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Accident Society: Fiction, Collectivity, and the Production of Chance
by Jason PuskarThis book argues that language and literature actively produced chance in the late nineteenth and early twentieth centuries by categorizing injuries and losses as innocent of design. Automobile collisions and occupational injuries became "car accidents" and "industrial accidents." During the post-Civil War period of racial, ethnic, and class-based hostility, chance was an abstract enemy against which society might unite. By producing chance, novels by William Dean Howells, Stephen Crane, Anna Katharine Green, Edith Wharton, Theodore Dreiser, and James Cain documented and helped establish new modes of collective interdependence. Chance here is connected not with the competitive individualism of the Gilded Age, but with important progressive and social democratic reforms, including developments in insurance, which had long employed accident narratives to shape its own "mutual society." Accident Society reveals the extent to which American collectivity has depended--and continues to depend--on the literary production of chance.
Accident: A Philosophical and Literary History
by Ross HamiltonFrom ancient philosophy to Tristram Shandy and Buster Keaton movies, this book tells the engaging history of accident as an idea. An accidental glance at a newspaper notice causes Rousseau to collapse under the force of a vision. A car accidentally hits Giacometti, and he experiences an epiphany. Darwin introduces accident to the basic process of life, and Freud looks to accident as the expression of unconscious desire. Accident, Ross Hamilton claims, is the force that makes us modern. Tracing the story of accident from Aristotle to Buster Keaton and beyond, Hamilton’s daring book revives the tradition of the grand history of ideas. Accident tells an original history of Western thought from the perspective of Aristotle’s remarkably durable categories of accident and substance. Throughout antiquity and the Middle Ages, Aristotle’s distinction underwrote an insistence on order and subordination of the inessential. In a groundbreaking innovation, Hamilton argues that after the Reformation, the concept of accident began to change places with that of substance: accident became a life-transforming event and effectively a person’s essence. For moderns, it is the accidental, seemingly trivial moments of consciousness that, like Wordsworth’s “spots of time,” create constellations of meaning in our lives. Touching on a broad array of images and texts—Augustine, Dante, the frescoes of Raphael, Descartes, Jane Austen, the work of the surrealists, and twentieth-century cinema—Hamilton provides a new way to map the mutations of personal identity and subjectivity.
Accident: A Philosophical and Literary History
by Ross HamiltonFrom ancient philosophy to Tristram Shandy and Buster Keaton movies, this book tells the engaging history of accident as an idea. An accidental glance at a newspaper notice causes Rousseau to collapse under the force of a vision. A car accidentally hits Giacometti, and he experiences an epiphany. Darwin introduces accident to the basic process of life, and Freud looks to accident as the expression of unconscious desire. Accident, Ross Hamilton claims, is the force that makes us modern. Tracing the story of accident from Aristotle to Buster Keaton and beyond, Hamilton’s daring book revives the tradition of the grand history of ideas. Accident tells an original history of Western thought from the perspective of Aristotle’s remarkably durable categories of accident and substance. Throughout antiquity and the Middle Ages, Aristotle’s distinction underwrote an insistence on order and subordination of the inessential. In a groundbreaking innovation, Hamilton argues that after the Reformation, the concept of accident began to change places with that of substance: accident became a life-transforming event and effectively a person’s essence. For moderns, it is the accidental, seemingly trivial moments of consciousness that, like Wordsworth’s “spots of time,” create constellations of meaning in our lives. Touching on a broad array of images and texts—Augustine, Dante, the frescoes of Raphael, Descartes, Jane Austen, the work of the surrealists, and twentieth-century cinema—Hamilton provides a new way to map the mutations of personal identity and subjectivity.
Accident: A Philosophical and Literary History
by Ross HamiltonFrom ancient philosophy to Tristram Shandy and Buster Keaton movies, this book tells the engaging history of accident as an idea. An accidental glance at a newspaper notice causes Rousseau to collapse under the force of a vision. A car accidentally hits Giacometti, and he experiences an epiphany. Darwin introduces accident to the basic process of life, and Freud looks to accident as the expression of unconscious desire. Accident, Ross Hamilton claims, is the force that makes us modern. Tracing the story of accident from Aristotle to Buster Keaton and beyond, Hamilton’s daring book revives the tradition of the grand history of ideas. Accident tells an original history of Western thought from the perspective of Aristotle’s remarkably durable categories of accident and substance. Throughout antiquity and the Middle Ages, Aristotle’s distinction underwrote an insistence on order and subordination of the inessential. In a groundbreaking innovation, Hamilton argues that after the Reformation, the concept of accident began to change places with that of substance: accident became a life-transforming event and effectively a person’s essence. For moderns, it is the accidental, seemingly trivial moments of consciousness that, like Wordsworth’s “spots of time,” create constellations of meaning in our lives. Touching on a broad array of images and texts—Augustine, Dante, the frescoes of Raphael, Descartes, Jane Austen, the work of the surrealists, and twentieth-century cinema—Hamilton provides a new way to map the mutations of personal identity and subjectivity.
Accidence Will Happen: A Recovering Pedant's Guide to English Language and Style
by Oliver KammA witty, authoritative, and often provocative guide to the use and abuse of the English language, by the London Times's lead grammar columnist. Are standards of English alright—or should that be all right? To knowingly split an infinitive or not to? And what about ending a sentence with preposition, or for that matter beginning one with "and"? We learn language by instinct, but good English, the pedants tell us, requires rules. Yet, as Oliver Kamm cleverly demonstrates in this new book, many of the purists' prohibitions are bogus and can be cheerfully disregarded. Accidence Will Happen is an authoritative and deeply reassuring guide to grammar, style, and the linguistic conundrums we all face.
Accidence Will Happen: The Non-Pedantic Guide to English Usage
by Oliver KammAre standards of English alright - or should that be all right?To knowingly split an infinitive or not to?And what about ending a sentence with preposition, or for that matter beginning one with 'and'?We learn language by instinct, but good English, the pedants tell us, requires rules. Yet, as Oliver Kamm demonstrates, many of the purists' prohibitions are bogus and can be cheerfully disregarded. ACCIDENCE WILL HAPPEN is an authoritative and deeply reassuring guide to grammar, style and the linguistic conundrums we all face.'A unique and indispensable guide to usage' STEVEN PINKER'An immensely intelligent and playful polemic, cheeky and erudite by turns...certainly gets the blood pumping, so do read it' THE TIMES'A superb book' INDEPENDENT
Accessories to Modernity: Fashion and the Feminine in Nineteenth-Century France
by Susan HinerAccessories to Modernity explores the ways in which feminine fashion accessories, such as cashmere shawls, parasols, fans, and handbags, became essential instruments in the bourgeois idealization of womanhood in nineteenth-century France. Considering how these fashionable objects were portrayed in fashion journals and illustrations, as well as fiction, the book explores the histories and cultural weight of the objects themselves and offers fresh readings of works by Balzac, Flaubert, and Zola, some of the most widely read novels of the period.As social boundaries were becoming more and more fluid in the nineteenth century, one effort to impose order over the looming confusion came, in the case of women, through fashion, and the fashion accessory thus became an ever more crucial tool through which social distinction could be created, projected, and maintained. Looking through the lens of fashion, Susan Hiner explores the interplay of imperialist expansion and domestic rituals, the assertion of privilege in the face of increasing social mobility, gendering practices and their relation to social hierarchies, and the rise of commodity culture and woman's paradoxical status as both consumer and object within it.Through her close focus on these luxury objects, Hiner reframes the feminine fashion accessory as a key symbol of modernity that bridges the erotic and proper, the domestic and exotic, and mass production and the work of art while making a larger claim about the "accessory" status—in terms of both complicity and subordination—of bourgeois women in nineteenth-century France. Women were not simply passive bystanders but rather were themselves accessories to the work of modernity from which they were ostensibly excluded.
Accessing Noun-Phrase Antecedents: Linguistics: Accessing Noun-phrase Antecedents (Routledge Library Editions: Linguistics)
by Mira ArielAccessing Noun-Phrase Antecedents offers a radical shift in the analysis of discourse anaphora, from a purely pragmatic account to a cognitive account, in terms of processing procedures. Mira Ariel defines referring expressions as markers signalling the degree of Accessibility in memory of the antecedent. The notion of Accessibility is explicitly defined, the crucial factors being the Salience of the antecedent, and the Unity between the antecedent and the anaphor. This analysis yields an astonishing array of new results. The precise distribution of referring expressions in actual discourse is directly predicted. Several universals of anaphoric relations are stated. Thus, although not all languages necessarily have the same markers, and nor do they assign them precisely the same function, Ariel shows that they all obey the same Accessibility marking hierarchy. This book will be compulsory reading for anyone with an interest in the semantics and pragmatics of referring expressions, in the interaction of semantics and pragmatics, and more generally in the interaction between peripheral and central cognitive systems.
Accessing Complex Texts (Student Reader Grade #5)
by Douglas Fisher Nancy Frey"Students closely read and annotate short complex text passages, as well as participate in collaborative conversations, answer text-dependent questions, and write about the text. Each book includes six units of instruction, each featuring three reading passages linked by a common topic."
Accessible Filmmaking: Integrating translation and accessibility into the filmmaking process
by Pablo Romero-FrescoTranslation, accessibility and the viewing experience of foreign, deaf and blind audiences has long been a neglected area of research within film studies. The same applies to the film industry, where current distribution strategies and exhibition platforms severely underestimate the audience that exists for foreign and accessible cinema. Translated and accessible versions are usually produced with limited time, for little remuneration, and traditionally involving zero contact with the creative team. Against this background, this book presents accessible filmmaking as an alternative approach, integrating translation and accessibility into the filmmaking process through collaboration between translators and filmmakers. The book introduces a wide notion of media accessibility and the concepts of the global version, the dubbing effect and subtitling blindness. It presents scientific evidence showing how translation and accessibility can impact the nature and reception of a film by foreign and sensory-impaired audiences, often changing the film in a way that filmmakers are not always aware of. The book includes clips from the award-winning film Notes on Blindness on the Routledge Translation Studies Portal, testimonies from filmmakers who have adopted this approach, and a presentation of the accessible filmmaking workflow and a new professional figure: the director of accessibility and translation. This is an essential resource for advanced students and scholars working in film, audiovisual translation and media accessibility, as well as for those (accessible) filmmakers who are not only concerned about their original viewers, but also about those of the foreign and accessible versions of their films, who are often left behind.
Accessible Citizenships: Disability, Nation, and the Cultural Politics of Greater Mexico
by Julie Avril MinichAccessible Citizenships examines Chicana/o cultural representations that conceptualize political community through images of disability. Working against the assumption that disability is a metaphor for social decay or political crisis, Julie Avril Minich analyzes literature, film, and visual art post-1980 in which representations of non-normative bodies work to expand our understanding of what it means to belong to a political community. Minich shows how queer writers like Arturo Islas and Cherríe Moraga have reconceptualized Chicano nationalism through disability images. She further addresses how the U.S.-Mexico border and disabled bodies restrict freedom and movement. Finally, she confronts the changing role of the nation-state in the face of neoliberalism as depicted in novels by Ana Castillo and Cecile Pineda. Accessible Citizenships illustrates how these works gesture towards less exclusionary forms of citizenship and nationalism. Minich boldly argues that the corporeal images used to depict national belonging have important consequences for how the rights and benefits of citizenship are understood and distributed. A volume in the American Literatures Initiative
Accessible Citizenships: Disability, Nation, and the Cultural Politics of Greater Mexico
by Julie Avril MinichAccessible Citizenships examines Chicana/o cultural representations that conceptualize political community through images of disability. Working against the assumption that disability is a metaphor for social decay or political crisis, Julie Avril Minich analyzes literature, film, and visual art post-1980 in which representations of non-normative bodies work to expand our understanding of what it means to belong to a political community. Minich shows how queer writers like Arturo Islas and Cherríe Moraga have reconceptualized Chicano nationalism through disability images. She further addresses how the U. S. -Mexico border and disabled bodies restrict freedom and movement. Finally, she confronts the changing role of the nation-state in the face of neoliberalism as depicted in novels by Ana Castillo and Cecile Pineda. Accessible Citizenships illustrates how these works gesture towards less exclusionary forms of citizenship and nationalism. Minich boldly argues that the corporeal images used to depict national belonging have important consequences for how the rights and benefits of citizenship are understood and distributed.
Accessibility in Text and Discourse Processing: A Special Issue of Discourse Processes
by Ted J.M. Sanders Morton Ann GernsbacherThis special issue shows how accessibility phenomena need to be studied from a linguistic and psycholinguistic angle, and in the latter case from interpretation, as well as production. The contributions augment the growing knowledge of accessibility in text and discourse processing. They also illuminate how accessibility is marked in a text or a discourse, how readers and listeners respond to those markings, and how mental representations evolve and change as a direct result of accessibility. The editors hope is that the text affects the readers' representations in ways that linguists and psycholinguists theorize as beneficial.
Access Spanish: A first language course
by María Utrera Cejudo Patricia GarciaAccess is the major new language series designed with the needs of today's generation of students firmly in mind. Whether learning for leisure or business purposes or working towards a curriculum qualification, Access Spanish is specially designed for adults of all ages and gives students a thorough grounding in all the skills required to understand, speak, read and write contemporary Spanish from scratch.The coursebook consists of 10 units covering different topic areas, each of which includes Language Focus panels explaining the structures covered and a comprehensive glossary. Learning tips and assessment checklists help students to achieve a sense of autonomy and numerous references to web-based activities, which will be an invaluable support to students' learning, add significantly to the course. The accompanying free website gives direct access to additional internet-based activities for students, plus teacher support and guidance.
Access Spanish: A First Language Course (Access Language Series)
by María Utrera CejudoAccess Spanish: A First Language Course provides a thorough grounding in all the skills required to understand, speak, read and write contemporary Spanish from scratch. This fully revised edition consists of 10 units, each of which includes Language Focus panels explaining the structures covered and Descubre el mundo hispano boxes providing cultural insight into the Spanish-speaking world. Learning Tips and Ready to Move On checklists help students to achieve a sense of autonomy, while the accompanying website gives direct access to additional listening, reading and speaking activities, plus teacher support and guidance. Updated audio tracks for this edition are also available online at www.routledge.com/9781138476684. Access Spanish is ideal for adult learners and students at level A1–A2 of the CEFR, and Novice Low on the ACTFL proficiency scales.
Access Italian: A First Language Course
by Alessia Bianchi Susanna BinelliAccess is the major new language series designed with the needs of today's generation of students firmly in mind. Whether learning for leisure or business purposes or working towards a curriculum qualification, Access Italian is specially designed for adults of all ages and gives students a thorough grounding in all the skills required to understand, speak, read and write contemporary Italian from scratch.The coursebook consists of 10 units covering different topic areas, each of which includes Language Focus panels explaining the structures covered and a comprehensive glossary. Learning tips and assessment checklists help students to achieve a sense of autonomy. Numerous references to web-based activities, which will be an invaluable support to students' learning, add significantly to the course. The accompanying free website gives direct access to additional internet-based activities for students, plus teacher support and guidance.
Access German: A First Language Course (Access Language Series)
by Henriette HarnischAccess German: A First Language Course provides a thorough grounding in all the skills required to understand, speak, read and write contemporary German from scratch based on everyday scenarios. This fully revised edition consists of 10 units, each of which includes language focus panels explaining the structures covered, cultural focus sections with current information from Germany and other German-speaking countries, and a comprehensive glossary. Learning tips and Ready to move on checklists help students to achieve a sense of autonomy, while the accompanying website gives direct access to additional listening, reading and speaking activities, plus teacher support and guidance. Access German is ideal for adult learners and students at level A1–A2 of the CEFR, and Novice–Low on the ACTFL proficiency scales.
Access French 2: An Intermediate Language Course (BK)
by Bernard GroszAccess French 2 consolidates previous language skills, using the familiar framework of Language Focus panels, learning tips and assessment checklists. It looks at different topic areas in greater depth and goes on to cover more practical matters such as dealing with your finances, methods of communication, buying a property in France and the world of work. A wide range of activities based on realistic resources and situations affords plenty of opportunities for reading and writing authentic French, enabling learners to communicate at a higher level. Each of the 10 units begins with a variety of revision activities and there is frequent consolidation of important grammar points, giving learners the confidence to move forward. Units end with a Découverte de la Francophonie section exploring the customs and traditions of French-speaking countries.Access French 2 covers all the necessary topics, grammar and vocabulary for GCSE, LLAS OCR Intermediate Level (the new Language Ladder scheme) and Level 2 (National Language Standards).Students who have completed the course will have achieved the necessary entry requirements for AS and DELF level.
Acceptable Words: Prayers for the Writer
by Gary Schmidt Elizabeth StickneyAcceptable Words offers prayers that correspond with each stage of the writer's work -- from finding inspiration to penning the first words to "offering it to God" at completion. Gary Schmidt and Elizabeth Stickney, experienced writers themselves, introduce each chapter of prayers with pithy pastoral reflections that will encourage writers in their craft.This welcome spiritual resource for writers includes both ancient and contemporary poems and prayers -- some of which were written especially for this volume. A thoughtful gift for any writer, Acceptable Words will accompany writers on their spiritual journey, lending words of praise and petition specifically crafted to suit their unique vocation.Watch the trailer:
Accented Futures: Language activism and the ending of apartheid
by Carli CoetzeeIn this wonderfully original, intensely personal yet deeply analytical work, Carli Coetzee argues that difference and disagreement can be forms of activism to bring about social change, inside and outside the teaching environment. Since it is not the student alone who needs to be transformed, she proposes a model of teaching that is insistent on the teacher?s scholarship as a tool for hearing the many voices and accents in the South African classroom. For Coetzee, ?accentedness? is a description for actively working towards the ending of apartheid by being aware of the legacies of the past, without attempting to empty out or gloss over the conflicts and violence that may exist under the surface. In the broad context of education, ?accent? can be an accent of speech; an attitude; a stance against being ?understood?; yet a way of teaching that requires teacher and pupil to understand each other?s contexts. This is a book about the relationships created by the use of language to convey knowledge, particularly in translation. The ideas it presents are evocative, thought-provoking and challenging at times. Accented Futures makes a significant and important contribution to research on identity in post-apartheid South Africa as well as to the fields of education and translation studies.
Accent & Syllable Structure in Passamaquoddy (Outstanding Dissertations in Linguistics)
by Philip S. LeSourdFirst published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.
Accent in North American Film and Television: A Sociophonetic Analysis
by Charles BobergDrawing on data from well-known actors in popular films and TV shows, this reference guide surveys the representation of accent in North American film and TV over eight decades. It analyzes the speech of 180 film and television performances from the 1930s to today, looking at how that speech has changed; how it reflects the regional backgrounds, gender, and ethnic ancestry of the actors; and how phonetic variation and change in the 'real world' have been both portrayed in, and possibly influenced by, film and television speech. It also clearly explains the technical concepts necessary for understanding the phonetic analysis of accents. Providing new insights into the role of language in the expression of North American cultural identity, this is essential reading for researchers and advanced students in linguistics, film, television and media studies, and North American studies, as well as the larger community interested in film and television.
The Acadians: Their Deportations and Wanderings
by George P. BibleThe true tale behind the tragic poem is revealed. On September 5, 1755, the British declared that all Acadians were to be expelled from their homeland of Nova Scotia. The Acadians were forcibly removed from their homes and deported. They wandered for decades, searching for their families and hoping to find a place to call home; many were never reunited with love ones and died as exiles, living as outcasts in unfamiliar lands. George P. Bible uses Henry Wadsworth Longfellow&’s original poem Evangeline: A Tale of Acadie and the poignant account of Emmeline Labiche, the real-life orphan who inspired the story, as a basis for his treatise. His research explores the facts underlying each section of the famous poem, revealing the real families, many of whom settled at last in the fertile lands of Louisiana. With correspondence detailing oral histories, along with sketches of family heirlooms, Bible provides a glimpse of a resilient people and a tragic history.
Academy Dictionaries 1600-1800
by John ConsidineThis is the first unified history of the large, prestigious dictionaries of the seventeenth and eighteenth centuries, compiled in academies, which set out to glorify living European languages. The tradition began with the Vocabolario degli Accademici della Crusca (1612) in Florence and the Dictionnaire de l'Académie françoise (1694) in Paris, and spread across Europe - to Germany, Spain, England, Denmark, Sweden, the Netherlands, Portugal, and Russia - in the eighteenth century, engaging students of language as diverse as Leibniz, Samuel Johnson, and Catherine the Great. All the major academy and academy-style dictionaries of the period up to 1800, published and unpublished, are discussed in a single narrative, bridging national and linguistic boundaries, to offer a history of lexicography on a European scale. Like John Considine's Dictionaries in Early Modern Europe (Cambridge University Press, 2008), this study treats dictionaries both as physical books and as ambitious works of the human imagination.
Academics Writing: The Dynamics of Knowledge Creation
by Karin Tusting Sharon McCulloch Ibrar Bhatt Mary Hamilton David BartonAcademics Writing recounts how academic writing is changing in the contemporary university, transforming what it means to be an academic and how, as a society, we produce academic knowledge. Writing practices are changing as the academic profession itself is reconfigured through new forms of governance and accountability, increasing use of digital resources, and the internationalisation of higher education. Through detailed studies of writing in the daily life of academics in different disciplines and in different institutions, this book explores: the space and time of academic writing; tensions between disciplines and institutions around genres of writing; the diversity of stances adopted towards the tools and technologies of writing, and towards engagement with social media; and the importance of relationships and collaboration with others, in writing and in ongoing learning in a context of constant change. Drawing out implications of the work for academics, university management, professional training, and policy, Academics Writing: The Dynamics of Knowledge Creation is key reading for anyone studying or researching writing, academic support, and development within education and applied linguistics.