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Epistrophies: Jazz and the Literary Imagination
by Brent Hayes EdwardsHearing across media is the source of innovation in a uniquely African American sphere of art-making and performance, Brent Hayes Edwards writes. He explores this fertile interface through case studies in jazz literature—both writings informed by music and the surprisingly large body of writing by jazz musicians themselves.
Epistrophies: Jazz And The Literary Imagination
by Brent Hayes EdwardsHearing across media is the source of innovation in a uniquely African American sphere of art-making and performance, Brent Hayes Edwards writes. He explores this fertile interface through case studies in jazz literature—both writings informed by music and the surprisingly large body of writing by jazz musicians themselves.
Epic Sound: Music In Postwar Hollywood Biblical Films
by Stephen C. MeyerLavish musical soundtracks contributed a special grandeur to the new widescreen, stereophonic sound movie experience of postwar biblical epics such as Samson and Delilah, Ben-Hur, and Quo Vadis. In Epic Sound, Stephen C. Meyer shows how music was utilized for various effects, sometimes serving as a vehicle for narrative plot and at times complicating biblical and cinematic interpretation. In this way, the soundscapes of these films reflected the ideological and aesthetic tensions within the genre, and more generally, within postwar American society. By examining key biblical films, Meyer adeptly engages musicology with film studies to explore cinematic interpretations of the Bible during the 1940s through the 1960s.
Entrepreneurial Music Education: Professional Learning in Schools and the Industry
by Kristina KelmanThis book addresses the gap between formal music education curricula and the knowledge and skills necessary to enter the professional music industry. It uses extensive data from a long-running research project where high school students were invited to start their own business venture, Youth Music Industries. Not only did this act as a business venture, but it also functioned as a learning environment informed by the concepts of Communities of Practice and social capital. Exploring how entrepreneurial qualities were developed, their learning was subsequently captured and distilled into a set of design principles: in this way, a pedagogical approach was developed that can be transferred across the creative industries more broadly. This book will be of interest and value to scholars of music education, as well as those preparing students for the creative industries.
Entering the Battlefield: Eine ethnographische Annäherung an eine Musikszene (Erlebniswelten)
by Nico Richter Johannes KoppModerne Gesellschaften bestehen aus einer Vielzahl von Lebenswelten. Diese besitzen aber spezifische kulturelle Eigenheiten, die sich einem Verständnis und somit auch einer wissenschaftlichen Erfassung von außen teilweise entziehen. Szenen dienen dabei als hilfreiches Konzept, um diese gesellschaftlich relevanten Gebilde fassbar zu machen. Hierzu bedarf es zunächst einer Annäherung und Beschreibung der kulturellen Eigenheiten aus der Binnenperspektive. Gegenstand des vorliegenden Buches ist die Szene des Heavy-Metal bzw. ihre Manifestation im Rahmen eines Festivals. Mit Hilfe ethnographischer Methoden werden die unterschiedlichsten szenespezifischen Phänomene anhand konkreter Situationen – etwa in den unterschiedlichsten Formen des Campens über ritualisierte Verhaltensweisen, das spezifische Konsumverhalten und die äußere Erscheinung der Protagonisten bis hin zur erstaunlichen Neigung zu beinahe konservativen Wertvorstellungen – beschrieben und untersucht. Zudem soll abschließend in einem Exkurs zu einer gänzlich anderen Szene gezeigt werden, wie viele erstaunliche Parallelen sich hinsichtlich der szenischen Vergemeinschaftung im Allgemeinen finden lassen.
Enter the Babylon System: Unpacking Gun Culture from Samuel Colt to 50 Cent
by Christian Pearce Rodrigo BascunanA docu-style investigation of our fascination with the gun, from the perspective of the hip-hop generation.The 2003 shooting death of Toronto community-centre worker Kempton Howard put the spotlight on hip hop's fixation with guns. Media and police soon blamed rap music and its tales of gang life on bullet-ridden US streets for the rising use of firearms in Canadian crime. Were these songs artful accounts of a terrible truth, or a self-fulfilling prophecy?Rodrigo Bascunan and Christian Pearce have interviewed many of the major players in the hip-hop world. As publishers of an award-winning magazine of urban culture, they'd watched rap music become a scapegoat for society's much older and widely spread fascination with guns. What follows is their international adventure to deconstruct modern gun culture in all its manifestations. Bascunan and Pearce seek out hip-hop artists, illegal gun runners, firearms aficionados and manufacturers, museum curators, academics, politicians, video-game creators, activists, victims of gun violence and the family and friends left behind.Somewhere between Fast Food Nation, No Logo and a Michael Moore documentary, featuring sly sidebar material and original artwork, Enter the Babylon System is part outrageous journalistic pursuit and part passionate cri de coeur for sanity in the face of a society's obsession.From the Hardcover edition.
Enter Sandwich: Some Kind of Vegan Cooking with No Connection to Metallica
by Joshua PloegOh, aging rockers. We've all seen them struggle to get along and cope with life. Maybe they just need to sit around a backyard picnic table, share a vegan feast, and talk about their feelings. After all, to live is to stir fry. Automne Zingg, genius mastermind behind Comfort Eating with Nick Cave and Defensive Eating with Morrissey is back with hilarious illustrations of the band's revolving cast eating their feelings and expressing their enthusiasm for food, but in a tough and intense way. "Yeahms!" sings James, riffing on a giant yam. Zingg's work is coupled with the inventive and flavorful recipes of chef and queercore punk musician, Joshua Ploeg. Written in lyrical form, the recipes parody 40 of the most quintessential tunes. Crank up the volume while concocting plant-based recipes like Master of Nuggets, Pie of the Beholder, an All Nightmare Footlong, or maybe just a little stock. So let it be eaten. (Just don't try to illegally download this book.)
Entangled
by Amy Rose CapettaAlone was the note Cade knew best. It was the root of all her chords. Seventeen-year-old Cade is a fierce survivor, solo in the universe with her cherry-red guitar. Or so she thought. Her world shakes apart when a hologram named Mr. Niven tells her she was created in a lab in the year 3112, then entangled at a subatomic level with a boy named Xan. Cade's quest to locate Xan joins her with an array of outlaws--her first friends--on a galaxy-spanning adventure. And once Cade discovers the wild joy of real connection, there's no turning back.
Enly and the Buskin' Blues
by Jennie LiuTwelve-year-old Enly Wu Lewis is determined to go to band camp and follow in the footsteps of his musician father, who died years ago. But his mom, a single parent working two jobs, is saving every penny for his older brother's college tuition. So Enly sets out to earn the money for camp on his own, by busking with an obscure instrument he can only kind of play. When someone drops a winning scratch-off lottery ticket into his tip box, Enly thinks it's the answer to his problems—but he'll have to overcome teenage thieves and his own family if he wants to achieve his dreams.
The Enjoyment Of Music (Thirteenth Edition)
by Kristine Forney Andrew Dell'Antonio Joseph MachlisThe Enjoyment of Music continues to teach students how to listen and connect to any kind of music. After more than fifty years of successfully preparing students for a lifetime of informed listening, the Twelfth Edition raises the bar with an expanded repertory of appealing music, an exciting new listening and assessment pedagogy, and the richest and most user-friendly online resources available to students today.
The Enjoyment of Music (Shorter 12th Edition)
by Kristine Forney Andrew Dell'Antonio Joseph MachlisThis shorter edition of The Enjoyment of Music continues to teach students how to listen and connect to any kind of music. After more than fifty years of successfully preparing students for a lifetime of informed listening, the Twelfth Edition raises the bar with an expanded repertory of appealing music, an exciting new listening and assessment pedagogy, and the richest and most user-friendly online resources available to students today.
The Enjoyment Of Music: Essential Listening
by Andrew Dell'Antonio Kristine ForneyThe Enjoyment of Music, Essential Listening Edition, weaves together a concise text and rich media resources in a compact and affordable package that gives students all they need for an enriched listening experience. The new Fourth Edition features enhanced pedagogy built around new listening objectives and Listening Challenge online activities, a revised repertory that includes popular teaching pieces, and streamlined Listening Guides that make it easier for students to identify the important things to listen for in each selection.
The Enjoyment of Music: Essential Listening 2nd Edition
by Kristine Forney Andrew Dell'Antonio Joseph MachlisThe Enjoyment of Music: Essential Listening Edition offers instructors the flexibility to teach their course thematically or historically, and helps students acquire a lifelong interest in music. With Total Access, all the music and media resources students need are automatically included with every new copy of the text.
The Enjoyment of Music
by Kristine Forney Andrew Dell'Antonio Joseph MachlisListen, Learn, Appreciate, Communicate <p><p>For nearly 70 years, The Enjoyment of Music has led the way in preparing students for a lifetime of listening to great music and understanding its cultural and historical context. The Fourteenth Edition expands on this foundation with new chapters and features that add many voices to its already rich repertoire.
The Enjoyment Of Music: Tenth Edition Shorter Version
by Kristine Forney Joseph MachlisThe Enjoyment of Music is a classic-- it's been around for more than half a century--but its contents and pedagogical approach are very much up-to-date, featuring appealing musical repertory, the latest scholarship, an eye-catching design, and an unparalleled package of electronic ancillaries.
The Enjoyment of Music: An Introduction to Perceptive Listening (11th Edition, Shorter Version)
by Kristine Forney Joseph MachlisEasy to read, easy to teach, The Enjoyment of Music has been the most trusted introduction to music for over five decades. The Eleventh Edition reflects how today's students learn, listen to, and live with music. With an accessible, student-friendly treatment of the subject, it emphasizes context to show how music fits in the everyday lives of people throughout history, and connects culture, performance, and technology to the lives of students today. The new edition features a streamlined and memorable narrative, more cultural and historical context, and in-text features that encourage and develop critical thinking skills.
The Enjoyment Of Music: An Introduction To Perceptive Listening
by Joseph Machlis Kristine ForneyThe Enjoyment of Music is perhaps the most comprehensive package of materials available for the study of music appreciation and literature. This book is a classic--it's been around for nearly half a century--but its contents and pedagogical approach are very much up-to-date, featuring appealing musical repertory, the latest scholarship, an eye-catching design, and an unparalleled package of electronic ancillaries.
Enigma Variations and Pomp and Circumstance Marches in Full Score
by Edward ElgarAuthoritative British editions of the 14 Variations, rich with melody and vibrant rhythms, each revealing a facet of a central theme never fully expressed and each depicting an unnamed friend of the composer. Four of the 5 stirring Pomp and Circumstance Marches are included here as well. Filled with a distinctively English grandeur, they are popular everywhere and have been frequently recorded.
The English Traditional Ballad: Theory, Method, and Practice (Ashgate Popular And Folk Music Ser.)
by David AtkinsonBallads are a fascinating subject of study not least because of their endless variety. It is quite remarkable that ballads taken down or recorded from singers separated by centuries in time and by hundreds of kilometres in distance, should be both different and yet recognizably the same. In The English Traditional Ballad, David Atkinson examines the ways in which the body of ballads known in England make reference both to ballads from elsewhere and to other English folk songs. The book outlines current theoretical directions in ballad scholarship: structuralism, traditional referentiality, genre and context, print and oral transmission, and the theory of tradition and revival. These are combined to offer readers a method of approaching the central issue in ballad studies - the creation of meaning(s) out of ballad texts. Atkinson focuses on some of the most interesting problems in ballad studies: the 'wit-combat' in versions of The Unquiet Grave; variable perspectives in comic ballads about marriage; incest as a ballad theme; problems of feminine motivation in ballads like The Outlandish Knight and The Broomfield Hill; murder ballads and murder in other instances of early popular literature. Through discussion of these issues and themes in ballad texts, the book outlines a way of tracing tradition(s) in English balladry, while recognizing that ballad tradition is far from being simply chronological and linear.
English Rhythm and Blues: Where Language and Music Come Together
by Patrice Paul LarroquePatrice Larroque hypothesizes that early blues singers may have been influenced by the trochaic rhythm of English. English is stressed and timed, which means that there is a regular beat to the language, just like there is a beat in a blues song. This regular beat falls on important words in the sentence and unimportant ones do not get stressed. They are “squeezed” between the salient words to keep the rhythm. The apparent contradiction between the fundamentally trochaic rhythm of spoken English and the syncopated ternary rhythm of blues may be resolved as the stressed syllables of the trochee (a stressed-unstressed sequence) is naturally lengthened and assumes the role of one strongly and one weakly stressed syllable in a ternary rhythm. The book suggests investigating the rhythm of English and the rhythm of blues in order to show how the linguistic rhythm of a culture can be reflected in the rhythm of its music.
English Pastoral Music: From Arcadia to Utopia, 1900-1955
by Eric SaylorCovering works by popular figures like Ralph Vaughan Williams and Gustav Holst as well as less familiar English composers, Eric Saylor's pioneering book examines pastoral music's critical, theoretical, and stylistic foundations alongside its creative manifestations in the contexts of Arcadia, war, landscape, and the Utopian imagination. As Saylor shows, pastoral music adapted and transformed established musical and aesthetic conventions that reflected the experiences of British composers and audiences during the early twentieth century. By approaching pastoral music as a cultural phenomenon dependent on time and place, Saylor forcefully challenges the body of critical opinion that has long dismissed it as antiquated, insular, and reactionary.
The English Musical Renaissance and the Press 1850-1914: Watchmen of Music (Music In Nineteenth-century Britain Ser.)
by Meirion HughesThe importance of nineteenth-century writing about culture has long been accepted by scholars, yet so far as music criticism is concerned, Victorian England has been an area of scholarly neglect. This state of affairs is all the more surprising given that the quantity of such criticism in the Victorian and Edwardian press was vast, much of it displaying a richness and diversity of critical perspectives. Through the study of music criticism from several key newspapers and journals (specifically The Times, Daily Telegraph, Athenaeum and The Musical Times), this book examines the reception history of new English music in the period surveyed and assesses its cultural, social and political, importance. Music critics projected and promoted English composers to create a national music of which England could be proud. J A Fuller Maitland, critic on The Times, described music journalists as 'watchmen on the walls of music', and Meirion Hughes extends this metaphor to explore their crucial role in building and safeguarding what came to be known as the English Musical Renaissance. Part One of the book looks at the critics in the context of the publications for which they worked, while Part Two focuses on the relationship between the watchmen-critics and three composers: Arthur Sullivan, Hubert Parry and Edward Elgar. Hughes argues that the English Musical Renaissance was ultimately a success thanks largely to the work of the critics. In so doing, he provides a major re-evaluation of the impact of journalism on British music history.
An English Medieval and Renaissance Song Book: Part Songs and Sacred Music for One to Six Voices (Dover Song Collections)
by Noah Greenberg"An elegant anthology. The specialist will not miss the quiet sophistication with which the music has been selected and prepared. Some of it is printed here for the first time, and much of it has been edited anew." -- NotesThis treasury of 47 vocal works -- edited by Noah Greenberg, founder and former director of the New York Pro Musica Antiqua -- will delight all lovers of medieval and Renaissance music. Containing a wealth of both religious and secular music from the 12th to the 17th centuries, the collection covers a broad range of moods, from the hearty "Blow Thy Horne Thou Jolly Hunter" by William Cornysh to the reflective and elegiac "Cease Mine Eyes" by Thomas Morley.Of the religious works, nine were written for church services, including "Sanctus" by Henry IV and "Angús Dei" from a beautiful four-part mass by Thomas Tallis. Other religious songs in the collection come from England's rich tradition of popular religious lyric poetry, and include William Byrd's "Susanna Farye," the anonymously written "Deo Gracias Anglia" (The Agincort Carol), and Thomas Ravenscroft's "O Lord, Turne Now Away Thy Face" and "Remember O Thou Man."Approximately half of the songs are secular, some from the popular tradition and others from the courtly poets and musicians surrounding such musically inclined monarchs as Henry VIII -- who himself is represented in this collection with two charming songs, "With Owt Dyscorde" and "O My Hart." Among the notable composers of Tudor and Elizabethan England represented here are Orlando Gibbons, John Dowland, and Thomas Weelkes.
English Folk Music
by R. Vaughan WilliamsIn this short monograph, composer R. Vaughan Williams discusses English folk-songs and looks at three examples with music and commentary.The composer Ralph Vaughan Williams was one of the musicians who participated in the first English Folk Song revival, as well as using folk song tunes in his compositions. He collected his first song, Bushes and Briars, from Mr Charles Pottipher, a seventy-year-old labourer from Ingrave, Essex in 1903, and went on to collect over 800 songs, as well as some singing games and dance tunes. For 10 years he devoted up to 30 days a year to collecting folk songs from singers in 21 English counties, though Essex, Norfolk, Herefordshire and Sussex account for over two thirds of the songs in his collection. He recorded a small number of songs using a phonograph but the vast majority were recorded by hand. He was a regular contributor to the Folk Song Society's Journal, a member of the society's committee from 1904 to 1946, and when in that year the society amalgamated with the English Folk Dance Society he became president of the English Folk Dance and Song Society, a position he held until his death.
English Dramatick Opera, 1661–1706 (Ashgate Interdisciplinary Studies in Opera)
by Andrew R. WalklingEnglish Dramatick Opera, 1661–1706 is the first comprehensive examination of the distinctively English form known as "dramatick opera", which appeared on the London stage in the mid-1670s and lasted until its displacement by Italian through-composed opera in the first decade of the eighteenth century. Andrew Walkling argues that, while the musical elements of this form are crucial to its definition and history, the origins of the genre lie principally in a tradition of spectacular stagecraft that first manifested itself in England in the mid-1660s as part of a hitherto unidentified dramatic sub-genre, to which Walkling gives the name "spectacle-tragedy". Armed with this new understanding, the book explores a number of historical and interpretive issues, including the physical and rhetorical configurations of performative spectacle, the administrative maneuverings of the two "patent" theatre companies, the construction and deployment of the technologically advanced Dorset Garden Theatre in 1670–71, the critical response to generic, technical, and ideological developments in Restoration drama, and the shifting balance between machine spectacle and song-and-dance entertainment throughout the later decades of the seventeenth century, including in the dramatick operas of Henry Purcell. This study combines the materials and methodologies of music history, theatre history, literary studies, and bibliography to fashion an entirely new approach to the history of spectacular and musical drama on the English Restoration stage. This book serves as a companion to the Routledge publication Masque and Opera in England, 1656–1688 (2017).