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Patti Smith would evolve as a poet and performer, and Robert Mapplethorpe would direct his highly provocative style toward photography. Bound in innocence and enthusiasm, they traversed the city from Coney Island to Forty-second Street, and eventually to the celebrated round table of Max's Kansas City, where the Andy Warhol contingent held court. In 1969, the pair set up camp at the Hotel Chelsea and soon entered a community of the famous and infamous- the influential artists of the day and the colorful fringe. It was a time of heightened awareness, when the worlds of poetry, rock and roll, art, and sexual politics were colliding and exploding. In this milieu, two kids made a pact to take care of each other. Scrappy, romantic, committed to create, and fueled by their mutual dreams and drives, they would prod and provide for one another during the hungry years. Just Kids begins as a love story and ends as an elegy. It serves as a salute to New York City during the late sixties and seventies and to its rich and poor, its hustlers and hellions. A true fable, it is a portrait of two young artists' ascent, a prelude to fame.
A hugely entertaining and revealing guide to the history of type that asks, What does your favorite font say about you? Fonts surround us every day, on street signs and buildings, on movie posters and books, and on just about every product we buy. But where do fonts come from, and why do we need so many? Who is responsible for the staid practicality of Times New Roman, the cool anonymity of Arial, or the irritating levity of Comic Sans (and the movement to ban it)? Typefaces are now 560 years old, but we barely knew their names until about twenty years ago when the pull-down font menus on our first computers made us all the gods of type. Beginning in the early days of Gutenberg and ending with the most adventurous digital fonts, Simon Garfield explores the rich history and subtle powers of type. He goes on to investigate a range of modern mysteries, including how Helvetica took over the world, what inspires the seeming ubiquitous use of Trajan on bad movie posters, and exactly why the all-type cover of Men are from Mars, Women are from Venus was so effective. It also examines why the "T" in the Beatles logo is longer than the other letters and how Gotham helped Barack Obama into the White House. A must-have book for the design conscious, Just My Type's cheeky irreverence will also charm everyone who loved Eats, Shoots & Leaves and Schott's Original Miscellany.
The historic preservation movement has had a huge influence on America's built landscape for the past thirty years. Discover the cornerstone primer on the topic -- Keeping Time. This edition features a wealth of new material, including new chapters on preservation values in oral-based cultures, international preservation, and future developments in the field. In addition, you'll find a clear, concise survey of preservation movements history, complete with: Helpful coverage of the theory and practice driving the movement; Expanded material on landscape preservation; and, New information on scientific conservation, cultural corridors, and historic tourism.
After the loss of his wife in a tragic accident, beloved artist Danny Gregory chronicled his grief in the medium he knows best--the pages of his illustrated journals. This intimate reproduction of his journal is a stirring visual memoir of Gregory's journey towards recovery. Uniquely sincere, and by turns tender, raw, and hopeful, Gregory's idiosyncratic text and illustrations capture the darkest and lightest moments of his "year of magical drawing." Gregory's process reminds us that creative expression offers its own therapy, and that living each day to its fullest may be as simple as putting pen to paper. Anyone who has experienced loss will take solace in this refreshingly candid look at grieving, while art lovers will marvel at the artist's beautiful celebration of the power of creation.
Describes the basic skills necessary for knitting, as well as information on the history of knitting, materials, stitches, knitting fashions, and simple projects. Make a bag to carry your tech gadgets! Or, a scarf with pockets! Or a sweat band! Or, accessorize your flip-flops!
In the spring of 1900, British archaeologist Arthur Evans began to excavate the palace of Knossos on Crete, bringing ancient Greek legends to life just as a new century dawned amid far-reaching questions about human history, art, and culture. Over the next three decades, Evans engaged in an unprecedented reconstruction project, creating a complex of concrete buildings on the site that owed at least as much to modernist architecture as they did to Bronze Age remains. In the process, he fired the imaginations of a whole generation of intellectuals and artists, whose work would drive movements as disparate as fascism and pacifism, feminism and psychoanalysis. With Knossos and the Prophets of Modernism, Cathy Gere relates the fascinating story of Evans's excavation and its long-term effects on Western culture. Gere shows how Evans's often-fanciful account of ancient Minoan society captivated a generation riven by serious doubts about the fundamental values of European civilization. After the First World War left the Enlightenment dream in tatters, the lost paradise that Evans offered in the concrete labyrinth--pacifist and matriarchal, pagan and cosmic--seemed to offer a new way forward for writers, artists, and thinkers such as Freud, James Joyce, Georgio de Chirico, Robert Graves, Hilda Doolittle, all of whom emerge as forceful characters in Gere's account. Assembling a brilliant, talented, and eccentric cast at a moment of tremendous intellectual vitality and wrenching change, Cathy Gere paints an unforgettable portrait of the age of concrete and the birth of modernism.
Known for their beautiful textile art, the Kuna of Panama have been scrutinized by anthropologists for decades. Perhaps surprisingly, this scrutiny has overlooked the magnificent Kuna craft of nuchukana-wooden anthropomorphic carvings-which play vital roles in curing and other Kuna rituals. Drawing on long-term fieldwork, Paolo Fortis at last brings to light this crucial cultural facet, illuminating not only Kuna aesthetics and art production but also their relation to wider social and cosmological concerns. Exploring an art form that informs birth and death, personhood, the dream world, the natural world, religion, gender roles, and ecology, Kuna Art and Shamanism provides a rich understanding of this society's visual system, and the ways in which these groundbreaking ethnographic findings can enhance Amerindian scholarship overall. Fortis also explores the fact that to ask what it means for the Kuna people to carve the figure of a person is to pose a riddle about the culture's complete concept of knowing. Also incorporating notions of landscape (islands, gardens, and ancient trees) as well as cycles of life, including the influence of illness, Fortis places the statues at the center of a network of social relationships that entangle people with nonhuman entities. As an activity carried out by skilled elderly men, who possess embodied knowledge of lifelong transformations, the carving process is one that mediates mortal worlds with those of immortal primordial spirits. Kuna Art and Shamanism immerses readers in this sense of unity and opposition between soul and body, internal forms and external appearances, and image and design.
A tour de force of history and imagination, The Lady and the Unicorn is Tracy Chevalier's answer to the mystery behind one of the art world's great masterpieces--a set of bewitching medieval tapestries that hangs today in the Cluny Museum in Paris. They appear to portray the seduction of a unicorn, but the story behind their making is unknown--until now. Paris, 1490. A shrewd French nobleman commissions six lavish tapestries celebrating his rising status at Court. He hires the charismatic, arrogant, sublimely talented Nicolas des Innocents to design them. Nicolas creates havoc among the women in the house--mother and daughter, servant, and lady-in-waiting--before taking his designs north to the Brussels workshop where the tapestries are to be woven. There, master weaver Georges de la Chapelle risks everything he has to finish the tapestries--his finest, most intricate work--on time for his exacting French client. The results change all their lives--lives that have been captured in the tapestries, for those who know where to look. In The Lady and the Unicorn, Tracy Chevalier weaves fact and fiction into a beautiful, timeless, and intriguing literary tapestry--an extraordinary story exquisitely told.
Because nature is so expansive and complex, so varied in its range of light, landscape painters often have to look further and more deeply to find form and structure, value patterns, and an organized arrangement of shapes. In Landscape Painting, Mitchell Albala shares his concepts and practices for translating nature's grandeur, complexity, and color dynamics into convincing representations of space and light. Concise, practical, and inspirational, Landscape Painting focuses on the greatest challenges for the landscape artist, such as: * Simplification and Massing: Learn to reduce nature's complexity by looking beneath the surface of a subject to discover the form's basic masses and shapes.* Color and Light: Explore color theory as it specifically applies to the landscape, and learn the various strategies painters use to capture the illusion of natural light.* Selection and Composition: Learn to select wisely from nature's vast panorama. Albala shows you the essential cues to look for and how to find the most promising subject from a world of possibilities. The lessons in Landscape Painting--based on observation rather than imitation and applicable to both plein air and studio practice--are accompanied by painting examples, demonstrations, photographs, and diagrams. Illustrations draw from the work of more than 40 contemporary artists and such masters of landscape painting as John Constable, Sanford Gifford, and Claude Monet. Based on Albala's 25 years of experience and the proven methods taught at his successful plein air workshops, this in-depth guide to all aspects of landscape painting is a must-have for anyone getting started in the genre, as well as more experienced practitioners who want to hone their skills or learn new perspectives.
'The' Focal Press introductory photography book, this authoritative classic by leading photography writer and lecturer Michael Langford has been refreshed and revised by best-selling photography author Philip Andrews for today's photographers. Strongly focused on digital, but with key references to traditional photography where relevant, to offer a full grounding in the topic, Langford's Starting Photography is an ideal technical introduction. All the core basics are included, from how to select and compose a good picture to how different cameras operate and how to decipher their controls. Different subjects are explored, with advice on how to tackle people, places, animals, landscapes and close-ups, and valuable guidance on presenting and assessing finished work. This established, detailed beginner's guide is the perfect choice if you're looking to develop your knowledge and skills, and take your photography to the next level.
The classic book about the clothes we wear and what they say about us. Even before we speak to someone in a meeting, at a party, or on the street, our clothes often express important information (or misinformation) about our occupation, origin, personality, opinions, and tastes. And we pay close attention to how others dress as well; though we may not be able to put what we observe into words, we unconsciously register the information, so that when we meet and converse we have already spoken to one another in a universal tongue. Alison Lurie, the Pulitzer Prize-winning novelist, is our savvy guide and interpreter on this tour through the history of fashion. She provides fascinating insights into how changing sex roles, political upheavals, and class structure have influenced costume. Whether she is describing the enormous amount of clothing worn by early Victorian women or illuminating the significance of the long robes worn by aging men throughout history to connote eminence, her analysis is playful, clever, and always on target.
The award-winning author of Home and A Clearing in the Distance tells the compelling story of New Daleville, a brand-new residential subdivision in rural Pennsylvania. When Witold Rybczynski first heard about New Daleville, it was only a developer's idea, attached to ninety acres of cornfield an hour and a half west of Philadelphia. Over the course of five years, Rybczynski met everyone involved in the transformation of this land -- from the developers, to the community leaders whose approvals they needed, to the home builders and sewage experts and, ultimately, the first families who moved in. Always eloquent and illuminating, Rybczynski looks at this "neotraditional" project, with its houses built close together to encourage a sense of intimacy and community, and explains the trends in American domestic architecture -- from where we place our kitchens and fences to why our bathrooms get larger every year. As Publishers Weekly said, "Rybczynski provides historical and cultural perspective in a style reminiscent of Malcolm Gladwell, debunking the myth of urban sprawl and explaining American homeowners' preference for single-family dwellings. But Rybczynski also excels at 'the close-up,' John McPhee's method of reporting, where every interview reads like an intimate conversation, and a simple walk down neighborhood sidewalks can reveal a wealth of history." Last Harvest is a charming must-read for anyone interested in where we live today -- and why -- by one of our most acclaimed and original cultural writers.
The vibrancy and passion of contemporary Latino artists in the United States are celebrated in this book from award-winning writer James D. Cockcroft. Discover the context--political and social--in which their work has been created. Describes the evolution of Latino art in America through discussion of various artistic movements and important Latino artists.
Designed for courses in Creativity, Two-, Three- or Four-Dimensional Design, Launching the Imagination offers a comprehensive framework on which students, teachers, and administrators can build. The approach in this third edition is refined, distilled, and updated, using over 600 examples drawn from traditional and contemporary sources. Interviews of artists and designers, known as Profiles, introduce students to working processes, career choices, and criteria for excellence from a remarkable group of masters. Launching the Imagination is available in a comprehensive volume treating 2D design, Creativity and Problem-solving, 3D design, and time-based (4D) design; or in split volumes containing either 2D or 3D design, plus the material on Creativity and Problem-solving. This edition of Launching the Imagination moves the content of the Core Concepts in Art CD-ROM to the Online Learning Center. With free access, this website, which engages students interactively with the elements and principles of art through numerous interactive exercises, has been re-organized and expanded.
Launching the Imagination treats design as both a verb and a noun--as both a process and a product. Through an immersion in 2-D concepts and problems, students are encouraged to develop ways of thinking visually that will serve them throughout their studies and careers. They learn that design is deliberate--a process of exploring a wide range of solutions and choosing the most promising option for further development.
Organized so as to encourage creativity, serendipitous discovery, and inspiration, Layout Look Book 2 is an essential guide to layout design for both amateur and professional designers. The book includes techniques that can be used to enhance any layout, as well as insights into the factors that helped make each layout an effective piece. The styles covered in the volume range from traditional to cutting edge, and will enable any designer to become a more creative thinker and produce fantastic work.
Love to paint? Want to learn? Then let's get started! In Learning Composition, Jerry Yarnell helps you reach new levels of artistic expertise. Inside, he provides insightful, easy-to-follow instructions for building effective compositions - the kind of dynamic designs that will make your paintings pop! Drawing upon more than thirty years of painting and teaching experience, Jerry details three different types of composition, the principles of good design, the proper use of negative space and more. Seven gorgeous, step-by-step painting projects illustrate each concept in action. From lovely log cabins and mountain peaks to rocky roads and windmills, Jerry makes it easy to increase your skills and confidence. Grab your brush and paints and get started today!
Full of inventive and stimulating projects designed to develop observation skills and creativity, this book approaches drawing as a process of personal discovery through improvisation. Richly illustrated with drawings by old and modern masters.
Almost everyone can "see" in the conventional sense, but developing photographic vision takes practice. Learning to See Creatively helps photographers visualize their work, and the world, in a whole new light. Now totally rewritten, revised, and expanded, this best-selling guide takes a radical approach to creativity. It explains how it is not some gift only for the "chosen few" but actually a skill that can be learned and applied. Using inventive photos from his own stunning portfolio, author and veteran photographer Bryan Peterson deconstructs creativity for photographers. He details the basic techniques that went into not only taking a particular photo, but also provides insights on how to improve upon it--helping readers avoid the visual pitfalls and technical dead ends that can lead to dull, uninventive photographs. This revised edition features the latest information on digital photography and digital imaging software, as well as an all-new section on color as a design element. Learning to See Creatively is the definitive reference for any photographers looking for a fresh perspective on their work. * Updated to include digital * All new artwork, and a totally revised and expanded text * All-new section on color as a design element.
In the summer of 1890, in the French town of Auvers-sur-Oise, Vincent van Gogh shot himself in the chest with a revolver. He died two days later, at the age of thirty-seven, largely unknown despite having completed over two thousand works of art that would go on to become some of the most important and valued in the world. In this riveting novel, Carol Wallace brilliantly navigates the mysteries surrounding the master artist's death, relying on meticulous research to paint an indelible portrait of Van Gogh's final days--and the friendship that may or may not have destroyed him. Telling Van Gogh's story from an utterly new perspective--that of his personal physician, Dr. Gachet, specialist in mental illness and great lover of the arts--Wallace allows us to view the legendary painter as we've never seen him before. In our narrator's eyes, Van Gogh is an irresistible puzzle, a man whose mind, plagued by demons, poses the most potentially rewarding challenge of Gachet's career. Wallace's narrative brims with suspense and rich psychological insight as it tackles haunting questions about Van Gogh's fate. A masterly, gripping novel that explores the price of creativity, Leaving Van Gogh is a luminous story about what it means to live authentically, and the power and limits of friendship.From the Hardcover edition.
The artist Lee Lozano (1930--1999) began her career as a painter; her work rapidly evolved from figuration to abstraction. In the late 1960s, she created a major series of eleven monochromatic Wave paintings, her last in the medium. Despite her achievements as a painter, Lozano is best known for two acts of refusal, both of which she undertook as artworks: Untitled (General Strike Piece), begun in 1969, in which she cut herself off from the commercial art world for a time; and the so-called Boycott Piece, which began in 1971 as a month-long experiment intended to improve communication but became a permanent hiatus from speaking to or directly interacting with women. In this book, Sarah Lehrer-Graiwer examines Lozano's Dropout Piece, the culmination of her practice, her greatest experiment in art and endurance, encompassing all her withdrawals, and ending only with her burial in an unmarked grave. And yet, although Dropout Piece is among Lozano's most important works, it might not exist at all. There is no conventional artwork to be exhibited, no performance event to be documented. Lehrer-Graiwer views Dropout Piece as leveraging the artist's entire practice and embodying her creative intelligence, her radicality, and her intensity. Combining art history, analytical inquiry, and journalistic investigation, Lehrer-Graiwer examines not only Lozano's act of dropping out but also the evolution over time of Dropout Piece in the context of the artist's practice in New York and her subsequent life in Dallas.
Sweeping in its scope, The Legends of Hip Hop is an intimate look at the visionaries, the movers and the shakers, and the pioneers who have helped shape the world of hip hop. Groundbreaking artist Justin Bua profiles and paints fifty key figures, including everyone from Afrika Bambaataa and Grandmaster Flash to President Obama and Jay-Z, providing a portrait of each legend in a style reminiscent of the great masters. The artwork is accompanied by an engaging autobiographical narrative that contextualizes the impact each icon has had on Bua's personal life and on the hip-hop culture at large. With a foreword by Chuck D, this landmark volume is more than a celebration of hip hop; it is the definitive word on the subject as told by Bua, one of hip hop's leading artists and a legend in his own right.
Meticulously pieced together from personal experiences that come with years of travel, an extensive knowledge of the historic and scholarly works, and a deep appreciation of Latin American art and culture--both ancient and modern--critically-acclaimed biographer Neil Baldwin has created a mosaic of words and images retelling the myth of the Plumed Serpent (or Quetzalcóatl) as it has evolved through the millennia. He has also created an essential guidebook for the armchair traveller and passionate tourist alike.<P> Only a few hours by air from the United States are the mysteries and hauntingly beautiful ruins of Mexico. Among the vines intertwined in the frail latticework of crumbling palaces, spiraling geometric motifs covering vast walls that sink beneath the jungle, and nearly vertical temple steps leading hundreds of feet to a dizzying view of sky and earth, images of Quetzalcóatl abound. The fanged, bug-eyed feathered serpent thrusts his malevolent, sneering head from the pyramid at Teotihuacán; he swims in a river of rock around the temple at Xochicalco; and at Chichén Itzá, serpent and jaguar dance on a trail of stone, their embrace spawning a monstrous snake with clawed forefeet.<P> Depicted as part man, snake, and bird, the Plumed Serpent is the earliest known creation myth from Mesoamerica, the region spanning Mexico and most of Central America. He embodies good and evil, sky and earth, feast and famine--the duality of life itself. Steep, massive temples were built in his honor at Teotihuacán, the vast city of ruins near today's Mexico City, and at Chichén Itzá in northern Yucatán, the intricate complex that includes the famed ballcourt. Moctezuma, the ruler of the Aztecs, mistook Hernán Cortéz and the invasion of the Spanish in 1519 for the return of Quetzalcóatl. The Catholic Church with its army of Franciscan monks adapted his legend to introduce the indigenous people to Catholicism. The myth enhanced Emiliano Zapata's stature as a latter-day Quetzalcóatl during the Mexican Revolution. Diego Rivera and the modern muralists invoked his image to include indigenous themes in their state-sponsored art. And Quetzalcóatl inspired English author D. H. Lawrence to write a new "American novel." These and many other tales are recounted in the words and images of Neil Baldwin's Legends of the Plumed Serpent.<P> Whether sharing a moment of reflection among the breathtaking ruins, delving into the historic role of Quetzalcóatl during the Spanish Conquest, or tracing the themes of revolution and rebirth in the art of Rivera, Orozco, and Siqueiros, Neil Baldwin's enlightening prose captures the imagination. Accompanied by numerous illustrations--many photographs taken by the author, and others painstakingly researched and gathered over the past decade--Legends of the Plumed Serpent is a true labor of love.
(front flap) Many American democratic ideals are embodied in the public spaces of its cities, especially in Washington, D.C. In L'Enfant's Legacy architect and scholar Michael Bednar explores the public spaces of the nation's capital, examining the context of the surrounding architecture and the roles of the spaces in the changing functional life of the city. Bednar examines the ways in which L'Enfant's innovative plan of 1791, along with later developments, symbolizes and encourages democratic freedoms and traditions. In the spaces of Capitol Square, citizens expect to encounter their government directly in a dignified setting, a symbolic public forum. On the White House grounds they expect to meet the president where he works and lives. At the National Mall - America's front lawn - citizens exercise their rights of assembly and free speech, as well as play football, eat lunch, and socialize.
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