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The Empire at the Opéra: Theatre, Power and Music in Second Empire Paris (Elements in Musical Theatre)
by Mark EveristAlthough nineteenth-century legislation had tried to ensure a precise separation between genre and institution for Parisian music in the theatre, it had inadvertently laid out a field on which the politics of genre could be played out as agents and actors of all types deployed various forms of artistic power. During the Second Empire, from 1854 until 1870, the state took over day-to-day control of the Opéra in ways that were without precedent. Every element of the Opéra's activity was subjugated to the exigency of Empire; the selection or artists, works and more general questions of artistic policy were handed over to politicians. The Opéra effectively became a branch of government. The result was a stagnation of the Opéra's repertory, and beneficiaries were the composers of larger-scale works for competing organisations: the Opéra Comique and the Théâtre Lyrique.
Emotion in Video Game Soundtracking
by Duncan Williams Newton LeeThis book presents an overview of the emerging field of emotion in videogame soundtracking. The emotional impact of music has been well-documented, particularly when used to enhance the impact of a multimodal experience, such as combining images with audio as found in the videogames industry. Soundtracking videogames presents a unique challenge compared to traditional composition (for example film music) in that the narrative of gameplay is non-linear – Player dependent actions can change the narrative and thus the emotional characteristics required in the soundtrack. Historical approaches to emotion measurement, and the musical feature mapping and music selection that might be used in video game soundtracking are outlined, before a series of cutting edge examples are given. These examples include algorithmic composition techniques, automated emotion matching from biosensors, motion capture techniques, emotionally-targeted speech synthesis and signal processing, and automated repurposing of existing music (for example from a players own library). The book concludes with some possibilities for the future.
Emotion and Meaning in Music
by Leonard B. Meyer"Altogether it is a book that should be required reading for any student of music, be he composer, performer, or theorist. It clears the air of many confused notions . . . and lays the groundwork for exhaustive study of the basic problem of music theory and aesthetics, the relationship between pattern and meaning."--David Kraehenbuehl, Journal of Music Theory "This is the best study of its kind to have come to the attention of this reviewer."--Jules Wolffers, The Christian Science Monitor "It is not too much to say that his approach provides a basis for the meaningful discussion of emotion and meaning in all art."--David P. McAllester, American Anthropologist "A book which should be read by all who want deeper insights into music listening, performing, and composing."--Marcus G. Raskin, Chicago Review
Emotion and Meaning in Music
by Leonard B. Meyer"Altogether it is a book that should be required reading for any student of music, be he composer, performer, or theorist. It clears the air of many confused notions . . . and lays the groundwork for exhaustive study of the basic problem of music theory and aesthetics, the relationship between pattern and meaning."—David Kraehenbuehl, Journal of Music Theory "This is the best study of its kind to have come to the attention of this reviewer."—Jules Wolffers, The Christian Science Monitor "It is not too much to say that his approach provides a basis for the meaningful discussion of emotion and meaning in all art."—David P. McAllester, American Anthropologist "A book which should be read by all who want deeper insights into music listening, performing, and composing."—Marcus G. Raskin, Chicago Review
Emmy in the Key of Code
by Aimee LucidoIn this innovative middle grade novel, coding and music take center stage as new girl Emmy tries to find her place in a new school. Perfect for fans of GIRLS WHO CODE series and THE CROSSOVER.In a new city, at a new school, twelve-year-old Emmy has never felt more out of tune. Things start to look up when she takes her first coding class, unexpectedly connecting with the material—and Abigail, a new friend—through a shared language: music. But when Emmy gets bad news about their computer teacher, and finds out Abigail isn’t being entirely honest about their friendship, she feels like her new life is screeching to a halt. Despite these obstacles, Emmy is determined to prove one thing: that, for the first time ever, she isn’t a wrong note, but a musician in the world's most beautiful symphony.
Eminent Hipsters
by Donald FagenIn Eminent Hipsters, musician and songwriter Donald Fagen, best known as the co-founder of the rock band Steely Dan, presents an autobiographical portrait that touches on everything from the cultural figures that mattered the most to him as a teenager, to his years in the late 1960s at Bard College, to a hilarious account of a recent tour he made with Boz Scaggs and Michael McDonald. Fagen begins by introducing the 'eminent hipsters' that spoke to him as he was growing up (and desperately yearning to be hip) in suburban New Jersey in the late 1950s and early 1960s. The figures who influenced him most were not the typical ones - Miles Davis, say, or Jack Kerouac - but rather people like Jean Shepherd, whose manic, acidic nightly radio broadcasts out of WOR-Radio had a tough realism about life and 'enthralled a generation of alienated young people'; Henry Mancini, whose chilled-out, nourish soundtracks, especially to films by Blake Edwards utilised the unconventional, spare instrumentation associated with the cool jazz school; and Mort Fega, the laid back, knowledgeable all night jazz man at WEVD, who was like 'the cool uncle you always wished you had'. He writes of how, growing up as a Cold War baby, one of his primary doors of escape became reading science fiction by such authors as Philip K. Dick, and of his regular trips into New York City to hear jazz. Other emblematic musical heroes Fagen writes about include Ray Charles, Ike Turner, and the Boswell Sisters, a trio from the 1920s and 30s whose subversive musical genius included trick phrasing and way out harmony. 'Class of '69' recounts Fagen's colourful tumultuous years at Bard College, the progressive university north of New York City that attracted a strange mix of applicants, including 'desperate suburban misfits with impressive verbal skills but appalling high school records' (like himself). It was at Bard that Fagen first met Walter Becker, with whom he would later form Steely Dan. The final section of the book, 'With the Dukes of September', offers a day-by-day account of a tour Fagen undertook last summer across America with Boz Scaggs and Michael McDonald, performing a programme of old R&B and soul tunes as well as some of each of their own hits. Told in a weary, cranky, occasionally biting and always entertaining voice, Fagen brings to life the ups and downs and various indignities and anxieties of being on the road - The Dukes were an admittedly 'low-rent operation' compared to a Steely Dan tour - as well as communicating the challenges and joy of playing every night to a different crowd in a different city.
Eminem (Hip-Hop Stars)
by Dennis AbramsExplore the controversy surrounding this remarkable hip-hop talent. Born Marshall Mathers III, Eminem overcame a difficult childhood to become the most critically acclaimed white rapper of his time. His albums have sold in the millions. He's won MTV Video Music Awards, Grammy Awards, and even an Oscar. But fame and success have come with a price: His lyrics have been attacked for encouraging violence against women and others. His turbulent personal life has made countless headlines. Some people have called for his music to be banned; others have labeled him a genius. Eminem is a compelling full-color biography that examines the remarkable life of a controversial yet undeniably talented artist who pushed creative envelopes and broke racial boundaries to become one of hip-hop's greatest stars.
Eminem: The Way I Am
by Eminem Sacha JenkinsFor the first time, one of music's most popular--and headline-making--rap artists shares his private reflections, drawings, handwritten lyrics, and never-before-seen photographs. Fiercely intelligent, relentlessly provocative, and prodigiously gifted, Eminem is known as much for his enigmatic persona as for being the fastest-selling rap artist and the first rapper to ever win an Oscar. Now, in The Way I Am, he shares his private thoughts on everything from his inner struggles, to the trials of being famous, to his love for his daughter, Hailie, creating a book that is every bit as raw and uncensored as the man himself. Illustrated with never-before-seen photographs of Eminem's home and life along with original drawings, The Way I Amis filled with reflections on his greatest hits, previously unpublished lyric sheets, and other rare memorabilia. Providing his millions of fans with a personal tour of Eminem's creative process, it is poised to be hailed in much the same way as Tupac's The Rose that Grew from Concrete, Bob Dylan's Chronicles, and Journals by Kurt Cobain.
Eminem (Superstars of Hip-Hop)
by Z. B. HillEminem is one of the most famous rappers of all time. His records have sold millions and he's won many awards for his music. Em's life was even made into a movie he starred in! Few artists become as famous and successful as Eminem. His success hasn't always been good for him, though. The megastar has had to deal with drug addiction and the high price of fame. Eminem tells the story of one of rap's most important artists. Read about how Em started rapping and became a star. Learn about his struggles with drugs and how he overcame addiction to find even greater success.
Emily's Piano
by Charlotte GingrasAn honest portrayal of a young girl's emotional journey amid family upheavals. Nine-year-old Emily is trying to cope with her changing world. When her father and mother grow further apart, the family's piano -- Emily's link to the good times that once flooded her home -- is sold. She decides the key to the happiness her family used to share is the piano, and so she must find it. Believing the instrument is most likely in a part of town where rich people live, Emily sets out on her search. She knocks on many doors without success, but carries on, determined to end the darkness that has descended on her home. Finally a piano teacher gives her a lead. Though the days pass slowly, she eventually receives the anticipated call. "Be there Sunday at 1 p.m. sharp," she's told. It turns out the piano is now in a convent, where it sits in the middle of a room, like royalty. Sister Isabelle tells Emily she can come by any Sunday, and she can bring her mother too. The first time Emily's mother sees the piano, she plays, sings, and cries. The darkness in their lives slowly tiptoes away as Emily and her mother rediscover happiness and the healing power music brings.
The Emigrant Experience: Songs of Highland Emigrants in North America (The Royal Society of Canada Special Publications)
by Margaret MacDonellEvery man has a story to tell and this was no less true of the hundreds of emigrants from the Highlands and the Hebrides who crossed the Atlantic from the late eighteenth century to the early twentieth century to settle in North America. This selection of Scottish Gaelic songs brings to light the revealing and often touching poems of some twenty such emigrants. Focusing on themes of emigration and exile, their subjects range from the biblical motif of liberation from tyranny (pre-destined by the Creator who provided a land of bounty across the seas), to the happier future anticipated for his daughter by a loyalist fugitive in North Carolina; from a sense of security on the part of a clergyman settled in Pictou County after the disruption in his homeland, to the disenchantment of an emigrant to Manitoba who longed to move on to North Dakota. Their tone may be lyrical, elegaic, or satirical. Songs from various parts of the new world – the Carolinas, Nova Scotia, Prince Edward Island, Ontario, and the Canadian west – are included in Gaelic with a facing English translation. A short biography of each bard prefaces the selections attributed to him or her. Detailed notes provide a guide to sources and variant texts, elucidate obscure passages, and define the social and cultural context in which the songs originated. An appendix reproduces the tunes for nine of these songs.This is a book that will inform and entertain both the specialist and the general reader.
The Emergence of Rock and Roll: Music and the Rise of American Youth Culture (Critical Moments in American History)
by Mitchell K. HallRock and roll music evolved in the United States during the late 1940s and 1950s, as a combination of African American blues, country, pop, and gospel music produced a new musical genre. Even as it captured the ears of the nation, rock and roll was the subject of controversy and contention. The music intertwined with the social, political, and economic changes reshaping America and contributed to the rise of the youth culture that remains a potent cultural force today. A comprehensive understanding of post-World War II U.S. history would be incomplete without a basic knowledge of this cultural phenomenon and its widespread impact. In this short book, bolstered by primary source documents, Mitchell K. Hall explores the change in musical style represented by rock and roll, changes in technology and business practices, regional and racial implications of this new music, and the global influences of the music. The Emergence of Rock and Roll explains the huge influence that one cultural moment can have in the history of a nation.
Emerald
by Christine WebsterEmerald Johnston is sure that she is destined to be a pop star. After years of coming up short in auditions, she finally gets her big break. But she soon finds out that recording an album, going on tour, and rising up the music charts is really hard work. Everyone in her life seems to be pulling her in opposite directions. Plus, the business is all about image-which really stinks. They tell her that her waste is too big, and her hair is too red, and that her skirts aren't short enough. It's as if her voice doesn't even count! Can she become a star and still be true to herself? Can she make it to the top without losing the people she loves along the way?
Embodying Voice: Singing Verdi, Singing Wagner
by Margaret MedlynEmbodying Voice: Singing Verdi, Singing Wagner articulates the process of developing an operatic voice, explaining how and why the training of such a voice is as complex and sophisticated as it is mysterious. This book illustrates how putting together a voice, embodying a sound, and creating a character are vital to an audience’s emotional involvement and enjoyment. Moreover, it addresses an imbalance of power between the opera director and the orchestra conductor – ultimately, it is the communicative power of the singer’s voice that brings life to an opera, a fact well known by Verdi and Wagner. Embodying Voice highlights the singer’s creative agency to be co-creator of the composer’s music. It explores the ways in which vocal performance is constructed and controlled, connecting layers of mind and bodily engagement that allow operatic singers to achieve expression beyond the text itself. Further reading, listening, and performance lists are provided at the end of each chapter, complemented by musical examples throughout.
Embodiment of Musical Creativity: The Cognitive and Performative Causality of Musical Composition (SEMPRE Studies in The Psychology of Music)
by Zvonimir NagyEmbodiment of Musical Creativity offers an innovative look at the interdisciplinary nature of creativity in musical composition. Using examples from empirical and theoretical research in creativity studies, music theory and cognition, psychology and philosophy, performance and education studies, and the author’s own creative practice, the book examines how the reciprocity of cognition and performativity contributes to our understanding of musical creativity in composition. From the composer’s perspective the book investigates the psychological attributes of creative cognition whose associations become the foundation for an understanding of embodied creativity in musical composition. The book defines the embodiment of musical creativity as a cognitive and performative causality: a relationship between the cause and effect of our experience when composing music. Considering the theoretical, practical, contextual, and pedagogical implications of embodied creative experience, the book redefines aspects of musical composition to reflect the changing ways that musical creativity is understood and evaluated. Embodiment of Musical Creativity provides a comparative study of musical composition, in turn articulating a new perspective on musical creativity.
Embodied Nostalgia: Early Twentieth Century Social Dance and the Choreographing of Broadway Musical Theatre (Routledge Advances in Theatre & Performance Studies)
by Phoebe RumseyEmbodied Nostalgia is a collection of interlocking case studies that focus on how social dance in musical theatre brings forth the dancer on stage as a site of embodied history, cultural memory, and nostalgia, and asks what social dance is doing performatively, dramaturgically, and critically in musical theatre. The case studies in this volume are all Broadway musicals set during the Jazz Age (1910-1950), however, performed and produced after that time, creating a spectrum of nostalgic impulses that are interrogated for social and political resonance and meaning. All reflect the fractures or changes in the social dance when brought to the stage and expose the complexities of the embodied nostalgia – broadly interpreted as the physicalizing of community memories, longings, and historical meaning – the dances carry with them. Particular attention is focused on the Black ownership of the social dances and the subsequent appropriation, cultural theft, and forgotten legacies. By approaching musical theatre through this lens of social dance––always already deeply connected to notions of class and race––and the politics of choreography therein, a unique and necessary method to describing, discussing, and critically evaluating the body in motion in musical theatre is put forth.
Embodied Knowledge in Ensemble Performance (Sempre Studies In The Psychology Of Music Ser.)
by J.Murphy McCalebPerforming in musical ensembles provides a remarkable opportunity for interaction between people. When playing a piece of music together, musicians contribute to the creation of an artistic work that is shaped through their individual performances. However, even though ensembles are a large part of musical activity, questions remain as to how they function. In Embodied Knowledge in Ensemble Performance, Murphy McCaleb explores the processes by which musicians interact with each other through performance. McCaleb begins by breaking down current models of ensemble interaction, particularly those that rely on the same kind of communication found in conversation. In order to find a new way of describing this interaction, McCaleb considers the nature of the information being shared between musicians during performance. Using examples from postgraduate ensembles at Birmingham Conservatoire as well as his own reflective practice, he examines how an understanding of the relationship between musicians and their instruments may affect the way performers infer information within an ensemble. Drawing upon research from musicology, occupational psychology, and philosophy, and including a DVD of excerpts from rehearsals and performances, Embodied Knowledge provides an holistic approach to ensemble research in a manner accessible to performers, researchers and teachers.
Emblems Of Eloquence: Opera And Women's Voices In Seventeenth-century Venice
by Wendy Beth HellerOpera developed during a time when the position of women--their rights and freedoms, their virtues and vices, and even the most basic substance of their sexuality--was constantly debated. Many of these controversies manifested themselves in the representation of the historical and mythological women whose voices were heard on the Venetian operatic stage. Drawing upon a complex web of early modern sources and ancient texts, this engaging study is the first comprehensive treatment of women, gender, and sexuality in seventeenth-century opera. Wendy Heller explores the operatic manifestations of female chastity, power, transvestism, androgyny, and desire, showing how the emerging genre was shaped by and infused with the Republic's taste for the erotic and its ambivalent attitudes toward women and sexuality. Heller begins by examining contemporary Venetian writings about gender and sexuality that influenced the development of female vocality in opera. The Venetian reception and transformation of ancient texts--by Ovid, Virgil, Tacitus, and Diodorus Siculus--form the background for her penetrating analyses of the musical and dramatic representation of five extraordinary women as presented in operas by Claudio Monteverdi, Francesco Cavalli, and their successors in Venice: Dido, queen of Carthage (Cavalli); Octavia, wife of Nero (Monteverdi); the nymph Callisto (Cavalli); Queen Semiramis of Assyria (Pietro Andrea Ziani); and Messalina, wife of Claudius (Carlo Pallavicino).
Embellishing the Liturgy: Tropes and Polyphony (Music in Medieval Europe)
by Alejandro Enrique PlanchartAfter the imposition of Gregorian chant upon most of Europe by the authority of the Carolingian kings and emperors in the eighth and ninth centuries, a large number of repertories arose in connection with the new chant and its liturgy. Of these repertories, the tropes, together with the sequences, represent the main creative activity of European musicians in the ninth, tenth, and eleventh centuries. Because they were not an absolutely official part of the liturgy, as was Gregorian chant, they reflect local traditions, particularly in terms of melody, and more so than the new pieces that were composed at the time. In addition, the earlier layers of tropes represent, in many cases, a survival of the pre local pre Gregorian melodic traditions. This volume provides an introduction to the study of tropes in the form of an extensive anthology of major studies and a comprehensive bibliography and constitutes a classic reference resource for the study of one of the most important musico-liturgical genres of the central middle ages.
Emanuel Feuermann
by Annette MorreauThe meteoric career of the Austrian cellist Emanuel Feuermann ended with his sudden and tragic death in 1942, aged only 39. A brilliant soloist and chamber performer, many expected him to inherit from Pablo Casals the reputation of the greatest cellist of all time. The trio he formed with Jasha Heifetz and Artur Rubinstein was considered the leading chamber ensemble in the world. This biography of Feuermann - a combination of documentary and oral history and narrative - discusses his life, work and legacy, and seeks to award him the place in musical history that he was denied by his early death. Born 100 years ago in a humble Galician shtetl, Feuermann grew to maturity in a tumultuous era. Annette Morreau gives an account of the world wars, politics, music culture, and recording history that form the context of his achievements. She also provides invaluable detail about Feuermann's life, drawing on interviews and private letters of family, colleagues, students and friends, as well as on a wealth of first-hand recollections from some of the most distinguished musicians of the 20th century. Morreau describes Feuermann's unique style of playing, basing her assessments on the many surviving recordings he made and on contemporary press reviews gathered worldwide. Moreover, so that readers can judge Feuermann's extraordinary talent for themselves, a CD with examples of his performances is included with the book.
Elvis, Strait, to Jesus: An Iconic Producer's Journey with Legends of Rock 'n' Roll, Country, and Gospel Music
by Tony BrownThis striking photographic journey shows how Tony Brown became the King of Nashville: from pianist for Elvis Presley, to president of MCA Records Nashville, to producer of over 100 number-one country songs that are beloved by millions. ELVIS, STRAIT, TO JESUS celebrates a music icon's legendary rise, his history-making industry relationships, and how these friendships gave us the songs we still live by.The magic of Tony Brown's forty-year career is revealed in pictures, with historical and behind-the-scenes images, snapshots from the "Elvis years," and stylish contemporary portraits staged in a French Renaissance chair of friends, musicians, and artists including:George Strait - Reba McEntire - Trisha Yearwood - Brooks & Dunn - Vince Gill - Lionel Richie - Lyle Lovett - Patty Loveless - Steve Earle - Rosanne Cash - Emmylou Harris - Jimmy Buffett - Marty Stuart - Bernie Taupin - Don Was - William Lee Golden - Rodney Crowell - David Briggs - Glen D. Hardin - Donnie Sumner, and more.Tony's fascinating anecdotes accompanying the photos unveil the encounters that led to mega-hits by George Strait, Reba McEntire, Trisha Yearwood, and countless others; he recounts how he became the accidental founder of Americana music with the edgy signings of Steve Earle and Lyle Lovett to MCA, as well as his unforgettable memories of life on tour with Elvis Presley. He also retraces his North Carolina roots and honors the legends of rock, country, and gospel with whom he forged an inimitable music legacy. This special tribute is one that no fan of music or artistic photography should be without.
Elvis Presley's Quiéreme con ternura
by Elvis PresleyQuiéreme con ternura. Quiéreme con dulzura. Nunca me dejes ir. Has llenado mi vida. Te quiero mucho, mi amor. Tomando como punto de partida la letra oficial de la conocida canción de Elvis Presley, este precioso y tierno álbum ilustrado es una oda al lazo de amor que existe entre padres e hijos.
Elvis Presley's Love Me Tender
by Elvis PresleyThe king of rock-and-roll's #1 hit song "Love Me Tender" is now an endearing picture bookAdapted from the unforgettable classic song, Elvis Presley's Love MeTender is a heartwarming ode to the special bond between children and the adults who love and care for them--be they parents, grandparents, adoptive parents, aunts, uncles, or guardians. With its simple, timeless message, Elvis Presley's Love Me Tender is destined to join Guess How Much I Love You as a baby shower staple. And the sweet, inclusive illustrations make it a book every family will treasure "all through the years, 'till the end of time."
Elvis Presley, storie e leggende
by Daniel IchbiahElvis Presley, storie e leggende di Daniel Ichbiah Biografia di Elvis Presley Al 16 agosto 2017, sono passati 40 anni da quando il Re ci ha lasciati. Tuttavia, la sua popolarità sembra intatta: nell'ottobre 2016, l'album „The Wonder of you” si è piazzato al numero 1 in Inghilterra dal momento della sua pubblicazione. Meglio ancora, il mito intorno alla sua persona non ha cessato di crescere. Il cantante Little Richard creatore di Tutti Frutti non ha forse detto su di lui: «Elvis è stato un dono di Dio, non c'è altra spiegazione. Ogni qualche migliaio di anni, un Messia viene in mezzo a noi. Questa volta è stato Elvis.» Storie e leggende Ci sono molte storie e leggende che girano intorno a Elvis Presley. Aspettatevi molte sorprese perché scoprirete storie sorprendenti. Aneddoti poco conosciuti, testimonianze inaspettate di alcuni parenti. Teorie dubbie che sembrano però reggere. Qual è la parte della leggenda? Qual è la parte della verità? Qual è la parte delle menzogne? . Perché il Colonnello Parker non ha mai permesso a Elvis di girare in Europa? È possibile che nutrisse dei timori a livello personale all'idea di rimettere piede in Olanda, il suo paese natale? . Perché Elvis è andato a trovare Nixon alla fine del 1970? E quale missione segreta gli avrebbe affidato il Presidente? Un giorno Elvis andò in un MacDo e nessuno lo riconobbe. L'abbiamo solo scambiato per una delle migliaia di persone che cercano di assomigliargli! . Verso il 1977, più di un parente ha riferito che Elvis non ne poteva più. Non ne poteva più di dare concerto dopo concerto, la coppia tranquillizzante/emozionante aveva totalmente stravolto la sua vita. Sognava l'esistenza di un americano medio. Potrebbe aver cercato volontariamente di scomparire? Al di là del cantante che milioni di persone adorano, scopriamo incredibili aneddoti sul personaggio stesso, e su quanto spesso fosse amm
Elvis Presley
by Mark P BernardoWeaving the story of the King's personal and public life with detailed descriptions of the locations in Memphis that served as the setting for his musical education and evolution, this pop culture guide offers a refreshingly even-handed account of Elvis Presley's life. Elvis came to Memphis as a 13-year-old boy, and within a few years, he was shocking and seducing the world with a mixture of moves and sounds he had first seen and heard in the city's streets, churches, and bars. This comprehensive tour of places on which Elvis left his mark includes the Peabody Hotel, where he had his senior prom; Ellis Auditorium, where he played his first show; the Sun Studio, where he recorded his first singles; Lansky Brothers Clothiers, where he bought his suits; and Graceland, where he lived with his wife Priscilla and died in 1977. Anecdotes about each of the locations and how they shaped Elvis's personal and musical identity enhance the travel information, while street maps and a handy size make this book an invaluable companion to Memphis visitors and lovers of rock and roll.