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The Great British Mistake: 1979-84
by Tom Vaguehttp://www.breadandcircusespublishing.com/home/vague.html
The Great Animal Orchestra: Finding the Origins of Music in the World's Wild Places
by Bernie KrauseMusician and naturalist Bernie Krause is one of the world's leading experts in natural sound, and he's spent his life discovering and recording nature's rich chorus. Searching far beyond our modern world's honking horns and buzzing machinery, he has sought out the truly wild places that remain, where natural soundscapes exist virtually unchanged from when the earliest humans first inhabited the earth.Krause shares fascinating insight into how deeply animals rely on their aural habitat to survive and the damaging effects of extraneous noise on the delicate balance between predator and prey. But natural soundscapes aren't vital only to the animal kingdom; Krause explores how the myriad voices and rhythms of the natural world formed a basis from which our own musical expression emerged.From snapping shrimp, popping viruses, and the songs of humpback whales-whose voices, if unimpeded, could circle the earth in hours-to cracking glaciers, bubbling streams, and the roar of intense storms; from melody-singing birds to the organlike drone of wind blowing over reeds, the sounds Krause has experienced and describes are like no others. And from recording jaguars at night in the Amazon rain forest to encountering mountain gorillas in Africa's Virunga Mountains, Krause offers an intense and intensely personal narrative of the planet's deep and connected natural sounds and rhythm.The Great Animal Orchestra is the story of one man's pursuit of natural music in its purest form, and an impassioned case for the conservation of one of our most overlooked natural resources-the music of the wild.
Grażyna Bacewicz, The 'First Lady of Polish Music' (Elements in Women in Music)
by Diana AmbacheThis Element explores the life and work of Grażyna Bacewicz (1909-1969), as a composer, violinist, pianist and author. She lived a remarkable life in Poland, navigating the complex world of Polish communist society and Soviet dominance after the Second World War, and brought Polish music to wider European attention. The Element describes the historical context of her life, her major achievements, and the language and development of her compositions, which attracted notable interest in Polish musical life. She wrote a wide range of pieces, making a significant contribution to the string repertoire, with important String Quartets and violin works. In her sixty years she achieved impressive triumphs as a women composer, served the Polish Composers Union and often judged major international competitions.
Gray Sabbath: Jesus People USA, the Evangelical Left, and the Evolution of Christian Rock
by Shawn YoungFormed in 1972, Jesus People USA is an evangelical Christian community that fundamentally transformed the American Christian music industry and the practice of American evangelicalism, which continues to evolve under its influence. In this fascinating ethnographic study, Shawn David Young replays not only the growth and influence of the group over the past three decades but also the left-leaning politics it developed that continue to serve as a catalyst for change.Jesus People USA established a still-thriving Christian commune in downtown Chicago and a ground-breaking music festival that redefined the American Christian rock industry. Rather than join "establishment" evangelicalism and participate in what would become the megachurch movement, this community adopted a modified socialism and embraced forms of activism commonly associated with the New Left. Today the ideological tolerance of Jesus People USA aligns them closer to liberalism than to the religious right, and Young studies the embodiment of this liminality and its challenge to mainstream evangelical belief. He suggests the survival of this group is linked to a growing disenchantment with the separation of public and private, individual and community, and finds echoes of this postmodern faith deep within the evangelical subculture.
Gray Sabbath: Jesus People USA, Evangelical Left, and the Evolution of Christian Rock
by Shawn David YoungShawn David Young is director of music industry and recording technology at York College of Pennsylvania. He has published research on the counterculture of the 1960s, communal living, music festivals, the politics of popular music, and Christian rock music in a number of journals, including VOLUME! The French Journal of Popular Music Studies, Religion Compass, Religions, and the Journal of Religion and Popular Culture.
Gravando audiolivros: Como gravar a narração de seu audiolivro para Audible, iTunes e muito mais
by George Smolinski Mariana BaroniComo gravar a narração de seu audiolivro para a Audible, o iTunes e muito mais! Venda mais livros e construa sua marca! Áudio está na moda! Não é nenhum segredo que, seja por podcasts ou em audiolivros, as pessoas queiram escutar a conteúdo tanto quanto queiram vê-lo ou lê-lo. Comece a gravar seu próprio audiolivro com este livro! Este é um guia completo com instruções em vídeo que permitirão que você grave seu próprio audiolivro. Eu sei porque usei ESSAS MESMAS TÉCNICAS PARA GRAVAR este mesmo livro para a Audible! Os audiolivros são a maior tendência em publicação hoje. Houve um crescimento explosivo nas vendas de audiolivros nos últimos 4 anos e você precisa transformar seu livro em formato audiolivro hoje. Este guia o ensinará os prós e contras da gravação de audiolivros, mesmo se você quiser gravar sozinho a narração de seu audiolivro. O que este guia discutirá: 1. Qual equipamento você precisará para gravar seus audiolivros e narrações; 2. Como começar a gravar audiolivros com os software GarageBand e Audacity; 3. Dicas e truques que o ajudarão a começar com o pé direito a narração do audiolivro; 4. Como fazer upload de seu livro finalizado para Audible e o iTunes; 5. Recursos úteis para terceirizar a produção de seu audiolivro se você não for do tipo “faça você mesmo”. Entre na onda dos audiolivros e aprenda como gravar os seus hoje mesmo!
The Grateful Dead (Popular Rock Superstars of Yesterday and Today)
by Kenneth McintoshOver the course of thirty years, the Grateful Dead became America's most successful touring act, even performing in front of Egypt's great pyramids. In 1994, the Dead were inducted into the Rock and Roll Hall of Fame, and today, their music is still heard over the radio waves. Tribute bands help keep their sound alive, and the band's remaining members are still making music.
Grandma's Records
by Eric VelasquezCoretta Scott King and John Steptoe New Talent Award winner Eric Velasquez shines in the perfect picture book to read with grandparents. <p><p> Every summer, Eric goes to live with his grandmother in El Barrio (Spanish Harlem) while his parents work. Through the long hot days, Grandma fills her apartment with the blaring horns and conga drums of Bomba y Plena, salsa, and merengue-the music she grew up with in Puerto Rico-sharing her memories and passions with Eric. <p> But Eric sees Grandma in a new light when she gets them tickets to hear their favorite band in concert. The music sounds so different than it does at home on their scratchy records. And then the lead singer serenades Grandma right in front of the whole audience! <p> Join Eric Velasquez on a magical journey through time and across cultures, as a young boy's passion for music and art is forged by a powerful bond between generations.
Grandfather's Gamelan (Fountas & Pinnell Classroom, Guided Reading Grade 4)
by Jonas Westover Maribel LechugaNIMAC-sourced textbook
The Grand Tour: The Life and Music of George Jones
by Rich KienzleIn the vein of the classic Johnny Cash: The Life, this groundbreaking work explores the wild life and extraordinary musical career of “the definitive country singer of the last half century” (New York Times), who influenced, among others, Bob Dylan, Buck Owens, Emmylou Harris, John Fogerty, George Strait, Alan Jackson, and Garth Brooks.In a masterful biography laden with new revelations, veteran country music journalist/historian Rich Kienzle offers a definitive, full-bodied portrait of legendary country singer George Jones and the music that remains his legacy. Kienzle meticulously sifted through archival material, government records, recollections by colleagues and admirers, interviewing many involved in Jones’s life and career. The result: an evocative portrait of this enormously gifted, tragically tormented icon called “the Keith Richards of country.”Kienzle chronicles Jones’s impoverished East Texas childhood as the youngest son of a deeply religious mother and alcoholic, often-abusive father. He examines his three troubled marriages including his union with superstar Tammy Wynette and looks unsparingly at Jones’s demons. Alcohol and later cocaine nearly killed him until fourth wife Nancy helped him learn to love himself. Kienzle also details Jones’s remarkable musical journey from singing in violent Texas honky tonks to Grand Ole Opry star, hitmaker and master vocalist whose raw, emotionally powerful delivery remains the Gold Standard for country singers.The George Jones of this heartfelt biography lived hard before finding contentment until he died at eighty-one—a story filled with whiskey, women and drugs but always the saving grace of music.Illustrated with eight pages of photos.
The Grand Theater of the World: Music, Space, and the Performance of Identity in Early Modern Rome (Ashgate Interdisciplinary Studies in Opera)
by Valeria De Lucca Christine JeanneretMusic and space in the early modern world shaped each other in profound ways, and this is particularly apparent when considering Rome, a city that defined itself as the "grande teatro del mondo". The aim of this book is to consider music and space as fundamental elements in the performance of identity in early modern Rome. Rome’s unique milieu, as defined by spiritual and political power, as well as diplomacy and competition between aristocratic families, offers an exceptionally wide array of musical spaces and practices to be explored from an interdisciplinary perspective. Space is viewed as the theatrical backdrop against which to study a variety of musical practices in their functions as signifiers of social and political meanings. The editors wish to go beyond the traditional distinction between music theatrical spectacles – namely opera – and other musical genres and practices to offer a more comprehensive perspective on the ways in which not only dramatic, but also instrumental music and even the sounds of voices and objects in the streets relied on the theatrical dimension of space for their effectiveness in conveying social and political messages. While most chapters deal with musical performances, some focus on specific aspects of the Roman soundscape, or are even intentionally "silent", dealing with visual arts and architecture in their performative and theatrical aspects. The latter offer a perspective that creates a visual counterpoint to the ways in which music and sound shaped space.
Grand Opera Outside Paris: Opera on the Move in Nineteenth-Century Europe (Ashgate Interdisciplinary Studies in Opera)
by Jens HesselagerNineteenth-century French grand opera was a musical and cultural phenomenon with an important and widespread transnational presence in Europe. Primary attention in the major studies of the genre has so far been on the Parisian context for which the majority of the works were originally written. In contrast, this volume takes account of a larger geographical and historical context, bringing the Europe-wide impact of the genre into focus. The book presents case studies including analyses of grand opera in small-town Germany and Switzerland; grand operas adapted for Scandinavian capitals, a cockney audience in London, and a court audience in Weimar; and Portuguese and Russian grand operas after the French model. Its overarching aim is to reveal how grand operas were used – performed, transformed, enjoyed and criticised, emulated and parodied – and how they became part of musical, cultural and political life in various European settings. The picture that emerges is complex and diversified, yet it also testifies to the interrelated processes of cultural and political change as bourgeois audiences, at varying paces and with local variations, increased their influence, and as discourses on language, nation and nationalism influenced public debates in powerful ways.
Grand Opera
by Mirella Jona Affron Charles AffronThe Metropolitan has stood among the grandest of opera companies since its birth in 1883. Tracing the offstage/onstage workings of this famed New York institution, Charles Affron and Mirella Jona Affron tell how the Met became and remains a powerful actor on the global cultural scene. In this first new history of the company in thirty years, each of the chronologically sequenced chapters surveys a composer or a slice of the repertoire and brings to life dominant personalities and memorable performances of the time. From the opening night Faust to the recent controversial production of Wagner's "Ring," Grand Opera is a remarkable account of management and audience response to the push and pull of tradition and reinvention. Spanning the decades between the Gilded Age and the age of new media, this story of the Met concludes by tipping its hat to the hugely successful "Live in HD" simulcasts and other twenty-first-century innovations. Grand Opera's appeal extends far beyond the large circle of opera enthusiasts. Drawing on unpublished documents from the Metropolitan Opera Archives, reviews, recordings, and much more, this richly detailed book looks at the Met in the broad context of national and international issues and events.
The Grand Ole Opry: The Making of An American Icon
by Colin EscottThe official inside history of the home of country music--the Grand Ole Opry.This is the story of the birthplace of country music as told by the people who were there--from the birth of country music 100 years ago to the songs and culture its myriad fans know and love today. Nearly every country music icon has crossed the Grand Ole Opry stage, including Hank Williams, Johnny Cash, Dolly Parton, Reba McEntire, Garth Brooks, and recent inductee Dierks Bentley. Drawing from detailed archives of correspondence, photographs, oral histories, and live recordings (few of which have been made public until now), this history offers fans an exclusive look into the heart and soul of country music.
Grand Obsession
by Perri KnizeA fascinating, lyrical memoir about one woman's obsessive search for the perfect piano-and about finding and pursuing passion at any age How can a particular piano be so seductive that someone would turn her life upside down to answer its call? How does music change human consciousness and transport us to rapture? What makes it beautiful? In this elegantly written and heartfelt account, Perri Knize explores these questions with a music lover's ardor, a poet's inspiration, and a reporter's thirst for knowledge. The daughter of a professional musician, Knize was raised in a home saturated in classical music, but years have passed since she last played the instrument that mesmerized her most: the piano. Surprised by a sudden, belated realization that she is meant to devote her life to the instrument, she finds a teacher and soon decides to buy a piano of her own. What begins as a search for a modestly priced upright leads Knize through dozens of piano stores all over the country, and eventually ends in a New York City showroom where she falls madly in love with the sound of a rare and pricey German grand. "At the touch of the keys, I am swept away by powerful waves of sound," Knize writes. "The middle section is smoky and mysterious, as if rising from the larynx of a great contralto. The treble is bell-like and sparkling, full of color, a shimmering northern lights. A soul seems to reside in the belly of this piano, and it reaches out to touch mine, igniting a spark of desire that quickly catches fire." The seduction is complete. But the piano far exceeds Knize's budget. After a long and painful dalliance, she refinances her house to purchase the instrument that has transfixed her. The dealer ships it to her home in Montana, and she counts the days until its arrival. When at last she sits down to play, almost delirious with anticipation, the magical sound is gone and the tone is dead and dull. Devastated, she calls in one piano technician after another to "fix" it, but no one can. So begins the author's epic quest to restore her piano to its rightful sound, and to understand its elusive power. This journey leads her into an international subculture of piano aficionados -- concert artists, passionate amateurs, dealers, technicians, composers, and builders -- intriguing characters all, whose lives have also been transformed by the spell of a piano. Along the way she plays hundreds of pianos, new and vintage, rare and common, always listening for the bewitching tone she once heard from her own grand, a sound she cannot forget. In New York, she visits the high-strung technician who prepared her piano for the showroom, and learns how a wire tightened just so, or an artfully softened hammer can transform an unremarkable instrument into one that touches listeners to their core. In Germany, she watches the workers who built her piano shape wood, iron, wool, and steel into musical instruments, and learns why each has its own unique voice. In Austria, she hikes the Alps to learn how trees are selected to build pianos, and how they are grown and harvested. With each step of her journey, Knize draws ever-closer to uncovering the reason her piano's sound vanished, how to get it back, and the deeper secret of how music leads us to a direct experience of the nature of reality. Beautifully composed, passionately performed, Grand Obsession is itself a musical masterpiece.
Grand Obsession
by Perri KnizeA fascinating, lyrical memoir about one woman's obsessive search for the perfect piano-and about finding and pursuing passion at any age How can a particular piano be so seductive that someone would turn her life upside down to answer its call? How does music change human consciousness and transport us to rapture? What makes it beautiful? In this elegantly written and heartfelt account, Perri Knize explores these questions with a music lover's ardor, a poet's inspiration, and a reporter's thirst for knowledge. The daughter of a professional musician, Knize was raised in a home saturated in classical music, but years have passed since she last played the instrument that mesmerized her most: the piano. Surprised by a sudden, belated realization that she is meant to devote her life to the instrument, she finds a teacher and soon decides to buy a piano of her own. What begins as a search for a modestly priced upright leads Knize through dozens of piano stores all over the country, and eventually ends in a New York City showroom where she falls madly in love with the sound of a rare and pricey German grand. "At the touch of the keys, I am swept away by powerful waves of sound," Knize writes. "The middle section is smoky and mysterious, as if rising from the larynx of a great contralto. The treble is bell-like and sparkling, full of color, a shimmering northern lights. A soul seems to reside in the belly of this piano, and it reaches out to touch mine, igniting a spark of desire that quickly catches fire." The seduction is complete. But the piano far exceeds Knize's budget. After a long and painful dalliance, she refinances her house to purchase the instrument that has transfixed her. The dealer ships it to her home in Montana, and she counts the days until its arrival. When at last she sits down to play, almost delirious with anticipation, the magical sound is gone and the tone is dead and dull. Devastated, she calls in one piano technician after another to "fix" it, but no one can. So begins the author's epic quest to restore her piano to its rightful sound, and to understand its elusive power. This journey leads her into an international subculture of piano aficionados -- concert artists, passionate amateurs, dealers, technicians, composers, and builders -- intriguing characters all, whose lives have also been transformed by the spell of a piano. Along the way she plays hundreds of pianos, new and vintage, rare and common, always listening for the bewitching tone she once heard from her own grand, a sound she cannot forget. In New York, she visits the high-strung technician who prepared her piano for the showroom, and learns how a wire tightened just so, or an artfully softened hammer can transform an unremarkable instrument into one that touches listeners to their core. In Germany, she watches the workers who built her piano shape wood, iron, wool, and steel into musical instruments, and learns why each has its own unique voice. In Austria, she hikes the Alps to learn how trees are selected to build pianos, and how they are grown and harvested. With each step of her journey, Knize draws ever-closer to uncovering the reason her piano's sound vanished, how to get it back, and the deeper secret of how music leads us to a direct experience of the nature of reality. Beautifully composed, passionately performed, Grand Obsession is itself a musical masterpiece.
Grainger the Modernist
by Suzanne Robinson Kay DreyfusUnaccountably, Percy Grainger has remained on the margins of both American music history and twentieth-century modernism. This volume reveals the well-known composer of popular gems to be a self-described ’hyper-modernist’ who composed works of uncompromising dissonance, challenged the conventions of folk song collection and adaptation, re-visioned the modern orchestra, experimented with ’ego-less’ composition and designed electronic machines intended to supersede human application. Grainger was far from being a self-sufficient maverick working in isolation. Through contact with innovators such as Ferrucio Busoni, Léon Theremin and Henry Cowell; promotion of the music of modern French and Spanish schools; appreciation of vernacular, jazz and folk musics; as well as with the study and transcription of non-Western music; he contested received ideas and proposed many radical new approaches. By reappraising Grainger’s social and historical connectedness and exploring the variety of aspects of modernity seen in his activities in the British, American and Australian contexts, the authors create a profile of a composer, propagandist and visionary whose modernist aesthetic paralleled that of the most advanced composers of his day, and, in some cases, anticipated their practical experiments.
Graffiti Grrlz: Performing Feminism in the Hip Hop Diaspora
by Jessica Nydia Pabón-ColónAn inside look at women graffiti artists around the worldSince the dawn of Hip Hop graffiti writing on the streets of Philadelphia and New York City in the late 1960s, writers have anonymously inscribed their tag names on trains, buildings, and bridges. Passersby are left to imagine who the author might be, and, despite the artists’ anonymity, graffiti subculture is seen as a “boys club,” where the presence of the graffiti girl is almost unimaginable. In Graffiti Grrlz, Jessica Nydia Pabón-Colón interrupts this stereotype and introduces us to the world of women graffiti artists.Drawing on the lives of over 100 women in 23 countries, Pabón-Colón argues that graffiti art is an unrecognized but crucial space for the performance of feminism. She demonstrates how it builds communities of artists, reconceptualizes the Hip Hop masculinity of these spaces, and rejects notions of “girl power.” Graffiti Grrlz also unpacks the digital side of Hip Hop graffiti subculture and considers how it widens the presence of the woman graffiti artist and broadens her networks, which leads to the formation of all-girl graffiti crews or the organization of all-girl painting sessions.A rich and engaging look at women artists in a male-dominated subculture, Graffiti Grrlz reconsiders the intersections of feminism, hip hop, and youth performance and establishes graffiti art as a game that anyone can play.
Grace: Based on the Jeff Buckley Story
by Tiffanie DeBartoloA moving graphic biography for music lovers, Grace: The Jeff Buckley Story is painstakingly researched and created in collaboration with Jeff Buckley's estate.California, 1991. All his life, people have told Jeff Buckley how much he looks like his father, the famous ’60s folksinger he barely knew. But Jeff believes he has gifts of his own: a rare, octave-spanning voice and a songwriting genius that has only started to show itself. After he falls in love with a mysterious girl in New York, he sets out to make a name for himself outside his father’s shadow. What follows are six turbulent years of music, heartbreak, hope, and daring—culminating in a tragedy that’s still reverberating in the music world today. Written by Tiffanie DeBartolo and with art by Pascal Dizin and Lisa Reist, this graphic novel biography uses archival material provided by Jeff’s mother, Mary Guibert, to reveal the young songwriter in the process of becoming a legend.
Goyescas, Spanish Dances and Other Works for Solo Piano
by Enrique GranadosThis remarkable book brings together in one sturdy, yet inexpensive volume four of the most memorable and frequently played sets of works for the piano by Enrique Granados (1867-1916), one of Spain's greatest modern composers. They are reprinted here from early editions.The piano suite Goyescas, first performed in Barcelona in 1911, would bring Granados his greatest, most enduring success. In each of its six pieces, the composer employs wild, insistent melody and highly individual rhythm, harmony, and coloring to create dramatic impressions of paintings by Goya, to whose work Granados was deeply drawn.The exquisite Spanish Dances, a suite of early works, were much admired by the leading composers of the day, among them Massenet, Saint-Saëns, and Grieg, not only for their distinctive musical qualities, but also for the new direction in Spanish music which they heralded. They remain today perhaps the most performed of Granados's work.Less well known in America are the beautiful Escenas poéticas and Escenas románticas, two suites which reflect Granados's interest in the music of Grieg, Schumann, and Liszt, yet are filled with the great Spanish composer's original modulations and characteristic melodic writing. Together, the four suites offer performing artists, teachers, students, and music lovers a rich treasury of the finest and most enduring of Granados's compositions for the piano.
Götterdämmerung in Full Score
by Richard WagnerMelding literary, philosophical, and political -- as well as musical -- influences in his works, Richard Wagner (1813-83) brought the expressive power of German romantic opera to new heights -- indeed, his music was its crowning glory. George Bernard Shaw, a critic not given to hyperbole, acknowledged Wagner's preeminent status in The Perfect Wagnerite: "He was the summit of the nineteenth-century school of dramatic music."In Der Ring des Nibelungen, Wagner drew on a medieval German epic, the Nibelungenlied, and Norse mythology to create a new synthesis of music and drama on the largest scale. Of the four works in the Ring cycle, Götterdämmerung is perhaps the grandest and most sweeping of all. Although it is the final work in the series, the opera was actually first sketched out by Wagner in 1848, under the title Siegfrieds Tod. As it turned out, dramaturgic difficulties forced the composer to expand the tragedy of Siegfried into the four-part Ring. In 1851 he amplified Siegfrieds Tod with Der junge Siegfried (later Siegfried), and the following year wrote the texts of Die Walküre and Das Rheingold. In effect, the text of the Ring cycle was written in reverse order.Wagner began composing the musical drafts of Götterdämmerung in 1869. Five years later, the work was complete -- the capstone of an epic masterpiece that aroused near-religious fervor among its devotees. Shaw opined of the Ring as a whole: "The musical fabric is enormously elaborate and gorgeous," while Grove's Dictionary offers this comment on the special appeal of Götterdämmerung: "It is in the epic and reflective passages of Götterdämmerung, the narratives and orchestral epic of the Funeral March, that there unfurls that 'associative magic' praised so highly by Thomas Mann."Götterdämmerung has never been available in the United States in full operatic score -- until now. Reprinted directly from the rare 1877 first edition, this is the score that Wagner himself approved with the instrumentation he intended. Except for the original title page, the German-language front matter has been omitted in this edition for reasons of space and replaced by an English translation.New admirers of Wagner, opera enthusiasts, and all music lovers can savor the full heroic impact of this majestic musical achievement in Dover's characteristically inexpensive, superbly produced edition.
Goth Music: From Sound to Subculture (Routledge Studies in Popular Music)
by Isabella van Elferen Jeffrey Andrew WeinstockIs "goth music" a genre, and if so, how does it relate to the goth subculture? The music played at goth club nights and festivals encompasses a broad range of musical substyles, from gloomy Batcave reverberations to neo-medieval bagpipe drones and from the lush vocals of goth metal to the harsh distortion of goth industrial. Goth Music: From Sound to Subculture argues that within this variegated musical landscape a number of key consistencies exist. Not only do all these goth substyles share a number of musical and textual characteristics, but more importantly these aspects of the music are constitutive of goth social reality. Drawing on their own experiences in the European and American goth scenes, the authors explore the ways in which the sounds of goth inform the scene’s listening practices, its fantasies of other worlds, and its re-enchantment of their own world. Goth music, this book asserts, engenders a musical timespace of its own, a musical chronotope that is driven by nostalgic yearning. Goth Music: From Sound to Subculture reorients goth subcultural studies onto music: goth music must be recognized not only as simultaneously diverse and consistent, but also as the glue that holds together goth scenes from all over the world. It all starts with the music.
Goth: A History
by Lol TolhurstGoth is an entertaining and evocative personal history of Goth music and culture, told by a true insider. Lol Tolhurst explores the godfathers of goth who established the genre's roots - THE CURE, which he co-founded with Robert Smith, contemporaries SIOUXSIE AND THE BANSHEES, BAUHAUS, JOY DIVISION - plus many more great bands that offered a place of refuge for the misfits of the 80s and ever since. Lol offers a fascinating deep dive into the movers and shakers of goth, imbued with his personal memories as well as those of fellow musicians, magicians and artists who make goth such an inevitable and enduring movement. Along the way he examines acts such as DEPECHE MODE and COCTEAU TWINS who helped the darkness expand. Finally, Tolhurst examines the legacy of goth music, and shows how its influence can still be seen to this day across music, film, TV, visual arts and social media. As thoughtful and thorough as it is utterly bewitching, Goth is a timeless testament to why Goth matters - and why it always will.
Goth: A History
by Lol TolhurstFollowing his memoir Cured, a fascinating deep dive into the dark Romanticism of Goth music, a misunderstood genre and culture, by co-founder of The Cure, Lol TolhurstGOTH is an entertaining and engaging historical memoir of the genre of Goth music and culture, exploring creative giants like The Cure, Siouxsie and the Banshees, Bauhaus, Joy Division and many more great bands that offered a place of refuge for the misfits of the 80s and ever since. Written by Lol Tolhurst, co-founder of The Cure, this book offers a fascinating deep dive into the movers and shakers of goth with stories and anecdotes from Tolhurst's personal memories as well as the musicians, magicians and artists who made it all happen - the people, places and events that made goth an inevitable and enduring movement . Starting with the Origins of Goth, Tolhurst explores early art and literature that inspired the genre and looks into the work of T.S Eliot, Edgar Allan Poe, Sylvia Plath, Albert Camus and more. He also outlines the path of Gothic forebears and shows how many musicians played in punk bands before transitioning into goth endeavours. Next, he introduces readers to the 'Architects of Darkness' - Bauhaus, Siouxsie and the Banshees, Joy Division and The Cure - the godfathers of goth who established the genre's roots. Following these early bands, Tolhurst discusses a group he calls the 'Spiritual Alchemists', consisting of bands like Depeche Mode, Cocteau Twins and more, who helped the darkness expand into the culture. He also tracks the expansion of the genre overseas, from England to New York, Los Angeles and beyond. Gothic fashion was an important part of the movement as well and Tolhurst discusses the clothing that accompanied and complemented the music. Finally, Tolhurst examines the legacy of goth music and shows how its influence can still be seen to this day across music, film, TV, visual arts, social media and so much more, finally concluding with 'Why Goth matters!'(P) 2023 Hachette Book Group
Goth: A History
by Lol TolhurstThe co-founder of The Cure and author of Cured delivers a fascinating deep dive into the dark romanticism of Goth music, a misunderstood genre and culture. GOTH is an entertaining and engaging historical memoir, and a journey through Goth music and culture, exploring creative giants like The Cure, Siouxsie and the Banshees, Bauhaus, Joy Division, and many more great bands that offered a place of refuge for the misfits of the &‘80s and ever since. Written by Lol Tolhurst, co-founder of The Cure, this book offers a riveting retrospective of the genre&’s iconic movers and shakers, infused with stories from Tolhurst&’s personal trove of memories, as well as anecdotes about the musicians, magicians, and artists who made it all happen—the people, places, and things that made Goth an inevitable and enduring movement. Starting with the Origins of Goth, Tolhurst explores early art and literature that inspired the genre and looks into the work of T.S Eliot, Edgar Allan Poe, Sylvia Plath, and Albert Camus, among others. He also outlines the path of Gothic Forebears and shows how many musicians played in punk bands before transitioning into Goth endeavors. Next, he introduces readers to the &“Architects of Darkness&”—Bauhaus, Siouxsie and the Banshees, Joy Division, and The Cure—the Godfathers of Goth who established the genre's roots. Following these early bands, Tolhurst discusses a group he calls the &“Spiritual Alchemists,&” consisting of bands like Depeche Mode, Cocteau Twins, and more, who helped the darkness expand into the culture. He also tracks the expansion of the genre overseas, from England to New York, Los Angeles, and beyond. Gothic fashion was an important part of the movement as well, and Tolhurst discusses the clothing that accompanied and complemented the music. Finally, Tolhurst examines the legacy of Goth music, and shows how its influence can still be seen to this day across music, film, TV, visual arts, social media, and more. As thoughtful and thorough as it is utterly bewitching, GOTH is a timeless testament to why Goth matters—and why it always will.