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Digital Transformation in The Recording Industry: Evolution of Power: From The Turntable To Blockchain (Routledge Research in the Creative and Cultural Industries)
by Anna Anetta JanowskaThe recording industry has famously been transformed by technology throughout its entire history.The book presents an analysis of these changes using Porter's five forces model. The author highlights the evolution of buyers' and suppliers' power, the emergence of new competitors, product innovation and rivalry between companies in the industry driven by economic, political, social and legal factors.As an early mover in the social diffusion of copyright-sensitive content, the recording industry reflected in this book serves as an important reference for the analysis of other cultural and creative sectors.
Digital Transformation in the Recording Industry: Evolution of Power: From The Turntable To Blockchain (Routledge Research in the Creative and Cultural Industries)
by Anna Anetta JanowskaThe recording industry has famously been transformed by technology throughout its entire history. The book presents an analysis of these changes using Porter's five forces model. The author highlights the evolution of buyers' and suppliers' power, the emergence of new competitors, product innovation and rivalry between companies in the industry driven by economic, political, social and legal factors. As an early mover in the social diffusion of copyright-sensitive content, the recording industry reflected in this book serves as an important reference for the analysis of other cultural and creative sectors.
Down with the System: The highly-awaited memoir from the System Of A Down legend
by Serj TankianThe incredible first memoir by System Of A Down frontman Serj TankianWith nearly 40 million record sales, three albums topping the Billboard charts, a Grammy win and a legion of fans, System Of A Down are one of the biggest metal bands on the planet. At their core has always been Serj Tankian, whose journey from the streets of Beirut to rock superstardom is as remarkable and unlikely as you'll get. By dint of luck, circumstance, struggle, and more than a little talent, Serj has had the chance to live an extraordinary life. In Down With the System, he retraces this remarkable and unlikely journey, and explores what it's taught him - about music, about art, about activism, and about himself. From teaming up with Tom Morello to push social justice causes on unsuspecting metalheads, arguing with LAPD officers over the best way to quell his rioting fans, and traveling with Anthony Bourdain through Armenia one meal at a time, Down With the System is an immigrant's tale, an activist's awakening, and rock memoir unlike any other.
Down with the System: The highly-awaited memoir from the System Of A Down legend
by Serj TankianThe incredible first memoir by System Of A Down frontman Serj TankianWith nearly 40 million record sales, three albums topping the Billboard charts, a Grammy win and a legion of fans, System Of A Down are one of the biggest metal bands on the planet. At their core has always been Serj Tankian, whose journey from the streets of Beirut to rock superstardom is as remarkable and unlikely as you'll get. By dint of luck, circumstance, struggle, and more than a little talent, Serj has had the chance to live an extraordinary life. In Down With the System, he retraces this remarkable and unlikely journey, and explores what it's taught him - about music, about art, about activism, and about himself. From teaming up with Tom Morello to push social justice causes on unsuspecting metalheads, arguing with LAPD officers over the best way to quell his rioting fans, and traveling with Anthony Bourdain through Armenia one meal at a time, Down With the System is an immigrant's tale, an activist's awakening, and rock memoir unlike any other.
Down with the System: A Memoir (of Sorts)
by Serj TankianAn exhilarating, thoughtful, and beautifully written memoir by musician, songwriter, and lead singer-lyricist of Grammy award-winning metal band, System Of A Down, Serj Tankian. Serj Tankian will be the first to admit that his band, System Of A Down, was &“unlikely a chart-topper as had ever existed in modern music history: a band of Armenian-Americans playing a practically unclassifiable clash of wildly aggressive metal riffs, unconventional tempo-twisting rhythms, and Armenian folk melodies, with me alternately growling, screaming, and crooning lyrics that could pivot from avant-garde silliness to raging socio-political rants in the space of a single line.&” After all, as Serj concedes, &“it&’s not easy listening.&” Even so, there&’s no doubt that System&’s music had struck a chord with millions of listeners across the globe ever since they burst on the scene in the mid-1990s. With nearly 40 million album sales, three albums topping the Billboard charts, and a devoted legion of fans, the band dominated the alt-rock and metal scenes just as the world hurtled into a new millennium, redefining the very idea of what rockstars could and couldn&’t talk about, could and couldn&’t do, could and couldn&’t represent. In DOWN WITH THE SYSTEM, Serj presents readers with a memoir that is far more than just a rock 'n' roll fable. It's an immigrant's tale, it&’s an activist's awakening, and it's a spiritual journey from darkness toward light. And all of this comes down to the fact that Serj himself has had the chance to live an extraordinary life—thanks to a combination of luck, circumstance, struggle, talent, and spiritual awakening. Born to Armenian parents in Beirut, Serj grows up hearing bombs drop outside his childhood home during the country&’s civil war, before moving to Los Angeles at the age of seven. As a young man, he is immersed in the SoCal community of &“Little Armenia,&” learning more and more about the brutal genocide faced by his ancestors while helping his parents adapt to the constraints and contradictions of the American Dream. Then, during a pivotal drive home from an LSAT class, Serj decides to turn away from a promising future in business and law to make music instead—a decision that leads him to touring five continents as the lead singer of a hugely popular rock band, hitting number #1 on the Billboard album charts the morning of 9/11, and then having the hit single from the same album banned from radio two days later. In the years that follow, his uniquely singular story continues, as he evades glass bottles hurled at a cancelled show by angry Slayer fans, teams up with Tom Morello to push social justice causes on unsuspecting metalheads, argues with LAPD officers over the best way to quell rioting fans, and defines new sounds and singing tactics with Rick Rubin. Braiding together Serj&’s thought-provoking insight with heartfelt and poetic prose, DOWN WITH THE SYSTEM retraces Serj&’s remarkable and unlikely journey, and explores what it&’s taught him—about music, about art, about activism, and about himself. It&’s an unforgettable ride that will leave you breathless—and an absolute delight for new fans and old ones alike.
Drones, Tones, and Timbres: Sounding Place among Nomads of the Inner Asian Mountain-Steppes
by Carole PeggAn indispensable study of the music of Altai-Sayan peoples Based on more than twenty years of collaborative research, Carole Pegg’s long-awaited participatory ethnography explores how Indigenous nomadic peoples of Russia’s southern Siberian republics (Altai, Khakassia, Tyva) sound multiphonies of place in a post-Soviet global world. Inspired by the mountain-steppe ecology and pathways of nomadism, soundscapes created in performative ritual events cross political and multiple-world boundaries in a shamanic-animist universe, enabling human and spirit actor interactions in a series of sensuous worlds. As with the “throat-singing” for which Indigenous Altai-Sayan peoples are famous, senses of place involve sonic relations, rootedness, movement, and plurality. Pegg echoes their drone-partials musical and ontological models in an innovative theoretical entwinement. Three strands form the book’s multivocal drone, the partials of which sound in each chapter: ontological sonicality and musicality that enables emplacement and movement; the importance of shamanism-animism--at the core of Indigenous spiritual practices--for personhood and community; and the agency of sonic performances. Sounding place, Pegg demonstrates, is essential to the identities, ways of life, and very senses of being of Indigenous Altai-Sayan peoples.
Ecologies of Creative Music Practice: Mattering Music
by Matthew LovettEcologies of Creative Music Practice: Mattering Music explores music as a dynamic practice embedded in contemporary ecological contexts, one that both responds to, and creates change within, the ecologies in which it is created and consumed. This highly interdisciplinary analysis includes theoretical and practical considerations – from blockchain technology and digital platform commerce to artificial intelligence and the future of work, to sustainability and political ecology – as well as contemporary philosophical paradigms, guiding its investigation through three main lenses: How can music work as a conceptual tool to interrogate and respond to our changing global environment? How have transformations in our digital environment affected how we produce, distribute and consume music? How does music relate to matters of political ecology and environmental change? Within this framework, music is positioned as a starting point from which to examine a range of contexts and environments, offering new perspectives on contemporary technological and ecological discourse. Ecologies of Creative Music Practice: Mattering Music is a valuable text for advanced undergraduates, postgraduates, researchers and practitioners concerned with producing, performing, sharing and listening to music.
The Economics of the Popular Music Industry: Modelling from Microeconomic Theory and Industrial Organization
by Christie ByunThis book uses economic theory to explain how consumers and producers have responded to major changes in the music industry. Byun examines the important role of technology in changing its structure, particularly as new methods of creating and accessing music prove to be a double-edged sword for creators and producers. This second edition includes new information about concert attendance and live performance in the COVID era and what followed, as well as the resultant economic impacts on the industry. Throughout the book, Byun questions how the business of music affects creativity and the extent to which this impacts the creative output of the individual artist. Chapters also address copyright enforcement and online piracy. This is an approachable resource for economists interested in the music industry as well as business and music majors studying the ways in which technology can impact a creative process.
Electronic Visual Music: The Elements of Audiovisual Creativity (Sound Design)
by Dave PaylingElectronic Visual Music is a comprehensive guide to the composition and performance of visual music, and an essential text for those wanting to explore the history, current practice, performance strategies, compositional methodologies and practical techniques for conceiving and creating electronic visual music. Beginning with historical perspectives to inspire the reader to work creatively and develop their own individual style, visual music theory is then discussed in an accessible form, providing a series of strategies for implementing ideas. Including interviews with current practitioners, Electronic Visual Music provides insight into contemporary working methods and gives a snapshot of the state of the art in this ever-evolving creative discipline. This book is a valuable resource for artists and practitioners, as well as students, educators and researchers working in disciplines such as music composition, music production, video arts, animation and related media arts, who are interested in informing their own work and learning new strategies and techniques for exploration and creative expression of electronic visual music.
Elton John: A Little Golden Book Biography (Little Golden Book)
by Jennifer DusslingHelp your little one dream big with a Little Golden Book biography about music icon and "Rocket Man," Elton John. Little Golden Book biographies are the perfect introduction to nonfiction for young readers—as well as fans of all ages!This Little Golden Book about Elton John--the Grammy-award winning singer, pianist, and composer known for hits including "Your Song" and "Benny and the Jets"--is an inspiring read-aloud for young children as well as their parents and grandparents who are Elton fans.Look for more Little Golden Book biographies: • Willie Nelson • Beyoncé • Dolly Parton • Taylor Swift • Tony Bennett
Erfolgreich im Musikbusiness für Dummies (Für Dummies)
by Christoph A. KleinSo wird das Showbusiness Ihr Business Tauchen Sie ein in die Welt der Musik und entdecken Sie, wie Sie als leidenschaftlicher Musiker oder Produzent den Sprung auf die große Bühne schaffen! Christoph Klein führt Sie durch den Dschungel von GEMA, GVL und Künstlersozialkasse, wirft einen Blick auf die juristischen Feinheiten und entwirrt den Knoten von Plattenverträgen und Co. In diesem Buch erfahren Sie alles über die wichtigsten Player der Musikindustrie, wie Sie effektives Marketing betreiben und was bei professionellen Aufnahmen und Liveauftritten zu beachten ist. Zahlreiche Checklisten, Musterverträge und hilfreiche Adressen machen es zum unverzichtbaren Begleiter auf Ihren Weg zum Erfolg. Sie erfahren Wie Sie sich auf dem Musikmarkt erfolgreich positionieren Wer im Musikbusiness alles mitwirkt Was Sie bei GEMA und Co beachten sollten Wie Sie Social Media optimal für Ihre Musik einsetzen
Ethnomusicology and its Intimacies: Essays in Honour of John Baily
by Stephen Cottrell, Dafni Tragaki, and Stephen WilfordEthnomusicology and its Intimacies situates intimacy, a concept that encompasses a wide range of often informal social practices and processes for building closeness and relationality, within the ethnomusicological study of music and sound. These scholarly essays reflect on a range of interactions between individuals and communities that deepen connections and associations, and which may be played out relatively briefly or nurtured over time. Three major sections on Performance, Auto/biographical Strategies, and Film are each prefaced by an interview with a scholar or practitioner with close knowledge of the subject that links the chapters in that section. Often drawing directly on fieldwork experience in a variety of contexts, authors consider how concepts of intimacy can illuminate the ethnographic study of music, addressing questions such as: how can we understand ethnomusicological and ethnographic research and performance as processes of musically mediated intimacy? How are the longstanding relationships we develop with others particularly intimated by and through musicking? How do we understand the musically intimate relationships of others and how do these inflect our own musical intimacies? How does music represent, inscribe, constrain, or provoke social or personal intimacies in particular contexts? The volume will appeal to all scholars with interests in music and how it is used to construct relationships in different contexts around the world.
Ethnomusicology, Queerness, Masculinity: Silence=Death
by Stephen AmicoThis open access book explores the disciplinary, disciplined, and recent interdisciplinary sites and productions of ethnomusicology and queerness, arguing that both academic realms are founded upon a destructive masculinity—indissolubly linked to coloniality and epistemic hegemony—and marked by a monologic, ethnocentric silencing of embodied, same-sex desire. Ethnomusicology’s fetishization of masculinizing fieldwork; queerness’s functioning as Anglophone master category; and both domains’ devaluation of sensuality and experience, concomitant with an adherence to provincial, Western conceptions of knowledge production, are revealed as precluding the possibilities for equitable, dialogic pluriversality. Enlisting the sonic as theoretical intervention, the disciplined/disciplining ethno and queer are reimagined in relation to negative emotions and intractable affect, ultimately vanquished, and replaced by explorations of sound, sex/uality, and experiential somaticity within a protean, postdisciplinary space of material/epistemic equity. This uncompromising, long-overdue critique will be of interest to researchers and students from numerous theoretical backgrounds, including music, sound, gender, queer, and postcolonial/decolonial studies.
Expanding the Music Theory Canon: Inclusive Examples for Analysis from the Common Practice Period
by Paula MaustFeaturing music by sixty-seven historical women and/or people of color, Expanding the Music Theory Canon is designed to supplement any introductory Western classical music theory curriculum. At a time when many academics are focused on increasing diversity and inclusion, this book provides the means to seamlessly incorporate works by underrepresented composers into music theory core courses. The anthology’s 255 musical examples are organized topically and include excerpts as well as nineteen complete pieces for analysis. Each chapter begins with guided analysis questions aimed at students approaching these concepts for the first time. Notably, this anthology provides a biography and image for each composer, which is particularly significant since works by these individuals have rarely been included in previous textbooks or anthologies. A related website, www.expandingthemusictheorycanon.com, provides additional examples and links to recordings when available. All musical examples in the anthology have been classroom-tested with music majors and minors at a major conservatory, at private and public universities, and at community colleges. Detailed tables provide suggestions for using this book in conjunction with the major introductory theory textbooks. A special set of online exercises has been prepared by the book's author using the Auralia & Musition software programs; you can find further information here: https://www.risingsoftware.com/expanding-the-music-theory-canon. Additional examples and a blog offering teaching suggestions may be found at: https://www.expandingthemusictheorycanon.com.
Experiencing Jazz
by Richard J. Lawn Justin G. BinekExperiencing Jazz, Third Edition is an integrated textbook, website, and audio anthology for jazz appreciation and history courses. Through readings, illustrations, timelines, listening guides, and a playlist of tracks and performances, Experiencing Jazz journeys through the history of jazz and places the music within larger cultural and historical contexts. Designed for the jazz novice, this textbook introduces the reader to prominent artists, covers the evolution of styles, and makes stylistic comparisons to current trends and developments. New to the third edition: Richard J. Lawn is joined by new co-author Justin G. Binek Expanded coverage of artists, particularly important vocalists and prominent women in jazz, including Bobby McFerrin, Kurt Elling, The Manhattan Transfer, and Terri Lyne Carrington A dynamic, web-exclusive bonus chapter—Chapter 14.5: The Story Continues—exploring contemporary jazz artists who push the boundaries of jazz by creating new stylistic fusions and who utilize new media to create, collaborate, and share their artistry A re-worked companion website featuring new recordings, a more comprehensive audio anthology, and a major revision of The Elements of Jazz section Condensed musician biographies and updated content reflecting jazz’s global impact Revised listening guides for spotlighted recordings highlighting key moments worthy of closer listening and analysis Comprehensive and immersive, the third edition of Experiencing Jazz provides a foundational understanding of the history of the genre.
Experiencing Organised Sounds: The Listening Experience Across Diverse Sound-Based Works
by Leigh LandyExperiencing Organised Sounds investigates a wide horizon of sound-based works using a template consistently across its 16 studies. It has been written for both specialist and non-specialist readers aiming to address means of increasing appreciation and understanding related to the experience of sonic creativity (music involving any sounds, not just musical notes) across this repertoire, as well as to launch a discussion about how the reception of sonic creativity can be influenced by the circumstances of listening – in particular, regarding the qualitative difference between the in-situ as opposed to mediated experience. Although listening is the volume’s focus, complementary information from the musicians is offered to facilitate holistic work overviews. As the first composition presented was composed by a 15-year-old, the intention is to demonstrate that what might be considered a niche area of the contemporary arts is one in which both increased appreciation and participation could and should easily be achieved. The book’s work discussions are divided over three central chapters focused on fixed-medium compositions, performed and sound artworks. Experiencing Organised Sounds can be used as an undergraduate textbook, by experienced readers or those new to the area. All works discussed and related materials are available to readers online.
Exposing the Chasms in Voice Pedagogy: Playing the Field
by Dale CoxThis concise book critically examines the intersection of power, privilege, and classical music in higher education through an extensive study of the experiences, training, and background of teachers of musical theatre singing.Mapping the divides within the voice pedagogy field, it shows how despite the growth of non-classical programmes, the teaching of vocal music in the United States continues to be structurally dominated by Western classical music. Drawing on extensive fieldwork and observations of practicing instructors, the author argues that current voice pedagogy training’s classical-centred approach fails to prepare instructors to teach the range of vocal styles needed in the contemporary musical theatre profession. Combining a critical review of existing practices with proposals for change, this book sheds light on a key problem in voice pedagogy today.Based on field research and drawing on both Shulman’s signature pedagogies theory and Bourdieu’s concepts of habitus, capitals, practice, and field, this book will be useful for scholars, researchers, and practitioners of voice pedagogy, higher music education, performance education, cultural studies, music, musical theatre, and theatre studies.
Film Music: The Basics (The Basics)
by Kenneth LamplA comprehensive introduction to film music, this book provides a concise and illuminating summary of the process of film scoring, as well as a succinct overview of the rich history of contemporary film music. Written in a non-technical style, this book begins by presenting a brief history of film music from the last 30 years, covering topics ranging from blockbuster franchises to indie film scores. It explores film music from around the world, including Bollywood and European Avant-garde cinema, and film music in animation, like Disney-Pixar and Japanese anime. It then offers a guide to the language of film music analysis, the creative process behind composing film music, and the use of current technology. The book champions diversity in the industry, with case studies and interviews from a range of active film composers, including: Pinar Toprak (Captain Marvel, 2019), Kris Bowers (Bridgerton, 2020), Natalie Holt (Loki, 2021), and Rachel Portman (Emma, 1996), Complete with a glossary of key terms and further reading, this book is an invaluable resource for all those beginning to study film music, as well as lifelong film music buffs seeking to update their understanding of film music.
Film Music: Cognition to Interpretation
by Juan ChattahFilm Music: Cognition to Interpretation explores the dynamic counterpoint between a film’s soundtrack, its visuals and narrative, and the audience’s perception and construction of meaning. Adopting a holistic approach covering both the humanities and the sciences—blending cognitive psychology, musical analysis, behavioral neuroscience, semiotics, linguistics, and other related fields—the author examines the perceptual and cognitive processes that elicit musical meaning in film and breathe life into our cinematic experiences. A clear and engaging writing style distills complex concepts, theories, and analytical methodologies into explanations accessible to readers from diverse disciplinary backgrounds, making it an indispensable companion for scholars and students of music, film studies, and cognition. Across ten chapters, extensive appendices, and hundreds of film references, Film Music: Cognition to Interpretation offers a new mode of analysis, inviting readers to unlock a deeper understanding of the expressive power of film music.
First Things First: Hip-Hop Ladies Who Changed the Game
by Nadirah SimmonsThis enlightening book reframes the history of hip-hop—and this time, women are given credit for all their trailblazing achievements that have left an undeniable impact on music. FIRST THINGS FIRST, hip-hop is not just the music, and women have played a big role in shaping the way it looks today. FIRST THINGS FIRST takes readers on a journey through some notable firsts by women in hip-hop history and their importance. Factual firsts like Queen Latifah becoming the first rapper to get a star on the Hollywood Walk of Fame, Lauryn Hill making history as the first rapper to win the coveted Album of the Year Award at the GRAMMYs, April Walker being the first woman to dominate in the hip-hop fashion game, and Da Brat being the first solo woman rapper to have an album go platinum, and metaphorical firsts like Missy Elliott being the first woman rapper to go to the future. (Trust me, she really did.) There are chapters on music legends like Nicki Minaj, Lil&’ Kim and Mary J. Blige, tv and radio hosts like Big Lez and Angie Martinez, and so many more ladies I would name but I don&’t want to spoil the book! There are games, charts and some fire images, too. Altogether, FIRST THINGS FIRST is a celebration of the achievements of women in hip-hop who broke down barriers and broke the mold. So the next time someone doesn&’t have their facts straight on the ladies in hip-hop, you can hit them with &“first things first&”…
Forging Pathways to Improvise Music: For Classical, Jazz, Comedic, and Church Musicians
by Joseph MontelioneA step-by-step resource on forging one’s own pathway to improvise music, this book guides the musician through a clear and simple method that will easily translate to the reader’s genre of choice. Many musicians struggle with improvisation. Coincidentally, educators also find it challenging to integrate improvisation into curriculum. This book breaks down the barriers most performers and educators combat in the learning and teaching of improvisation, and is a helpful approach to demystify the complicated sphere of music improvisation. Divided into three sections, the first part of the book helps the reader develop an improvisatorial mindset to mentally conceive musical ideas, regardless of genre. The second portion then connects the improviser’s mindset to translating those ideas into a compelling musical performance in real time. The book’s final third assists the reader with discovering how to apply this method of improvisation to the nuanced liturgical, comedic, jazz, and classical styles. Forging Pathways to Improvise Music offers a practical introduction to improvisational methods essential for educators, students, and musicians of diverse educational backgrounds and musical genres.
Forging Pathways to Improvise Music: For Classical, Jazz, Comedic, and Church Musicians
by Joseph MontelioneA step-by-step resource on forging one’s own pathway to improvise music, this book guides the musician through a clear and simple method that will easily translate to the reader’s genre of choice. Many musicians struggle with improvisation. Coincidentally, educators also find it challenging to integrate improvisation into curriculum. This book breaks down the barriers most performers and educators combat in the learning and teaching of improvisation, and is a helpful approach to demystify the complicated sphere of music improvisation. Divided into three sections, the first part of the book helps the reader develop an improvisatorial mindset to mentally conceive musical ideas, regardless of genre. The second portion then connects the improviser’s mindset to translating those ideas into a compelling musical performance in real time. The book’s final third assists the reader with discovering how to apply this method of improvisation to the nuanced liturgical, comedic, jazz, and classical styles. Forging Pathways to Improvise Music offers a practical introduction to improvisational methods essential for educators, students, and musicians of diverse educational backgrounds and musical genres.
From Punk to Monk: A Memoir
by Ray CappoThe heartfelt memoir of Ray Raghunath Cappo, a legendary hardcore punk musician-turned-monk—and pioneer of the straight edge movement—told with warmth, candor, and humor.Ray Cappo was a hardcore punk singer and pioneer of the straight-edge movement living on the Lower East Side of New York City in the &’80s, where his band Youth of Today played to packed clubs and touched thousands of people across the globe. But despite the accolades from fans, the popularity of his records, and the positivity he&’d brought to the punk music scene, none of this success gave Ray joy. He felt stagnant, and he yearned for something more. This, along with his father&’s untimely death, led him to abruptly quit the band and buy a one-way ticket to India in pursuit of the answers to life&’s great mysteries. Living as a monk in the sacred city of Vrindavan and traveling across the country on a series of train trips, Ray embraced the rich, spiritual culture he discovered there. As his unusual adventure unfolded, he encountered extraordinary characters, witnessed deep acts of devotion, and experienced profound moments of divine connection, leading to a radical transformation that was ego-crushing and blissful all at once. Inspired to write music again, Ray returned to the US, where he and other monks founded Shelter, a band dedicated to spreading a message of faith, hope, and love. Told with warmth, candor, and humor, this heartfelt memoir chronicles Ray&’s emotional and spiritual journey from punk to monk and beyond.
From the Minds of Jazz Musicians, Volume II: Conversations with the Creative and Inspired
by David SchroederFrom the Minds of Jazz Musicians, Volume II is a follow-up to Volume I’s celebration of contemporary jazz artists who have toiled, struggled and succeeded in finding their creative space. Volume II was developed through transcribing and editing selected interviews with 29 jazz artists, conducted by the author since 2011, along with a historical essay on each artist. The interviews feature musicians from a broad range of musical styles and experiences, with their beginnings ranging from the 50s to the early 80s. Topics range from biographical life histories to descriptions of mentor relationships, revealing the important life lessons they learned along the way. With the goal to discover the person behind the persona, the author elicits conversations that speak of the creative process, mining the individualistic perspectives of seminal artists who witnessed history in the making. By comparing and contrasting each artist’s perspective to discover similarities in their career paths. these volumes are an important research tool for students and academics, offering direct information from leading figures in the jazz world.
The Future of Songwriting
by Kristin HershThrowing Muses frontwoman and critically acclaimed solo artist Kristin Hersh meditates on the future of her craft in this wry, existential and passionate addition to Melville House&’s new series, FUTURES.Over a long, hot Christmas in Australia, Throwing Muses frontwoman and critically acclaimed solo artist Kristin Hersh considers her future as a songwriter.Is it possible to create music and not show off about it? How can artists establish and refine a following without becoming part of the commercial problem? And just how many times is it healthy to watch It's A Wonderful Life in 3 weeks?In The Future of Songwriting, Hersh chooses to interrogate these questions through philosophical dialogue. From in-depth conversations with a comedian friend about the similarities between songs and jokes, via a fruitful visit to Sydney's 'bone museums', to a revelation from an acupuncturist in New Orleans, she delivers a fierce, funny and existential meditation on the art of the song – and its future.