from Stephen Jones is always an event' - Dennis Etchison
The Mammoth Book of Nightmare Stories: Twisted Tales Not to Be Read at Night!
by Stephen JonesWinner of the British Fantasy AwardSixteen rare terror tales not to be read at night! To sleep, perchance to dream . . . of horrors! Here are some of the stories that gave their own authors nightmares—things that go bump at night, hauntings that lurk in the back of the mind, skin-crawling moments between the realms of wakefulness and sleep. In this somnambulistic collection, award-winning editor Stephen Jones asks many of the biggest names in horror fiction to choose their own favorite stories and novellas which, for one reason or another, have been unjustly overlooked or ignored. From Hugh B. Cave’s 1930s “shudder pulp” tale to Ramsey Campbell’s stunning novella of barely concealed hysteria and grim black humor, these are the “forgotten” stories ripe for rediscovery, by such acclaimed authors as Poppy Z. Brite, Basil Copper, Harlan Ellison®, Neil Gaiman, Caítlin R. Kiernan, Joe R. Lansdale, Tim Lebbon, Tanith Lee, and Michael Marshall Smith. Be warned: do not try to read this book at night, because these superior horror stories—both supernatural and psychological—will leave a lasting chill down your spine long after you have put it down, shut off the lights, and ducked under the covers. As you try to get off to sleep, who knows what dreams may come . . .?
The Mammoth Book of New Terror: All new edition
by Stephen JonesOver 20 terrifying stories and short novels by the masters of gore, including Graham Masterton, Ramsay Campbell, R. Chetwyn-Hayes and Neil Gaiman. This sequel to the classic Mammoth horror anthology features five new and unpublished stories from some of the biggest and brightest names on both sides of the Atlantic, as well as gems from acknowledged masters. All veins of the genre are represented including suspense, visceral horror and sheer razor-slashing terror. From Brian Lumley's disturbing 'Fruiting Bodies' and Basil Copper's 'The Candle in the Skull' to Christopher Fowler's 'Turbo-Satan' and Kim Newman's 'Amerikanski Bed at the Moscow Morgue', this is a spine-chilling collection guaranteed to make the hair stand up on the back of your neck!
The Mammoth Book of New Terror: All new edition (Mammoth Books #337)
by Stephen JonesOver 20 terrifying stories and short novels by the masters of gore, including Graham Masterton, Ramsay Campbell, R. Chetwyn-Hayes and Neil Gaiman. This sequel to the classic Mammoth horror anthology features five new and unpublished stories from some of the biggest and brightest names on both sides of the Atlantic, as well as gems from acknowledged masters. All veins of the genre are represented including suspense, visceral horror and sheer razor-slashing terror. From Brian Lumley's disturbing 'Fruiting Bodies' and Basil Copper's 'The Candle in the Skull' to Christopher Fowler's 'Turbo-Satan' and Kim Newman's 'Amerikanski Bed at the Moscow Morgue', this is a spine-chilling collection guaranteed to make the hair stand up on the back of your neck!