- Table View
- List View
Almost everyone can "see" in the conventional sense, but developing photographic vision takes practice. Learning to See Creatively helps photographers visualize their work, and the world, in a whole new light. Now totally rewritten, revised, and expanded, this best-selling guide takes a radical approach to creativity. It explains how it is not some gift only for the "chosen few" but actually a skill that can be learned and applied. Using inventive photos from his own stunning portfolio, author and veteran photographer Bryan Peterson deconstructs creativity for photographers. He details the basic techniques that went into not only taking a particular photo, but also provides insights on how to improve upon it--helping readers avoid the visual pitfalls and technical dead ends that can lead to dull, uninventive photographs. This revised edition features the latest information on digital photography and digital imaging software, as well as an all-new section on color as a design element. Learning to See Creatively is the definitive reference for any photographers looking for a fresh perspective on their work. * Updated to include digital * All new artwork, and a totally revised and expanded text * All-new section on color as a design element.
In the summer of 1890, in the French town of Auvers-sur-Oise, Vincent van Gogh shot himself in the chest with a revolver. He died two days later, at the age of thirty-seven, largely unknown despite having completed over two thousand works of art that would go on to become some of the most important and valued in the world. In this riveting novel, Carol Wallace brilliantly navigates the mysteries surrounding the master artist's death, relying on meticulous research to paint an indelible portrait of Van Gogh's final days--and the friendship that may or may not have destroyed him. Telling Van Gogh's story from an utterly new perspective--that of his personal physician, Dr. Gachet, specialist in mental illness and great lover of the arts--Wallace allows us to view the legendary painter as we've never seen him before. In our narrator's eyes, Van Gogh is an irresistible puzzle, a man whose mind, plagued by demons, poses the most potentially rewarding challenge of Gachet's career. Wallace's narrative brims with suspense and rich psychological insight as it tackles haunting questions about Van Gogh's fate. A masterly, gripping novel that explores the price of creativity, Leaving Van Gogh is a luminous story about what it means to live authentically, and the power and limits of friendship.From the Hardcover edition.
The artist Lee Lozano (1930--1999) began her career as a painter; her work rapidly evolved from figuration to abstraction. In the late 1960s, she created a major series of eleven monochromatic Wave paintings, her last in the medium. Despite her achievements as a painter, Lozano is best known for two acts of refusal, both of which she undertook as artworks: Untitled (General Strike Piece), begun in 1969, in which she cut herself off from the commercial art world for a time; and the so-called Boycott Piece, which began in 1971 as a month-long experiment intended to improve communication but became a permanent hiatus from speaking to or directly interacting with women. In this book, Sarah Lehrer-Graiwer examines Lozano's Dropout Piece, the culmination of her practice, her greatest experiment in art and endurance, encompassing all her withdrawals, and ending only with her burial in an unmarked grave. And yet, although Dropout Piece is among Lozano's most important works, it might not exist at all. There is no conventional artwork to be exhibited, no performance event to be documented. Lehrer-Graiwer views Dropout Piece as leveraging the artist's entire practice and embodying her creative intelligence, her radicality, and her intensity. Combining art history, analytical inquiry, and journalistic investigation, Lehrer-Graiwer examines not only Lozano's act of dropping out but also the evolution over time of Dropout Piece in the context of the artist's practice in New York and her subsequent life in Dallas.
Sweeping in its scope, The Legends of Hip Hop is an intimate look at the visionaries, the movers and the shakers, and the pioneers who have helped shape the world of hip hop. Groundbreaking artist Justin Bua profiles and paints fifty key figures, including everyone from Afrika Bambaataa and Grandmaster Flash to President Obama and Jay-Z, providing a portrait of each legend in a style reminiscent of the great masters. The artwork is accompanied by an engaging autobiographical narrative that contextualizes the impact each icon has had on Bua's personal life and on the hip-hop culture at large. With a foreword by Chuck D, this landmark volume is more than a celebration of hip hop; it is the definitive word on the subject as told by Bua, one of hip hop's leading artists and a legend in his own right.
Meticulously pieced together from personal experiences that come with years of travel, an extensive knowledge of the historic and scholarly works, and a deep appreciation of Latin American art and culture--both ancient and modern--critically-acclaimed biographer Neil Baldwin has created a mosaic of words and images retelling the myth of the Plumed Serpent (or Quetzalcóatl) as it has evolved through the millennia. He has also created an essential guidebook for the armchair traveller and passionate tourist alike.<P> Only a few hours by air from the United States are the mysteries and hauntingly beautiful ruins of Mexico. Among the vines intertwined in the frail latticework of crumbling palaces, spiraling geometric motifs covering vast walls that sink beneath the jungle, and nearly vertical temple steps leading hundreds of feet to a dizzying view of sky and earth, images of Quetzalcóatl abound. The fanged, bug-eyed feathered serpent thrusts his malevolent, sneering head from the pyramid at Teotihuacán; he swims in a river of rock around the temple at Xochicalco; and at Chichén Itzá, serpent and jaguar dance on a trail of stone, their embrace spawning a monstrous snake with clawed forefeet.<P> Depicted as part man, snake, and bird, the Plumed Serpent is the earliest known creation myth from Mesoamerica, the region spanning Mexico and most of Central America. He embodies good and evil, sky and earth, feast and famine--the duality of life itself. Steep, massive temples were built in his honor at Teotihuacán, the vast city of ruins near today's Mexico City, and at Chichén Itzá in northern Yucatán, the intricate complex that includes the famed ballcourt. Moctezuma, the ruler of the Aztecs, mistook Hernán Cortéz and the invasion of the Spanish in 1519 for the return of Quetzalcóatl. The Catholic Church with its army of Franciscan monks adapted his legend to introduce the indigenous people to Catholicism. The myth enhanced Emiliano Zapata's stature as a latter-day Quetzalcóatl during the Mexican Revolution. Diego Rivera and the modern muralists invoked his image to include indigenous themes in their state-sponsored art. And Quetzalcóatl inspired English author D. H. Lawrence to write a new "American novel." These and many other tales are recounted in the words and images of Neil Baldwin's Legends of the Plumed Serpent.<P> Whether sharing a moment of reflection among the breathtaking ruins, delving into the historic role of Quetzalcóatl during the Spanish Conquest, or tracing the themes of revolution and rebirth in the art of Rivera, Orozco, and Siqueiros, Neil Baldwin's enlightening prose captures the imagination. Accompanied by numerous illustrations--many photographs taken by the author, and others painstakingly researched and gathered over the past decade--Legends of the Plumed Serpent is a true labor of love.
(front flap) Many American democratic ideals are embodied in the public spaces of its cities, especially in Washington, D.C. In L'Enfant's Legacy architect and scholar Michael Bednar explores the public spaces of the nation's capital, examining the context of the surrounding architecture and the roles of the spaces in the changing functional life of the city. Bednar examines the ways in which L'Enfant's innovative plan of 1791, along with later developments, symbolizes and encourages democratic freedoms and traditions. In the spaces of Capitol Square, citizens expect to encounter their government directly in a dignified setting, a symbolic public forum. On the White House grounds they expect to meet the president where he works and lives. At the National Mall - America's front lawn - citizens exercise their rights of assembly and free speech, as well as play football, eat lunch, and socialize.
Leonardo da Vinci's notebooks are mind-boggling evidence of a fifteenth-century scientific genius standing at the edge of the modern world, basing his ideas on observation and experimentation. This book will change children's ideas of who Leonardo was and what it means to be a scientist. .
Fritz (And Then What Happened, Paul Revere?) again calls upon her informal yet informative style to spotlight a scintillating sliver of history, recounted in two related tales. Her narrative opens as the ultimate Renaissance man, Leonardo da Vinci, earns a commission from the duke of Milan to create a sculpture to honor the duke's father a bronze horse three times larger than life. Though this creative genius spent years on the project, he died without realizing his dream and, writes Fritz, "It was said that even on his deathbed, Leonardo wept for his horse." The author then fast-forwards to 1977: an American named Charles Dent vows to create the sculpture and make it a gift from the American people to the residents of Italy. How his goal was accomplished (alas, posthumously) makes for an intriguing tale that Fritz deftly relays. Talbott's (Forging Freedom) diverse multimedia artwork includes reproductions of da Vinci's notebooks, panoramas revealing the Renaissance in lavish detail and majestic renderings of the final equine sculpture. Talbott makes creative use of the book's format a rectangle topped by a semi-circle: the rounded space by turns becomes a window through which da Vinci views a cloud shaped like a flying horse; the domed building that was Dent's studio and gallery; and a globe depicting the route the bronze horse travels on its way from the U.S. to Italy. An inventive introduction to the Renaissance and one of its masters.
Windows are our eyes on the world. Through them we can gaze at our surroundings and, looking out, feel connected to the larger world outside. Windows transform our interiors, filling a room with light and letting cool breezes in. Windows protect us. But windows are vulnerable, too. A well-aimed rock can shatter one in an instant. For as long as there have been buildings, there have been windows. A simple roof hole, a narrow slit-these served as windows in early structures. Later windows might be covered with anything from mica to paper to a fish bladder; the transparent pane of glass we take for granted today took many centuries to develop. In the Middle Ages, with the achievement of stained glass, windows became the focus of a great outpouring of artistic expression. Today the "walls of glass" of the modern skyscraper represent the ultimate window. In this wide-ranging history, we also learn of the role windows have played in many dramatic events, from castle sieges to the infamous Kristallnacht of Nazi Germany to riots that scarred American cities in the 1960s. With the aid of splendid pictures, James Cross Giblin traces the intriguing development of windows-in our homes, our houses of worship, our offices, and public buildings, and shows how they illuminate our lives.
President of the Archaeological Institute of America, professor at the University of Michigan from 1889 to 1927, and president of the American Philological Association, Francis Kelsey was crucially involved in the founding or growth of major educational institutions. He came to maturity in a period of great technological change in communications, transportation, and manufacturing. Kelsey took full advantage of such innovations in his ceaseless drive to promote education for all, to further the expansion of knowledge, and to champion the benefits of the study of antiquity. A vigorous traveler around the United States, Europe, and the Mediterranean, Kelsey strongly believed in the value of personally viewing sites ancient and modern and collecting artifacts that could be used by the new museums and universities that were springing up in the United States. This collecting habit put him in touch with major financiers of the day, including Charles Freer, Andrew Carnegie, and J. P. Morgan, as he sought their help for important projects. Drawing heavily on Kelsey's daily diaries now held at the University of Michigan's Bentley Historical Library, John Griffiths Pedley gives us a biography that records the wide-ranging activities of a gifted and energetic scholar whose achievements mirrored the creative and contributive innovations of his contemporary Americans.
Actually consisting of a set of wide-ranging, sentimental essays in which farmer, poet and writer Wendell Berry argues for greater dialogue between the arts and sciences, attempts to show that E.O. Wilson's "Consilience" is no more than the subjugation of religion and art by science, and advocates a new "emancipation proclamation" to free people from enslavement by corporations.
John Richardson draws on the same combination of lively writing, critical astuteness, exhaustive research, and personal experience which made a bestseller out of the first volume and vividly recreates the artist's life and work during the crucial decade of 1907-17 - a period during which Pablo Picasso and Georges Braque invented Cubism and to that extent engendered modernism. Richardson has had unique access to untapped sources and unpublished material. By harnessing biography to art history, he has managed to crack the code of cubism more successfully than any of his predecessors. And by bringing a fresh light to bear on the artist's often too sensationalised private life, he has succeeded in coming up with a totally new view of this paradoxical man of his paradoxical work. Never before has Picasso's prodigious technique, his incisive vision and not least his sardonic humour been analysed with such clarity.
Since their enslavement in West Africa and transport to plantations of the New World, black people have made music that has been deeply entwined with their religious, community, and individual identities. Music was one of the most important constant elements of African American culture in the centuries-long journey from slavery to freedom. It also continued to play this role in blacks' post-emancipation odyssey from second-class citizenship to full equality. Lift Every Voice traces the roots of black music in Africa and slavery and its evolution in the United States from the end of slavery to the present day. The music's creators, consumers, and distributors are all part of the story. Musical genres such as spirituals, ragtime, the blues, jazz, gospel, rhythm and blues, rock, soul, and hip-hop-as well as black contributions to classical, country, and other American music forms-depict the continuities and innovations that mark both the music and the history of African Americans. A rich selection of documents help to define the place of music within African American communities and the nation as a whole.
From the Book jacket: There is something mystical and romantic about the soft glow of a lighthouse spinning out across the ocean. Beyond that protective light, however, many of America's lighthouses are plagued by a dark history of vicious storms, violent shipwrecks, and, in some cases, even murder. Today, the ghosts of the past still linger in the lonely corridors of many American lighthouses, making their history known. In 1899, Muriel, the sweet-tempered daughter of a sea captain disappeared from the Yaquina Bay Lighthouse in Newport, Oregon, leaving behind only a small pool of blood and her white handkerchief. Today, she is seen on dark stormy nights and has been known to bolt the lighthouse door, allowing no one in-not even those with a key. The sounds of former Captain William Robinson's footsteps and the methodical tap of his cane can still be heard walking the corridors of the White River Light in Whitehall, Michigan. Ernie, the ghost of the former keeper of Ledge Light, near New London, Connecticut, polishes brass, swabs the decks, leaves tools about the lighthouse, and rearranges books on bookshelves. Following on the heels of Crane Hill's bestselling Lighthouse Ghosts, Lighthouse Ghosts and Legends brings fans of watery hauntings more of their favorite lore. Author Costopoulos weaves eighteen tales of mystery surrounding some of America's best known beacons, including St. Simon's Island, Alcatraz Island Light, Owl's Head Lighthouse, Hendricks Head Light Station, and more. Covering the extent of coastal America and the Great Lakes, Lighthouse Ghosts and Legends runs the gamut of sprites, spirits, mysteries, miracles, and madness.
A visceral look at the bizarre entanglement of destructive and creative forces, Live Through This (a finalist for the 2008 Lambda Literary Awards) is a collection of original stories, essays, artwork, and photography. It explores the use of art to survive abuse, incest, madness and depression, and the often deep-seated impulse toward self-destruction including cutting, eating disorders, and addiction. Here, some of our most compelling cartoonists, novelists, poets, dancers, playwrights, and burlesque performers traverse the pains and passions that can both motivate and destroy women artists, and mark a path for survival. Taken together, these artful reflections offer an honest and hopeful journey through a woman's silent rage, through the power inherent in struggles with destruction, and the ensuing possibilities of transforming that burning force into the external release of art. With contributions by Nan Goldin, bell hooks, Patricia Smith, Cristy C. Road, Carol Queen, Annie Sprinkle, Elizabeth Stephens, Carolyn Gage, Eileen Myles, Fly, Diane DiMassa, Bonfire Madigan Shive, Inga Muscio, Kate Bornstein, Toni Blackman, Nicole Blackman, Silas Howard, Daphne Gottleib, and Stephanie Howell.
In this entertaining, informative collection, readers discover the idiosyncrasies-- sometimes humorous, sometimes tragic-- of twenty famous artists, including Michelangelo, Cassatt, van Gogh, Kahlo, and Warhol. Fresh, spirited, and unconventional.
A painter and architect in his own right, Giorgio Vasari (1511-74) achieved immortality for this book on the lives of his fellow Renaissance artists, first published in Florence in 1550. Although he based his work on a long tradition of biographical writing, Vasari infused these literary portraits with a decidedly modern form of critical judgment. The result is a work that remains to this day the cornerstone of art historical scholarship. Spanning the period from the thirteenth century to Vasari's own time, the Lives opens a window on the greatest personalities of the period, including Giotto, Brunelleschi, Mantegna, Leonardo, Raphael, Michelangelo, and Titian. This Modern Library edition, abridged from the original text with notes drawn from earlier commentaries, as well as current research, reminds us why The Lives of the Most Excellent Painters, Sculptors, and Architects is indispensable to any student interested in Renaissance art.
There is no ideal muse, but rather as many variations on the theme as there are individual women who have had the luck, or misfortune, to find their destiny conjoined with that of a particular artist. What are we to make of the relationship between the child Alice Liddell, who inspired Alice in Wonderland, and the Oxford don who became Lewis Carroll? Or the so-called serial muse, Lou Andreas-Salome, who captivated Nietzsche, Rilke, and Freud -- as impressive a list as any muse can boast? Salvador Dali was the only artist to sign his art with his muse's name, and Gala Dali certainly knew how to market her artist and his work while simultaneously burnishing her own image and celebrity. Lou, Gala, and Yoko Ono all defy the feminist stereotype of the muse as a passive beauty put on a pedestal and oppressed by a male artist. However, it's rare to find an artist and muse who are genuine partners, true collaborators, such as ballerina Suzanne Farrell and choreographer George Balanchine. What do the nine muses chosen by Francine Prose have in common? They were all beautiful, or sexy, or gifted with some more unconventional appeal. All loved, and were loved by, their artists, and inspired them with an intensity of emotion akin to Eros. For these artists, the love of -- or for -- their muses provided an essential element required for the melding of talent and technique necessary to create art.
Oral histories talking about the everyday life while living at a lighthouse.
Living with Art provides the tools to help students think critically about the visual arts. Using a wealth of examples, the first half of the text examines the nature, vocabulary, and elements of art, offering a foundation for students to learn to analyze art effectively. The latter half sets out a brief but comprehensive history of art, leading students to understand art within the context of its time and place of origin. High quality images from a wide range of periods and cultures bring the art to life, and topical essays throughout the text foster critical thinking skills. Taken together, all of these elements help students to better appreciate art as a reflection of the human experience and to realize that living with art is living with ourselves.
This textbook discusses many different forms or art such as oil paint, watercolors, carvings, pottery, etc.
The streets and public spaces of London are rich with statues and monuments commemorating the great people of history. From the monumental Nelson's Column in Trafalgar Square and Sir Christopher Wren's Great Fire Monument to the charming Peter Pan statue in Kensington Gardens, and the bronze of Paddington Bear on the lawn of the railway station that gave him his name, the range of London's statues and monuments is huge. Some commemorate events, while others celebrate people, real and fictional. Some take the form of small reliefs, while others are huge pedimented bronzes, larger than life size. Executed in stone, bronze and a range of other materials, London's statues and monuments include work by some of the greatest sculptors.Shire first published a book on this subject in 1968, and for forty years it was a stalwart of the list, opening the eyes of countless Londoners and visitors to the capital to the sculptural splendour of the city. Peter Matthews has now produced an entirely new book on the subject, reorganised, rewritten, and reillustrated with a completely new set of specially taken photographs. Over 500 statues and monuments feature in this indispensible guide, and fascinating information about the sculptors and the stories behind the monuments make this book a uniquely useful resource for anyone wanting to gain a deeper insight into these wonderful adornments to the streets of the capital.
Looking at Laughter examines a heterogeneous corpus of visual material, from the crudely obscene to the exquisitely sophisticated and from the playful to the deadly serious--everything from street theater to erudite paintings parodying the emperor.
Despite all the visual distractions of the digital age, one low-tech form of mass communication remains as popular as ever: the lost pet poster. Stapled to telephone poles and bulletin boards in cities and suburbs worldwide, these often hastily made signs are quirky combinations of hand-drawn illustration, emotional longing, and surprisingly offbeat humor. For more than a decade, artist and animal lover Ian Phillips collected lost and found pet posters from around the world.LOST features the most notable selections from Phillips's collection chosen for their cleverness, humor, sorrow, entreaties, rewards, and--in several instances--sheer outlandishness. Featuring a veritable Noah's ark of animals--from everyday pets such as dog, cats, hamsters, and turtles to more unusual companions, including ferrets, parrots, cows, and cockatiels--these remarkable posters are their own form of folk art. Telling tales of friendship, loss, and hope, they are a powerful testament to the love and devotion shared by pet owners everywhere.
In this book, journalist and biographer Caroline Moore Head explores Schliemann's extraordinary life and tells how he contrived to smuggle part of the treasure from his dig in Asia Minor to his government in Berlin.
Select your format based upon: 1) how you want to read your book, and 2) compatibility with your reading tool. To learn more about using Bookshare with your device, visit the "Using Bookshare" page in the Help Center.
Here is an overview of the specialized formats that Bookshare offers its members with links that go to the Help Center for more information.
- Bookshare Web Reader - a customized reading tool for Bookshare members offering all the features of DAISY with a single click of the "Read Now" link.
- DAISY (Digital Accessible Information System) - a digital book file format. DAISY books from Bookshare are DAISY 3.0 text files that work with just about every type of access technology that reads text. Books that contain images will have the download option of ‘DAISY Text with Images’.
- BRF (Braille Refreshable Format) - digital Braille for use with refreshable Braille devices and Braille embossers.
- MP3 (Mpeg audio layer 3) - Provides audio only with no text. These books are created with a text-to-speech engine and spoken by Kendra, a high quality synthetic voice from Ivona. Any device that supports MP3 playback is compatible.
- DAISY Audio - Similar to the Daisy 3.0 option above; however, this option uses MP3 files created with our text-to-speech engine that utilizes Ivona's Kendra voice. This format will work with Daisy Audio compatible players such as Victor Reader Stream and Read2Go.