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Death Comes in Yellow
by Felicja KarayDeath Comes in Yellow" presents the history of one slave labor camp in order to shed light on all aspects of the slave labor camps established in Poland under German occupation. Hasag-Skarzysko was one of hundreds of camps scattered throughout occupied Poland. They were distinguished by size, the nationality of the prisoners, their location, the date of their establishment, and the authority in charge. The large number of labor camps reflected the German policy of exploiting the work forces of the occupied countries. These camps were part of a Europe-wide system of forced labor.The first part of this volume reviews the external history of the camp. The second section, which studies the internal workings of the camp, is quite different in approach and includes an analysis of prisoner society and a moving description of the individual prisoner's struggle to survive.
Death Drop (Orca Currents)
by Melanie JacksonOn his way to baseball practice, Zeke lines up for Vancouver's newest thrill ride: Death Drop, an elevator that falls faster than gravity. The theme of the ride is based on the story of Persephone, who tumbled into the underworld. Zeke tumbles into a frightening situation himself after he discovers a little girl who is lost. He takes her to the Death Drop manager's office. But later, when he tries to find out what happened with her, the ride's staff say they never saw her! To find the missing girl, Zeke must navigate a devilish plot that includes Dante Gabriel Rossetti's famous painting Proserpine, a fiery drop into flames, and an angry coach.
Death, Image, Memory
by Piotr CieplakThis book explores how photography and documentary film have participated in the representation of the 1994 genocide in Rwanda and its aftermath. This in-depth analysis of professional and amateur photography and the work of Rwandan and international filmmakers offers an insight into not only the unique ability of images to engage with death, memory and the need for evidence, but also their helplessness and inadequacy when confronted with the enormity of the event. Focusing on a range of films and photographs, the book tests notions of truth, evidence, record and witnessing - so often associated with documentary practice - in the specific context of Rwanda and the wider representational framework of African conflict and suffering. Death, Image, Memory is an inquiry into the multiple memorial and evidentiary functions of images that transcends the usual investigations into whether photography and documentary film can reliably attest to the occurrence and truth of an event.
Death in a Prairie House: Frank Lloyd Wright and the Taliesin Murders
by William R. DrennanConstructed in 1911 as a summer home for the architect and his mistress, Frank Lloyd Wright's Taliesin residence stood for only a few years. On an August night in 1914, it became the scene of a brutal mass murder and was almost completely destroyed by fire. In this text, Drennan (English, U. of Wisconsin) traces the events that led up to that night, examines the murderer's motives, and considers the effects of the loss of his home and loved ones on Wright's life and career. Terrace Books is a division of the U. of Wisconsin Press. Annotation ©2007 Book News, Inc., Portland, OR (booknews.com)
Death in Bloom: A Flower House Mystery (Flower House series #1)
by Jess DylanThe first in a sweet and colorful cozy mystery series from Jess Dylan, Death in Bloom introduces flower shop owner Sierra Ravenswood.At the Flower House, every rose has its thorn . . .Sierra Ravenswood is the new part-time employee of the Flower House, a flower shop in Aerieville, Tennessee. It's true she didn't expect to be back in her hometown at twenty-eight-years-old, but after her dream of making it as a singer in Nashville crashed and burned, she's just grateful to have found a soft place to land.Because, after all, Sierra firmly believes in being optimistic and positive about life, so she's sure she won't have to work at the Flower House forever. But things take a decidedly negative turn when a customer drops dead in the middle of her new bouquet-arranging workshop at the store. When it's discovered he was poisoned by a snack at the event, everyone at the workshop, including Sierra, is on the suspect list. To make matters worse, her boss has gone AWOL and left the store to her for the cost of one dollar, leaving Sierra in charge of both his store and his high-energy Corgi puppy, Gus.The town is on edge, and Sierra knows that murder is something that an upbeat attitude and a bouquet of sweet-smelling roses can't fix. She's determined to figure out whodunit, before anyone else in town meets an untimely reason for needing funeral flowers.
Death in Venice
by Will AitkenA Queer Film Classic on Luchino Visconti's lyrical and controversial 1971 film based on Thomas Mann's novel about a middle-aged man (played by Dirk Bogarde) vacationing in Venice who becomes obsessed with a youth staying at the same hotel as a wave of cholera descends upon the city. The book analyzes its cultural impact and provides a vivid portrait of the director, an ardent Communist and grand provocateur.Will Aitken's novels include Realia and Terre Haute. Arsenal's Queer Film Classics series cover some of the most important and influential films about and by LGBTQ people.
Death & Lighthouses on the Great Lakes: A History of Murder and Misfortune (Murder & Mayhem)
by Dianna Higgs StampflerThe author of Michigan's Haunted Lighthouses shares tales of disaster and misfortune on the Great Lakes.Losing one's life while tending to a Great Lakes lighthouse sadly wasn't such an unusual occurrence. Death by murder, suicide or other tragic causes--while rare--were not unheard of. Two keepers on Lake Superior's Grand Island disappeared one early summer day in 1908, their decomposed remains found weeks later. A newly hired and some say depressed keeper on Pilot Island in Wisconsin's Door County slit his own throat after a consultation with a local butcher about the location of the jugular vein. A smallpox outbreak in the late 1890s led to the tragic death of a lighthouse hired hand on South Bass Island in Lake Erie.Join author Dianna Stampfler as she uncovers the facts (and debunks some fiction) behind some of the Great Lakes' darkest lighthouse tales.
Death Lines: Walking London's Horror History
by Lauren BarnettThe first walking guide to London&’s role in the evolution of horror cinema, inspired by the city&’s dark histories and labyrinthine architectures.Death Lines is the first walking guide to London&’s role in the evolution of horror cinema, inspired by the city&’s dark histories, labyrinthine architectures, atmospheric streetscapes, and uncanny denizens. Its eight walks lead you on a series of richly researched yet undeniably chilling tours through Chelsea, Notting Hill, Westminster, Bloomsbury, Covent Garden, and the East End, along the haunted banks of the river Thames, and down into the depths of the London Underground railway. Each tour weaves together London&’s stories and takes the reader to magnificent, eerie, and sometimes disconcertingly ordinary corners of the city, unearthing the literature, legends, and history behind classics like Peeping Tom and An American Werewolf in London, and lesser-known works such as mind-control melodrama The Sorcerers; Gorgo, Britain&’s answer to Godzilla; tube terror Death Line; and Bela Lugosi's mesmeric vehicle The Dark Eyes of London. Tinged with humor, social critique, and more than a few scares, Death Lines delights in revealing the hidden and often surprising relationship between the city and the dark cinematic visions it has evoked. Whether read on the streets or from the comfort of the grave, Death Lines is a treat for all cinephiles, horror fans, and lovers of London lore.
Death Makes the News: How the Media Censor and Display the Dead
by Jessica M FishmanWinner of the 2018 Media Ecology Association's Erving Goffman Award for Outstanding Scholarship in the Ecology of Social InteractionWinner of the Eastern Communication Association's Everett Lee Hunt AwardA behind-the-scenes account of how death is presented in the mediaDeath is considered one of the most newsworthy events, but words do not tell the whole story. Pictures are also at the epicenter of journalism, and when photographers and editors illustrate fatalities, it often raises questions about how they distinguish between a “fit” and “unfit” image of death.Death Makes the News is the story of this controversial news practice: picturing the dead. Jessica Fishman uncovers the surprising editorial and political forces that structure how the news and media cover death. The patterns are striking, overturning long-held assumptions about which deaths are newsworthy and raising fundamental questions about the role that news images play in our society.In a look behind the curtain of newsrooms, Fishman observes editors and photojournalists from different types of organizations as they deliberate over which images of death make the cut, and why. She also investigates over 30 years of photojournalism in the tabloid and patrician press to establish when the dead are shown and whose dead body is most newsworthy, illustrating her findings with high-profile news events, including recent plane crashes, earthquakes, hurricanes, homicides, political unrest, and war-time attacks. Death Makes the News reveals that much of what we think we know about the news is wrong: while the patrician press claims that they do not show dead bodies, they are actually more likely than the tabloid press to show them—even though the tabloids actually claim to have no qualms showing these bodies. Dead foreigners are more likely to be shown than American bodies. At the same time, there are other unexpected but vivid patterns that offer insight into persistent editorial forces that routinely structure news coverage of death. An original view on the depiction of dead bodies in the media, Death Makes the News opens up new ways of thinking about how death is portrayed.
Death of a Knit Wit (A Knit & Nibble Mystery #8)
by Peggy EhrhartWhen a professor is poisoned, Pamela Paterson and the members of the Knit and Nibble knitting club must take a crash course in solving his mysterious murder. Pamela has organized a weekend-long knitting bee as part of a conference on fiber arts and crafts at Wendelstaff College. But when pompous Professor Robert Greer-Gordon Critter, the keynote speaker at the conference, crashes the bee, he seems more interested in flirting than knitting. The man&’s reputation as a philanderer supersedes his academic reputation. After coffee and cookies are served, the professor suddenly collapses, seemingly poisoned—but how? Everyone had the coffee and cookies. Joined by her bestie Bettina and the Knit and Nibble ladies, Pamela sorts through everything from red socks to red herrings to unravel the means and motives of a killer dead set on teaching the professor a lesson . . . Praise for Peggy Ehrhart and the Knit & Nibble Mysteries! &“[A] cuisine and character-driven cozy.&”—Kirkus Reviews on Knit of the Living Dead &“With an unlikely heroine and a knack for finding the 'pattern' in the murders, this is a series that will appeal to many cozy fans.&” —The Parkersburg News and Sentinel on Died in the WoolKnitting tips and delicious recipe included!
The Death Of A Prince (Star Trek #44)
by John PeelDangerous assignments come in pairs when Captain Picard and his crew are confronted with two desperate missions on two different worlds. On the planet Buran, newly linked to the Fedration, a mysterious disease devastates the population-and turns them against the visitors from the U.S.S. Enterprise. Meanwhile, on nearby lomides, a renegade Federation observer has disappeared, intent on violating the Prime Directive by preventing a tragic political assassination. While Dr. Crusher struggles to find a cure for the plague ravaging Buran, Commander Will RIker leads an Away Team to lomides. Their forces divided, Picard and his crew find themselves the only hope of two worlds.
The Death of Archie: A Life Celebrated
by Paul KupperbergHistory is in the making in this epic finale to the acclaimed series LIFE WITH ARCHIE, as America's most beloved character makes the ultimate sacrifice to save a friend. The unthinkable happens: Archie Andrews dies! One year later, the residents of the most welcoming town in America, where the chocolate malts are always delicious and the neighbors are always smiling, gather together one last time for the closing ceremony of this groundbreaking series and a celebration of a Life with Archie.Features an extensive, exclusive retrospective celebration of Archie and his importance in pop culture.Do not miss this game-changing tale of love, friendship and true heroism.
The Death of Authentic Primitive Art: And Other Tales of Progress
by Shelly ErringtonIn this lucid, witty, and forceful book, Shelly Errington argues that Primitive Art was invented as a new type of art object at the beginning of the twentieth century but that now, at the century's end, it has died a double but contradictory death. Authenticity and primitivism, both attacked by cultural critics, have died as concepts. At the same time, the penetration of nation-states, the tourist industry, and transnational corporations into regions that formerly produced these artifacts has severely reduced supplies of "primitive art," bringing about a second "death."Errington argues that the construction of the primitive in the nineteenth and twentieth centuries (and the kinds of objects chosen to exemplify it) must be understood as a product of discourses of progress—from the nineteenth-century European narrative of technological progress, to the twentieth-century narrative of modernism, to the late- twentieth-century narrative of the triumph of the free market. In Part One she charts a provocative argument ranging through the worlds of museums, art theorists, mail-order catalogs, boutiques, tourism, and world events, tracing a loosely historical account of the transformations of meanings of primitive art in this century. In Part Two she explores an eclectic collection of public sites in Mexico and Indonesia—a national museum of anthropology, a cultural theme park, an airport, and a ninth-century Buddhist monument (newly refurbished)—to show how the idea of the primitive can be used in the interests of promoting nationalism and economic development.Errington's dissection of discourses about progress and primitivism in the contemporary world is both a lively introduction to anthropological studies of art institutions and a dramatic new contribution to the growing field of cultural studies.
The Death of Aztec Tenochtitlan, the Life of Mexico City (Joe R. and Teresa Lozano Long Series in Latin American and Latino Art and Culture)
by Barbara E. MundyThe capital of the Aztec empire, Tenochtitlan, was, in its era, one of the largest cities in the world. Built on an island in the middle of a shallow lake, its population numbered perhaps 150,000, with another 350,000 people in the urban network clustered around the lake shores. In 1521, at the height of Tenochtitlan&’s power, which extended over much of Central Mexico, Hernando Cortés and his followers conquered the city. Cortés boasted to King Charles V of Spain that Tenochtitlan was &“destroyed and razed to the ground.&” But was it? Drawing on period representations of the city in sculptures, texts, and maps, The Death of Aztec Tenochtitlan, the Life of Mexico City builds a convincing case that this global capital remained, through the sixteenth century, very much an Amerindian city. Barbara E. Mundy foregrounds the role the city&’s indigenous peoples, the Nahua, played in shaping Mexico City through the construction of permanent architecture and engagement in ceremonial actions. She demonstrates that the Aztec ruling elites, who retained power even after the conquest, were instrumental in building and then rebuilding the city. Mundy shows how the Nahua entered into mutually advantageous alliances with the Franciscans to maintain the city's sacred nodes. She also focuses on the practical and symbolic role of the city&’s extraordinary waterworks—the product of a massive ecological manipulation begun in the fifteenth century—to reveal how the Nahua struggled to maintain control of water resources in early Mexico City.
The Death of Character: Perspectives on Theater after Modernism
by Elinor Fuchs"Extremely well written, and exceedingly well informed, this is a work that opens a variety of important questions in sophisticated and theoretically nuanced ways. It is hard to imagine a better tour guide than Fuchs for a trip through the last thirty years of, as she puts it, what we used to call the 'avant-garde.'" --Essays in Theatre"... an insightful set of theoretical 'takes' on how to think about theatre before and theatre after modernism." --Theatre Journal"In short, for those who never experienced a 'postmodern swoon,' Elinor Fuchs is an excellent informant." --Performing Arts Journal"... a thoughtful, highly readable contribution to the evolving literature on theatre and postmodernism." --Modern Drama"A work of bold theoretical ambition and exceptional critical intelligence.... Fuchs combines mastery of contemporary cultural theory with a long and full participation in American theater culture: the result is a long-needed, long-awaited elaboration of a new theatrical paradigm." --Una Chaudhuri, New York University"What makes this book exceptional is Fuchs' acute rehearsal of the stranger unnerving events of the last generation that have--in the cross-reflections of theory--determined our thinking about theater. She seems to have seen and absorbed them all." --Herbert Blau, Center for Twentieth Century Studies, University of Wisconsin, Milwaukee"Surveying the extraordinary scene of the postmodern American theater, Fuchs boldly frames key issues of subjectivity and performance with the keenest of critical eyes for the compelling image and the telling gesture." --Joseph Roach, Tulane University"... Fuchs makes an exceptionally lucid and eloquent case for the value and contradictions in postmodern theater." --Alice Rayner, Stanford University"Arguably the most accessible yet learned road map to what remains for many impenetrable territory...an obligatory addition to all academic libraries serving upper-division undertgraduates and above." --Choice"A systematic, comprehensive and historically-minded assessment of what, precisely, 'post-modern theatre' is, anyway." --American TheatreIn this engrossing study, Elinor Fuchs explores the multiple worlds of theater after modernism. While The Death of Character engages contemporary cultural and aesthetic theory, Elinor Fuchs always speaks as an active theater critic. Nine of her Village Voice and American Theatre essays conclude the volume. They give an immediate, vivid account of contemporary theater and theatrical culture written from the front of rapid cultural change.
The Death of Drawing: Architecture in the Age of Simulation
by David Ross ScheerThe Death of Drawing explores the causes and effects of the epochal shift from drawing to computation as the chief design and communication medium in architecture. Drawing both framed the thinking of architects and organized the design and construction process to place architects at its center. Its displacement by building information modeling (BIM) and computational design recasts both the terms in which architects think and their role in building production. Author David Ross Scheer explains that, whereas drawing allowed architects to represent ideas in form, BIM and computational design simulate experience, making building behavior or performance the primary object of design. The author explores many ways in which this displacement is affecting architecture: the dominance of performance criteria in the evaluation of design decisions; the blurring of the separation of design and construction; the undermining of architects’ authority over their projects by automated information sharing; the elimination of the human body as the common foundation of design and experience; the transformation of the meaning of geometry when it is performed by computers; the changing nature of design when it requires computation or is done by a digitally-enabled collaboration. Throughout the book, Scheer examines both the theoretical bases and the practical consequences of these changes. The Death of Drawing is a clear-eyed account of the reasons for and consequences of the displacement of drawing by computational media in architecture. Its aim is to give architects the ability to assess the impact of digital media on their own work and to see both the challenges and opportunities of this historic moment in the history of their discipline.
The Death of Myth on Roman Sarcophagi: Allegory and Visual Narrative in the Late Empire (Greek Culture in the Roman World)
by Mont AllenA strange thing happened to Roman sarcophagi in the third century: their Greek mythic imagery vanished. Since the beginning of their production a century earlier, these beautifully carved coffins had featured bold mythological scenes. How do we make sense of this imagery's own death on later sarcophagi, when mythological narratives were truncated, gods and heroes were excised, and genres featuring no mythic content whatsoever came to the fore? What is the significance of such a profound tectonic shift in the Roman funerary imagination for our understanding of Roman history and culture, for the development of its arts, for the passage from the High to the Late Empire and the coming of Christianity, but above all, for the individual Roman women and men who chose this imagery, and who took it with them to the grave? In this book, Mont Allen offers the clues that aid in resolving this mystery.
The Death of the Actor: Shakespeare on Page and Stage
by Martin BuzacottIn The Death of the Actor Martin Buzacott launches an all-out attack on contemporary theatrical practice and performance theory which identifies the actor, rather than the director, as the key creative force in the performance of Shakespeare. Because actors are absent from the site of Shakespearean meaning, he argues, the illusion of their centrality is sustained only by a rhetoric of heroism, violence and imperialism.
The Death of the Artist: How Creators Are Struggling to Survive in the Age of Billionaires and Big Tech
by William DeresiewiczA deeply researched warning about how the digital economy threatens artists' lives and work—the music, writing, and visual art that sustain our souls and societies—from an award-winning essayist and criticThere are two stories you hear about earning a living as an artist in the digital age. One comes from Silicon Valley. There's never been a better time to be an artist, it goes. If you've got a laptop, you've got a recording studio. If you've got an iPhone, you've got a movie camera. And if production is cheap, distribution is free: it's called the Internet. Everyone's an artist; just tap your creativity and put your stuff out there.The other comes from artists themselves. Sure, it goes, you can put your stuff out there, but who's going to pay you for it? Everyone is not an artist. Making art takes years of dedication, and that requires a means of support. If things don't change, a lot of art will cease to be sustainable.So which account is true? Since people are still making a living as artists today, how are they managing to do it? William Deresiewicz, a leading critic of the arts and of contemporary culture, set out to answer those questions. Based on interviews with artists of all kinds, The Death of the Artist argues that we are in the midst of an epochal transformation. If artists were artisans in the Renaissance, bohemians in the nineteenth century, and professionals in the twentieth, a new paradigm is emerging in the digital age, one that is changing our fundamental ideas about the nature of art and the role of the artist in society.
Death on the Argyle (A Black Sheep & Co. Mystery #5)
by Anne CanadeoAs one of the Black Sheep Knitters prepares to become a mother, a new member becomes a suspected killer . . . Spring has reached Plum Harbor, Massachusetts, and the weather isn't the only thing that's changing. Eight months pregnant, Lucy prepares to enter an exciting phase in life while weaving together loose threads from her past. It feels like fate when she reconnects with college friend Rebecca Hurley, whose eclectic Happy Hands Café is the perfect locale for Black Sheep gatherings. But just as charming Rebecca joins their closely knit circle, she's suspected of murder. It appears to be an accident when Rebecca&’s writer husband, Colin, is crushed by a fallen bookcase at the café. But his death is quickly determined to be murder. Adding to the horror, police believe Rebecca committed a heinous act of revenge against Colin for planning to end their marriage—a move that would cut off Rebecca&’s contact with the stepdaughter she adores. Despite the incriminating evidence growing faster than her belly, Lucy is convinced that she must prove her old friend's innocence. As her due date approaches and a dangerous mystery unravels, Lucy and the Black Sheep shift from knitting baby booties to chasing down the cunning culprit who&’s always a few steps ahead.
Death on the Devil's Teeth: The Strange Murder That Shocked Suburban New Jersey (True Crime Ser.)
by Jesse P. Pollack Mark MoranRumors, witchcraft, and murder in this true crime account of one of New Jersey&’s most notorious cold cases—from two Weird N.J. magazine contributors. As Springfield residents decorated for Halloween in September 1972, the crime rate in the affluent New Jersey township was at its lowest in years. That mood was shattered when the body of sixteen-year-old Jeannette DePalma was discovered in the woods, allegedly surrounded by strange objects. Some feared witchcraft was to blame, while others believed a serial killer was on the loose. Rumors of a police coverup ran rampant, and the case went unsolved—along with the murders of several other young women. Including extensive interviews with DePalma&’s friends and family, new evidence, and theories about who could have committed this horrible crime, Death on the Devil&’s Teeth provides the definitive account of this shocking cold case more that remains a mystery more than four decades later.
Death, The One and the Art of Theatre
by Howard BarkerDeath, The One and the Art of Theatre is the latest collection of Barkers distinctive and revelatory philosophical musings on theatre. It is a stunning array of speculations, deductions, prose poems and poetic aperçus that casts a unique and unflinching light on the nature of tragedy, eroticism, love and theatre. Exploring the juncture between aesthetics and metaphysics, the book looks at the human experience of love and death as life at its most intrinsically theatrical. Howard Barker is an internationally renowned playwright whose works are regularly produced throughout Europe and the US. He is widely known for his controversial explorations into contemporary tragedy and his anti-Brechtian focus on the irrational and the catastrophic. He is often credited as a major influence on the generation of playwrights that includes Sarah Kane. Death, The One and the Art of the Theatre is a profoundly unsettling and inspiring piece of writing and extends the challenge to orthodox morality that Barker first presented in Arguments for a Theatre, a challenge he describes as men and womens secret longing for the incomprehensible nature of pain.
Death Ride of the Panzers: German Armor and the Retreat in the West, 1944-45
by Dennis OliverDeath Ride of the Panzers is a unique guide to the Nazi tanks, vehicles, and crews of World War II. It features never-before-seen photographs from the US National Archives and the author's personal collection, annotated artist renderings, and detailed explanations and historical context for each collection of images. Readers will also be able to trace the combat histories of these subjects through orders of battle, maps and organizational diagrams, vehicle allocation charts, and unit biographies. The forensic approach for which Dennis Oliver is known creates a broad, comprehensive record of German soldiers and hardware from early 1944 to the end of the conflict in 1945. Death Ride of the Panzers provides the context and chronology necessary for the general reader and the primary sources and hardware specifics that appeal to the expert, making this book perfect for the readers with historical interest, modelers, and WWII alike.
Death's Futurity: The Visual Life of Black Power (The Visual Arts of Africa and its Diasporas)
by Sampada ArankeIn Death’s Futurity Sampada Aranke examines the importance of representations of death to Black liberation. Aranke analyzes posters, photographs, journalism, and films that focus on the murders of Black Panther Party members Lil’ Bobby Hutton, Fred Hampton, and George Jackson to construct a visual history of the 1960s and 1970s Black Power era. She shows how Black radicals used these murders to engage in political action that imagined Black futurity from the position of death. Photographs of Hutton that appeared on flyers and posters called attention to the condition of his death while the 1971 documentary The Murder of Fred Hampton enabled the consideration of Hampton’s afterlife through visual meditations on his murder. Printmaking and political posters surrounding Jackson’s murder marked the transition from Black Power to the prison abolition movement in ways that highlighted the relationship between surveillance, policing, incarceration, and anti-Black violence. By foregrounding the photographed, collaged, filmed, and drawn Black body, Aranke demonstrates that corporeality and corpses are crucial to the efforts to shape visions of a Black future free from white supremacy.
Deaths in Venice: The Cases of Gustav von Aschenbach (Leonard Hastings Schoff Lectures)
by Philip KitcherPublished in 1913, Thomas Mann's Death in Venice is one of the most widely read novellas in any language. In the 1970s, Benjamin Britten adapted it into an opera, and Luchino Visconti turned it into a successful film. Reading these works from a philosophical perspective, Philip Kitcher connects the predicament of the novella's central character to Western thought's most compelling questions. In Mann's story, the author Gustav von Aschenbach becomes captivated by an adolescent boy, first seen on the lido in Venice, the eventual site of Aschenbach's own death. Mann works through central concerns about how to live, explored with equal intensity by his German predecessors, Schopenhauer and Nietzsche. Kitcher considers how Mann's, Britten's, and Visconti's treatments illuminate the tension between social and ethical values and an artist's sensitivity to beauty. Each work asks whether a life devoted to self-sacrifice in the pursuit of lasting achievements can be sustained and whether the breakdown of discipline undercuts its worth. Haunted by the prospect of his death, Aschenbach also helps us reflect on whether it is possible to achieve anything in full awareness of our finitude and in knowing our successes are always incomplete.