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Ars antiqua: Organum, Conductus, Motet (Music In Medieval Europe Ser.)
by Edward H. RoesnerThe ars antiqua began to be mentioned in writings about music in the early decades of the fourteenth century, where it was cited along with references to a more modern "art", an ars nova. It was understood by those who coined the notion to be rooted in the musical practices outlined in the Ars musica of Lambertus and, especially, the Ars cantus mensurabilis of Franco of Cologne. Directly or indirectly the essays collected in this volume all address one or more of the issues regarding ars antiqua polyphony-questions relating to the nature and definition of genre; the evolution of the polyphonic idiom; the workings of the creative process including the role of oral process and notation and the continuum between these extremes; questions about how this music was used and understood; and of how it fits into the intellectual life of the twelfth and thirteenth centuries. Some of the essays ask new questions or approach long-standing ones from fresh perspectives. All, however, are rooted in a line of scholarship that produced a body of writing of continuing relevance.
Ars nova: French and Italian Music in the Fourteenth Century (Music In Medieval Europe Ser.)
by John L. Nádas Michael Scott CuthbertIn the early fourteenth century, musicians in France and later Italy established new traditions of secular and sacred polyphony. This ars nova, or "new art," popularized by theorists such as Philippe de Vitry and Johannes de Muris was the among the first of many later movements to establish the music of the present as a clean break from the past. The rich music of this period, by composers such as Guillaume de Machaut and Francesco Landini, is not only beautiful, but also rewards deep study and analysis. Yet contradictions and gaps abound in the ars nova of the fourteenth and early fifteenth centuries-how do we read this music? how do we perform this music? what was the cultural context of these performances? These problems are well met by the ingenuity of approaches and solutions found by scholars in this volume. The twenty-seven articles brought together reflect the broad methodological and chronological range of scholarly inquiry on the ars nova.
The Art of French Piano Music: Debussy, Ravel, Fauré, Chabrier
by Roy HowatAn essential resource for scholars and performers, this study by a world-renowned specialist illuminates the piano music of four major French composers, in comparative and reciprocal context. Howat explores the musical language and artistic ethos of this repertoire, juxtaposing structural analysis with editorial and performing issues. He also relates his four composers historically and stylistically to such predecessors as Chopin, Schumann, Liszt, the French harpsichord school, and Russian and Spanish music. Challenging long-held assumptions about performance practice, Howat elucidates the rhythmic vitality and invention inherent in French music. In granting Fauré and Chabrier equal consideration with Debussy and Ravel, he redresses a historic imbalance and reshapes our perceptions of this entire musical tradition. Outstanding historical documentation and analysis are supported by Howat's direct references to performing traditions shaped by the composers themselves. The book balances accessibility with scholarly and analytic rigor, combining a lifetime's scholarship with practical experience of teaching and the concert platform
As Heard on TV: Popular Music In Advertising (Ashgate Popular and Folk Music Series)
by Bethany KleinThe use of popular music in advertising represents one of the most pervasive mergers of cultural and commercial objectives in the modern age. Steady public response to popular music in television commercials, ranging from the celebratory to the outraged, highlights both unresolved tensions around such partnerships and the need to unpack the complex issues behind everyday media practice. Through an analysis of press coverage and interviews with musicians, music supervisors, advertising creatives, and licensing managers, As Heard on TV considers the industrial changes that have provided a foundation for the increased use of popular music in advertising, and explores the critical issues and debates surrounding media alliances that blur cultural ambitions with commercial goals. The practice of licensing popular music for advertising revisits and continues a number of themes in cultural and media studies, among them the connection between authorship and ownership in popular music, the legitimization of advertising as art, industrial transformations in radio and music, the role of music in branding, and the restructuring of meaning that results from commercial exploitation of popular music. As Heard on TV addresses these topics by exploring cases involving artists from the Beatles to the Shins and various dominant corporations of the last half-century. As one example within a wider debate about the role of commerce in the production of culture, the use of popular music in advertising provides an entry point through which a range of practices can be understood and interrogated. This book attends to the relationship between popular culture and corporate power in its complicated variation: at times mutually beneficial and playfully suspicious of constructed boundaries, and at others conceived in strain and symbolic of the triumph of hypercommercialism.
The Ashgate Research Companion to Experimental Music (Routledge Music Companions)
by James SaundersThe recent resurgence of experimental music has given rise to a more divergent range of practices than has previously been the case. The Ashgate Research Companion to Experimental Music reflects these recent developments by providing examples of current thinking and presenting detailed case studies that document the work of contemporary figures. The book examines fourteen current practitioners by interrogating their artistic practices through annotated interviews, contextualized by nine authored chapters which explore central issues that emerge from and inform these discussions. Whilst focusing on composition, the book also encompasses related aspects of performance, improvisation and sonic art. The interviews all explore how the selected artists work, focusing on the processes involved in developing their recent projects, set against more general aesthetic concerns. They aim to shed light on the disparate nature of current work whilst seeking to find possible points of contact. Many of the practitioners are active in areas that span disciplines, such as composition and improvisation, and the book explores the interaction of these activities in the context of their work. The other chapters consider a range of issues pertinent to recent developments in the genre, including: definitions of experimentalism and its relationship with a broader avant garde; experimentalism and cultural change; notation and its effect on composition; realising open scores; issues of notation and interpretation in live electronic music; performing experimental music; improvisation and technology; improvisation and social meaning; instrumentalizing objects; visual artists' relationships to experimental music; working across interdisciplinary boundaries; listening and the soundscape; working methods, techniques and aesthetics of recent experimental music.
The Ashgate Research Companion to Popular Musicology (Routledge Music Companions)
by Derek B. ScottThe research presented in this volume is very recent, and the general approach is that of rethinking popular musicology: its purpose, its aims, and its methods. Contributors to the volume were asked to write something original and, at the same time, to provide an instructive example of a particular way of working and thinking. The essays have been written with a view to helping graduate students with research methodology and the application of relevant theoretical models. The team of contributors is an exceptionally strong one: it contains many of the pre-eminent academic figures involved in popular musicological research, and there is a spread of European, American, Asian, and Australasian scholars. The volume covers seven main themes: Film, Video and Multimedia; Technology and Studio Production; Gender and Sexuality; Identity and Ethnicity; Performance and Gesture; Reception and Scenes and The Music Industry and Globalization. The Ashgate Research Companion is designed to offer scholars and graduate students a comprehensive and authoritative state-of-the-art review of current research in a particular area. The companion's editor brings together a team of respected and experienced experts to write chapters on the key issues in their speciality, providing a comprehensive reference to the field.
Aspects of the Secular Cantata in Late Baroque Italy
by Michael TalbotAs shown by the ever-increasing volume of recordings, editions and performances of the vast repertory of secular cantatas for solo voice produced, primarily in Italy, in the second half of the seventeenth century and the first half of the eighteenth century, this long neglected genre has at last 'come of age'. However, scholarly interest is currently lagging behind musical practice: incredibly, there has been no general study of the Baroque cantata since Eugen Schmitz's handbook of 1914, and although many academic theses have examined microscopically the cantatas of individual composers, there has been little opportunity to view these against the broader canvas of the genre as a whole. The contributors in this volume choose aspects of the cantata relevant to their special interests in order to say new things about the works, whether historical, analytical, bibliographical, discographical or performance-based. The prime focus is on Italian-born composers working between 1650 and 1750 (thus not Handel), but the opportunity is also taken in one chapter (by Graham Sadler) to compare the French cantata tradition with its Italian parent in association with a startling new claim regarding the intended instrumentation. Many key figures are considered, among them Tomaso Albinoni, Giovanni Bononcini, Giovanni Legrenzi, Benedetto Marcello, Alessandro Scarlatti, Alessandro Stradella, Leonardo Vinci and Antonio Vivaldi. The poetic texts of the cantatas, all too often treated as being of little intrinsic interest, are given their due weight. Space is also found for discussions of the history of Baroque solo cantatas on disc and of the realization of the continuo in cantata arias - a topic more complex and contentious than may at first be apparent. The book aims to stimulate interest in, and to win converts to, this genre, which in its day equalled the instrumental sonata in importance, and in which more than a few composers invested a major part of their creativity.
Back to the Garden: The Story of Woodstock
by Pete FornataleTHE BIGGEST EVENT IN ROCK 'N' ROLL HISTORY IS BROUGHT VIVIDLY TO LIFE THROUGH ORIGINAL INTERVIEWS WITH ROGER DALTREY, JOAN BAEZ, DAVID CROSBY, RICHIE HAVENS, JOE COCKER, AND DOZENS OF HEADLINERS, ORGANIZERS, AND FANS. For America's counterculture youth in 1969, Woodstock became a symbol of more than just sex, drugs, and rock 'n' roll--it was about peace, love, and a new way of living. It was a seminal event that epitomized the ways that the culture, the country, and the core values of an entire generation were shifting. On one glorious weekend, this generation found its voice through music. Back to the Garden celebrates the spirit of Woodstock in the words of some of the era's biggest musical stars, as well as those who participated in the festival. From Richie Havens's legendary opening act to the Who's violent performance, from the Grateful Dead's jam to Jefferson Airplane's wake-up call, culminating in Jimi Hendrix's career-defining moment, renowned disc jockey Pete Fornatale brings new stories to light and sets the record straight on some common misperceptions. Illustrated with black-and-white photographs, Back to the Garden is the authoritative and highly entertaining history of three days of peace and music
The Ballad of Blind Tom, Slave Pianist: America's Lost Musical Genius
by Deirdre O'ConnellThis biography of a musical genius who went from slavery to international stardom is a “vivid, carefully researched narrative reflects the tenor of the” (Publishers Weekly). Born into slavery in Georgia, Tom Wiggins died an international celebrity in New York in 1908. His life was one of the most bizarre and moving episodes in American history. Born blind and autistic—and therefore unable to work with other slaves—Tom was left to his own devices. He was mesmerized by the music of the family’s young daughters, and by the time he was four, Tom was playing tunes on the piano. Eventually freed from slavery, “Blind Tom” toured the country and the world, dazzling audiences that included celebrities like Mark Twain and the Queen of England. Considered both a genius and a novelty act, Blind Tom embodied contradictions—a star and a freak, freed from slavery yet still under the control of his white guardian. His life offers a window into the culture of celebrity and racism at the turn of the twentieth century. In this rollicking and heartrending book, O’Connell takes us through the life (and three separate deaths) of Blind Tom Wiggins, restoring to the modern reader this unusual yet quintessentially American life.
Barrelhouse Blues: Location Recording and the Early Traditions of the Blues
by Paul OliverIn the 1920s, Southern record companies ventured to cities like Dallas, Atlanta, and New Orleans, where they set up primitive recording equipment in makeshift studios. They brought in street singers, medicine show performers, pianists from the juke joints and barrelhouses. The music that circulated through Southern work camps, prison farms, and vaudeville shows would be lost to us if it hadn't been captured on location by these performers and recorders.Eminent blues historian Paul Oliver uncovers these folk traditions and the circumstances under which they were recorded, rescuing the forefathers of the blues who were lost before they even had a chance to be heard. A careful excavation of the earliest recordings of the blues by one of its foremost experts, Barrelhouse Blues expands our definition of that most American style of music.
Barrelhouse Words: A Blues Dialect Dictionary
by Stephen CaltThis fascinating compendium explains the most unusual, obscure, and curious words and expressions from vintage blues music. Utilizing both documentary evidence and invaluable interviews with a number of now-deceased musicians from the 1920s and '30s, blues scholar Stephen Calt unravels the nuances of more than twelve hundred idioms and proper or place names found on oft-overlooked "race records" recorded between 1923 and 1949. From "aggravatin' papa" to "yas-yas-yas" and everything in between, this truly unique, racy, and compelling resource decodes a neglected speech for general readers and researchers alike, offering invaluable information about black language and American slang.
The Beat: Go-Go Music from Washington, D.C. (American Made Music Series)
by Kip Lornell Charles C. Stephenson Jr.The Beat! was the first book to explore the musical, social, and cultural phenomenon of go-go music. In this edition, updated by a substantial chapter on the current scene, authors Kip Lornell and Charles C. Stephenson, Jr., place go-go within black popular music made since the middle 1970s—a period during which hip-hop has predominated. This styling reflects the District's African American heritage. Its super-charged drumming and vocal combinations of hip-hop, funk, and soul evolved and still thrive on the streets of Washington, DC, and in neighboring Prince George's County, making it the most geographically compact form of popular music. Go-go—the only musical form indigenous to Washington, DC—features a highly syncopated, nonstop beat and vocals that are spoken as well as sung. The book chronicles its development and ongoing popularity, focusing on many of its key figures and institutions, including established acts such as Chuck Brown (the Godfather of Go-Go), Experience Unlimited, Rare Essence, and Trouble Funk; well-known DJs, managers, and promoters; and filmmakers who have incorporated it into their work. The Beat! provides longtime fans and those who study American musical forms a definitive look at the music and its makers.
Beatleology
by Roger Jaquette Adam JaquetteAre you a romantic optimist with a cheery disposition? You might be a "Paul."Brooding, introverted, and artistic? You are probably a "John."If you tend to take life as it comes with a happy go-lucky attitude, most likely you are a "Ringo." Thoughtful, with a tendency toward passive-aggressive behavior? You might be a "George."The tenets of Beatleology are simple: We all have an Inner Beatle guiding our destiny and governing our behavior. Forget Leo or Taurus. This book teaches us that it's more accurate to say, "I'm a John" or "I'm a Ringo." A simple personality test determines who your Inner Beatle is and how you will interact with the other Johns, Pauls, Georges, and Ringos of the world--at home, at work, and on the street. Written in the spirit of our favorite "cheeky lads from Liverpool," This guide is pop psychology with a twist--and a dash of Sgt. Pepper!
Beatleology: A Magical Mystery Tour to Discover Your Inner Beatle
by Adam JaquetteAre you a romantic optimist with a cheery disposition? You might be a “Paul.”Brooding, introverted, and artistic? You are probably a “John.”If you tend to take life as it comes with a happy go-lucky attitude, most likely you are a “Ringo.”Thoughtful, with a tendency toward passive-aggressive behavior? You might be a “George.”The tenets of Beatleology are simple: We all have an Inner Beatle guiding our destiny and governing our behavior. Forget Leo or Taurus. This book teaches us that it’s more accurate to say, “I’m a John” or “I’m a Ringo.” A simple personality test determines who your Inner Beatle is and how you will interact with the other Johns, Pauls, Georges, and Ringos of the world—at home, at work, and on the street. Written in the spirit of our favorite “cheeky lads from Liverpool,” This guide is pop psychology with a twist—and a dash of Sgt. Pepper
Beatleology
by Adam Jaquette Roger JaquetteAre you a romantic optimist with a cheery disposition? You might be a Paul. " Brooding, introverted, and artistic? You are probably a "John. " If you tend to take life as it comes with a happy go-lucky attitude, most likely you are a "Ringo. " Thoughtful, with a tendency toward passive-aggressive behavior? You might be a "George. " The tenets of Beatleology are simple: We all have an Inner Beatle guiding our destiny and governing our behavior. Forget Leo or Taurus. This book teaches us that it's more accurate to say, "I'm a John" or "I'm a Ringo. " A simple personality test determines who your Inner Beatle is and how you will interact with the other Johns, Pauls, Georges, and Ringos of the world-at home, at work, and on the street. Written in the spirit of our favorite "cheeky lads from Liverpool," This guide is pop psychology with a twist-and a dash of Sgt. Pepper!"
The Beatles
by Hunter DaviesDuring 1967 and 1968 Hunter Davies spent eighteen months with the Beatles at the peak of their powers as they defined a generation and rewrote popular music. <p><p>As their only authorized biographer, he had unparalleled access—not just to John, Paul, George, and Ringo but also to friends, family, and colleagues. Davies collected a wealth of intimate and revealing material that still makes this the classic Beatles book—the one all other biographers look to. He remained close with the band and had access to more information over the years. <p><p>This edition brings the story up-to-date with new material on the Beatles's solo careers and lives, as well as the stories of many other people who appear in the book. Drawing on new material from the author's archives and from the Beatles themselves, including a newly discovered song lyric by George Harrison, this edition brings new insights to the Beatles legend.
A Beautiful Mess
by Diamond Rio Tom RolandWhat made it possible for Diamond Rio to weather the storms inherent in the fickle world of fame and fortune and go more than two decades without a single lineup change? In "A Beautiful Mess," each band member provides a variety of perspectives on fame and success.
Best Music Writing 2009
by Greil MarcusLegendary critic Greil Marcus takes the helm for the landmark tenth edition of Da CapoOCOs annual compendium of the best in music writing"
Between Baudelaire and Mallarmé: Voice, Conversation and Music
by Helen AbbottAs the status of poetry became less and less certain over the course of the nineteenth century, poets such as Baudelaire and Mallarmé began to explore ways to ensure that poetry would not be overtaken by music in the hierarchy of the arts. Helen Abbott examines the verse and prose poetry of these two important poets, together with their critical writings, to address how their attitudes towards the performance practice of poetry influenced the future of both poetry and music. Central to her analysis is the issue of 'voice', a term that remains elusive in spite of its broad application. Acknowledging that voice can be physical, textual and symbolic, Abbott explores the meaning of voice in terms of four categories: (1) rhetoric, specifically the rules governing the deployment of voice in poetry; (2) the human body and its effect on how voice is used in poetry; (3) exchange, that is, the way voices either interact or fail to interact; and (4) music, specifically the question of whether poetry should be sung. Abbott shows how Baudelaire and Mallarmé exploit the complexity and instability of the notion of voice to propose a new aesthetic that situates poetry between conversation and music. Voice thus becomes an important process of interaction and exchange rather than something stable or static; the implications of this for Baudelaire and Mallarmé are profoundly significant, since it maps out the possible future of poetry.
Big Man: Real Life & Tall Tales
by Clarence Clemons Don ReoFor the first time ever comes the inside story of Clarence "Big Man" Clemons--his life before, during and beyond the E-Street Band, including unbelievable, never-before-told adventures with Bruce Springsteen, the band, and an incredible cast of other famous characters recounted by himself and his best friend, television writer/ producer Don Reo. Here are just a few things you'll get from reading it: The truth behind the final hours of making Born To Run; The real story of how the E-Street Band got its name; What happened when Clarence and Ringo Starr were sitting in a hotel room and Clarence got the call that Bruce was breaking up the band; How Bruce and Clarence met that dark, stormy night at the Student Prince; The E-Street band's show at Sing-Sing prison where all of their equipment blows out right as they take the stage; The secret that Robert De Niro told Clarence and Bruce they had to keep for 25 years. But that's merely a glimpse. This is not your average rock book. It is something creative, something unique, something new. It is the story of E-Street. It is the story of stories. It is the story of the Big Man.
Big Man
by Clarence Clemons Don ReoBig Man tells the fascinating story of Clarence Clemons, the larger-than-life saxophone player of the E Street Band. Clarence and his longtime friend, writer/producer Don Reo, take you on a thrilling ride from Clarence's childhood to the present, from beat-up vans to private jets, from boardwalk bars to stadiums and concert halls all over the world. It's a fitting account of a life lived to the full by a man who threw himself wholeheartedly into his music right up until his tragic death in 2011.The book is filled with never-before-told stories about Clarence's life, his friendship with Bruce Springsteen, and his encounters with some of the most famous people in the world. Along the way, Clarence and Don spin their own fictional "legends" that add to the already-mystical lore of E Street.An absolute must for all Springsteen fans, Big Man reveals the heart and soul of the man who brought so much music and love to so many people for so long.
The Bill Ferris Enhanced Omnibus E-Book
by William FerrisThis Omnibus Ebook for the first time brings together pioneering folklorist William Ferris's books on the music and arts of the South.Included in this ebook are:Give My Poor Heart Ease: Voices of the Mississippi Blues:Throughout the 1960s and 1970s, Ferris toured his home state of Mississippi, documenting the voices of African Americans as they spoke about and performed the diverse musical traditions that form the authentic roots of the blues. Now, Give My Poor Heart Ease puts front and center a searing selection of the artistically and emotionally rich voices from this invaluable documentary record. Illustrated with Ferris's photographs of the musicians and their communities and including original music and original film, the book features more than twenty interviews relating frank, dramatic, and engaging narratives about black life and blues music in the heart of the American South.The enhanced ebook edition includes: * Almost 2 hours of video clips and interviews scattered throughout the text* An hour of original music, also imbedded throughout the text* Concludes with the full DVD of original film and full CD of original musicThe Storied South: Voices of Writers and Artists:The Storied South features the voices--by turn searching and honest, coy and scathing--of twenty-six of the most luminous artists and thinkers in the American cultural firmament, from Eudora Welty, Pete Seeger, and Alice Walker to William Eggleston, Bobby Rush, and C. Vann Woodward. Masterfully drawn from one-on-one interviews conducted by Ferris over the past forty years, the book reveals how storytelling is viscerally tied to southern identity and how the work of these southern or southern-inspired creators has shaped the way Americans think and talk about the South.The enhanced ebook edition includes 45 of Ferris's striking photographic portraits of the speakers and original audio and films of the interviews.
The Billboard Guide to Writing and Producing Songs That Sell: How to Create Hits in Today's Music Industry
by Eric BeallBeall, an experienced A&R executive for leading music publishers, has designed this guide for songwriters who want to craft material that will meet the demands of the commercial marketplace. The author uses interviews with successful writers, producers and executives to reveal the secrets that open doors in a very competitive industry, and he has developed practical exercises that will help budding songwriters create the titles, hooks, rhythms and melodies that will appeal to contemporary audiences. A section analyzes the components that allow a song to become a hit such as radio airplay, the science of marketing singles and how to target an audience in advance. Annotation ©2009 Book News, Inc. , Portland, OR (booknews. com)
Black Tooth Grin: The High Life, Good Times, and Tragic End of "Dimebag" Darrell Abbott
by Zac CrainBlack Tooth Grin is the first biography of "Dimebag" Darrell Abbott, the Texas-bred guitarist of the heavy metal band Pantera, who was murdered onstage in 2004 by a deranged fan-24 years to the day after John Lennon met a similar fate.Darrell Abbott began as a Kiss-inspired teenage prodigy who won dozens of local talent contests. With his brother, drummer Vinnie Abbott, he formed Pantera, becoming one of the most popular bands of the '90s and selling millions of albums to an intensely devoted fan base. While the band's music was aggressive, "Dime" was outgoing, gregarious, and adored by everyone who knew him.From Pantera's heyday to their implosion following singer Phil Anselmo's heroin addiction to Darrell's tragic end, Black Tooth Grin is a moving portrait of a great artist.
Blues & Chaos
by Robert Palmer Anthony DecurtisRobert Palmer's extraordinary knowledge and boundless love of music were evident in all his writing. He was an authority on rock & roll, blues, jazz, punk, avant-garde, and world music--often discovering new artists and trends years (even decades) before they hit the mainstream. Noted music writer Anthony DeCurtis has compiled the best pieces from Palmer's oeuvre and presents them here, in one compelling volume.A member of the elite group of the defining rock critics who emerged in the 1960s and 1970s, Palmer possessed a vision so complete that, as DeCurtis writes, "it's almost as if, if you read Bob, you didn't need to read anyone else." Blues & Chaos features some of his most memorable pieces about John Lennon, Led Zeppelin, Moroccan trance music, Miles Davis, Jerry Lee Lewis, Philip Glass, and Muddy Waters. Wonderfully entertaining, infused with passion, and deeply inspiring, Blues & Chaos is a must for music fans everywhere.Lennon, Led Zeppelin, Moroccan trance music, Miles Davis, Jerry Lee Lewis, Philip Glass, and Muddy Waters. Wonderfully entertaining, infused with passion, and deeply inspiring, Blues & Chaos is a must for music fans everywhere.